Me too..And this is after years of playing professionally. I am filling in gaps thanks to Noah, everything from stride through non-functional harmony. He is the most right to the point straightahead and nice intelligent person also
@@NoahKellman hey that's quite all right. You are understandably a very busy man. I have to say that this competes with Everything You Need to Know to Play Stride Piano for my favorite NK tutorial 😀. I just may need to compile a list of my top seven 😄
Really cool video man! It was cool to see that the "rolling" chord sound, isn't as complicated as it might seem. If you're able to know where you're harmonically going, you should be able to play around with the shapes after you practice them in time a lot!
Yeah man totally! A lot of these concepts seem really difficult if you don’t know how to approach them, but getting them to at least an intermediate level isn’t that hard.
I don’t know who created or discovered the technique, but I did see the new video lesson from Fred Hersch several weeks ago demonstrating that technique. Your mention of him is commendable as he is truly an inspirational musician.
Hi Noah, LOVE THE CONTENT. Subscribed! @5:13 With the half steps, I was thinking instead of just one half step to resolve you could even add them both and do E9 (#11) to D7 (#9#5) to Eb maj7 or vice versa D7 (#9#5) to E9 (#11) to Eb maj7😝
These rolls.... I was looking for an explanation for so long. You've (again) melted my brain in the best way....... Hats off sir (Guys....... Buy his courses, these are the secretest gems on the net)
Thank you very much Noah, excellent, and wonderful harmonization ; you sound quasi genuine Bill Evans !! With great fun waiting for the next lesson...Fred/Nice/France...
Wow. I feel kind of dumb saying this, but rolling both hands is revelation for me. Rolled the left hand of course, but never simultaneous with the right. What a great, familiar jazz sound that I never knew how to achieve. Thanks so much!
Outstanding. Thanks, Noah. I guess the way to start with this is to take your suggestions as examples and learn them as such. After that, our imagination and experience will hopefully show us more ways to do this. Over time, we can develop our own repertoire of ways to do this. Not just one secret sauce, eh?
I don’t play piano but guitar, and love seeing what piano ideas can be applied. This stuff is tricky (if not impossible) but taking influence from it and moving the inner notes is something l’ll definitely be trying. Thanks for the inspiration! 👍
Hey Noah, for a long time I couldn't figure out what was missing in my playing and practice. This is exactly what I need at this point in time. Now, I comprehend how the pros solo the way they do. Thank you so much! - Will 😎
Sounds like Bill Evan-ish. Thanks, sir!
Exactly 4:02! It's all about moving the voices!
@@FrantzesElzaurdia you are very right, sir 🙌🏽
You are becoming a part of my daily practice routine, and I couldn't be happier! Thanks, Noah! (BTW, looks like 50K subs is right around the corner.)
Me too..And this is after years of playing professionally. I am filling in gaps thanks to Noah, everything from stride through non-functional harmony. He is the most right to the point straightahead and nice intelligent person also
@@Doumbeck thanks so much 🙏🙏
Thanks David appreciate this kind comment sorry I missed it before 🙏
Please analyze Anomalie's playing - he creates intricate inner motion, with creative use of nonfunctional harmony for passing chords.
Yes please!
hey noah great fan of your videos. can u do a video on the types of passing chords and the theory behind them
Love the lesson and your work! The three hand technique was highly credited to Romantic Pianist, Sigismond Thalberg and later adopted by Liszt
@@spanonymousmusiccomposerpr8372 cool thanks I didn’t know that! Appreciate it
This is going to be essential in enabling me to reharmonize old church hymns. Thank you again Noah - Will
You are very welcome! Sorry I missed your comment before
@@NoahKellman hey that's quite all right. You are understandably a very busy man. I have to say that this competes with Everything You Need to Know to Play Stride Piano for my favorite NK tutorial 😀. I just may need to compile a list of my top seven 😄
@@WillsJazzLoft Let me know if you do would love to hear what they are!
@@NoahKellman absolutely!
Really cool video man! It was cool to see that the "rolling" chord sound, isn't as complicated as it might seem. If you're able to know where you're harmonically going, you should be able to play around with the shapes after you practice them in time a lot!
Yeah man totally! A lot of these concepts seem really difficult if you don’t know how to approach them, but getting them to at least an intermediate level isn’t that hard.
Beautiful 👍👍👍
Thanks, Solomon!
I don’t know who created or discovered the technique, but I did see the new video lesson from Fred Hersch several weeks ago demonstrating that technique. Your mention of him is commendable as he is truly an inspirational musician.
Hey Noah would you suggest having a strong understanding of passing chords for this or giving it a shot before then? Thanks!
Hey Omar, passing chords can be helpful, but I don't think it is necessary. How do I get started without!
6:30 The most beautiful part
May I know what programme is used to create the piano that display colour on the keys played ?
I live this moves.ibwish you could teach me more of this...
I ve missed a lot of your videos ! I was in hospital 🏥! Gotta catch up! Greetings from 🇬🇹 Guatemala
Listen to Dave McKenna for masterful use of the "three handed piano technique".
Barry Harris stuff is great for this
I wish I could play both hands like this
Nice..
Sir more details in Chord Melody...?
Could you just take a simpler cord progression and show how the inner voices could help that? Like a 251 for example thank you very good!
Hey Jim will keep this in mind for the future! Thanks for the suggestion
Hi Noah, LOVE THE CONTENT. Subscribed! @5:13 With the half steps, I was thinking instead of just one half step to resolve you could even add them both and do E9 (#11) to D7 (#9#5) to Eb maj7 or vice versa D7 (#9#5) to E9 (#11) to Eb maj7😝
These rolls.... I was looking for an explanation for so long.
You've (again) melted my brain in the best way....... Hats off sir
(Guys....... Buy his courses, these are the secretest gems on the net)
Ahh thanks man, so glad to hear it and appreciate the course plug!
And thank you again for always noticing my comments !!!@@NoahKellman
Wow, love that two-hand rolling technique with inner voicings!
I guess the best method is to use one´s soul.
Outro song name?
What tune is this?
Love you much
u did a D7#9#5 with add nat.5 ... . thats unusual, cool and my fave
Glad you like it!!
Very good info, Noah !!! Your videos are helping me a lot. Do you come to Philly ??? I would definitely come to one of your events !!! 👍🏽😊👍🏽
Thank you very much Noah, excellent, and wonderful harmonization ; you sound quasi genuine Bill Evans !! With great fun waiting for the next lesson...Fred/Nice/France...
As someone trying to learn cocktail piano, I really like the way your hands move together.
I'm guessing you've studied the Barry Harris system.
Mervelous substitution technic ! Very useful on 2-5-1 for exemple, Thank you
Such good playing dude... thanks for the video!!
Hi Noah, this is my favorite channel right now - thanx. Quick Q: where does the alt dom half step below tonic come from in theory?
Wow. I feel kind of dumb saying this, but rolling both hands is revelation for me. Rolled the left hand of course, but never simultaneous with the right. What a great, familiar jazz sound that I never knew how to achieve. Thanks so much!
man. you fucking rock. thanks for all of the amazing support
Bb b9 #11 = E7 / Bb7 shell
I sometimes find it easier to think of polychords to define other more complex chords
Please make more tutorial about jazz piano like this...thanks
Excellent video! It's perfect advice for my level of playing. I'm trying to use contrary motion on the inner voices of the passing tones/chords.
Man 🔥 so many concepts I’ve hear never knew what they where called or how to do it . So good
Outstanding. Thanks, Noah. I guess the way to start with this is to take your suggestions as examples and learn them as such. After that, our imagination and experience will hopefully show us more ways to do this. Over time, we can develop our own repertoire of ways to do this. Not just one secret sauce, eh?
Love your classes. Learnig a lot. Keep going! Thank you Noah. Mike Manso.
I don’t play piano but guitar, and love seeing what piano ideas can be applied. This stuff is tricky (if not impossible) but taking influence from it and moving the inner notes is something l’ll definitely be trying. Thanks for the inspiration! 👍
Woooow
Hey Noah. I have a question, how to you integrate the piano and sheet view in your videos? Thanks
Thanks Noah , great stuff here! Please continue the the great work...
This is absolutely beautiful! Thank You Very Much!
lmao absolutely fire 😵🙏🏾 trying this tomorrow
Really like your teaching style Noah. Good work.
Great! Love your concepts. Keep the videos coming!
What a beauty! What exercise do you suggest for this?
Thank you! Its beautiful!
Great lesson, really useful, you are an amazing teacher!
This is all coming from Oscar Peterson
Great and well explained LESSON tks
Another technique to steal. Nice !
Always wonderful lessons! ^-^
Yes Noah inner motion gives the ear more to hear.
Great tutorial as always ! !
sos un crack, un genio
You all need to buy Noah's online course NOW. Only been at it a month but already improved 1000%
But it's 500 bucks!
@@jamesmason2222 just saw this thanks for the shoutout!!
Mind blown ✨
Beautiful!
Amazing!!
Buenísimo
Hey Noah, for a long time I couldn't figure out what was missing in my playing and practice. This is exactly what I need at this point in time. Now, I comprehend how the pros solo the way they do. Thank you so much! - Will 😎
Nice.... really appreciated