Arnold Schoenberg - Pierrot Lunaire, Op. 21 (Ensemble Intercontemporain, Pierre Boulez)
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- Опубликовано: 1 янв 2021
- From the Theater an den Wien, Vienna, 2004
Pierre Boulez conducts a Triple Bill. Watch it here: bit.ly/PierreBoulez-TripleBil...
Anja Silja - Pierrot
Ensemble Intercontemporain
Pierre Boulez - conductor
Sets and Costumes by Gilles Aillaud
Lighting by Dominique Borrini
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A vocal melodrama around the Pierrot poems of Albert Giraud, Arnold Schoenberg’s Pierrot Lunaire Op. 21, is a startling work of raw expressionism. Notorious as the most shocking atonal musical work of its time, it is scored for a small ensemble and a soprano employing Sprechgesang. Acclaimed for her acting abilities, the celebrated German singer Anja Silja takes the role of Schoenberg’s Pierrot: not simply the traditional figure of pathos but a dislocated, splintered personality who rasps out tortured and often violent fantasies.
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For those wondering, the piece played in the intro is the first of Igor Stravinsky's Three pieces for clarinet solo.
Thank you! I was wondering...
Thank you very much, I was wondering that too and I still wonder why it appears here 🤔
@@rafaelgonzalez6172 It was a production that joined three small scale early 20th century works focused on the circus one way or another. Apart from Pierrot Lunaire they also performed Manuel de Falla's El Retablo de Maese Pedro and Igor Stravinsky's Renard, all conducted by Boulez. The solo clarinet pieces are used as intermezzi to give enough time for the stage to change and to link the three works together without there being stops between them, i guess. The other ones are also on RUclips, give them a watch!
@@signodeinterrogacion8361 I understand! Thank you so much!
@@rafaelgonzalez6172 You're welcome!
Great performance. And a wonderfully calm monkey
Thank you for this incredibly beautiful performance ❤
MARAVILHOSOSSS!!! ARNOLD/ BOULEZ / ANJAAAAA!!!!
My first time hearing this performance. I love it.
Read the poetry.
i love this
This is the contemporary music I can enjoy.
1912 - you'd need to be over 100 to describe it thus...
Great piece. Read the poetry. Great stuff, very much of its time.
Ideal piece to sing along...
very witty!
No. 1, Mondestrunken (Moonlight-Drunken) 2:03
No. 2, Columbine 3:40
No. 3, Der Dandy (The Dandy) 5:28
No. 4, Eine blasse Wäscherin (A Pale Washing Girl) 6:46
No. 5, Valse de Chopin (Waltz of Chopin) 8:11
No. 6, Madonna 9:27
No. 7, Der kranke Mond (The Sick Moon) 11:22
No. 8, Nacht (Night) 13:51
No. 9, Gebet an Pierrot (Prayer to Pierrot) 16:01
No. 10, Raub (Theft) 15:52
No. 11, Rote Messe (Red Mass) 18:04
No. 12, Galgenlied (Gallows Song) 19:42
No. 13, Enhauptung (Beheading) 20:01
No. 14, Die Kreuze (The Crosses) 22:05
No. 15, Heimweh (Homesick) 24:16
No. 16, Gemeinheit! (Mean Trick!) 26:15
No. 17, Parodie (Parody) 27:26
No. 18, Der Mondfleck (The Moon Spot) 28:45
No. 19, Serenade 29:41
No. 20, Heimfahrt (Journey Home) 32:08
No. 21, O alter Duft (Oh, Old Fragrance) 33:51 to 35:24
thank you
@@ramonz2419 You're welcome. I'm going to try to finish the track listings. Maybe today!!!
Great Anja Silja
I'm excited about the, Artemis Launch.
CHE MERAVIGLIA!!!!!!!
This video would be better with subtitles
I first heard this in the UBC library back in 1972. It has always struck me as being like music from an old silent movie. The era, maybe?
Yep, German expressionism.
C est cosmique j adore
On voyage ds une autre galaxie là 😊❤
pourquoi une autre: n'a pas celle-ci suffisamment d'intérêt? ou plutôt, qu'y aurait-il de plus intéressant dans une autre?
the beginning is me walking into the house after the school called my mom while she was at work.
👑
👏👏👏👏👏👏👏👏👏👏
14:00 no.8 Nacht
It's a pity that these music masterpieces composed atonally have still not been included in ordinary concert programs, even though they have been over 100 years old...
Parte I:
Mondestrunken (Ebbro di luna)
Organico: pianoforte, flauto, violino, violoncello
Composizione: 29 aprile 1912
Colombine (Colombina)
Organico: pianoforte, flauto, clarinetto, violino,
Composizione: 20 aprile 1912
Der Dandy (Il Dandy)
Organico: pianoforte, ottavino, clarinetto
Composizione: 2 aprile 1912
Eine blasse Wäscherin (Una pallida lavandaia)
Organico: flauto, clarinetto, violino
Composizione: 18 aprile 1912
Valse de Chopin (Valzer di Chopin)
Organico: pianoforte, flauto, clarinetto, clarinetto basso
Composizione: 7 maggio 1912
Madonna (Madonna)
Organico: flauto, clarinetto basso, violino, violoncello
Composizione: 9 maggio 1912
Der kranke Mond (La luna malata)
Organico: flauto
Composizione: 18 aprile 1912
Parte II:
Nacht (Notte) - Passacaglia
Organico: pianoforte, clarinetto basso, violoncello
Composizione: 21 maggio 1912
Gebet an Pierrot (Invocazione a Pierrot)
Organico: pianoforte, clarinetto
Composizione: 12 marzo 1912
Raub (Rapina)
Organico: pianoforte, flauto, clarinetto, violino, violoncello
Composizione: 9 maggio 1912
Rote Messe (Rosso convivio)
Organico: pianoforte, ottavino, clarinetto basso, viola, violoncello
Composizione: 24 aprile 1912
Galgenlied (Ballata della forca)
Organico: ottavino, viola, violoncello
Composizione: 12 maggio 1912
Enthauptung (Decapitazione)
Organico: pianoforte, flauto, clarinetto, clarinetto basso, viola, violoncello
Composizione: 23 maggio 1912
Die Kreuze (Le croci)
Organico: pianoforte, flauto, clarinetto, violino, violoncello
Composizione: 9 luglio 1912
Parte III:
Heimweh (Nostalgia)
Organico: pianoforte, ottavino, clarinetto, violino, violoncello
Composizione: 22 maggio 1912
Gemeinheit (Perfidia)
Organico: pianoforte, ottavino, clarinetto, violino, violoncello
Composizione: 6 giugno 1912
Parodie (Parodia)
Organico: pianoforte, ottavino, clarinetto, viola
Composizione: 4 maggio 1912
Der Mondfleck (La macchia lunare)
Organico: pianoforte, ottavino, clarinetto, violino, violoncello
Composizione: 28 maggio 1912
Serenade (Serenata)
Organco: pianoforte, flauto, clarinetto, violino, violoncello
Composizione: 25 aprile 1912
Heimfahrt (Viaggio verso casa) - Barcarola
Organco: pianoforte, flauto, clarinetto, violino, violoncello
Composizione: 9 maggio 1912
O alter Duft (Antica fragranza)
Organico: pianoforte, flauto (anche ottavino), clarinetto (anche clarinetto basso), violino, viola, violoncello
Composizione: 30 maggio 1912
看我的头像~
girlboss
monke
I heard this (in full length) for the first time about 60 years ago. I didn't like it. Thinking I might have changed lately, I am trying this again (so far about15 minutes) and I still do not like it. I am stopping, now. Should I feel sad because I do not understand/enjoy all these modern (probably more fashionable) things? No, not at all. I am happy to know that I still cherish and enjoy old stuffs - up to Mahler.
I have to chuckle, totally fair. While I discovered Schoenberg only about 25 years ago in high school, I JUST discovered this piece. My appreciation starts with a personal interest, curiosity, love of all references to the moon. I'm also hugely intrigued by any and all variations, representations of mimes/pierrots/clowns/harlequins. This is a gateway operetta for those still inching towards Wagner. And maybe I'm reaching, while I fell in love with Rite of Spring (1913) at first listen, Wozzeck (c.1914-1922, 1925) was a little bit of a head shake at first. Form with Freedom.
Pierrot Lunaire was composed in 1912, calling it modern or contemporary seems outdated? Most of the music that we listen nowadays is composed later than this, unless you only listen barroque/clasical/romantic music
music is one of two kinds. there's the kind that makes you sweat and stop your feat because you can't contain the joy of listening to it. and there's the other kind. don't feel sad, and concentrate on whatever makes you want to scream "THIS IS GREAT!" to your neighbour, whatever that is.
Not at all, Mr. Kim. One of the more stupendous skills in music includes, music listening. A concious effort in aural theory, as disorienting as it may be, is of supreme worth. Nice to meet you!
It's a fake problem, it seems to me (with all due respect being said), for a fake solution.
.
Es un falso problema, me parece a mí ( dicho esto con todo el respeto), para una falsa solución.