Congratulations on the excellent work you have produced given the limited time in which you had to create it and then put it together to tell a compelling visual story. No doubt you received good advice from the two 'legends', but the vision is completely yours. Thanks for sharing your experience with us, your followers.
Thank you for sharing your experience! Even if the educators are word class (most of them are not), I'm usually dubious of these multiday workshops. Hard to imagine creating and editing a new body of work in a few days but you got a lot more mileage out of it than I expected! I would just panic :)
@@andras_ikladi Hey Andras! Welcome back! Thank you for watching! That’s a fair point, the quality of a workshop probably depends on the teacher’s teaching ability as much or more than their ability as a photographer - so I imagine these multi-day workshops vary widely in terms of quality. I’ve been pretty lucky with the ones I’ve taken I think, and with this one in particular I learned a LOT. As far as not having much time to make work - I think the work made during a workshop is just an exercise and not really important at all. The real value comes when you start applying what you learned to the projects you have going on outside the workshop. And of course it’s amazing to meet legends like these in person, get to hear their stories and all of that as well.
Really nice series, I especially like the photo of the pointing hand. I'm sorry to hear about your mugging. I have a simple little 2000s point and shoot with a 24-60mm equivalent zoom lens that I use when I'm not comfortable bringing out my main camera or my medium format film cameras. Although I don't like using it at more than iso 200, and it's a bit slow to take a photo, and it has no viewfinder, I still find that when looking at prints, people can't usually tell. Sometimes comfort and safety are more important than megapixels and dynamic range
For my taste you sorted all pictures out which tell a true story. And mhhh manipulation always was a part of photography why are you afraid of giving the shadows a kick in Lightroom. The pictures are beautiful but you need someone who makes the final decision for you, a curator. Don’t be afraid to show your art the people can decide on their own what they like… good work….let us see it on screen….😮
Those images are truly incredible. Thanks for sharing your experience and thought process :)
Thank you so much Paul!
As a young photographer who can’t afford workshops I can’t overstate how much I appreciate these videos. Thanks for the channel!😊
@@dovidiamond7147 So happy to hear it Dovi! Thank you for watching!
Great shots Richard! thank you so much for sharing your experience. love the selection! 👍✨
@@hermessingson5806 Thank you so much Hermes!
@@RichardSilvius hi Richard, just a suggestion, if you may, pls increase the volume in post, for better listening. thanks!
@@hermessingson5806 Thank you! I’ll keep that in mind for the next video 🙏
Congratulations on the excellent work you have produced given the limited time in which you had to create it and then put it together to tell a compelling visual story. No doubt you received good advice from the two 'legends', but the vision is completely yours. Thanks for sharing your experience with us, your followers.
@@gladzor Thank you!! 🙏
Thank you for sharing your experience! Even if the educators are word class (most of them are not), I'm usually dubious of these multiday workshops. Hard to imagine creating and editing a new body of work in a few days but you got a lot more mileage out of it than I expected! I would just panic :)
@@andras_ikladi Hey Andras! Welcome back! Thank you for watching! That’s a fair point, the quality of a workshop probably depends on the teacher’s teaching ability as much or more than their ability as a photographer - so I imagine these multi-day workshops vary widely in terms of quality. I’ve been pretty lucky with the ones I’ve taken I think, and with this one in particular I learned a LOT. As far as not having much time to make work - I think the work made during a workshop is just an exercise and not really important at all. The real value comes when you start applying what you learned to the projects you have going on outside the workshop. And of course it’s amazing to meet legends like these in person, get to hear their stories and all of that as well.
You did very well for the short time you had, and I particularly love the rectangles that run through most of the photos.
@@ZenoWatson Thank you Zeno!
Great images from the RX100!
@@nocommentnoname1111 Thank you!!
Really nice series, I especially like the photo of the pointing hand. I'm sorry to hear about your mugging. I have a simple little 2000s point and shoot with a 24-60mm equivalent zoom lens that I use when I'm not comfortable bringing out my main camera or my medium format film cameras. Although I don't like using it at more than iso 200, and it's a bit slow to take a photo, and it has no viewfinder, I still find that when looking at prints, people can't usually tell. Sometimes comfort and safety are more important than megapixels and dynamic range
@@aliyasleeps Thanks Aliya! That’s a good policy for sure. I’ll be keeping this little compact around for just those types of situations.
Gracias por tan excelente trabajo
@@alejita3052 Gracias por ser una seguidora tan fiel!
"The person who designed Eiffel tower" LOL
@@arsenikkkk I stepped right in that one, didn’t I?
For my taste you sorted all pictures out which tell a true story. And mhhh manipulation always was a part of photography why are you afraid of giving the shadows a kick in Lightroom. The pictures are beautiful but you need someone who makes the final decision for you, a curator. Don’t be afraid to show your art the people can decide on their own what they like… good work….let us see it on screen….😮
@@beyourself9162 Thank you!!