Thank you for the support. I don't have the transcription for Brindisi yet. For Beethoven 5th I'm trying to get in contact with Roman Kim to ask for permission, as I don't want to disrespect him by publishing his arrangement online without his permission, hope you understand
Dude, don’t discount yourself. I think you have already accomplished a lot of stuff that most of us would never even dare attempt. Just keep practicing
@@SanTheViolinDudeIf you have access to a transcription or something I would love to see it, because I have been hoping Roman would publish it himself for years now.
@@Musicrafter12 I did write one, but I thought it would be disrespectful to publish online without permission. If you really want to try you can send me an email and I'll send the score. swhviolin@gmail.com
Can't say, proud of you meanwhile everone keep on saying that it was impossible. So its actually possible to play entire paganini with harmonics just by placing the bow on the sweet spot?
Which Paganini are you referring to? Theoretically every note on violin can be played with the special harmonic by finding the sweet spot on the string. But it's more difficult if it's fast and if it is on G string
@@SanTheViolinDudeI find that the most difficult ones are high on the E string. They tend not to want to speak properly on the thinner strings and turn into either whistles or, where their placement overlaps with natural harmonics, end up reverting to natural harmonics at the wrong pitches.
@@Musicrafter12 that's true too. I haven't really tried too much on the E string. In his Beethoven 5th highest he used was D on 3rd position on E string, it works only about 3/5 times for me
@@SanTheViolinDude In his Romance in Gb he ventures up rather high on the E string, and it's quite challenging to make them speak right. Pity the whole set is out of print; I'm fortunate to have bought a copy some years back. In my own compositions I've ventured over onto the E string as well.
Can you explain how kim harmonics come about ? What happens technically ? The bow has to be sul tasto, over the fingerboard. In usual harmonics the bow is close to the bridge.
Thank you for the question. So I don't know the history of this technique. I learned it by trying it watching Roman's Beethoven 5th. If you play this harmonic near the bridge it won't come out. The easiest way to find and practice is with pinky on first position on D and A string. You'll need to experiment quite a bit. Took me about 2 weeks to find it
@@SanTheViolinDude Just to make sure that I get you right. left hand, first position, pinky goes on D and A strings, on both strings. All other fingers away from the string ? Still I puzzle: what are the physics of it ? Have you tried to ask Roman Kim ?
@@sanchopansa1950 try pinky on first position D or A individually. The Kim harmonic is based on that idea, you'll know what I mean. And the interesting thing is once you get good at it, you don't need to lift up your other fingers for the harmonic to sound unlike traditional harmonics. I don't know the physics behind it
That was brilliant. I had never thought of using the thumb on the G-string, and I have played many of the major works.
Ya it's really fun to do, and opens up different possibilities for chords
I loved!!
Could you publish the music from Roman Kim's 5th and Brindis!!!
Great job!! like this channel!! 👏🏻👏🏻👏🏻👏🏻
Thank you for the support. I don't have the transcription for Brindisi yet. For Beethoven 5th I'm trying to get in contact with Roman Kim to ask for permission, as I don't want to disrespect him by publishing his arrangement online without his permission, hope you understand
Thank you for sharing ,😊Sir!
May I know what strings do you use.
I don't know actually. Usually I use dominant, but this violin is new and I didn't pick the strings. It has green color on all 4 strings if that helps
@@SanTheViolinDude thank you
Here are the Excerpts of notes for the exercises:
musescore.com/user/78303913/scores/14470030?share=copy_link
Dude, don’t discount yourself. I think you have already accomplished a lot of stuff that most of us would never even dare attempt. Just keep practicing
Thank you
one question, you will play i brindisi? its my favorite piece ;]
Hi, I think it's too hard for me at the moment, but maybe I'll try in the future. 😂
@@SanTheViolinDude prepare to eat the instrument lol
@@SanTheViolinDudeIf you have access to a transcription or something I would love to see it, because I have been hoping Roman would publish it himself for years now.
@@Musicrafter12 I did write one, but I thought it would be disrespectful to publish online without permission. If you really want to try you can send me an email and I'll send the score. swhviolin@gmail.com
Were can i get the free music sheet for Roman Kim
dawg yes where
Can't say, proud of you meanwhile everone keep on saying that it was impossible. So its actually possible to play entire paganini with harmonics just by placing the bow on the sweet spot?
Which Paganini are you referring to? Theoretically every note on violin can be played with the special harmonic by finding the sweet spot on the string. But it's more difficult if it's fast and if it is on G string
@@SanTheViolinDudeI find that the most difficult ones are high on the E string. They tend not to want to speak properly on the thinner strings and turn into either whistles or, where their placement overlaps with natural harmonics, end up reverting to natural harmonics at the wrong pitches.
@@Musicrafter12 that's true too. I haven't really tried too much on the E string. In his Beethoven 5th highest he used was D on 3rd position on E string, it works only about 3/5 times for me
@@SanTheViolinDude In his Romance in Gb he ventures up rather high on the E string, and it's quite challenging to make them speak right. Pity the whole set is out of print; I'm fortunate to have bought a copy some years back. In my own compositions I've ventured over onto the E string as well.
Teeth pizz tutorial next😂😂😂
I'll need to get myself dental insurance lol
Can you explain how kim harmonics come about ? What happens technically ? The bow has to be sul tasto, over the fingerboard. In usual harmonics the bow is
close to the bridge.
Thank you for the question. So I don't know the history of this technique. I learned it by trying it watching Roman's Beethoven 5th. If you play this harmonic near the bridge it won't come out. The easiest way to find and practice is with pinky on first position on D and A string. You'll need to experiment quite a bit. Took me about 2 weeks to find it
@@SanTheViolinDude Just to make sure
that I get you right. left hand, first position,
pinky goes on D and A strings, on both
strings. All other fingers away from the
string ?
Still I puzzle: what are the physics of it ?
Have you tried to ask Roman Kim ?
@@sanchopansa1950 try pinky on first position D or A individually. The Kim harmonic is based on that idea, you'll know what I mean. And the interesting thing is once you get good at it, you don't need to lift up your other fingers for the harmonic to sound unlike traditional harmonics.
I don't know the physics behind it
@@SanTheViolinDude I'm sorry. I still
don't get it.
@@SanTheViolinDudeCan you make a video that explains it ?