Hello, yes, we already have those kind of videos in the Cubase channel, you should check The Cubase Collective series, here is the link: ruclips.net/channel/UCcQBdibdDxH2ngu3kNPYOEAplaylists?shelf_id=10&sort=dd&view=50
I seen that series but they are not that informative, make a series with detailed walkthrough like ablet*n l*ve has on their channel, the series you mentioned is pretty vague.
Hello Fred, thank you for all of your help. One big hurdle I’ve come across is how to match my vocal key to the instrument key on Cubase🤷🏻♂️Please help‼️
Hello, Steinberg... Im on a desperate search of a remix contest you promoted some 15 years back. Its name was "All 4 You", and it was based on a song from New Order. Theres nothing on SoundCloud, very few on RUclips and nothing on KvR... Could you help me finding the winning entries? Would really appreciate.
Nice one - I want to get into VST Transit more, but mainly for clients / collaborators - does he use it with other musicians or only for syncing his own Studio stuff?
Whilst the video gives examples of scenarios that need to be fulfilled and are, they do not show HOW he did what he did. As a home recordist I would get value out off seeing/hearing how things are done. He keeps saying "Wow what a fantastic sound from this plug-in". Do we get to hear it, no! Fail! I subscribe to a magazine called Sound on Sound. They always have a section where they describe how a result was achieved and the tools and processes required to get there. I use Cubase 9.5 Pro and it works the way I think most of the time and that takes the stress away, I just get on with the job. It's a great product.
it feels rather forced how every interviewee is made to say the engine is superior in all these videos, whilst it's clearly either the same like others, or else it would indeed be 'wrong', or not 1:1 true to the programme. i do love cubase, and i am sure less experienced potential customers may react to such marketing favourably, but it does leave everyone with a bit of experience feeling like it's a bit chutzpah to claim this.
'they wanna use live amps...I don' t have the time', got to be honest that made me cringe a bit as a guitarist, I love my hand wired custom made valve amps, I would not be happy about having to record with a DI or simulator when I've spent years developing my own unique sound. And by the way I am a longterm cubase and wavelab user.
It's important to understand the context of what he's saying. He's talking about production for things such as TV shows where efficiency is essential. That's not how he'd produce a soaring guitar solo on a rock album.
Per Abrahamsen so in TV they have no time, I get it, in many pro audio situations time is money as well, it just annoys me that people are shying away more and more as time goes on from analog amps, it seems to be a trend among so called producers...
@@bentyreman5769 I fell you. My guitar heroes are Gilmour, Knopfler, Hendrix, Prince etc and I try to be those guys when I mess with the guitar but I think electric guitar could become popular again with a new type of sound.
"Cubase is so easy to use". Well I find this bit of a overstatement compared to other DAWs. I have used Cubase myself my whole life, and I still use it. But out of habituation. I checked other DAWs as well over the years, and Cubase is one of the most overpriced ones. Many things in Cubase are inconvenient, long winded and just based on Codes from the 90's. Let's be honest.
Can you make some video where producer who go walkthrough of their projects in cubase! (Like how they make......in cubase)
Hello, yes, we already have those kind of videos in the Cubase channel, you should check The Cubase Collective series, here is the link: ruclips.net/channel/UCcQBdibdDxH2ngu3kNPYOEAplaylists?shelf_id=10&sort=dd&view=50
I seen that series but they are not that informative, make a series with detailed walkthrough like ablet*n l*ve has on their channel, the series you mentioned is pretty vague.
Hi, you mean like this: ruclips.net/video/HKGGsFeBIkE/видео.html and this: ruclips.net/video/eYRkC0u4F1U/видео.html
@@steinberg b
Fred is a nice and talented guy. Respect.
Cinderella brings me nostalgic good memories, such a great band...
Bro who ever placed and mixed the mics on this interview is a god
Hello Fred, thank you for all of your help. One big hurdle I’ve come across is how to match my vocal key to the instrument key on Cubase🤷🏻♂️Please help‼️
Fred Coury is the man!
Hello, Steinberg...
Im on a desperate search of a remix contest you promoted some 15 years back.
Its name was "All 4 You", and it was based on a song from New Order.
Theres nothing on SoundCloud, very few on RUclips and nothing on KvR... Could you help me finding the winning entries? Would really appreciate.
An older Fred just reminds me of Fred Savage as Kevin Arnold of The Wonder Years 🤟🎸🥁♥👍
Those monitors, are they a pair of hs5 and hs7 or hs7 and hs8?
Cool. Always liked cinderella. 🤘
Nice one - I want to get into VST Transit more, but mainly for clients / collaborators - does he use it with other musicians or only for syncing his own Studio stuff?
Very interesting! He knows his stuff!
Engine that will color??
OK. But Cubase 9.5 still can not correctly export audio😁
still using version 8 here and it works fine, try contacting them?
@@bentyreman5769 of course)
which song is in background?
Interesting!
Legit, the VST Amp is pretty great. The Meshuggah 87 preset is godly.
The great man himself
Hi Guys, can anyone identify the keyboard controller?
Eustace Peters It looks like the Nektar impact lx
he has logic pro on his other monitor
RINOMONDO--GRAZIE AMICI
Whilst the video gives examples of scenarios that need to be fulfilled and are, they do not show HOW he did what he did.
As a home recordist I would get value out off seeing/hearing how things are done.
He keeps saying "Wow what a fantastic sound from this plug-in". Do we get to hear it, no! Fail!
I subscribe to a magazine called Sound on Sound. They always have a section where they describe how a result was achieved and the tools and processes required to get there.
I use Cubase 9.5 Pro and it works the way I think most of the time and that takes the stress away, I just get on with the job.
It's a great product.
DAWs colouring audio?? Errr... I dunnooo. Not in 2018
Agreed. 10 years ago, I could absolutely tell what DAW some tracks were on. Today, not really.
it feels rather forced how every interviewee is made to say the engine is superior in all these videos, whilst it's clearly either the same like others, or else it would indeed be 'wrong', or not 1:1 true to the programme. i do love cubase, and i am sure less experienced potential customers may react to such marketing favourably, but it does leave everyone with a bit of experience feeling like it's a bit chutzpah to claim this.
'they wanna use live amps...I don' t have the time', got to be honest that made me cringe a bit as a guitarist, I love my hand wired custom made valve amps, I would not be happy about having to record with a DI or simulator when I've spent years developing my own unique sound. And by the way I am a longterm cubase and wavelab user.
It's important to understand the context of what he's saying. He's talking about production for things such as TV shows where efficiency is essential. That's not how he'd produce a soaring guitar solo on a rock album.
Per Abrahamsen so in TV they have no time, I get it, in many pro audio situations time is money as well, it just annoys me that people are shying away more and more as time goes on from analog amps, it seems to be a trend among so called producers...
@@bentyreman5769 I fell you. My guitar heroes are Gilmour, Knopfler, Hendrix, Prince etc and I try to be those guys when I mess with the guitar but I think electric guitar could become popular again with a new type of sound.
Why dont Steinberg create a music production hardware like some kinda pad controller like akai mpk232
First like and comment in the first 10 views whaaaaaaaaaaat§?!?!?!?!?!?
"Cubase is so easy to use". Well I find this bit of a overstatement compared to other DAWs. I have used Cubase myself my whole life, and I still use it. But out of habituation. I checked other DAWs as well over the years, and Cubase is one of the most overpriced ones. Many things in Cubase are inconvenient, long winded and just based on Codes from the 90's. Let's be honest.
"Feels real, sounds real..." but in the end of the day is not real...
Guyse! Я хочу купить кубас, но я не понимаю, почему так много пользователей ненавидят этот DAW?