very nice IF you have rx6 if not....not much there for general use i kept waiting for general tips and/or techniques (gating, compression eq etc) a humble suggestion: rename the vid to reflect that it is rx6 specific ;-)
Main point: nobody will EVER hear ANY of those tracks in isolation except the mixing engineer. People forget that a LOT. A little bleed is just fine. Makes it seem like a real band playing together. That's a GOOD thing. Some of the best recordings of all time didn't use "fancy" tools like RX. Just saying.
Sweetwater - Thanks for this! Waiting for my Adam monitors to arrive from Sweetwater! In the meantime, a drummer tracked tonight with 13 mics - but some damn bleed. Wish the guy would have played each drum by itself. Now, I have to find say a snare hit where the dude isn't also striking the high hat. So, in theory I can build a pristine drum sound. (My issue is different than bleed onto as in your example non-drums. I have bleed ON DRUMS!
very nice IF you have rx6 if not....not much there for general use i kept waiting for general tips and/or techniques (gating, compression eq etc)
a humble suggestion: rename the vid to reflect that it is rx6 specific ;-)
Main point: nobody will EVER hear ANY of those tracks in isolation except the mixing engineer. People forget that a LOT.
A little bleed is just fine. Makes it seem like a real band playing together. That's a GOOD thing. Some of the best recordings of all time didn't use "fancy" tools like RX.
Just saying.
Sweetwater
- Thanks for this! Waiting for my Adam monitors to arrive from Sweetwater! In the meantime, a drummer tracked tonight with 13 mics - but some damn bleed. Wish the guy would have played each drum by itself. Now, I have to find say a snare hit where the dude isn't also striking the high hat. So, in theory I can build a pristine drum sound. (My issue is different than bleed onto as in your example non-drums. I have bleed ON DRUMS!
Do you tutorial mix / master from scratch?
thnax this is really helpfull for me
Wow