Schumann - Fantasie op.17 - Annie Fischer studio
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- Опубликовано: 15 окт 2024
- Robert Schumann
I. Durchaus phantastisch und leidenschaftlich vorzutragen 0:00
II. Mässig - Durchaus energisch 12:07
III. Langsam getragen - Durchweg leise zu halten 19:23
Annie Fischer
Studio recording, London, 12.X.1958 & 5.II.1959
The Langsam movement is incredibly delicate and tenderly felt !
Just wonderful, for me one of the best interpretations ever recorded...
Best performance of this I've ever heard.
An extremely sensitive approach of this maginificent fantasy of Schumann, so praised by many virtuoso pianists.
Echt fantastische Interpretation dieser romantischen Fantasie im gut phrasierten Tempo mit klarem Anschlag und perfekt kontrollierter Dynamik. Erstaunliche Virtuosität!
A very beautiful and sensitive performance. Probably the best I’ve ever listened to. Annie Fischer was wonderful! Thank you, Incontrario Motu.
La clarté incomparable des parties d'accompagnement crée une lumière presque debussyste.
THANK YOU!!!....
Очень вдохновенное и вдумчивое исполнение, раскрывающее мир Роберта Шумана,- от лирической поэтики до восторженно - драматической патетики! БРАВО!!!
Splendida. Come quasi tutte le interpretazioni di Annie. Aascoltandola si arriva al nocciolo delle intenzioni dell'autore. Straordinari i suoi Beethoven e Schumann.
La più bella interpretazione della più romantica composizione
"Durchaus phantastisch", comme il est dit dans l'intitulé. Pas dans le sens appréciatif, non, mais dans le sens des fantasmes, visions, apparitions. Elle joue avec beaucoup de liberté. Merci.
C'est extraordinaire !
This is a very good version and even compares well to Richter's .
un'interprete cosciente dei contenuti drammatici e fantastici dell'autore come si riscontra raramente Grazie della ''lezione''
Honnête jeu sensible avec une belle voix et un son si Schumann l'exige.
Sound reminds me of Sviatoslav Richter.
This is extremely good, especially the first two movements - such fluid playing in the first, and the right amount of power and triumphalism in the second. There must be discrepancies between editions, for she's another who makes the quaver at the start of bar 73 a semiquaver, and the LH f in bar 302 (5th chord) an e (1st mvmnt.). The main reason for my reservation over the third movement is a number of departures from the Henle score; for instance, playing the chords in bar 27 & 84 staggered rather than straight, and rushing several of the pianissimo LH arpeggios under two-bar held chords, such as at bar 36-37. Actually, in various places in this movement she chooses to put LH note fractionally ahead of RH, which seems to be a stylistic trait and is an annoying distraction. She very nearly matches Horowitz in the final climax but, like so many others, peaks too early, or rather, doesn't properly peak at all. These are tiny quibbles, for this is one of the very best versions on RUclips. She really has an empathy with this music. Thank you for uploading. It's fantastic to hear how people viewed Schumann sixty years closer to his own time.
It's far less interesting reading your inane "perceptions" about this recording 63 years later. Take your microscope and slither off.
Is it possible that she doesn't follow the henle edition because it didn't exist when she made this recording. You've obviously spent lots of time studying , but your tendency to assume the persona of the God of the schumann fantasy is extremely annoying!
18:38
Velika umjetnica😀😀😃
シュ-マンの「幻想曲OP17」を初めて聴いたのが、ア二-フイッシャ-の演奏したCDでした.今日改めてア二-フイッシャ-の、シュ-マンは最高ト再認識。深い悲しみや憂鬱を強く感じました。
Belabored, heavy handed, mechanical and
metronomic. Boots on the keyboard. Ugly
sound.
18:41