Healing Ragas - Rag Rageshwari - Alap and Theme - Ustad Fayaz Khan - Sarangi - Hindustani Classical

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  • Опубликовано: 5 май 2022
  • Bowing instruments have a very rich and old tradition in India. In folk and tribal music, various types of bowed instruments are found in different regions. Some of them come close to the classical sarangi as far as shape, making, and playing techniques are concerned, thus giving clear-cut evidence that the classical sarangi has been developed from these folk instruments.
    The sarangi, not only in Hindustani classical music but also in folk music, is the only instrument that comes in closest proximity to the human voice. Many forms of this are in vogue in different regions of our country, but ironically, its place and time of origin have not been established as yet.
    The sarangi is the only instrument that can produce almost all the nuances of vocal music of any style, be it dhrupad, khayal, thumri, tappa or bhajan, or even ghazal, with exact embellishments and intonations. That is why this Instrument has always remained in close association with vocal music, and has always been preferred by vocalists as an able accompaniment. Sarangi players have always been trained in classical music to the extent that some of them have been the ustads of famous vocalists. Some of the most famous vocalists of our times were initially trained in playing sarangi and later on took to vocal music.
    Healing Ragas - Rag Rageshwari - Alap and Theme - Ustad Fayaz Khan - Sarangi - Hindustani Classical
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    #sarangi #healingragas #ragrageshwari #alap #ustadfayazkhan #hindustaniclassical
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