Even as a bass player myself, your channel has improved my arpeggiating and music chops overall. Such a wealth of musical knowledge that we shouldn’t take for granted! Thank you Noah!!
Sounds more like Debussy than "modern jazz" but hey, sounds great. Oh by the way that's a compliment as I don't particularly like Jazz when it's played as a virtue signaling stuff. You arpeggios are "ear opening" and, plus, with a little exercise are very finger friendly. Beautiful.
I've been browsing music theory videos since youtube was created and never have I heard someone call a chord a "shape." You just changed my life! Thank you!
Looks like it’s just 2 triads played as inversions with the added root to the chord. Eb and Ab triad inversions with the added Very modern sound for sure. That’s how Russell Ferrante gets his sound.
Wow, right on cue! I've been looking for something just like this since last week. Noah, been following you for about a year now. Thank you for putting out so much helpful content.
Hey noah! i have a question that i hope you would answer honestly without any modesty :) Among all keys players currently alive in the jazz / neojazz / hip hop community, where do you think you would rank percentile-wise? top 1 percent? top 5? Just curious :) again no modesty! in terms of dexterity, general skill and efficacy, knowledge of theory, ability to improvise .... the works
Thank you very much! That superb Fm 9 (11) "open fifths" voicing 8:58 (root-fifth-ninth-minor third-dominant seventh-eleventh)- is called by Mark Levine " The Kenny Barron chord" I believe, maybe Kenny didn't discovered it but played it a lot.
What I'm doing now for Intros, endings, pre-modulations..on V Chords ..thanks for the company..add play tasty.,think melodically Taste first then speed Doc James
Your videos are extremely useful for a beginner-intermediate player like me. One thing that is never explained about runs and arpeggios is rhythm, especially how to integrate them into your playing, in terms of rhythm. I get that it is used to fill up space, in ballads for example, but it goes so fast that it would be really interesting to break it down to the beat, where exactly the notes fall on the beat. I wonder if you just play the runs super fast and it doesn't matter where the notes fall, as long as the next melody line starts in the right place (so you don't skip a beat), or whether every note of the run falls on the right subdivision (the fact that there isn't a metronome or drums in piano solo where those runs are typically used doesn't make it easier).
Hey Noah im a huge fan and i always watch your videos,jus a question how do you get that overhead shot for us to see your hands?been strungling to get that view
THIS is the BOMB!! Its the nuts n bolts tool kit how to BUILD ideas rather than parrot and rip off other peoples riffs. Thanks Noah, you communication and teaching skill is really valuable and I always enjoy your enthusiastic teaching👌🏽
My testimony : Your class has put together the pieces for me and now I'm able to express myself like I HEAR IT..!!! If you wanna get better sign up for his class or early waiting list RIGHT NOW..!!!
You are totally spot on btw: This way of thinking can be remembered easily as a chord voicing and repeating across a few octaves so one can utelise existing ideas that the one might already know- which is a total bonus which leads to more experimentation and new sounds!! So cool!!
@@NoahKellman yes tried it out when I wrote last comment, really love this way of thinking, makes so much sense!! Have been thinking along similar lines for a while but you stated it in a clearer better way with your well thought out examples.
There is something I don't get about these videos. Not only in your channel, but across the internet: The deliberate over-complication of very simple ideas. Take this video for example, why refer to these cords as "shapes" without any further context? Call them for what they are! F minor 11th, A flat 9th, etc. That makes the rest of the material easy to follow. Explain what makes an arpeggio unique (i.e. flattening the sixth, dropping the 3rd, etc ). Again, by doing this it makes everything clear without the need to over-explain things in a way that adds nothing to the ideas being shown!!!!
I can't believe that you made a concept that I thought would be way more complex so simple. Very helpful, thank you.
Noah ur such a good player man, blows me away every video. Inspire me to keep working everyday at it
Thanks Liam really appreciate that man
Even as a bass player myself, your channel has improved my arpeggiating and music chops overall. Such a wealth of musical knowledge that we shouldn’t take for granted! Thank you Noah!!
You’re welcome I’m really glad you’re enjoying it!
I Agree I'm A Bass Player Aswell And Just Refreshing Just Checking Out Your Videos @noahkellman
I'm a bass player too, wow a lot of bass players follow the super Noah Lessons :-) i thank to Noah too!!
Noah, you smashed it again! Your piano lessons are mind-blowing, with such clear and thorough explanations.
Sounds more like Debussy than "modern jazz" but hey, sounds great.
Oh by the way that's a compliment as I don't particularly like Jazz when it's played as a virtue signaling stuff. You arpeggios are "ear opening" and, plus, with a little exercise are very finger friendly. Beautiful.
Thx for your sharings, much appreciated. Debussy et Ravel mes deux compositeurs préférés en plus d'être Francais.
Interesting, reminds me of a sort of debussy-esque arpeggio, like in his children corner
I've been browsing music theory videos since youtube was created and never have I heard someone call a chord a "shape." You just changed my life! Thank you!
This video is great, and I recommend you to check "New Jazz" Channel from Oliver Prehn ☺️
I find it easier to apply to ballads when playing rubato. It's more challenging to insert when playing in time.
Wonderful and so well explained. I love learning with all your lessons. Thank you .
god damn I love this channel. buddy is literally a math professor slash gym teacher
Looks like it’s just 2 triads played as inversions with the added root to the chord. Eb and Ab triad inversions with the added Very modern sound for sure. That’s how Russell Ferrante gets his sound.
What software does he use to show the chords?
Oh my God the intro sounded so much like Chick Corea
What’s the name of the software you use to detect chords/notes and show them on screen as you play? Thanks, awesome video as usual!
!
@@searchingredients8337 ?
Chordie App or Midiculous
Wow, right on cue! I've been looking for something just like this since last week.
Noah, been following you for about a year now. Thank you for putting out so much helpful content.
WHAT A LEGEND!
super !!!!!
Did you do some pdf as well?
Awesome video…could you do one of pedal point?
Your vids are so good. Thanks for sharing your cool chord voicing ideas and arpeggio runs.
Thanks a TON!!‼️‼️✅
Mmm... yummy-licious!
great as always!
Hey noah! i have a question that i hope you would answer honestly without any modesty :)
Among all keys players currently alive in the jazz / neojazz / hip hop community, where do you think you would rank percentile-wise? top 1 percent? top 5? Just curious :) again no modesty!
in terms of dexterity, general skill and efficacy, knowledge of theory, ability to improvise .... the works
Thank you very much!
That superb Fm 9 (11) "open fifths" voicing 8:58 (root-fifth-ninth-minor third-dominant seventh-eleventh)- is called by Mark Levine " The Kenny Barron chord" I believe, maybe Kenny didn't discovered it but played it a lot.
What I'm doing now for
Intros, endings, pre-modulations..on V Chords ..thanks for the
company..add play tasty.,think melodically
Taste first then speed
Doc James
Another masterful lesson💪🏾
Thank you N. Kellman. This and some diminished chords I tried gives me a real new level for improv I didn't understand before! Very nice. 🎼🎹🎼🌲✨🌳🕊
sounds so unique 💯
Thanks!!
Yaaas! Nice sounds i can practice to hear and play :) Whoo-hooo ✨🌈🙌🏽🍀🙏🏼
Your videos are extremely useful for a beginner-intermediate player like me. One thing that is never explained about runs and arpeggios is rhythm, especially how to integrate them into your playing, in terms of rhythm. I get that it is used to fill up space, in ballads for example, but it goes so fast that it would be really interesting to break it down to the beat, where exactly the notes fall on the beat. I wonder if you just play the runs super fast and it doesn't matter where the notes fall, as long as the next melody line starts in the right place (so you don't skip a beat), or whether every note of the run falls on the right subdivision (the fact that there isn't a metronome or drums in piano solo where those runs are typically used doesn't make it easier).
Noah, you could introduce a song with the first 30 secs of this video, and the audience would go crazy👍
Mind blowing stuff well-explained.
I must say you are a great teacher. Loved this lesson. Thanks Noah.
Ow I love the arpeggio you do that uses 4ths, never thought of using them like that
Hey Noah im a huge fan and i always watch your videos,jus a question how do you get that overhead shot for us to see your hands?been strungling to get that view
there’s a Nahre Sol vid on filming overhead
Look up horizontal camera mounts. You can literally attach it to a tripod! Also some tripods have horizontal arms.
Great lesson here. Nice to see a lesson detailing some ways to creatively use all the chord shapes we spend time learning.
THIS is the BOMB!! Its the nuts n bolts tool kit how to BUILD ideas rather than parrot and rip off other peoples riffs. Thanks Noah, you communication and teaching skill is really valuable and I always enjoy your enthusiastic teaching👌🏽
Thanks, Daniel! Really glad you enjoyed it.
My testimony : Your class has put together the pieces for me and now I'm able to express myself like I HEAR IT..!!! If you wanna get better sign up for his class or early waiting list RIGHT NOW..!!!
Thanks, Terry!! So glad to hear you’re getting a lot out of it and I appreciate the testimonial!
Great sounds and awesome explanation!
Man just recently discovered your channel love this stuff
Thanks Arnar appreciate that!
You are totally spot on btw: This way of thinking can be remembered easily as a chord voicing and repeating across a few octaves so one can utelise existing ideas that the one might already know- which is a total bonus which leads to more experimentation and new sounds!! So cool!!
Yess!! Have you tried it out already?
@@NoahKellman yes tried it out when I wrote last comment, really love this way of thinking, makes so much sense!! Have been thinking along similar lines for a while but you stated it in a clearer better way with your well thought out examples.
MIDI link please
Inspiring
Idol
There is something I don't get about these videos. Not only in your channel, but across the internet: The deliberate over-complication of very simple ideas. Take this video for example, why refer to these cords as "shapes" without any further context? Call them for what they are! F minor 11th, A flat 9th, etc. That makes the rest of the material easy to follow. Explain what makes an arpeggio unique (i.e. flattening the sixth, dropping the 3rd, etc ). Again, by doing this it makes everything clear without the need to over-explain things in a way that adds nothing to the ideas being shown!!!!
Awesome 🥳
Inspiration for the nations ! Great Noah 🎶🔥