There is a curiosity in the two measures from 23:56 to 23:58 in this piece. About 30 percent of the various quartets (professional or otherwise) where this string quartet can be heard on RUclips play an altered version of the viola part for these two measures (the 2 measures starting four measures before rehearsal letter 8 in the finale). This Quartet plays the altered part as well. The other 70 percent play the version that Dvorak actually intended. In this rendition, the viola plays the rhythm (in 2/4 time signature) of 8th note, 8th rest, 8th note, 8th rest while the two violins and cello play 8th note, 8th rest, 8th rest, 8th note. In the autograph score, Dvorak wrote rather sloppily for those two measures. Simrock, Dvorak's publisher, apparently prepared the parts with the viola playing a different rhythm then the other three. But Dvorak pointed out the mistake and indicated that he had intended all four instruments to play the same rhythm. But there are sets of parts that print the altered viola part (Kalmus is one of these) and there are other publishers who correct the part according to Dvorak's wishes. I believe that all the full scores out there reflect the corrected part, with all four players playing the same rhythm. If you go on RUclips and listen to the Emerson String Quartet play this piece you can follow the music as it is played. If you listen carefully you can notice the viola does not play the notes in the score for those two measures. Besides the famous Emerson Quartet, there are many others that play from the altered viola score, including the Julliard Quartet (1971), the Budapest Quartet (1941), and more contemporary Quartets such as the Crimson String Quartet, and the Fry Street (string) quartet. But there are more quartets that play according to the score, including the Orion String Quartet, the Cleveland String Quartet, The American, the Amadeus, the Prague, the Novus and even a 1928 recording by the Czech String Quartet (all can be heard on RUclips). The Dolazel String quartet (Dolazelovo Kwarttet) plays the altered Viola part and have acknowledged to me that they are aware of that, indicating that they prefer the sound of the quartet with the Viola playing differently than the other three players. Surely the music does sound wonderful both ways, so what I mention here is nothing more than a curiosity in music history.
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4年前の資格試験勉強時にずっと聞いていました。おかげて集中でき、試験の休み時間もこれを聞いて心を落ち着けていました。無事に合格し、専門職で働くことができております🙇ありがとうございました！
色々聞いたけどこちらの演奏が1番感動する🎉
懐かしさと心地よさに満ち溢れている素晴らしい演奏です。
ヴィオラの方、音色が素晴らしいですね！
初めて”アメリカ”を聞いたのは半世紀前、チェコのブルノでした。当時コンサートマスターをしていた小林さんを訪ねた際，ブルノーフィルのメンバーで構成される４重奏団の方々と話しをして彼らの迫力のあるリハーサルを聞かせてもらいました。ドヴォルザークの地元で新大陸を思う”アメリカ”が忘れられません。わかい日本の演奏家の熱意が昔を思い出してくれました。
素晴らしい四重奏です。私は特に第二楽章が好きです。テーマが第一Vから第二Vへ移行していくところ。そして終盤のチェロ、そしてビオラによるピチカート。これはネイティブアメリカンが打つボンゴを思い出させます。すばらしい音楽でかつドボルザークは素晴らしい音楽家です。また違和感が全くなく演奏するこのクワルテットも素晴らしい。
すばらしいです。いにしえのハンガリー弦楽四重奏団の「アメリカ」が好きでレコードからデジタルに変換して聴いています。爺どもの渋いさも捨てがたいのですがこの若さには感激しました。
There is a curiosity in the two measures from 23:56 to 23:58 in this piece. About 30 percent of the various quartets (professional or otherwise) where this string quartet can be heard on RUclips play an altered version of the viola part for these two measures (the 2 measures starting four measures before rehearsal letter 8 in the finale). This Quartet plays the altered part as well. The other 70 percent play the version that Dvorak actually intended. In this rendition, the viola plays the rhythm (in 2/4 time signature) of 8th note, 8th rest, 8th note, 8th rest while the two violins and cello play 8th note, 8th rest, 8th rest, 8th note. In the autograph score, Dvorak wrote rather sloppily for those two measures. Simrock, Dvorak's publisher, apparently prepared the parts with the viola playing a different rhythm then the other three. But Dvorak pointed out the mistake and indicated that he had intended all four instruments to play the same rhythm. But there are sets of parts that print the altered viola part (Kalmus is one of these) and there are other publishers who correct the part according to Dvorak's wishes. I believe that all the full scores out there reflect the corrected part, with all four players playing the same rhythm. If you go on RUclips and listen to the Emerson String Quartet play this piece you can follow the music as it is played. If you listen carefully you can notice the viola does not play the notes in the score for those two measures. Besides the famous Emerson Quartet, there are many others that play from the altered viola score, including the Julliard Quartet (1971), the Budapest Quartet (1941), and more contemporary Quartets such as the Crimson String Quartet, and the Fry Street (string) quartet. But there are more quartets that play according to the score, including the Orion String Quartet, the Cleveland String Quartet, The American, the Amadeus, the Prague, the Novus and even a 1928 recording by the Czech String Quartet (all can be heard on RUclips). The Dolazel String quartet (Dolazelovo Kwarttet) plays the altered Viola part and have acknowledged to me that they are aware of that, indicating that they prefer the sound of the quartet with the Viola playing differently than the other three players. Surely the music does sound wonderful both ways, so what I mention here is nothing more than a curiosity in music history.
The comfort and wonderfulness of their performance is far superior splendor amazing
From Tokyo where is a dizzying megalopolis ablaze with neon .
演奏しているのは、どこの楽団ですか？
5:55