I would trade about 3 dozen berklee “flavors of the week” for one Tal Farlow. He had it all as a Jazz player and as an artist. He had the admiration and attention of every great improviser from Wes to George to Jim Hall, to john McLaughlin, Steve Howe, A genius in every sense of the word.
I was named after Tal Farlow in 1979 by my jazz upright and guitarist father, Mike Connor, in Missoula Montana. My dad died in 2004 and left behind only a couple poor quality recordings. I still listen to a lot of jazz, and there's a sentimentality in jazz guitar in particular for me. I'm fairly familiar with Farlow's playing, but I didn't realize he was such a respected gentleman until I started watching this and reading the comments. I never saw him play - Tal died when I was a senior in high school. Years later (2013?), I saw McCoy Tyner play in Seattle - he's my little brother's namesake. On top of being a serious student of music, my dad was a sweetheart and intellectual. It's unlikely, but does anybody out there remember him? Listening to music is one way I stay in touch with him.
What a wonderful surprise. The standard of excellence that Tal set in the 1950s is unbelievable. Farlow's album "Tal" is still one of the finest recordings of jazz guitar virtuosity anywhere. His humility is on full display in this video, especially when reminiscing about the great Lenny Breau. Jody did an amazing job of asking all the right questions in this workshop. Absolutely priceless! Thank you.
Tal is so 'old school' and i love him for it. Guys like him and Barney Kassel play the way they play because they have an aptitude for it. There is little to no mystery about it. At a certain point in ones life, one has to come to the realization that they either have it or they don't. One other point I'd like to make is Tal has large hands. And just like Paganini on the violin and Liszt on the piano, they can stretch up to the tenth degree in an instant.
Exactly...one either has it or one doesn't. But that's heresy these days, because the mantra of today is that if you practice you succeed... anyone can be successful if they just practice hard enough...which isn't true, obviously.
There are a lot of great musicians who would disagree with your assertion. Yes, there will always be a top tier of highly gifted people but there are many excellent even great players who put in thousands and thousands of hours to develop their music. John Coltrane and Bill Evans are two that started off with average talent but developed into world class iconic musicians. Tal was uniquely gifted starting at age 22 but retired early from the business and fell into obscurity.
THANKS to JODY FISHER to conduct such a brilliant and detailed analyse of TAL FARLOW's genial guitar playing with TAL himself ,so generous and nice . I could'nt imagine in the late seventies FARLOW to come home .He was yet a mysterious legend , a name , a nickname " octopus " , an innaccessible superman ! Here you bring some keys and both your guitars work classy and TAL offers his soul , wide knowledge , intimacy , secrets and unique own approach . THANKS and TRIBUTE to TAL FARLOW .
@@JodyFisherMusicMAESTRO ....I feel honoured you answer me .....as you just really deserve compliments from all parts . I 've kept a small question when you asked TAL FARLOW ( 2nd minute of your conversation ) about the way He started playing . TAL answered He started on a four strings UKULELE . May I think this ukulele was tuned as the first four strings standard guitar tuning ?
I have a few guitars and I looked inside all of them. Clearly his guitars had more notes inside them than mine do. Over the years I've been playing - 60+ I don't think I have ever heard any other player quite like him. There are many others also great, but he was unique.
A fascinating insight into Tal’s chops...especially how he organised his scale/solo ideas! When he said he worked out of two positions mainly I was as surprised as anyone!
Thank You so much for sharing,Jody, This is priceless! Got to meet and hang with Tal a number of times,Great memories of a great musician , and true gentleman!
This is soooo inspiring. Tal Farlow is an unique genius, his approach was so ahead for his time. And is beatiful the respect and admiration Jody Fisher show to him.
I saw him at the Blue Note in nyc early 90s. Just as humble and unassuming as anyone could be. Yet you know you are unmistakably watching legendary genius. It was quite the mind blower.
Tal was so great. It hit me pretty hard to hear he saw lines related to chord shapes. I do that too, but figured I was just doing it wrong. Maybe it's a good thing.
I don't know who used the harmonics first on guitar, you ll find many players who incorporated into their playing and developed the artificial harmonics. Take listen to Tommy Emmanuel with Somewhere over the rainbow. or Lenny Breau.
John McLaughlin's main influence was Tal. Hearing him discuss how he see's the fretboard and intervals relative to the root note is great. He is both intuitive and analytical without effort.
I almost feel ashamed that it has taken me this long to learn about Tal. I've listened to guys like Wes Montgomery and Kenny Burrell for about 10 years but I should have learned about Tal sooner considering I live less than an hour from where he is originally from
Sadly Tal Farlow passed away the year after this video was made. A REAL ~Country Gentleman~, born in Greensboro, N.C. in 1921 not far from Wilmington, N.C. where I live~!~
Paying a second visit today - it sounds like Jody has his 5th and 6th strings tuned an octave down - very effective ! And of course Tal is wonderful both as a player and a person - did you know that many years before he had his guitar stolen from the trunk of his car while he was spending an evening visiting a friend ?
@@JodyFisherMusic Really Jody - so are you using some effect there because it sounds like a bass line an octave lower - or do I need my ears tested ! ! ! All the best to you from London UK.
Tal kinda strikes me as a real gentleman. And very unselfish and played from the soul. I'm glad youtube is around or else i may not have been able to watch and be inspired by him.
Wow this was such a joy to watch, you remind me very much of my old teacher. Do you think it's safe to say that Tal's approach (at least the one he's talking about here) is very rooted in substitutions (Am7b5 = Cm6 = F9 for example) and a very intuitive mastery of his favorite fingerings and the sounds that they produce, and sometimes he's just kinda "out there", improvising and responding to what he's hearing?
1. Charlie Christian 2.Tal Farlow and Wes Montgomery 3. G. Benson, Jim Hall, Barney Kessel 4. John Mcglagulin, Al di Meola, John Scofield, Lee Ritenour..... That's how I rank great jazz guitar players.
What Tal Farlow says about using two positions, on the guitar, is not some great insight; I think anyone who has ever played the guitar has come across that. They are the two positions where a diatonic scale can be played within four frets. All other postions require five frets. The interview fellow takes that basic notion way too literally. As if, "Oh, Tal can only play in two positions. I have busted him". Tal Farlow could play in any spot on the guitar, as can any good player.
Видеоклипы
I would trade about 3 dozen berklee “flavors of the week” for one Tal Farlow. He had it all as a Jazz player and as an artist. He had the admiration and attention of every great improviser from Wes to George to Jim Hall, to john McLaughlin, Steve Howe, A genius in every sense of the word.
I was in the audience for this when I was 16. So glad I got to experience his playing live.
what year was it?
I think it says in the beginning 1997
the kindest, sweetest genius i've met. he let me become his friend. i love and miss you, Tal
Thanks for sharing your wonderful memories......
I studied with him for a short time. A beautiful human being, and a tremendous player. One of my all time favorites. I miss him.
Tal Farlow is such an enigmatic player to me, this video offers some truly rare insights into his genius
What’s amazing about Tal is that he always picked fairly lightly but yet he has so much drive and force in his lines.
I second every comment that has been posted here - he will always be my favourite guitarist - and he is such a nice person
I was named after Tal Farlow in 1979 by my jazz upright and guitarist father, Mike Connor, in Missoula Montana. My dad died in 2004 and left behind only a couple poor quality recordings. I still listen to a lot of jazz, and there's a sentimentality in jazz guitar in particular for me. I'm fairly familiar with Farlow's playing, but I didn't realize he was such a respected gentleman until I started watching this and reading the comments. I never saw him play - Tal died when I was a senior in high school. Years later (2013?), I saw McCoy Tyner play in Seattle - he's my little brother's namesake. On top of being a serious student of music, my dad was a sweetheart and intellectual. It's unlikely, but does anybody out there remember him? Listening to music is one way I stay in touch with him.
What a wonderful surprise. The standard of excellence that Tal set in the 1950s is unbelievable. Farlow's album "Tal" is still one of the finest recordings of jazz guitar virtuosity anywhere. His humility is on full display in this video, especially when reminiscing about the great Lenny Breau. Jody did an amazing job of asking all the right questions in this workshop. Absolutely priceless! Thank you.
Tal is so 'old school' and i love him for it. Guys like him and Barney Kassel play the way they play because they have an aptitude for it. There is little to no mystery about it. At a certain point in ones life, one has to come to the realization that they either have it or they don't. One other point I'd like to make is Tal has large hands. And just like Paganini on the violin and Liszt on the piano, they can stretch up to the tenth degree in an instant.
Exactly...one either has it or one doesn't.
But that's heresy these days, because the mantra of today is that if you practice you succeed... anyone can be successful if they just practice hard enough...which isn't true, obviously.
There are a lot of great musicians who would disagree with your assertion. Yes, there will always be a top tier of highly gifted people but there are many excellent even great players who put in thousands and thousands of hours to develop their music. John Coltrane and Bill Evans are two that started off with average talent but developed into world class iconic musicians. Tal was uniquely gifted starting at age 22 but retired early from the business and fell into obscurity.
Tal Farlow is one of my favourite Jazz guitarists, and Jody Fischer is an excellent one, too.
What a wonderful, humble gentleman. One of my guitar heroes! Sorely missed.
THANKS to JODY FISHER to conduct such a brilliant and detailed analyse of TAL FARLOW's genial guitar playing with TAL himself ,so
generous and nice . I could'nt imagine in the late seventies FARLOW to come home .He was yet a mysterious legend , a name , a nickname
" octopus " , an innaccessible superman ! Here you bring some keys and both your guitars work classy and TAL offers his soul , wide
knowledge , intimacy , secrets and unique own approach . THANKS and TRIBUTE to TAL FARLOW .
Thank you so much, Jean-Luc Bersou....!
@@JodyFisherMusicMAESTRO ....I feel honoured you answer me .....as you just really deserve compliments from all parts . I 've
kept a small question when you asked TAL FARLOW ( 2nd minute of your conversation ) about the way He started playing .
TAL answered He started on a four strings UKULELE . May I think this ukulele was tuned as the first four strings standard
guitar tuning ?
Tal Farlow exudes joy in his playing. Inspiring.
I met him once. Lucky to see this legend and vastly underrated maestro
I have a few guitars and I looked inside all of them. Clearly his guitars had more notes inside them than mine do. Over the years I've been playing - 60+ I don't think I have ever heard any other player quite like him. There are many others also great, but he was unique.
A fascinating insight into Tal’s chops...especially how he organised his scale/solo ideas!
When he said he worked out of two positions mainly I was as surprised as anyone!
Jody is truly a Gentleman of Great Guitar Skill
Pure Talent and work ethic! I talked with him once after his Th. gig in N.J! Seemed to be down to Earth and a no nonsense fella!
I played bass with Tal in the mid 80s. Wonderful it was!
Greensboro North Carolina home town to good to believe
Priceless. Thank you 🙏
You're welcome, Halil......!
Thanks, Jody, for all you do, man! This is a totally great video! - I miss Tal... he was always a good man, and always nice to me.
Thank You so much for sharing,Jody, This is priceless! Got to meet and hang with Tal a number of times,Great memories of a great musician , and true gentleman!
Thank you Jody!! I'm Greensboro born bred a Jazz drummer and now live here again after having left a while.
This is soooo inspiring. Tal Farlow is an unique genius, his approach was so ahead for his time. And is beatiful the respect and admiration Jody Fisher show to him.
Thank you, Ignacio...
Genius, beautiful guitar 🎸 and beautiful picking!!
I saw him at the Blue Note in nyc early 90s. Just as humble and unassuming as anyone could be. Yet you know you are unmistakably watching legendary genius. It was quite the mind blower.
Tal is really Master, what a great player👍
One of my heroes interviewing another one of my heroes.
so good that you got this
Jody; just watched this a second time. You are an amazing interviewer and guitarist!🇨🇦
What a great American man!
Great interview Jody - you really got the best out of Tal on this day - such an unassuming great! Thank you - best wishes from the UK.
Jody asked such great questions. This is a treasure trove.
It’s hard not to have a smile on your face when listening to Tal play.
That's a gemstone of inspiration. Thanks for uploading!
Thank you, Schneesieber....!
WOW!! Wonderful!! Thanks
Thanks for uploading this!
I TOOK TWO LESSONS FROM TAL AT HIS PLACE IN SEABRIGHT IN THE EARLY NINTIES. WOW ! GREAT HUMAN.
Muchísimas gracias, maravilloso.
This is incredible Jody, thanks so much for posting it! I could watch episode after episode of this all day long. Incredible resource.
Tal was so great. It hit me pretty hard to hear he saw lines related to chord shapes. I do that too, but figured I was just doing it wrong. Maybe it's a good thing.
Thank u for this Jody!!! This is amazing.
Thank you Jody. That was one of the most fascinating videos I have seen in a long time. Extraordinary.
Fantastic interview!
Brilliant! Can't say thank you enough!
Humble and so, so great.
A goldmine of insight.
Thank you for the Upload, Must have been a honor to play with Tal! Super cool!!
I love it!!!!!
Thanks!!!
Tal was a country boy from North Carolina, somehow found his way into jazz.
Tal Farlow Great !!! Improvisation number ONE!!!
Great Great Great !!!
Thanks, Raymond....!
THANK YOU !!!!!!!!!!!!!!!!!!!!!
21.29 - Tal goes somewhere that no other musician has gone before, ever. I can’t think I’ve heard anything like his sound, from anyone else.
I don't know who used the harmonics first on guitar, you ll find many players who incorporated into their playing and developed the artificial harmonics. Take listen to Tommy Emmanuel with Somewhere over the rainbow. or Lenny Breau.
John McLaughlin's main influence was Tal. Hearing him discuss how he see's the fretboard and intervals relative to the root note is great. He is both intuitive and analytical without effort.
Guitar extraordinar!!
I almost feel ashamed that it has taken me this long to learn about Tal. I've listened to guys like Wes Montgomery and Kenny Burrell for about 10 years but I should have learned about Tal sooner considering I live less than an hour from where he is originally from
Glad you enjoyed it, David....
My favourite jazz guitar player , hi and Herb Ellis are something that makes me feel better, like in a sort of cloud.
WoW Nice!
Tal is a master. Miss him.
Those early days...having to get it up. Brain altering. Heaven.
Sadly Tal Farlow passed away the year after this video was made. A REAL ~Country Gentleman~, born in Greensboro, N.C. in 1921 not far from Wilmington, N.C. where I live~!~
Those hands wow - amazing
Paying a second visit today - it sounds like Jody has his 5th and 6th strings tuned an octave down - very effective ! And of course Tal is wonderful both as a player and a person - did you know that many years before he had his guitar stolen from the trunk of his car while he was spending an evening visiting a friend ?
Nothing is tuned down.....just standard tuning....
@@JodyFisherMusic Really Jody - so are you using some effect there because it sounds like a bass line an octave lower - or do I need my ears tested ! ! ! All the best to you from London UK.
@@BernieHollandMusic Just a little reverb....really....:-)
"I do that automatically". I am more manual.
Thanks for uploading this fascinating glimpse into the mind of Tal Farlow.
You're very welcome......
Thanks Jody!
Thank you, Jazz Guitar Forum......!
looking great here, jody!
Thank you, xRisingFprcex....!
Genius
super
Top player
Tal kinda strikes me as a real gentleman. And very unselfish and played from the soul. I'm glad youtube is around or else i may not have been able to watch and be inspired by him.
Guitar Gods
he's using the caged system. Awesome guitarist/musician.
You mean he always locked his women into cages?
HIGHLY ORIGINAL INTRIGUING STYLE
I was there
Wow this was such a joy to watch, you remind me very much of my old teacher. Do you think it's safe to say that Tal's approach (at least the one he's talking about here) is very rooted in substitutions (Am7b5 = Cm6 = F9 for example) and a very intuitive mastery of his favorite fingerings and the sounds that they produce, and sometimes he's just kinda "out there", improvising and responding to what he's hearing?
That’s my take away from what he said. It is difficult for him to explain it because its not a formula method. It’s intuitive to him.
Shout out to Jody tho! Best guitar educator!!!!
Tan Farlow, NEED AN EDIT.
I may have purchased that guitar in 1998 from Michele his widow. I did not think he ever played it. Wow.
Nope. This one is more flamey. I think this one may be on Reverb.com.
Pretty cool....!
Tal should’ve worn a Nike shirt:
“Just do it”
Absolut!
in the start i think tal is playing a mixolydian over the five chord, that is basic modal scales.
could you please fix the misspelling of his name? please?
Not yet.
Even Benson was inspired by Tal
We became friends
1. Charlie Christian 2.Tal Farlow and Wes Montgomery 3. G. Benson, Jim Hall, Barney Kessel 4. John Mcglagulin, Al di Meola, John Scofield, Lee Ritenour..... That's how I rank great jazz guitar players.
Someone could tell me the name of the first song ?
It's a minor blues progression.....JF
@@JodyFisherMusic Thank you Mr.Fisher, I'm a beginner :)
This appears to me as a big missed opportunity with the very poor questions.
Maybe I'm stupid: In wich year is this evening taped ?
Peter
I thought it was 1997
What Tal Farlow says about using two positions, on the guitar, is not some great insight; I think anyone who has ever played the guitar has come across that. They are the two positions where a diatonic scale can be played within four frets. All other postions require five frets.
The interview fellow takes that basic notion way too literally. As if, "Oh, Tal can only play in two positions. I have busted him". Tal Farlow could play in any spot on the guitar, as can any good player.
Wow...music college was such a waste of money and time. I should've just learned from the Masters.
Looks like they are doing the seminar in a dirty old warehouse? Bizzare!
How could you know that's its dirty? Have you lived there?
Its a “workshop” after all.
Uncommon common sense. Take notes.
too bad the audio is so terrible