Literally i miss my voice when i was 12 year old i can literally whistle and do head voice. I remember the time when my friend throw to me a fricking alive tarantula i just scream in head register. Now 16 my vouce deepen and can't even do a head voice 😑 puberty in boys sucks
@@user-en2ct8ut3c I can't do this with super head voice because that makes me whistle. I don't have an F6 in my head voice, mixed voice, or whistle register. I don't have a mixed voice. I have my E6 in my head voice (highest note).
Joan sutherland is the only one who doesn't sound squeezed or shrill. Her high notes are full bodied, beautiful & bell -like . Don't get me wrong, all these sopranos are amazing, but Sutherland is GOLD.
@@afrolatino89 It's a myth. There's no specific point, all voices are different. Whistle Register could start at B5 too, it depends on the person, and there's not a set note which defines it. Some people can Whistle down to D5 (Like Mariah Carey) while some can't below E6. It's just a matter fo how the vocal cords are made. And by the way head voice can't finish at anywhere specifically because every voice is different from the others, even organically and technically. Some people's head voice ends at C6, but their Whistles start from B5, while some people's head voice ends at A6 and their whistles end at D6... Some people can't even do the Whistle Register but are still able to get up there in head voice. I hope I didn't sound rude, have a nice day!
I don't have a whistle register. I have a B5. My head voice starts at F#5 too. I can't whistle. I have a D5 in chest voice. I sing E6. I can sing below E6. I have a head voice. My head voice ends at E6. I have a C6. I have a B5 in head voice. I have a head voice. I don't have an A6. I don't have a whistle register. I have a D6 in head voice. I can't even do the whistle register. I have a head voice.
I can only go up to a G#6 in head voice rn i'm hoping to bring it up into the 7th octave especially since ive already chosen to stop whistling to cultivate my head voice :3
A g6 in head voice is impressive but I would strongly advise you to be careful pushing your head voice or falsetto that high may cause vocal problems if you really know how to whistle I would advise you to use it because it will allow for higher notes with less strenght
2015newyear tbh i hit those notes randomly when I'm not even thinking about reaching a higher note it just happens. and i can now hit a Bb6 in head and i whistle up to Bb6 as well its just that i feel like I've reached the highest my vocal chords will allow in whistle so I'm moving on to head where i feel i still have some room to grow
The Barber of Seville excerpt with Gruberova would more than likely be F6 if sung in Fmaj rather than the original Emaj key for mezzo. Also the 2 excerpts back to back with Sills and Swenson would both be high C since they were the ending of the same aria O luce di quest anima.
I can hit these notes too. Just let me find some LEGO pieces to “accidentally” step on In all seriousness, I love listening to high notes like these, these women have great gifts
the only at 2:09 is not only in horrendous picture quality, but it has that creepy vibe of really old cameras, and the re is so much distortion in the sound... the video seems like it was created by satan at that point
Soooo much better than whistle.... Far supperior guys, there is a reason why there is no room for whistle in opera and the tradition is to keep just the best of every voice type.
I feel you. In falsetto I can (rarely, and very badly) reach a G5, which is so close to soprano but just a tad bit away. Prima Voce is about an E5. You?
@@earlmanzor560 i think he went heady mixvoice to F5,,, yeah thats impresive, because for me, F5 men=C6 women... so, just imagining a mezzo hit a C6 in heady mixvoice me as a baritone, hmm i think my mixvoice belt end on A4 too(im not sure, because that was the first time im belting with unmastered mixvoice), and went headier peak at raspy heady mixvoice F5.... wish i mastered the mixvoice ASAP, because currently, im still afraid to using mixvoice for singing a song (its so hard to trigger it, no muscle memory yet), so my range is very limited from G2 to G#4 by yelling my chestvoice but if we talk a F5 falsetto, i think thats not impresive, everyone can do that
What does this even mean “ is it possible to support X note?” It makes no sense. If you are singing you are “supporting”. Breath support is one of the dumbest concepts I’ve ever heard. You can’t sing without air. Good singing is just singing with a steady airflow and properly resisted with the inhale muscles so you don’t exhale too much air
Stone ...I think there is the age old school choice of terms...breath support, or" breath control."....the later is less offensive and more desirable. But you can not use the same amount of air pressure on a C7 as on a C6...this would be quite damaging....
Jim Buxton in terms of operatic technique you’re still emitting an even flow of air. Yes, less air, but it’s not “more or less supported”. The inhale muscles must become more active and exhale muscles less so, but you can’t sing without exhaling air. The point of appoggio is to balance the antagonistic forces of inhale and exhale muscles. I still don’t get why people are like “is she supporting there or not?” “Beyoncé can support down to note X...”. It makes no sense physiologically.
@@whitneyhoustonstan2472 opera isn’t 100 head voice. You physically cannot surpass a certain note in JUST head voice. Most classical and opera singers, once they reach the highest they can go in head voice, they switch into their WR to go higher. It’s confused with head voice because of how full their whistles sound
If I go low in chest voice in opera, I go ahhhhhh. If I go high in chest voice in opera, I go ahhhhh. If I go high in head voice in opera, I go ahhhhhh.
As a male I can so far barely hit an A6 with what I think is head voice G6 is a little more easier but I can't hold it for long at all I'll keep practicing... I've hit a C#7 whistle note on one of my yt videos
I think that most of these notes are whistle register, but classical sopranos are well trained and their chest, head, and whistle registers are well connected. Their technique is superior to that of most pop singers, so they are going to have a better sound.
Well, they start to incorporate the flageolet/whistle technique as they go higher to lighten the load. Hence the highest notes sound more like flageolet/whistle. They also do it as early as possible to make the tone consistent and fluid. Their head voices and flageolet/whistle voices are really strong and connected really well, very well-developed.
I don't have a whistle register. I'm a classical soprano and I can sing F#3, G3, G#3, A3, Bb3, B3, C4, C#4, D4, Eb4, E4, F4, F#4, G4, G#4, A4, Bb4, B4, C5, C#5, D5, Eb5, E5, F5 and F#5 in my chest voice. I can sing F#5, G5, G#5, A5, Bb5, B5, C6, C#6, D6, Eb6 and E6 in my head voice. I don't have any whistle registers and they're all disconnected. I sing pop.
Well, they start to incorporate the flageolet/whistle technique as they go higher to lighten the load. Hence the highest notes sound more like flageolet/whistle. They also do it as early as possible to make the tone consistent and fluid. Their head voices and flageolet/whistle voices are really strong and connected really well, very well-developed.
@@archive2500 I don't have a flageolet register. I don't have a whistle register. I have a head voice. I'm a really strong youtuber. My falsetto head voice is connected to falsetto chest voice.
LES FALTÓ MENCIONAR A LA MÁXIMA SOPRANO COLORATURA ERNESTINA GARFIAS . HIZO CARRERA MUNDIAL Y YÁ NI SE ACUERDAN DE ELLA . ÉSTO SE LLAMA INGRATITUD Y MALAGRADECIMIENTO .
Well, they start to incorporate the flageolet/whistle technique as they go higher to lighten the load. Hence the highest notes sound more like flageolet/whistle. They also do it as early as possible to make the tone consistent and fluid. Their head voices and flageolet/whistle voices are really strong and connected really well, very well-developed.
Enlevez les aigus laids, il reste peu de monde parmi les exemples ici choisis : DESSAY, DAMRAU, SUTHERLAND et peut-être 1 ou 2 oublis mais le chant n'est pas que du saut en hauteur.
Except for the last two... coz I am not sure of them... Rest all are head voice notes!! This is bcoz all of them after or before hitting the high note ran down to a connected head voice note... One cannot just connect a head voice to a whistle since those are two diff mechanisms... But the last two were staccatos which may or may not be whistle!!! AMAZING Compilation!!!!
I have head voice notes. I hit high notes in head voice like F#5, G5, G#5, A5, Bb5, B5, C6, C#6, D6, Eb6 and E6. I don't have a whistle register. I have staccatos. I don't have a whistle register.
Can anyone explain the concept of falsetto in female voices? I thought that women had head voice and that falsetto was only something that was used by adult male voices? Also, I am fairly certain that “super head voice” is not a vocal register, but I could be wrong.
Science considers falsetto and head voice as synonymous to each other, both terms refer to the M2 mechanism. But these mainstream people right here consider falsetto as "breathier"/"airier" and "weaker" version of head voice. And these Opera singers start to incorporate flageolet/whistle along with their head voice/falsetto as they go higher for them to easily hit notes that high, producing "super head voice/falsetto". It is impossible to reach notes that high, you are literally stretching your M2 cords to their limit. And they also do it as early as possible to make the tone consistent and fluid as they go up or down.
I have a falsetto rather it's chest voice or head voice. I have a female voice. I sound like a woman. I have a head voice with falsetto. I don't have that super head voice because it makes me whistle.
@@archive2500 I have a falsetto in head voice. My voice is not breathy. My voice is not airy. My voice is not weak. I have a strong head voice. I don't have a flageolet register. I don't have a whistle register. I have a head voice with falsetto. I go higher than B5. I don't have a super head voice because it makes me whistle.
Brazilian countertenor Edson Cordeiro can sustain up to F6 with vibrato and he has showcased up to Bb6 in head voice (I just don't remember the song, but he did a "glissando" up to Bb6).
@@ThiHills I can sustain up to E6 with tongue vibrato. I don't have an F6. I don't have a Bb6. I have a head voice. I can do a glissando up to E6. I don't have a Bb6.
Well, they start to incorporate the flageolet/whistle technique as they go higher to lighten the load. Hence the highest notes sound more like flageolet/whistle. They also do it as early as possible to make the tone consistent and fluid. Their head voices and flageolet/whistle voices are really strong and connected really well, very well-developed.
B6 staccato took me out ⚰
I don't have a B6 staccato.
That B6 and C7 staccato though🤤 it sound so pretty as if it’s a bird or something
Yes Erna Sack was well known as the Nightingale of German because of her staccato notes that were breath taking
I don't have that B6 and I don't have a C7 staccato either. I don't sound like a pretty bird.
@@yolanijimmy5689 I sing the Nightingale Russian song and Olympia Doll Song German song because of my staccato notes that were breathtaking.
@@melmario6145 bro no one cares
The staccato B6 and C7 cured my alopecia areata and gave me clear skin
Scoliosis gone here.
🤪🤣🤪🤣🤣🤣
Move over folks, I'm puttin' this stuff in my biofeedback machine.
The last staccatti cured my chronic back pain and paid off my debts. I'm lighting up a candle, excuse me.
I don't have the staccato B6 and I don't have the staccato C7 either.
Excuse me I think my kettle is boiling
B3VD0G omg u r boiling hot . Ping me on insta @parkchithung16
Yup! I'm not a boiling tea kettle.
When they sustain the notes, most of them sound like car alarms xD
+Lisandro Guevara Hahaha that's true.
yeah they acctually do weirdly enough.
Lichy Guevara more to me like boiling water. 😃
When I sustain the notes, I don't sound like a car alarm. xD
@@arik0128 I'm not a tea kettle.
THE BIRDS ARE SHOOKETHED!!!!
the birds outside when im trying to sleep at 5am
I'm not a bird.
Dessay is one of my favorites because there's something pure but light about her tone
agree!
Light and clear but I can testify that her voice was very powerful and covered easily the total set of other soloists, choir and orchestra.
@@brunopicaude3092 My voice is very powerful and I'm a soloist.
the only time im ever gonna reach a note this high is when i see a spider. 😂
😂😭💀
Literally i miss my voice when i was 12 year old i can literally whistle and do head voice. I remember the time when my friend throw to me a fricking alive tarantula i just scream in head register. Now 16 my vouce deepen and can't even do a head voice 😑 puberty in boys sucks
I hate spiders.
Natalie Dessay, Diana Damrau, Joan Sutherland, Mado Robin dan Erna Sack are my Favorite.
You should include Ingerborg Hallstein on the list.
+mangajoentax I remembered of her after uploading the video. :/
mangajoentax I like them also
They are overrated lol
Yes, Ingeborg Hallstein!
Christina Deutekom too
2:55 WHO IS HER I'M SHOCKED
kurt berry Erna Sack
Thank you😆
Alberto Pepa which song?
Holy cow how can she do that ajdoqphcjh2odo?!?!?!?!
Erna Sack: Frühlingsstimmen-Walzer
my wig is flying
THAT STACCATO B6 IFJFKVKVKBKB
aaron newman my wig grew wings
C6 - 0:07
C#6 - 0:26
D6 - 0:33
Eb6 - 0:40
E6 - 0:56
F6 - 1:19
F#6 - 1:26
G6 - 1:38
G#6 - 2:04
A6 - 2:24
Bb6 - 2:41
B6 - 2:55
C7 - 3:05
They: sings like a Disney princesses
Me: actually can't do this even in whistle register.
My vocal cords: - Sorry, bud
i can do this with super head voice but onlg upto F6 bcus its going out of my head voice range
I sing Disney songs.
@@user-en2ct8ut3c I can't do this with super head voice because that makes me whistle. I don't have an F6 in my head voice, mixed voice, or whistle register. I don't have a mixed voice. I have my E6 in my head voice (highest note).
Erna hitting C7 and i am here, depressed with my A6, leave me alone
Are you serious? A6 is a note that is hard to hit. You should be proud of yourself.
I'm not hitting C7. I don't have A6.
I don't have an A6. I should be proud of myself for not singing A6.@@rosstheboss3747
Joan sutherland is the only one who doesn't sound squeezed or shrill. Her high notes are full bodied, beautiful & bell -like . Don't get me wrong, all these sopranos are amazing, but Sutherland is GOLD.
I am the only one who doesn't sound squeezed or shrill. My high notes are full bodied, beautiful & I have a head voice. I'm a soprano.
@@melmario6145
A shame nobody asked cuz nobody cares.
Southerland is a freak. She had a LARGE voice and a beautiful flageolet. But not a Bflat above high c ! No one needs that. It’s just a party trick.
Th reaches C7 in head voice. Most singers get there on whistle 🤯
Eso ya es whistle note bro
@@luisxd3708Lol no. Operatic singers heavily utilize head voice. These are all in head voice.
2:24 no one talks about this
Magnificent stocattos
I have magnificent staccatos.
Who is the first one sings C6 ? It's so beautiful :)
First is Roberta Peters, an American soprano.
I have a beautiful C6.
@@magicmonkichi I'm an American soprano.
so so beautiful.
Me: *sneaks to steal brother's favorite chocolate*
My brother: CAUGHT YOU
Also me: 2:40
I like Chocolate Island from Super Mario World. It sounds like Donut Plains and Valley of Bowser.
how could they do that?
probably classic training. Plus mental strength. LOL
+GamesGalore I always thought it was just sustaining a note with a strong vibrato :v
+Lisandro Guevara well we are both right
Heas voice
These are called flute notes. You sing them with an upward placement and it comes out full voiced with vibrato
So freakin amazing. Crazy how some people are completely unfazed by notes over D6 😢
very good. no mistakes A+ vid.
+GamesGalore ;) Thanks
Thi Hills Music head voice stops at Eb6 just saying.
@@afrolatino89 It's a myth. There's no specific point, all voices are different. Whistle Register could start at B5 too, it depends on the person, and there's not a set note which defines it. Some people can Whistle down to D5 (Like Mariah Carey) while some can't below E6. It's just a matter fo how the vocal cords are made. And by the way head voice can't finish at anywhere specifically because every voice is different from the others, even organically and technically. Some people's head voice ends at C6, but their Whistles start from B5, while some people's head voice ends at A6 and their whistles end at D6... Some people can't even do the Whistle Register but are still able to get up there in head voice. I hope I didn't sound rude, have a nice day!
I don't have a whistle register. I have a B5. My head voice starts at F#5 too. I can't whistle. I have a D5 in chest voice. I sing E6. I can sing below E6. I have a head voice. My head voice ends at E6. I have a C6. I have a B5 in head voice. I have a head voice. I don't have an A6. I don't have a whistle register. I have a D6 in head voice. I can't even do the whistle register. I have a head voice.
Staccato em B6 e C7 só podia ser Erna Sack rs. Só faltou a melhor de todas, Ingeborg Hallstein o/
Sim! A Ingeborg é a melhor! ❤
I don't do these B6 and C7 staccatos.
aqueles B6 e C7 com vários staccatos me mataram
vc aqui 😭
I don't have a B6 staccato. I don't have a C7 staccato.
Watching this hurt my throat
Above E6 makes my throat hurt.
Erna Sack and Mado Robin phenomenal and awesome voices with high × high × high notes. Beautiful!
My phenomenal and awesome voices are high pitched and beautiful.
WHY ON EARTH ARE THE ARTISTS NOT LISTED AS THEY SING???
2:50 I LOST MY SHIT I HOPPED OUT MY CHAIR LIKE I WAS AT A BLACK CHURCH I FORGOT THAT THIS WAS OPERA LMAO
I sing opera.
@@melmario6145 good job
I can only go up to a G#6 in head voice rn i'm hoping to bring it up into the 7th octave especially since ive already chosen to stop whistling to cultivate my head voice :3
A g6 in head voice is impressive but I would strongly advise you to be careful pushing your head voice or falsetto that high may cause vocal problems if you really know how to whistle I would advise you to use it because it will allow for higher notes with less strenght
2015newyear tbh i hit those notes randomly when I'm not even thinking about reaching a higher note it just happens. and i can now hit a Bb6 in head and i whistle up to Bb6 as well its just that i feel like I've reached the highest my vocal chords will allow in whistle so I'm moving on to head where i feel i still have some room to grow
that´s not head voice, the opera singers did head voice or mixed voice, is an extension of chest voice is not falsetto.
fusfuru1 Im quite aware of what the registers are and what I'm singing in thank you :)
Raping Bagels
I can use headvoice up to B6 but i only go as high as F#5 because its too strained up there and i push it a lot
The last staccatti cured my chronic back pain and paid off my debts. I'm lighting up a candle, excuse me.
The only thing that I really love about Opera-Head voice! And by the way that C#6 was a C6.
I can sing opera. I have a C#6 in head voice. I have a C6 in head voice.
The Barber of Seville excerpt with Gruberova would more than likely be F6 if sung in Fmaj rather than the original Emaj key for mezzo. Also the 2 excerpts back to back with Sills and Swenson would both be high C since they were the ending of the same aria O luce di quest anima.
I don't sing F6. I sing high C like C5 and C6. I'm not a mezzo soprano.
Any singing above F I call “mosquito farts” 😊
I can hit these notes too. Just let me find some LEGO pieces to “accidentally” step on
In all seriousness, I love listening to high notes like these, these women have great gifts
Everything after G6 sounds creepy to me.
the only at 2:09 is not only in horrendous picture quality, but it has that creepy vibe of really old cameras, and the re is so much distortion in the sound... the video seems like it was created by satan at that point
I don't sing higher than G6. I don't have a G6.
Anybody know which songs these are? I gotta know...for, uh, science!
Soooo much better than whistle.... Far supperior guys, there is a reason why there is no room for whistle in opera and the tradition is to keep just the best of every voice type.
I don't have a whistle register. I can sing opera. I'm the best youtuber in the world.
I am not a singer. But I love those notes, I love the e6. I come here only for the Eb6 an e6 of Ariana Grande, they are amazing.
I am a singer. I sing the E6. I have the Eb6. I am an amazing youtuber.
Those singers don't come near to these opera singers you've listen to.
Im surprised that they can go that high, im a baritone so im kinda jealous, in my best days i can peak a F5
I feel you. In falsetto I can (rarely, and very badly) reach a G5, which is so close to soprano but just a tad bit away. Prima Voce is about an E5. You?
Well, don't compare, they are sopranos, but i think F5 is impressive for a baritone, i am not sure
@@minniexoxo1352 LOL F5 IN BARITONE IS SUPERB. AVERAGE BARITONE CAN ONLY REACH A4
@@earlmanzor560 i think he went heady mixvoice to F5,,, yeah thats impresive, because for me, F5 men=C6 women... so, just imagining a mezzo hit a C6 in heady mixvoice
me as a baritone, hmm i think my mixvoice belt end on A4 too(im not sure, because that was the first time im belting with unmastered mixvoice), and went headier peak at raspy heady mixvoice F5.... wish i mastered the mixvoice ASAP, because currently, im still afraid to using mixvoice for singing a song (its so hard to trigger it, no muscle memory yet), so my range is very limited from G2 to G#4 by yelling my chestvoice
but if we talk a F5 falsetto, i think thats not impresive, everyone can do that
I hit F6/A#6 yes I'm a soprano
LOL I CAN ONLY HIT E4 😂😂
I hit an E4 in chest voice.
2:40 - it's my favorite!
I wonder who is that lady! She looks so sweet.
Those B6 staccato though! 😱😱😱
I don't have those B6 staccato!
In Opera, they do a fast staccato so, in 2:53 put it on 1.75x speed and it will be the fastest staccato
I have staccatos.
I used to have a schoolteacher who would reach a high G6 when she screamed at us.
It is possible to support C7?
blackwitness ....No...you'd be screaming if you support a full head voice C7....
blackwitness aaa but they’re still using their diaphragm in order not to strain and ruin their vocal chords
What does this even mean “ is it possible to support X note?” It makes no sense. If you are singing you are “supporting”. Breath support is one of the dumbest concepts I’ve ever heard. You can’t sing without air. Good singing is just singing with a steady airflow and properly resisted with the inhale muscles so you don’t exhale too much air
Stone ...I think there is the age old school choice of terms...breath support, or" breath control."....the later is less offensive and more desirable. But you can not use the same amount of air pressure on a C7 as on a C6...this would be quite damaging....
Jim Buxton in terms of operatic technique you’re still emitting an even flow of air. Yes, less air, but it’s not “more or less supported”. The inhale muscles must become more active and exhale muscles less so, but you can’t sing without exhaling air. The point of appoggio is to balance the antagonistic forces of inhale and exhale muscles. I still don’t get why people are like “is she supporting there or not?” “Beyoncé can support down to note X...”. It makes no sense physiologically.
Glad I wasn't wearing my glasses👓😨😲
0:58 is E6b
1:20 is E6
1:26 is Fg#/F6
2:25 is G6#/A6b
2:56 is G6# - B6b
3:06 is B6b - C7
You trust your ear too much. Get a tuner
@@whitneyhoustonstan2472 exactly, my piano.
I have an Eb6. I have an E6. I don't have an F6. I don't have an F#6. I don't have a G#6. I don't have a Bb6. I don't have a C7.
@@nettiegurl My favorite musical instrument is piano.
Who is the first singer? Name please..
*these repective women* come in here and get y'all tea!
Oh, don't worry -- it's honey-lemon with mint. Good for your throats.
So let me get this straight, none of these are falsetto and strictly just head voice?
Yes head supper head voice
Opera is 100% head voice, which is why a C7 in head voice is far impressive than a C7 in whistle register, let alone falsetto.
@@whitneyhoustonstan2472 yep but there are people like Leontyne Price use falsetto in her repertoire.
@@whitneyhoustonstan2472 opera isn’t 100 head voice. You physically cannot surpass a certain note in JUST head voice. Most classical and opera singers, once they reach the highest they can go in head voice, they switch into their WR to go higher. It’s confused with head voice because of how full their whistles sound
I have a falsetto in head voice.
1:34 who is that?
There's alot of "oooohhh AHHHHHHH" in opera
If I go low in chest voice in opera, I go ahhhhhh. If I go high in chest voice in opera, I go ahhhhh. If I go high in head voice in opera, I go ahhhhhh.
This was an amazing vid ! 10/10 for me
Wigs are falling, strands are falling piece by piece..
As a male I can so far barely hit an A6 with what I think is head voice G6 is a little more easier but I can't hold it for long at all I'll keep practicing... I've hit a C#7 whistle note on one of my yt videos
I don't have an A6. I have a head voice. I don't have a G6. I don't hit a C#7. I don't have a whistle note.
I think that most of these notes are whistle register, but classical sopranos are well trained and their chest, head, and whistle registers are well connected. Their technique is superior to that of most pop singers, so they are going to have a better sound.
Well, they start to incorporate the flageolet/whistle technique as they go higher to lighten the load. Hence the highest notes sound more like flageolet/whistle.
They also do it as early as possible to make the tone consistent and fluid. Their head voices and flageolet/whistle voices are really strong and connected really well, very well-developed.
I don't have a whistle register. I'm a classical soprano and I can sing F#3, G3, G#3, A3, Bb3, B3, C4, C#4, D4, Eb4, E4, F4, F#4, G4, G#4, A4, Bb4, B4, C5, C#5, D5, Eb5, E5, F5 and F#5 in my chest voice. I can sing F#5, G5, G#5, A5, Bb5, B5, C6, C#6, D6, Eb6 and E6 in my head voice. I don't have any whistle registers and they're all disconnected. I sing pop.
@@melmario6145 you stated in another comment you are a pop singer
I hope that THIS is the first thing the aliens pick up when they find out we are hear!, show them what amazing creatures we CAN be and not Trump!
omg you're so bad hahahhaah
Beauty high notes
I have beautiful high notes like F#4, G4, G#4, A4, Bb4, B4, C5, C#5, D5, Eb5, E5, F5, F#5, G5, G#5, A5, Bb5, B5, C6, C#6, D6, Eb6 and E6.
I don’t understand how people hit the seventh octave with head voice. And how it’s so clear
Well, they start to incorporate the flageolet/whistle technique as they go higher to lighten the load. Hence the highest notes sound more like flageolet/whistle.
They also do it as early as possible to make the tone consistent and fluid. Their head voices and flageolet/whistle voices are really strong and connected really well, very well-developed.
@@archive2500 so it’s like a mix of whistle and head voice then? Which is why she can produce it so precisely.
I don't hit the seventh octave. I have a head voice.
@@archive2500 I don't have a flageolet register. I don't have a whistle register. I have a head voice. I'm a really strong youtuber. My falsetto head voice is connected to falsetto chest voice.
LES FALTÓ MENCIONAR A LA MÁXIMA SOPRANO COLORATURA ERNESTINA GARFIAS .
HIZO CARRERA MUNDIAL Y YÁ NI SE ACUERDAN DE ELLA .
ÉSTO SE LLAMA INGRATITUD Y MALAGRADECIMIENTO .
I sang this and my cat attacked me.
C6 and C#6 sounds the same
It's the same note
no, they're a half step apart from eachother.
The Pentagon needs to study operatic sopranos, might make an effective ultrasonic weapon! LOL
lmaooo
Love this sooo much ^^
It feels their throats are going to be literally explode :))
Lo único que no me gusta de Mado Robín es la apoyatura que usa.
Never liked Gruberova, Damrau, Dessay or Sills.
Who is the 3:00 she is so perfectly.
Erna Sack
@@pleaseenteraname4824 Thank you
Queen Erna 💗 #PainfullyUnderrated
Who is the last one who did the AMAZING STACCATOS???
Fernandini Vivaldi she is erna sack
I'm doing the amazing staccatos.
@@melmario6145 bot
Some of these are definitely whistles
Well, they start to incorporate the flageolet/whistle technique as they go higher to lighten the load. Hence the highest notes sound more like flageolet/whistle.
They also do it as early as possible to make the tone consistent and fluid. Their head voices and flageolet/whistle voices are really strong and connected really well, very well-developed.
I don't have a whistle register.
Erna sack had unbelievable great sound
Enlevez les aigus laids, il reste peu de monde parmi les exemples ici choisis : DESSAY, DAMRAU, SUTHERLAND et peut-être 1 ou 2 oublis mais le chant n'est pas que du saut en hauteur.
I hit C7 for the first time today and I’m scared
2:56
Except for the last two... coz I am not sure of them... Rest all are head voice notes!! This is bcoz all of them after or before hitting the high note ran down to a connected head voice note... One cannot just connect a head voice to a whistle since those are two diff mechanisms... But the last two were staccatos which may or may not be whistle!!! AMAZING Compilation!!!!
I have head voice notes. I hit high notes in head voice like F#5, G5, G#5, A5, Bb5, B5, C6, C#6, D6, Eb6 and E6. I don't have a whistle register. I have staccatos. I don't have a whistle register.
music at 0:16 till 0.30??
O luce di quest'anima, sung by Beverly Sills
1:43 who is this and whats the name of the song
Mado Robin, o legere hirondelle from the Opera "Mireille" by C. Gounod.
@@wermachbanks4599 I sing opera, but Mado Robin is higher pitched than me.
Who left the kettle on?
Roberta Peters is awesome Beverly Sills is awesome Dame Joan Sutherland is awesome!
I agree 100 % about all 3 !!
I'm awesome!
I think the water is boiling...
Exceptional Magnific
Natalie Dessay💖
Erna Sack😮😮😮
what note does the whistle register start?
I don't have a whistle register, so I don't want to sing F6.
Where is YMA SUMAC??
it's my life dream to sing G6 at performance level. also, Bs and Cs were whistle notes...
I don't sing G6. I have Bs like B3, B4 and B5. I have Cs like C4, C5 and C6. I don't have whistle notes.
Can anyone explain the concept of falsetto in female voices? I thought that women had head voice and that falsetto was only something that was used by adult male voices? Also, I am fairly certain that “super head voice” is not a vocal register, but I could be wrong.
Science considers falsetto and head voice as synonymous to each other, both terms refer to the M2 mechanism. But these mainstream people right here consider falsetto as "breathier"/"airier" and "weaker" version of head voice.
And these Opera singers start to incorporate flageolet/whistle along with their head voice/falsetto as they go higher for them to easily hit notes that high, producing "super head voice/falsetto". It is impossible to reach notes that high, you are literally stretching your M2 cords to their limit. And they also do it as early as possible to make the tone consistent and fluid as they go up or down.
I have a falsetto rather it's chest voice or head voice. I have a female voice. I sound like a woman. I have a head voice with falsetto. I don't have that super head voice because it makes me whistle.
@@archive2500 I have a falsetto in head voice. My voice is not breathy. My voice is not airy. My voice is not weak. I have a strong head voice. I don't have a flageolet register. I don't have a whistle register. I have a head voice with falsetto. I go higher than B5. I don't have a super head voice because it makes me whistle.
MARIAH CAREY
maluco, as duas ultimas são inacreditáveis kkkkkkkkkkkkkk
Natalie Dessay is Amazing !
2:25 Itchy little toe
WHAT!
Guys cannot do anything even remotely like this with their voices. (maybe the castrati?). Tuvan throat singing is the closest that I've ever heard.
Brazilian countertenor Edson Cordeiro can sustain up to F6 with vibrato and he has showcased up to Bb6 in head voice (I just don't remember the song, but he did a "glissando" up to Bb6).
Sure, there are men who can do this, but it's very rare.
I'm not tuvan throat singing.
@@ThiHills I can sustain up to E6 with tongue vibrato. I don't have an F6. I don't have a Bb6. I have a head voice. I can do a glissando up to E6. I don't have a Bb6.
My Highest note is a D6, so I'm a light soubrette soprano
so which one is Mariah’s and ari’s  ancestor
This video gives me goosebumps...
This ain’t head voice. 100% whistle register
No it's head voice. Whistle register and head voice sound completely different. If you want you can look up on it and know the difference.
@@zopuii9542 it is neither. it's just lyrical falsetto
Well, they start to incorporate the flageolet/whistle technique as they go higher to lighten the load. Hence the highest notes sound more like flageolet/whistle.
They also do it as early as possible to make the tone consistent and fluid. Their head voices and flageolet/whistle voices are really strong and connected really well, very well-developed.
The last one sounds like whistle but its still head I think
I have a head voice. I don't have a whistle register.
No whistle tehnik , that more hard then whistle tehnik in that tone
2:10 who is that
Mado Robin
@@ThiHills Maria Remola you mean?
@@techwiz7947 Yes, you're right, that was Maria Remola singing Sempre Libera. I confused her with Mado Robin. xD
@@ThiHills Do you know Cristina Deutekom?