This is a major contribution to the guitar canon, and music generally. The composer has clearly studied Debussy's style and given us a piece that could have been written by the master himself! Also a thoroughly convincing and insightful interpretation, full of drama
This piece makes use of the unique qualities of the guitar in surprising new ways. Just when you think our beloved instrument was all out of ideas . . . .
Thank you SiccasGuitars! You present the most brilliant guitarists I've ever seen! Most every video is a treat and a learning experience. Now if you can just do something about the price of your guitars! Geez!
Thank you! :) I guess at this point it is common knowledge that he is Allan Willcocks, so probably he uses it just to sort of catalogue the impressionistic group of his works. At least that's what I thought.
Its a bit of a puzzle, given he could hardly actually expect anybody to believe that an Englishman nobody had heard of had written such a body of work, yet this is how he presented it initially...and I'm less than impressed that for quite a while, perhaps until now for all I know, he had his CD and scores for sale under the Willcocks pseudonym without clarifying the reality of the situation. To use a pseudonym, or perhaps rather an 'alter ego', is not that unusual, or necessarily harmful, and perhaps in this case it was to make an imaginative space where he could conceive and create a body of work that artistically belongs to a different time, one that could not really be made 'seriously' by a composer now - but, as in the case of the piece here, could offer music in styles that the guitar has never really had. This is a terrific performance of a fine and interesting piece; had the composer found a way to be honest about matters upfront, and preferably used an alter ego from a background where this kind of aesthetic is believable, I would have much more time for it.
This is a major contribution to the guitar canon, and music generally. The composer has clearly studied Debussy's style and given us a piece that could have been written by the master himself! Also a thoroughly convincing and insightful interpretation, full of drama
This piece makes use of the unique qualities of the guitar in surprising new ways. Just when you think our beloved instrument was all out of ideas . . . .
Congratulations. Very interesting interpretation 👍
Thank you very much :) The piece is really stunning!
Absolutely beautiful
Very nice interpretation! Siccas Guitar always brings great quality videos, audio, shots, inspiration for my channel
Wonderful!!
Bello. Un pezzo particolare ben suonato
Excelente
Exquisite!
Meraviglioso
Thank you SiccasGuitars! You present the most brilliant guitarists I've ever seen! Most every video is a treat and a learning experience. Now if you can just do something about the price of your guitars! Geez!
Great!
Un gran trabajo! se agradece. Quizás puedas hacer algo con "Pour les tierces". Lo más seguro es a dos guitarras quizás... Saludos!
Mmm contemporary classical guitar
🤗🤗🌹
gute Sendung
Beautiful contemporary music and very good playing 👏🏼 but why tilman hoppstock is using an alias and his real name at the same time? 🤔🤷🏻♂️
Thank you! :) I guess at this point it is common knowledge that he is Allan Willcocks, so probably he uses it just to sort of catalogue the impressionistic group of his works. At least that's what I thought.
@@marcinkuzniar8686 ok..thank you😊 Let’s wait....and see what happens 😁
Its a bit of a puzzle, given he could hardly actually expect anybody to believe that an Englishman nobody had heard of had written such a body of work, yet this is how he presented it initially...and I'm less than impressed that for quite a while, perhaps until now for all I know, he had his CD and scores for sale under the Willcocks pseudonym without clarifying the reality of the situation. To use a pseudonym, or perhaps rather an 'alter ego', is not that unusual, or necessarily harmful, and perhaps in this case it was to make an imaginative space where he could conceive and create a body of work that artistically belongs to a different time, one that could not really be made 'seriously' by a composer now - but, as in the case of the piece here, could offer music in styles that the guitar has never really had. This is a terrific performance of a fine and interesting piece; had the composer found a way to be honest about matters upfront, and preferably used an alter ego from a background where this kind of aesthetic is believable, I would have much more time for it.
Сложное произведение. На бисс сыграно!!!