This is nice, because you quite often see a video on "skin tone", and it's 90% of the time a light pink female face. Good to have the tools to work with a variety of subjects.
Thanks Liron! My main pallette for mixing these would include the Hansa yellows (medium and deep) and the Quin. Rose....based on that, do you think a different blue work better? Of course I will experiment, but would love to hear your opinion! Thanks again!....enjoy your videos!
Hey Liron, off topic here but Im looking at your courses and I have a few questions- are they meant to be taken in order? Is the realism course for portraiture? I've been painting for several years daily and I started out really tight and realistic so I was thinking about taking your first course to help me with my landscapes and cityscapes. I'm most excited by your '100 cars series' and landscapes and loosely rendered people. But if the second is focused on portraiture it might still be of great help since I focused on still life. Of course I can always take whichever one later so it's not a now or never thing. Any suggestions? Thanks!
Hi Lirón, thank you very much for your work!!. Please take a look at the amazing work of Wendy Artin : on ancient Greek sculptures and architecture also natural bodies
This is nice, because you quite often see a video on "skin tone", and it's 90% of the time a light pink female face. Good to have the tools to work with a variety of subjects.
Thanks you! I've been struggling with skin tones, but the way you broke it down made it so simple
Easy to remember those three colours. A cool blue, cool red and cool yellow.
Thank you, Liron! This is so helpful😊👩🎨
You are so talented! I look at your vids and am always impressed with how you get the paints and brushes to dance for you. Thank you.
- phthalo blue
- quinacridone rose
- lime yellow
Ye!!!, haven't watched but I'm super excited. Many thanks Liron!
Thanks, this was very helpful.
Thanks Liron! My main pallette for mixing these would include the Hansa yellows (medium and deep) and the Quin. Rose....based on that, do you think a different blue work better? Of course I will experiment, but would love to hear your opinion! Thanks again!....enjoy your videos!
Great content!! Loving the clear and practical approach!!
Thanks Liron ,this was a great video as always I learned from it
Hey Liron, off topic here but Im looking at your courses and I have a few questions- are they meant to be taken in order? Is the realism course for portraiture? I've been painting for several years daily and I started out really tight and realistic so I was thinking about taking your first course to help me with my landscapes and cityscapes. I'm most excited by your '100 cars series' and landscapes and loosely rendered people. But if the second is focused on portraiture it might still be of great help since I focused on still life. Of course I can always take whichever one later so it's not a now or never thing. Any suggestions? Thanks!
So helpful, thank you!
Thank you Liron , I needed this ❤ , I always use yellow ochre and the skin always looks green 🤣
Awesome video. Thank you!!!
Brilliant. Thank you.
Hi Lirón, thank you very much for your work!!. Please take a look at the amazing work of Wendy Artin : on ancient Greek sculptures and architecture also natural bodies
Thank you! I have a Painting Masters episode on her 😁
Check it out here:
ruclips.net/video/4tMLmu53-Fo/видео.html
@@LironYan yes! :-) I wrote some I formation on her materials, thanks!
Thank..❤❤
Why mix brown, when you can simply take a sepia, or umber, or sienna and adjust it? Seems like overcomplication.
This was great. Thank you!