How to Halftone graphics for DTF prints
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- Опубликовано: 30 июн 2024
- 🌟 Hey Creative Superstars! 🌟
Dive into the art of creating standout T-shirt designs with our Direct-to-Film (DTF) transfer tutorial. Learn the ins and outs of Black Knockout and Halftone effects for designs that are as comfortable as they are captivating.
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What You'll Master:
- Black Knockout Technique: Achieve depth and contrast that make your designs pop.
- Halftone Effects: Give your tees a lighter, retro vibe while conserving ink.
⏰ Chapters ⏰
0:00 Introduction
0:16 Artwork Preparation
1:13 Editing Process
3:02 Halftone Technique
5:56 Finalizing the Artwork
8:48 Printing and Pressing
14:07 Comparison and Conclusion
In This Video:
- Guided Walkthrough: From initial design to DTF transfer readiness.
- Expert Design Tips: Make your T-shirt designs synonymous with quality and style.
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Хобби
SUPER COOL. Thanks for the details. Earned a sub!
Perfect. Thank you
You're welcome!
awesome! was wondering how to do this!
Glad I could help!
This was so dope
Thank you! Glad you enjoyed it
Great vid! Ty!!
Thank you!
Your technique for the design turned out nice against the black shirt. Dope
Thank you!
Thank you for tech
Any time
Thank you for this video. Just getting into this and have lots to learn.
What program were you using for the artwork mods?
We still mostly use adobe programs like photoshop and illustrator
I think doing multiple knock out to create a picture albulm effect would look pretty kool
That might work!
thank you
You're welcome 😊
I'm confused at 4:08 about copying the halftone and pasting it to the mask.... Could you describe that in a little more detail
When pasting the half tone to the mask after copying. Press Alt+ Left Click first on the mask layer after that, it should turn white on the screen indicating that you are now actively in the mask layer and when you paste it there it will paste the black and white layer and then just turn the visibility of the layer back on and it should do the trick!
@@transfersuperstars you said, "Click on the Layer, Make a copy...", how do you make a copy? It does not have the "copy" option..
@@MrJonatski You can still copy it even if it's locked. Just press CTRL + A then CTRL + C on windows.
it is not letting me copy the halftone layer on a mac while it/s locked. the "no" symbol shows up even when I try to copy it using my keyboard.
Thank u
No problem
🔥🔥🔥🔥🔥
Thank you!
life saver
Thanks buddy!
this is awesome. I like the design. HOw can I get the softcopy?
This one isn't available but stay tuned for our future videos, we're going to start giving them away
what is your recommendations for white choke? my printer broke and when I used to print halftones on my printer choke was not need it, but when I send my artwork to a printer it always come back with white on the halftone area. I've requested different choke settings and the only has work ok is 5 pixels, but it seems that it lose a lot of detail every time. Do you think is the way I save the file that maybe creates transparency or what could it be? I never had problems printing halftones on my own equipment but always have problems when someone else print it for me.
any advice would it be appreciated. Thank you
We normally contract white by 1-2 depending on details. When halftoning, we always recommend using a high resolution image to start with because if the altered graphic is low in resolution, the halftone effects will not choke properly.
Great video, question… how do you avoid white outlines around the halftone dots after pressing T-shirt….I halftone a lot of my designs but when I press them… you can see the white outline around the dots which then makes the halftone look weird.. any help?
I can think of 3 issues, it mainly stems from the artwork.
1. Graphic resolution and size (analyze dpi & size of graphic), this is extremely important when you start to knockout some of the original artwork.
2. choke adjustment, minimum 2, maybe 3 contact depending on the artwork.
3. DTF Printer needs to be highly calibrated in all directions.
Solve the problem by working backwards
1. Is the printer the issue when printing fine details
2. Try more choke (contract 2-3)
3. Upscale the image (use a free upscaler program like UPSCYL) I will have a video on this soon.
Great tutorial on Halftoning using simple process. This should work great for DTG printing as well right? ARe there any other recommendations for dTG or would this exact method work fine? Im working with POD :)
Yes, absolutely.
Yes it will be the same process to remove the black however with DTG, you can get away with printing gradient effects
Where can I find designs?
Black knockout plus half tones
yessir!
Hi, do you mind sharing the white color settings on your prints?
In my experience, using just 1 pass of the white color isn't good enough for printing on black-colored t-shirts. 2 passes usually work, but it takes too long.
It really depends on your printer setup. I print on commercial machines at 6-8pass. The % of white ink also depends on your films ability to hold without puddling. You can print at 100% white but if it drips, it doesn't do you any good.
@@transfersuperstars Thank you! So far 2 Pass with 60% white ink seems ideal. More than that will drip.
hey how does a 11x11 dtf film image feel on a bella canvas shirt, would it feel
super heavy? could i add little tiny knockouts on the design to allow shirt breathability.
is the 11x11 a solid box image? Definitely doing some knockouts will improve the feel.
@@transfersuperstars Yes its a solid box image i could also make it smaller to like 8X8.5... would that help, but before you answer that does the 11x11 impact the feel that much? cause i thought dtf was light....
Hi, when I flatten image to add halftones the layer locks. I’m not able to copy nor unlock it.. any help would be appreciated
You don't have to unlock the layer. You can just CTRL + A and select all then CTRL+C to copy and go back to the other document to paste it. It will work even if the layer says it is locked.
looks good without the black
Yes!!! It looks so much better.
knockout black is dope, which app do you use to design if you don't mind
This particular artwork was .ai generated.
which AI app?@@transfersuperstars
Did you apply Spot channel ?? Coz it needs to be selected first
Yes we always create a spot channel before the RIP.
Will this be durable or after some time the thinner areas will fall off?
Nope, its very durable as long as you use a good heat press.
Yes we can knock out the black background to make it breathable, but Halftone effect possible on dtf? really possible? can you breathe through the image ?
Did you watch the video? This is a video about halftone for DTF. We don’t make this up, it’s real. DTF is the future.
Great video… Can you show how it’s done on a white shirt without the colors fading please
With White shirts, you want to do what's called white knockout. Here are 3 videos of us performing the task:
ruclips.net/video/09Ywy7UQYZE/видео.html
ruclips.net/video/B6d7is_4aKE/видео.html
ruclips.net/video/vkLvcDiXy78/видео.html
@@transfersuperstars thank you very much. I will go watch it now. Keep up the amazing job
did everything as said in the video but when i print my image it becomes very dull. any suggestions?
Was the image dull to begin with? How did the original artwork print?
what does it mean for it to be "halftoned"? When you say the gray areas will be halftoned, does that mean the gray areas will become either black or white? thanks!
Halftone is a printing technique that simulates continuous-tone imagery through the use of dots, varying either in size or in spacing, thus generating a gradient-like effect. Here’s a detailed explanation of how it works and its significance:
Key Points of Halftone:
Purpose:
Halftone is used to reproduce images that contain gradients and varying tones of color or grayscale. Since printing presses typically use only a single color of ink per pass (such as black for monochrome prints), halftone enables the illusion of different shades by controlling the density and arrangement of dots.
Dot Patterns:
The technique involves breaking down an image into a series of dots. These dots can vary in size (amplitude modulation) or in spacing (frequency modulation) to create the perception of different tones. Larger dots appear darker, while smaller dots appear lighter.
Color Printing:
In color printing, halftone is used in conjunction with the CMYK color model (Cyan, Magenta, Yellow, and Key/Black). Each color layer is halftoned and printed with a specific dot pattern, often rotated at different angles to minimize moiré patterns and achieve a smooth gradation of colors when combined.
Screen Angle:
When printing in color, each halftone screen for the different color inks is rotated to a specific angle to avoid unwanted patterns. Standard angles are usually 45° for black, 75° for magenta, 90° for yellow, and 105° for cyan.
Resolution:
The quality of a halftone image is determined by its resolution, measured in lines per inch (LPI) or dots per inch (DPI). Higher resolutions result in finer detail and smoother gradients.
History and Usage:
The halftone process was developed in the late 19th century and became a standard in the printing industry. It allows newspapers, magazines, and books to reproduce photographs and other detailed images efficiently.
Overall, halftone is a vital technique in graphic design and printing, allowing for the effective reproduction of complex images using simple binary processes (ink or no ink).
I‘m getting a lot of white lines on the edges and dots although my design is very high quality. Is there any more adjustments that hast to be made?
I can think of 3 issues.
1. Graphic resolution and size (analyze dpi & size of graphic), this is extremely important when you start to knockout some of the original artwork.
2. choke adjustment, minimum 2, maybe 3 contact depending on the artwork.
3. DTF Printer needs to be highly calibrated in all directions.
Solve the problem by working backwards
1. Is the printer the issue when printing fine details
2. Try more choke (contract 2-3)
3. Upscale the image (use a free upscaler program like UPSCYL) I will have a video on this soon.
Aynı sorunu ben de yaşıyorum Ömer, İspanyol bir youtube kanalından sorunu araştırdım. Fason olarak yaptırdığımız 60cm geniş format DTF yazıcılarında iki baskı kafası olduğu için bunların hizalanmasını çoğu baskı firması doğru düzgün bir şekilde ayarlamamış oluyor ve bu yüzden beyaz mürekkep kaymış oluyor. 2-3 farklı firma denedim ama beyaz lekeler yine aynı şekilde kalmaya devam etti. Sorunu çözebildin mi ?
@@alpkazar9273 maalesef bende iyi bir üretici bulamadım. yaklaşık 10 farki üreticiye baski yaptırdım ve hiçbiri güzel basamadı.
Hello, what did you use as a prompt for this image please?
I don't know specifically. Its been awhile since we generated these.
is there any advantage in color results when it comes to cold or hot peal?
Our newest film is both hot and cold. Cold peel film generally has a better coat on the film, allowing for more saturation in ink. Which makes for more vibrant prints. Ours has the advantage of both.
@@transfersuperstars can you share the link to purchase it?
Hi , can you show us the process of how making the white spot color for this design and the contract ?
People use different programs and rips but we just process the image normally in photoshop by contracting by 2.
@@transfersuperstars hi i manually post process like you but theirs a white solid rectangle around the art it hasnt recognised the white channel what am i doing wrong like the question above not sure what your doing on output
Question 🙋🏻♀️ why save the design in .png(RGB) not .tiff (CMYK) ?
You can export as png with CMYK values. .tiff files are generally big.
What printer do you use? Can a sublimation printer be used ?
We customize our own dtf printers. Sublimation is a different process and used mainly for polyesters. Sublimation on fabric is also not as vibrant.
Is this photoshop? This is the only place I can do this? I’m trying to make the Viral Girlfriend shirt where there’s lighting bolts & gradient smoke effects.
Yes we're doing this from Photoshop. Other photo editors may have similar functions but i'm not for certain.
what is your dtf printer size? Which size would you recommend for beginner like me?
We print on a commercial 22" printer. I always recommend commercial size and no converted printers.
@@transfersuperstars awesome!! is there any reasons not to use converted printers tho?
How do you fix dullness of colors when you are doing them on black/ dark clothes
You'll need to color calibrate beforehand to make sure you're using your brightest colors. Here is a video on our color matching. ruclips.net/video/0d0jpOVroiw/видео.html
could i know the name of printer that u used to print that photo
We customize and built our own printers + parts
why is the color not as vibrant from original image once i get the knockout/transparency in?
so sorry! this is a lot more complicated than I thought. lol
You may have adjusted the levels too much and lost a lot of the details that caused it to look like it has lost a lot of colors. You may also try adjusting the frequency you're using for the bitmap to get the half tone effect.
What printer are you using ?
We import and upgrade our own fleet of printers, they are not a particular brand.
what printer do you use sir?
We have been printing DTF for a few years now and have gone through many printers already. We current import our own printer parts and have upgraded/configured our own setup.
are you using black powder?
We are not using black powder. Its helps at a minimal
Pls Help.. STUCKED in 4:16 can't paste the half tone layer that I made. When I tried to paste it in the Layer Mask.. it didnt go the layer mask instead its going in the new layer. pls help.. thanks
Right click on the mask layer. You may be copying it and pasting it immediately without clicking "Alt+Left Click" on the layer mask. It should first take you to a white screen then you paste the halftone layer. Give that a try and let me know if that works.You should still be able to CTRL+A select all then CTRL+C to copy even if the layer is locked.
Thanks a lot@@transfersuperstars... it works! big help. Awesome Content.
@@transfersuperstars im having the same problem im not getting white srceen?
What DTF ink are you guys using?
We import our own inks but I believe dtgpro carries the same one rebranded called quantum.
Which printer and ink did you use for DTF?
We customize and built our own printers. Ink is imported from our overseas supplier but you can find the same from dtgpro.com
@@transfersuperstars what the name of the ink which you guys are using especially in the dtf printed batman design tshirt ??
Tried to follow the video but I’m using PS 2024 and the steps in the video don’t work. When I go to image mode grayscale I get an error message saying that I have to Rasterize the image and then it tells me to go to adjustments and levels and choose black and whites. What am I doing wrong. I so need to learn this technique for my AI images. Any help will be greatly appreciated.
Certainly, if your artwork involves a smart object or multiple layers, you'll need to rasterize it. Simply select "Rasterize" from the three options that appear. It's worth noting that this won't impact your original file; instead, a duplicated version will be created, as demonstrated in the video. This duplicated version is only utilized for the specific selection.
I tried that but it still does not work for me. I must be missing something in between. I will try it again!!! Will you be able to create a video with the rasterize and what to do after? The steps change because they next message is to go to adjustments and chose black/white. Can I send you the screen shots of what I get?
They are not telling a whole step in this video for pasting into a mask hold alt then select the mask why you hold atl edit then past directly into the mask
@@Angel-vm7sl thanks for the info. But even before the mask my options are not the same as the video. I get totally different options. I cannot figure out what I’m doing wrong. Does it work for your images?
So you are using Teflon paper and parchment paper?
We're using the back of the DTF film for our 2nd press. You can try different papers for different finishes.
Thanks for the response. Dope shirt by the way. Do you have a IG handle?
I can't paste the halftone to the layer mask
Try Ctrl+A on the half tone layer. Click on Alt+left click on the layer mask before pasting.
Can I do a knock out effect in Canva or Kittl?
do you have a paid subscription for kittl or canva?
@@transfersuperstarsHi! Yes, I have a Pro subscription to Kittl and an Education subscription to Canva. Do you have any videos on how to blackout/whiteout and halftone images for dtf using these platforms?
Can this be done with procreate?
Yes, you can create a black knockout effect using Procreate, a versatile digital illustration app for the iPad. The black knockout effect involves removing or "knocking out" portions of a design, usually text, to reveal a background or an underlying image. This creates a visually striking contrast, especially when using a dark or black background.
Here’s a basic guide on how to achieve a black knockout effect in Procreate:
Step-by-Step Guide:
Background Preparation:
Open Procreate and create a new canvas.
Start by setting your background color. For a knockout effect, a darker color works best, so you might choose black or another dark hue.
Add Your Base Image or Layer:
If you want the text to reveal an image beneath, import or draw your
image on a new layer. This image will be "revealed" through the knockout text.
Position and scale the image as desired.
Adding Text:
Add a new layer above your image for your text.
Select the Text Tool and type your text. Choose a font and size that will work well for the knockout effect - bold and thicker fonts usually work best.
Position your text where you want the knockout effect to happen.
Creating the Knockout Effect:
Once you’re happy with the text placement, tap on the text layer to bring up the options. Select "Rasterize" to convert the text to a pixel layer. This is necessary because Procreate currently doesn’t support direct knockout effects on text layers.
Now, go to the layers panel. Tap on the thumbnail of your text layer and select "Select" to create a selection based on the text.
With the text selected, go to your image layer.
Tap the layer thumbnail and select "Clear." This will remove the part of the image where the text is, effectively creating a knockout effect.
Refining the Effect:
If needed, you can refine the edges of your knockout effect using the eraser tool.
Additionally, you can add effects like shadows or outlines to your text layer to enhance the visual impact.
Final Adjustments:
Adjust the colors, add filters, or apply any final touches to your design.
Once you're satisfied with the result, you can export your creation from Procreate.
Tips for Best Results:
Contrast: Ensure there's good contrast between the text (knockout area) and
the background or image you're revealing. This contrast is what makes the knockout effect visually appealing.
Font Selection: Bold, chunky fonts usually work better for knockout effects because they reveal more of the background image or color. Thin fonts might not showcase the effect as prominently.
Layer Management: Keep your layers organized. It's easier to adjust or correct parts of your design if each element is on a separate layer.
Experiment with Colors: While black or dark backgrounds are common for a knockout effect, experimenting with different colors or gradients can lead to unique and eye-catching results.
Save Originals: Before rasterizing and clearing parts of your image, it's a good idea to duplicate layers. This way, you have the original layers intact in case you need to make changes.
Creating a black knockout effect in Procreate can be a fun way to add depth and interest to your digital artwork. With the versatility of Procreate's tools, you can experiment with various styles and complexities in your designs.
Im following all of the steps and it works until I click on bitmap. The image turns into background and I can't unlock. So frustrating.. what is going on? anything helps!!
Gray scale again
@@Dungvuong_ what am i doing at the 4:07 mark. in the video it shows a copy of the original but mine still only has one copy of the gray.
You won't need to unlock the layer after the bitmap. You can still ctrl + a to select all and ctrl+c to copy the layer even if it's locked and it is indeed supposed to be black and white so that we can use the layer as a layer mask
after the bitmap/halftone cant copy it.. its lock
You can still copy it even if it's locked. Just press CTRL + A then CTRL + C on windows.
Supercolors
Thank you!
How to knockout white?
We will come out with a video on this topic shortly
not clear starting from minute 4:00, if you use shortcuts put what are you pressing
My bad brotha, we'll get better at these. If you were referring on how the layer was copied it was CTRL+C or CMD + C on mac and then paste it by CTRL+V or CMD+V in the layer mask.
you skip click ALT in mask then CTRL +V or paste the information, I saw this in other tutorial, thank you@@transfersuperstars
Thank you!
@@transfersuperstars that still didnt work for me. the layer is locked. cant copy
Little tip.
If your going to print on both sides of your t-shirt always put parchment paper on your press mat otherwise you will press the print on to it .Notice the mat is not on the press at the end of video he most likely ruined it ..
Still a great video tho
If you look closely at the heat press, we actually have magnets holding up the teflon sheet.
@@transfersuperstars
I can see that but that's not I was taking about ? I said put parchment paper on the mat on the bottom of the press before you put the t-shirt on it .if you have just done a image on one side then put that t-shirt face down on your mat to Press the other side .that first image will transfer on to the mat.
That's why you removed the mat Right?
I only know this because I did this mistake myself and now have a heat press with a unicorn on it.
Using the same film is sketchy lol
For the 2nd press? As long as you flip it, should be ok but you are right, using a parchment or kraft for the 2nd press would be better in this scenario with gradients