How to Play and Write Drums for Screamo or Post-Hardcore

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  • Опубликовано: 21 ноя 2024

Комментарии • 18

  • @Bball2
    @Bball2 22 дня назад +14

    Thanks for the content! This type of video helps illustrate a lot of what distinguishes genres like these, and there aren't much :)

    • @davidstern6397
      @davidstern6397 22 дня назад +2

      was gonna say this same thing

    • @jamecono
      @jamecono  22 дня назад +1

      of course! Happy you thought it was helpful.

  • @ScarlettTheViewer
    @ScarlettTheViewer 22 дня назад +5

    I've been a drummer for over half my life, and I always learn something from your videos. Keep it up!

  • @syukoshiomy
    @syukoshiomy 22 дня назад +7

    im not a drummer at all so this is gonna be super useful

  • @nononono-ls1hp
    @nononono-ls1hp 19 дней назад +2

    your videos are pretty chill while informative. i dig it

  • @darkadore
    @darkadore 20 дней назад +1

    Yo shout out to bro for the much appreciated history lesson, thanks man❤

  • @Kevin-yq5gl
    @Kevin-yq5gl 14 дней назад +1

    any chance at a vocal video if you know how to?

    • @jamecono
      @jamecono  13 дней назад

      i personally know very little about it, but i know at least a couple people i could ask to come on and talk about it.

  • @happymfs8783
    @happymfs8783 9 дней назад

    do you have any info on getting a good guitar tone for skramz/screamo?

    • @jamecono
      @jamecono  9 дней назад +1

      i made a video about it but ironically the sound quality is pretty bad lol. right hand technique is important, a lot of heavy guitarists prefer bridge pickups. dual coil guitars are probably more popular, but it’s all about how thick you want your sound to be.

  • @t4ky0n
    @t4ky0n 21 день назад +3

    is it from direct influence or coincidence that they're are similar to the african rhythms?

    • @jamecono
      @jamecono  21 день назад +4

      a lot of early post-hardcore bands were directly lifting material from funk and r&b, but i guess you could say it is ‘indirect’ in the sense that it was first reinterpreted by jazz musicians in america.