@@audioreakt Never realised you were French (or French speaking). I somehow always put you somewhere in Spain, maybe Basque. Don‘t know why. Forgive me for asking, but what region are you from? Greetings!
This was IMMENSELY helpful. I'm not on Ableton (FL Studio user over here) so I had to approximate most of the actual processing and go by ear at places, but I gotta say: 20 minutes of this got me to where I wanted my sound to go (darker, harsher, harder) and gave me a foundation upon which to keep building. I especially loved the impact + kick pairing - something that I never would've thought about in a million years that almost instantly transformed the whole foundation. "Thank you" doesn't even begin to cover it, but it's a start, so: thank you!
I really like your tutorials man, I've talked with a lot of artists and most of them were saying layering different kicks and percs but this layering idea with an impact is just genius. Keep it going!
yes that's why I wanted to show something different, layering kick with other kick and/or perc every intermediate/advanced producer know the trick. Thanks !
Dude this is one of the best organic sound design walktroughs i feel like every importanty "sauce" got adressed just right this is rly effect heavy production and i wish more ppl in the techno szene would look at this much love from berlin
thanks mate happy to hear that, I know you've been following me for a long time so this really motivate me ! yes it was inspired by 6EJOU and Niki Estrefi
Keep it up, this video is so simplistic to follow along as you're only using the available stock plugins to build your song from scratch into a professional sounding banger!
Could you please make more of these "From Scratch" type of videos? The newer videos have been helpful but I have learned so much from rewatching this video and having you explain each setting and how it works / exactly why youre adjusting it the way you are. If you made a series of these I would gladly pay for it. Thanks for the tutorials.
Great tutorial, very humble of you to give this kind of knowledge away for free! I would advise to put all the saturation for the kick in a parallel channel and process it there so the kick doesn't loose its dynamic :)
I would love to be that easy but most of the time I don't get the result wanted, it depend, sometime it work with parralel processing, sometime no... Kick are the most unpredictable sound when processing haha 😂😂
@@audioreakt so true, sometimes I spend ages building a chain, scrap the initial sample, do it all over again etc etc they have to be wild beasts to hit the spot though, so that's ok with me 😄
One of my fav videos from you till now!! Amazing to see the smooth workflow and clear explantions why you do the processing and the video has a nice length to watch it all the way. I am wondering though, I often don't see you match the volume after distortion or compression to how it was before this. Is this something you don't mind?
thanks yeah I try to make it not too long, it's always a bit tricky to balance but I am happy with the flow of the video too on that one. No I usually don't, as most of the time it's for sound design purpose and not mixing/mastering. Usually when I add a new device and see the input is too high, yes in that case I will either reduce the output of the previous device or adjust the input of the device I just added. A lot of time your input level will make the device react differently, so I never change it first, I always see how it sounds first without adjusting and then if there is something off or a problem I will adjust the input. Gain compoensation can be great to see if what you've done really improve the sounds or if you are just fooled by loudness. I will do it more on the mixing stage or if my goal is too make the sound better/clearer, but if my goal is to tweak to death until I find a a tone I like then I don't care about gain staging, I pnly care about the the tone. Hope it make sense
@@audioreakt I understand, makes sense. Thing is not to be fooled by loudness indeed or of it's clipping or something. Great thing about techno you can get away with stuff like this because it's all about distortion and tweaking it till it sound nasty (your words haha) by the way really great that you added the arrangment part, that's what im struggling with to get an general arrangment that you can go further. Thanks again for this!
By the way, was always struggling to get that nice percusive rumble that gives a track so much energy. Now with this video finally it is so simple. I'm actually recreating the whole video right now in ableton and the results amaze me! again thank you so much, going to check out your website to see how i can support you because this is style is up my alley and was struggling a bit to get this sound
as I am working thru this process I did notice some phasing issues with the high frequency percussive channels. I actually had to remove the Haas effect because it didn't come thru when I set it to mono on the master for example.
great you are videos! you could make a video where you show how to mix this track, explain if there are frequency problems etc.. some complete things if you do gain staging, when you put an eq / compressor why its useful. because I see that in the insert tracks you clip in the red is that a problem? like that could help several beatmakers because on YT there aren't really any videos where they properly explain their process. it would be nice of your part and a good continuation!
the things with mixing is that each case is differnt so if I told you one thing for a track it can be wrong/completely different for the next track... I am also a big beleiver that 80% of your mix is done with sound selection and having each elelement with the right level, which both cannot be teach and come only with experience... I know it's not the answer you wanted but I am not gonna lie to you and telling you that " YoU NeEd tO kNOw That SeCrEt MixIng TipS aLl ThE Pro Use ThaT WiLl ChAnGe Your Life"... the best thing you can do is download the template, take a screen shot of the template level of each track, then reset all the level to 0 and try to mix and see where you did wrong, basically kind of reverse mixing...
excellent video ! i'm a bit confused about what you did at 03:08 ? how have you done it to fuse the kick and the ambiant sound ? when i try to do the same it is absolutely not the same thing ahah
I create a new midi track, import the impact sample, group into a drum rack, then copy the midi clip from the kick to the new midi track by clicking and holding the midi clip from the kick track into the new midi track
Great tutorial! I just wish you skipped less because it's sometimes hard to follow. Like at 1:33 I have no idea where you got those tune/attack/delay/level controls from? Is it a plugin? I clicked on every button on the drum rack and can't find them
it's ableton 909 core kit, its a default drum rack coming with live. Indeed the one with macro is with live11 but you should have a 909 core kit drum rack with live 10 thats sound similar
3:56 i dont get it. how do you get this thump into that sound just with that envelope? it sounds like a fat kick. im a logic user and tried the same with stock sampler. but it sounds like shit
use a LPF on your sample, bring down the cutoff and apply an enveloppe on that filter to mopen the filter fast. enveloppe with no attack and no sustain, then play with the decay/release and enveloppe amount of modulation on the filter
Hi there, I'm completely new to this and it's my first tutorial trying to make something. But I'm stuck at 3:04. I created a new midi track and dragged in distorted tail but after that non of the functions you are showing are no available to me. What am I doing wrong? I don't have an option to group with drum rack.
first I create a new midi track, then I drag and drop the sample for my library straight into the midi track,this is going to create a Simpler device with your sample inside, then I right click on the Simpler device and group into a drum rack
I noticed you turned the dynamics off at 0% while using the overdrive plugin for almost every element you were processing except percussion. Is this not advisable to do, if so what is the reason? Thanks for the videos. Been following you for a while now. I love how you literally explain everything you do for whatever reason! Thank you very much for sharing!
to be honest there is no reason I usually always try how the parameter affet the sound decide accordingly, there is no rule, it's different for each sound...you're welcome !
no I didn't released it because it suppose to be a educational track for people to learn... I am aware that a guy use the same melody and I don't care, the template was actually inspired by a track from nicki estrefi : ruclips.net/video/HiHK9-hWjCg/видео.html
There is a copy paste of your song in this tutorial at Soundcloud with 460 k listens. PARALYZED- NIGHTMARE (released 3 months ago). Just wanted to make sure nobody stole your copyrights.
@Audioreakt at around 5:50, I don't understand how your individual channels are super loud playing at 0db but your master isn't in the red? I'm doing everything the same as you but my master channel peaks at 8.49db (kick peaks at -0.3db, impact at 8db!)
So I downloaded the project template, some stuff is missing for me but I saw you have a limiter on your master channel which explains it. Do you use it for ear safety and always put one then remove it at the end before mastering?
yeah it's mainly for ear safety, once the track is finish it can happen the limiter is squashing everything (my mix basically), so I will redo the mix, I will first select all track, then bring the kick to -6 or -9 until the limiter on the master don't work anymore...because all track are selected, it will bring down all the other track too. Most of the time its fuck up my mix but not too much, usually it works for me, I just need to readjust the volume of few track...I don't recommend to do this method to be honest but that's how I do.... I always forgot to bring the kick a -6 when starting a track therefore at the end of the track I usually need to redo my mix...but it's not a problem for me...
The way I like to do it it's I will do exactly like in the video but with the REC on. I will play around with the scene and maybe automation to have a rough arrangement recorded in the arrangement view, then I will edit and polish the recorded arrangement in the arrangement view. You can also select all you clip hold control and drag and drop in the arrangement view, but this a bit more tricky as you have to make sure all clip per scene have the same length otherwise you will get something weird into the arrangement view. But could make a video actually maybe
Asking because I always use Industrial lead synths on my songs and I know they need to be centered on the pan, but I never watched a video with someone panning and making a lead synth more stereo. I wonder how stereo should be once needs to be centered… I guess a ping pong delay is not an answer at all for this case, once leads has too much energy… but haas effect and chorus definitely makes more sense…
@@skullbreaker6208 they doesnt especially need to be center, they are most of the time though it's true, but adding a bit of stereo usually make them a bit less ''weak'' ...
I’m pretty new to ableton … never created anything to be honest, I just feel limited by the lite version regarding the tutorials… would this project work for me, I would love to get into industrial techno
Indeed the lite version is pretty limited, you can still download this project it's free and see if it's working....but eventually if you really want to use live to it's full potential and really not be limited you will need to upgrade
create a new midi track, drag sample into the midi rack, it create a simpler with the sample inside. then transform the simpler into a drum rack, then copy the midi by drag and drop the midi clip and holding ctrl
where can i get that Kick_punch_v2? also can you slow down a bit and dont jumpcut some controls you are doing, it makes it very hard to follow. (mabe use an exetnsion that shows what buttons you are pressing?
I love the way Jean Reno teaches us how to techno
Haha, so true!
haha not the first one saying that!
@@audioreakt Never realised you were French (or French speaking). I somehow always put you somewhere in Spain, maybe Basque. Don‘t know why. Forgive me for asking, but what region are you from? Greetings!
@@audioreakt Tényleg keményen tolod!
He looks like Rooler also!
The cinematic impact layered with the kick is such a great insight, thank you.
You're welcome ! Cheers
This was IMMENSELY helpful. I'm not on Ableton (FL Studio user over here) so I had to approximate most of the actual processing and go by ear at places, but I gotta say: 20 minutes of this got me to where I wanted my sound to go (darker, harsher, harder) and gave me a foundation upon which to keep building. I especially loved the impact + kick pairing - something that I never would've thought about in a million years that almost instantly transformed the whole foundation.
"Thank you" doesn't even begin to cover it, but it's a start, so: thank you!
Haha thanks mate, glad you could follow even though you don't have Ableton! Cheers
Dude I never thought to use an impact as a layer to get that sick rumble. Thank you!!!
door slaming, explosion, gun shot, everuything that slam or explode is fire (no pun intended)
I really like your tutorials man, I've talked with a lot of artists and most of them were saying layering different kicks and percs but this layering idea with an impact is just genius. Keep it going!
yes that's why I wanted to show something different, layering kick with other kick and/or perc every intermediate/advanced producer know the trick. Thanks !
never grooved so hard to a turtorial. Awsome work
thank you very much !
Dude this is one of the best organic sound design walktroughs
i feel like every importanty "sauce" got adressed just right
this is rly effect heavy production and i wish more ppl in the techno szene would look at this
much love from berlin
thanks for your kind words I really appreciate it ! Glad you liked the video, cheers from south of france !
Thanks!
thanks a lot for your donations, I really appreciate !
This tutorial is mad! Watched it at least 10 times now 😅
Track in the making thanks to you!!!
haha cheers mate, glad you enjoyed it !
This may be my favourity video of you to date!! Amazing stuff. Please do more of these.
Very 6ejou sounding
thanks mate happy to hear that, I know you've been following me for a long time so this really motivate me ! yes it was inspired by 6EJOU and Niki Estrefi
Yes this video is simplistic straight to the point, love it so much!
Keep it up, this video is so simplistic to follow along as you're only using the available stock plugins to build your song from scratch into a professional sounding banger!
thanks mate glad you liked it !
You’re a genius dude. Best techniques on YT for techno. Thanks man!
thanks I really appreciate !
In the voice of King Leonidis from 300 - It depends how NASTY you want your kick - ADD A OVERDRIVE!!! Absolutely LOVED this video!! Merci JULIEN!!
haha cheers, btw my name is Paul not julien
@@audioreakt LOL! Désolé Paul et merci! Much love from Portugal!
This track goes so hard! Nice work and thanks for sharing
yopu're welcome !
Could you please make more of these "From Scratch" type of videos? The newer videos have been helpful but I have learned so much from rewatching this video and having you explain each setting and how it works / exactly why youre adjusting it the way you are. If you made a series of these I would gladly pay for it. Thanks for the tutorials.
yes i really need to, they just take longer to make so that's always had to find time for it, but will def try to do more this year...
Fiiuuuu , ur song its a banger 🥵🔥🔥
Thanks for thé tutorial ❤
haha cheers mate ! youre welcome !
Great tutorial, very humble of you to give this kind of knowledge away for free!
I would advise to put all the saturation for the kick in a parallel channel and process it there so the kick doesn't loose its dynamic :)
I would love to be that easy but most of the time I don't get the result wanted, it depend, sometime it work with parralel processing, sometime no... Kick are the most unpredictable sound when processing haha 😂😂
@@audioreakt so true, sometimes I spend ages building a chain, scrap the initial sample, do it all over again etc etc
they have to be wild beasts to hit the spot though, so that's ok with me 😄
"We're gonna use Overdrive" - Thats in my head now forever :D
why ? 😅😆
Thanks Paul, my whole neighbour and I are loving your tutorial. 💣
haha cheers and happy to hear that !
Thank you so much brother... you saved my production day
you're welcome !
Literally the tutorial I needed, even with me using Fl Studio
Cheers, glad you can translate to fl studio
someone give him an Oscar for that video !! 100%
haha cheers !
What a interesting way to semi-jam, semi-arrange with the session view. Do you have a vid on it explaining it more? It looks really interesting.
coming next wednesday ;)
@@audioreakt awesome, thank you!
speeeechless, best toturial thank you
my pleasure !
Best production content on the world wide web. Never stop!
Wow, thanks! Hope I will do that al my life haha
So glad I stumbled across your channel. Looking forward to making some hard as musics
Welcome aboard! Have fun !
Awesome, thanks!
you're welcome !
Thank you very much for this tutorial, really helped me out! 🎛👌, greetings from Ibiza.
You're welcome, always happy to help !
One of my fav videos from you till now!! Amazing to see the smooth workflow and clear explantions why you do the processing and the video has a nice length to watch it all the way. I am wondering though, I often don't see you match the volume after distortion or compression to how it was before this. Is this something you don't mind?
thanks yeah I try to make it not too long, it's always a bit tricky to balance but I am happy with the flow of the video too on that one. No I usually don't, as most of the time it's for sound design purpose and not mixing/mastering. Usually when I add a new device and see the input is too high, yes in that case I will either reduce the output of the previous device or adjust the input of the device I just added. A lot of time your input level will make the device react differently, so I never change it first, I always see how it sounds first without adjusting and then if there is something off or a problem I will adjust the input. Gain compoensation can be great to see if what you've done really improve the sounds or if you are just fooled by loudness. I will do it more on the mixing stage or if my goal is too make the sound better/clearer, but if my goal is to tweak to death until I find a a tone I like then I don't care about gain staging, I pnly care about the the tone. Hope it make sense
@@audioreakt I understand, makes sense. Thing is not to be fooled by loudness indeed or of it's clipping or something. Great thing about techno you can get away with stuff like this because it's all about distortion and tweaking it till it sound nasty (your words haha) by the way really great that you added the arrangment part, that's what im struggling with to get an general arrangment that you can go further. Thanks again for this!
By the way, was always struggling to get that nice percusive rumble that gives a track so much energy. Now with this video finally it is so simple. I'm actually recreating the whole video right now in ableton and the results amaze me! again thank you so much, going to check out your website to see how i can support you because this is style is up my alley and was struggling a bit to get this sound
as I am working thru this process I did notice some phasing issues with the high frequency percussive channels. I actually had to remove the Haas effect because it didn't come thru when I set it to mono on the master for example.
This video is so cool !! I learned so much stuff :D
Thanks
You're so welcome!
Support for the Champ
haha cheers !
Great as always, one suggestion - could you bring your vocal up a bit? It's hard to set a comfortable listening volume to suit both talking and music.
yes i need to re adjust that !
Please do a in depth tutorial of hard techno rave drum loops/ schranz rave loops.
do you have reference track ?
Polish destiny - jan fleck remix
Paaaah, very furious and insane Sound🤯😵❤
thanks !
This was awesome. Would wish more of these. Good work!
thanks, need more time 😅🤣
@@audioreakt I bet you do :'D
another Audioreakt video another good day
haha cheers mate !
Putrid. Vile. Straight up horrifying. I love it. 🖤
haha cheers mate !
Nice one bro! Looking forward to getting home to play with this!
Thanks
Really great tutorial! Need more of this harder stuff
thanks !
Que des bons elements le fx cinematic en tant que part du kick c'est lourd
Merci mec !
Awesome tutorial ! By the way, how did you add the sidechain in a single knob ? i know how to do it with the compresor but in a single knob looks nice
thanks, here : ruclips.net/video/coKuqMFciVg/видео.html
great you are videos! you could make a video where you show how to mix this track, explain if there are frequency problems etc.. some complete things if you do gain staging, when you put an eq / compressor why its useful. because I see that in the insert tracks you clip in the red is that a problem? like that could help several beatmakers because on YT there aren't really any videos where they properly explain their process. it would be nice of your part and a good continuation!
the things with mixing is that each case is differnt so if I told you one thing for a track it can be wrong/completely different for the next track... I am also a big beleiver that 80% of your mix is done with sound selection and having each elelement with the right level, which both cannot be teach and come only with experience... I know it's not the answer you wanted but I am not gonna lie to you and telling you that " YoU NeEd tO kNOw That SeCrEt MixIng TipS aLl ThE Pro Use ThaT WiLl ChAnGe Your Life"... the best thing you can do is download the template, take a screen shot of the template level of each track, then reset all the level to 0 and try to mix and see where you did wrong, basically kind of reverse mixing...
Do you think it was too high, how high?
another great tutorial and a big treasure for me . thx :D
you're welcome !
amazing 😤
Thanks 🙏
Thanks for the perfect tutorial!
You're very welcome!
bro you're like fucking professional level lit af
haha cheers mate !
Gracias muy buen video 👌
thanks a lot !
Bro, i learned so much! many thanks
happy to hear that , cheers !
@@audioreakt I see that with the industrial kick rack, my cpu goes from 8% to 50%, what can i do about that?
Very useful even under FL Studio, thanks !
Happy to hear that! Cheers!
This is amazing. Thank you! ❤
You're welcome!
excellent video ! i'm a bit confused about what you did at 03:08 ? how have you done it to fuse the kick and the ambiant sound ? when i try to do the same it is absolutely not the same thing ahah
I create a new midi track, import the impact sample, group into a drum rack, then copy the midi clip from the kick to the new midi track by clicking and holding the midi clip from the kick track into the new midi track
Wow Thanks! I love this💚
you're welcome ! glad you likedf it !
Great, as always!
Thank you very much!
Thank you so much ❤
You're welcome !
You always deliver better content with each release, if you could do a "rave loop" techno project or more peak time stuff that would be nice 😃
what do you called "rave loop" ? Raw/hypnotiv techno is next then it will be peak time ;)
@@audioreakt I Heard rave loops too. Its like schranz techno drums and highs or Hard groove beats.
I love the lead sound
happy to hear that !
Great tutorial! I just wish you skipped less because it's sometimes hard to follow. Like at 1:33 I have no idea where you got those tune/attack/delay/level controls from? Is it a plugin? I clicked on every button on the drum rack and can't find them
I figured it out, it's only available on Live 11
it's ableton 909 core kit, its a default drum rack coming with live. Indeed the one with macro is with live11 but you should have a 909 core kit drum rack with live 10 thats sound similar
DAMN!!! ITS SO HEAVY!!
thanks !
you are genius :-) thank you nicely inspired !
not quite but thanks anyway !
This is golden!!!
thanks 🙏
3:56 i dont get it. how do you get this thump into that sound just with that envelope? it sounds like a fat kick. im a logic user and tried the same with stock sampler. but it sounds like shit
use a LPF on your sample, bring down the cutoff and apply an enveloppe on that filter to mopen the filter fast. enveloppe with no attack and no sustain, then play with the decay/release and enveloppe amount of modulation on the filter
I would love to see a hard techno inspired by artist: raxeller😍
noted, maybe for teh next induatrial techno livestream ? will see
@@audioreakt would love to!
this dude goes trough the steps so quick tf
Well people dont want to spend 1h to watch a video so you have to find a faster pace haha
You're a king thank yooooou
Haha cheers!
wow, thank you. this is sick.
you're welcome, glad you liked it !
@@audioreakt if would be curious to use any m4l stuff i make let me know, i send you free code)
@@audioreakt question: did you invent this techique making techno just from kick or is there a tradition like that? is there a man who invented it?
Amazing! Could you just please explain how you made the sidechain?
here : ruclips.net/video/coKuqMFciVg/видео.html
Hi there, I'm completely new to this and it's my first tutorial trying to make something. But I'm stuck at 3:04. I created a new midi track and dragged in distorted tail but after that non of the functions you are showing are no available to me. What am I doing wrong? I don't have an option to group with drum rack.
first I create a new midi track, then I drag and drop the sample for my library straight into the midi track,this is going to create a Simpler device with your sample inside, then I right click on the Simpler device and group into a drum rack
Really enjoyed this tutorial! But I watched it at half speed lol
haha sorry I had to make it not too long or people will never click on a 2h long video haha
DUDE THIS SLAPS
thanks a lot !
I noticed you turned the dynamics off at 0% while using the overdrive plugin for almost every element you were processing except percussion. Is this not advisable to do, if so what is the reason? Thanks for the videos. Been following you for a while now. I love how you literally explain everything you do for whatever reason! Thank you very much for sharing!
to be honest there is no reason I usually always try how the parameter affet the sound decide accordingly, there is no rule, it's different for each sound...you're welcome !
why is it not advisable? what can happen?
YO bro u so good like me in HARD TECHNO 😜
haha cheers !
The lead melody is very similar to Hallucinogen - Gamma Goblins :)
haha yes indeed, I took it from a track from Nikki Estrefi - worldspawn
🤘🤘
You best men!
Thank you 🙏
Did you release this track? Because it sounds identical to NIGHTMARE- PARALYZED.
no I didn't released it because it suppose to be a educational track for people to learn... I am aware that a guy use the same melody and I don't care, the template was actually inspired by a track from nicki estrefi : ruclips.net/video/HiHK9-hWjCg/видео.html
i fucking love this channel
haha cheers !
Fucking amazing tutorial, your a legend dude
Haha thanks a lot , glad you like the tutorial !
I need this on Spotify
it's not, it supposed to be an educational tutorial. but a guy kind of remiox it here : soundcloud.com/paralyzednotfound
yess, where can i find the aynil indus kick rack for ableton 11 version?
all rack I used in the video are link in the description
how can i get the sidechain which u are using in the video? is this an seperate plug in which is free to use?
ruclips.net/video/coKuqMFciVg/видео.html
Sounds good!! Was Niki Istrefi the inspiration for this?
Yes a bit of that and a bit of 6EJOU
Red armor 💣
@@Flamieee1 I would say it's more like Chambers
There is a copy paste of your song in this tutorial at Soundcloud with 460 k listens. PARALYZED- NIGHTMARE (released 3 months ago). Just wanted to make sure nobody stole your copyrights.
I know I know, the song is also on spotify with almost a millions views
@Audioreakt at around 5:50, I don't understand how your individual channels are super loud playing at 0db but your master isn't in the red? I'm doing everything the same as you but my master channel peaks at 8.49db (kick peaks at -0.3db, impact at 8db!)
So I downloaded the project template, some stuff is missing for me but I saw you have a limiter on your master channel which explains it. Do you use it for ear safety and always put one then remove it at the end before mastering?
yeah it's mainly for ear safety, once the track is finish it can happen the limiter is squashing everything (my mix basically), so I will redo the mix, I will first select all track, then bring the kick to -6 or -9 until the limiter on the master don't work anymore...because all track are selected, it will bring down all the other track too. Most of the time its fuck up my mix but not too much, usually it works for me, I just need to readjust the volume of few track...I don't recommend to do this method to be honest but that's how I do.... I always forgot to bring the kick a -6 when starting a track therefore at the end of the track I usually need to redo my mix...but it's not a problem for me...
Haha awesome
Cheers!
Can you show how to move the music from session into arrangement view?
The way I like to do it it's I will do exactly like in the video but with the REC on. I will play around with the scene and maybe automation to have a rough arrangement recorded in the arrangement view, then I will edit and polish the recorded arrangement in the arrangement view. You can also select all you clip hold control and drag and drop in the arrangement view, but this a bit more tricky as you have to make sure all clip per scene have the same length otherwise you will get something weird into the arrangement view. But could make a video actually maybe
Best man!
Thanks a lot!
What boom Libraries do you recommend? (I have a few already)
Any with explosions, impact, cinematic impact,
Fucking deadly! Any chance to post a video equalizing, panning and rebuilding to stereo an industrial sample synth lead?
like how to turn a mono audio loop into something more stereo ? You can use hass effect, chorus, etc to widen your sound
Asking because I always use Industrial lead synths on my songs and I know they need to be centered on the pan, but I never watched a video with someone panning and making a lead synth more stereo.
I wonder how stereo should be once needs to be centered… I guess a ping pong delay is not an answer at all for this case, once leads has too much energy… but haas effect and chorus definitely makes more sense…
@@skullbreaker6208 they doesnt especially need to be center, they are most of the time though it's true, but adding a bit of stereo usually make them a bit less ''weak'' ...
@@audioreakt Tks a mil for returning 🙏🏻
depends on how nasty you want your kick on overdrive went unfathomably hard
haha yes indeed
I’m pretty new to ableton … never created anything to be honest, I just feel limited by the lite version regarding the tutorials… would this project work for me, I would love to get into industrial techno
Indeed the lite version is pretty limited, you can still download this project it's free and see if it's working....but eventually if you really want to use live to it's full potential and really not be limited you will need to upgrade
It sounds like niki istrefi good stuff
It is totally very inspired from (especially the melody
Queremos mas HARD TECHNO, MAS INDUSTRIAL
Si senor ! It's coming for september-october
Hello, awesome guide, do you have limiter on master?
i cant understand what did you do at 3:05...
create a new midi track, drag sample into the midi rack, it create a simpler with the sample inside. then transform the simpler into a drum rack, then copy the midi by drag and drop the midi clip and holding ctrl
Wow bro !! First time watching your videos. Sick track u have done🚬🗿. Also, what’s track name ? ❤ listing this from Chile 🇨🇱
thanks, its a template/track for educational purpose, but the track has been inspired by nikki estrefi worldspawn
Would it be okay if I use your audio effect rack on a return channel? It seems to crush the punch and volume when on my kick group
Yes you can use them how ever you want
Awesome as always, thank you so much! :D
you're welcome ~!
where can i get that Kick_punch_v2? also can you slow down a bit and dont jumpcut some controls you are doing, it makes it very hard to follow. (mabe use an exetnsion that shows what buttons you are pressing?
link is in the description (ruclips.net/video/guzmn4nhfg8/видео.html), yes I need to find a mouse follower
best tuto thx
Thanks a lot?
TKS FROM BRAZIL!
you're welcome !