The labels indicate normalisations. So +5V is normalled into the channel A input, channels B-D have the channel to the left of them normalled into their inputs, and Morph is normalled into the level input of each channel. So if you patch an oacillator into the input of channel A and an LFO into Morph mod, you can distribute the oscillator across the outputs of the channels as determined by the position and span knobs for each channel.
module is superb but please prepare some adequate patches next time. In 18:00 it's used as percussion module. Sorry but it sounds like Gate signal into output xD No offence, treat is as constructive criticism
Sure. Thanks. Its just that when I explain I am trying to be super simple and not distract. Its not about percussion but about the mechanics of the module. I want You to understand it. But I agreen that this one might be a bit tor raw 😎
@@colormysound1576 I'd do this in 2 steps: 1. Prepare audio which is suitable to emphasize distinction of the function to be presented 2. Focus on technical/logical explanation Keep up the good work!
Great video and tutorial on the Morph 4...thx!!
Why are the Input jacks labeled with +5 where A should be, and all rest are right-shifted where there is no D input label? Thanks,
The labels indicate normalisations. So +5V is normalled into the channel A input, channels B-D have the channel to the left of them normalled into their inputs, and Morph is normalled into the level input of each channel. So if you patch an oacillator into the input of channel A and an LFO into Morph mod, you can distribute the oscillator across the outputs of the channels as determined by the position and span knobs for each channel.
insane you help me to understand this beast keep doing amazing work !!!
Nice video! Question: patching an individual out (e.g., channel B OUT) does NOT remove it from any of the mixes at the right side of the module?
Got answer from Joran: patching individual out does NOT remove channel from the right side mixes-they are concurrent outputs.
Indeed, the individual and combined outputs are completely separate, for ultimate versatility.
Very useful module and very good explanation of its functions.
v. clear explanation of the core concepts. thanks
Thanks, this is an extremely straightforward and helpful overview of the module.
Excellent presentation as per usual! Thank you!
They are Transformer Modules lol
The Whole Joranalogue line
The Modules Can be anything
Great video thank you, what an amazing module.
Only watched half so far, but this seems like a really powerful tool for spatial / quadraphonic modulation
module is superb but please prepare some adequate patches next time. In 18:00 it's used as percussion module. Sorry but it sounds like Gate signal into output xD
No offence, treat is as constructive criticism
Sure. Thanks. Its just that when I explain I am trying to be super simple and not distract. Its not about percussion but about the mechanics of the module. I want You to understand it. But I agreen that this one might be a bit tor raw 😎
@@colormysound1576 I'd do this in 2 steps:
1. Prepare audio which is suitable to emphasize distinction of the function to be presented
2. Focus on technical/logical explanation
Keep up the good work!
Great module.