Hello and thanks for video. i have a sankyo xl600s as a gift. i bought an ektachrome 100d film. i now all the preparation but i do not know if i am over or under exposure. can you explained what i have to know and what i have to do before i shoot? thanks
love your videos.. i have a elmo 612s xl super 8 camera with the kodak film . i was wondering how can i rig it so i can put it thru the computer.. i dont want to submit the footage over and over to kodak and such and i heard there is a way to process it to digital. .any help would be greatly appreciated if possible thanks.
Dear Tyler, can you please answer the following 3 Questions please, 1. When people recorded with one of these camera's back in the 1970s and watched their footage back on some sort of large screen, would they always see the sprocket on the screen. 2. How would they view back their footage, was it through a TV or something else. 3. Today we store our video on hard drives and the cloud, how did people store their super 8 video back in the 1970s.
1&2. They used a projector - no, you wouldn't see the sprocket or extra frames on top & bottom. 3. They just kept the film... it will far outlive a hard drive.
Your footage was viewed using a projector, the film gate was the correct size to see only the frame of the film, not the sprocket holes. The film was stored on reels, in film cans. when you wanted to view your films you got the projector out.
Overscanning the film (so not only scanning the actual frame but also outside of the frame). This is often done for an extra vintage look although this has only been a thing after digitization has become the norm.
This is interesting..so you don’t get to see what the color looks like till you get it scanned ? And so you’re basically shooting/looking at “real life lighting”
Could you do a side by side test with the android app which is Super 16 by Dmitry Shatilov as this does super 8 etc and a normal Super 8 camera and get 500T film and video the exact same scene and compare to see if the app is like the actual film.
I have shoot 8 , S8 and 16 mm in the 80's and even recently quite a lot. Nothing beats the film look and it realistic documentarian stile.
also i want o know if i can use variable nd filder . the same that i use in my mirrorless camera
Hello and thanks for video. i have a sankyo xl600s as a gift. i bought an ektachrome 100d film. i now all the preparation but i do not know if i am over or under exposure. can you explained what i have to know and what i have to do before i shoot? thanks
dope video! whenever i’m out shooting with my film camera I never forget to bring my sd card, I also find renting super 8 film really cost effective!
this guy lol
That's badass dude! Ive never shot on film, but I'd love to try it out.
Thanks man!
Love this! Thank you !
love your videos.. i have a elmo 612s xl super 8 camera with the kodak film . i was wondering how can i rig it so i can put it thru the computer.. i dont want to submit the footage over and over to kodak and such and i heard there is a way to process it to digital. .any help would be greatly appreciated if possible thanks.
please more about film cameras - also how to shoot
Using 50D = Red lightbulb setting on switch ????
Can you remove this square on the left?
Diamanthacker you could get it scanned in more if you want but the sprocket is the point of the aesthetic
hey!! how do you expose the film for a second to get that fire flare??
Its when the film gets overexposed usually happens when you first put the film in and take it out
I don't know how to go about getting it scanned
Very cool bro! I want to buy one
Kyle White TV would love to see that 🔥
Dear Tyler, can you please answer the following 3 Questions please, 1. When people recorded with one of these camera's back in the 1970s and watched their footage back on some sort of large screen, would they always see the sprocket on the screen. 2. How would they view back their footage, was it through a TV or something else. 3. Today we store our video on hard drives and the cloud, how did people store their super 8 video back in the 1970s.
1&2. They used a projector - no, you wouldn't see the sprocket or extra frames on top & bottom.
3. They just kept the film... it will far outlive a hard drive.
Your footage was viewed using a projector, the film gate was the correct size to see only the frame of the film, not the sprocket holes. The film was stored on reels, in film cans. when you wanted to view your films you got the projector out.
Hi! How do you use Kodak 500t on this camera? I've seen different variations
How do you have the little square on the left that we see? because sometimes we see video of super 8 whithout and i think its less "original"
Overscanning the film (so not only scanning the actual frame but also outside of the frame). This is often done for an extra vintage look although this has only been a thing after digitization has become the norm.
Thanks for the video ❤️👍🏼
Thanks for the love!
@@TylerCaseyProd there's more where that came from
cool stuff man appreciate it
How do I make sure the super 8 footage doesn’t have the sprocket or the footage on the top and bottom?
Drew Bell Pictures it’s how you get it scanned. If you look on pro8mm website you can see the different ways they can deliver the files to you
This is interesting..so you don’t get to see what the color looks like till you get it scanned ? And so you’re basically shooting/looking at “real life lighting”
And just have to trust the process
3:36 yeah that's a no from me dog
😂🔥💵
Could you do a side by side test with the android app which is Super 16 by Dmitry Shatilov as this does super 8 etc and a normal Super 8 camera and get 500T film and video the exact same scene and compare to see if the app is like the actual film.
You go completely wrong with only color negative. Color reversal is the best!
we need 16mm film please
Aint no body watch this!
film is real cinema,digital is only a hd tv for home,the only bad to use film is de crazy price only for 2 minuts.