Big thank you. I’m onboard. Inviting emotive creative evidence in my work more than I thought possible. I love your beautiful photography thank you for sharing
You have an amazing eye for composition. One of my favorite photographers here. Thanks for sharing your thoughts and insights. Excellent information in this video.
Excellent. I listened carefully and liked a lot especially as a professional photographers. For me the protograph is a way of communication and its objective is " to pursuade ".
On Emotion In Photography: Great discussion and for me emotion in photography is everything. But I have a somewhat different take. I actually want to share my specific emotion with the viewer as opposed to the image totally standing on its own. The way I do that is with a title. It is a work in progress to encourage viewers to see a title as an integral part of the viewing experience. Again, just a different approach. Again, thanks for the wonderful video! Ted
I agree and relate with your statement about using emotions into our photography. We must evoke our emotions from our photographs and it echoes out. When I started with photography I don't look at the images for weeks to a month. This help me choose what image gives out an emotion.
Very, very, and very helpfull of inspiration.. The greatest quote for our photography world : A TRAP TO AVOID Emotion for creativly building and creat positive another emotion of photograph. Brilliant !!
An excellent presentation Adrian, I am at present refining and printing images from a trip I took 3 weeks ago and I am trying to be critical of the shots but find it really difficult to divorce myself from my “in the field experience” to judge an image on its own merit, (in my excitement I might then “publish” an image or four and then wonder if anyone else gets it and regret sharing). But then, I also want to remember those “in the field experiences” and recreate the emotions., therefore I print and make a small photo book of the trip and after a while print, frame and display at home my “best” images from that trip, after all it’s me that I make the images for then I can decide which shots if any to “publish” anywhere.
With Olaf and you I'm definitely not going to join the competition for square black&white images! I think I'll rather experience with long, narrow images, maybe?
We have to be careful with an image is considered better because of the subject matter. If you hike to a remote place to see an rare scene, it isn’t necessarily better than a picture taken of a simple subject matter. The difference is the technique used by the photographer to extract the best possible image. People who don’t know much about photography will always gravitate to eye candy and don’t always care about the elements and principles of art.
It's easy to sit back and watch your videos, concentrating on content alone but I noticed that this particular one must have required a good amount of time spent editing to add clips from previous videos. I appreciate that and thank you for your work. With regard to the content, very many years ago, before digital imaging, I used to get postcard size proof prints and select only the best for quality printing. I would throw the rejected prints in the waste bin but my wife would fish many of them out again telling me that they were not 'rubbish' as I had described them. Looking back, I can see that she was right and I should have been less hasty and left them for a week or two for a more reflective consideration of them. Your examples of images showing possible emotions, whilst subjective and liable to different interpretations by the viewer of the image, have given me another tool (or more tools) for composing my images. So yet again, I am indebted to you. Many thanks.
One of the hardest things for me is figuring out how to edit/print a photo to emphasize different feelings. I tend to produce prints that are technically competent of interesting subjects but without _feeling_. Any ideas?
You’re touching on what is the crux of true art: namely transferring feelings to the observer of the art. This applies to all mediums of art: music, painting, writing, and every other art form, including photography.
Adding emotion to a photograph is not a conscious effort, but something that occurs spontaneously. For this, the photographer should look at his subject with an empty mind. This is my opinion.
Please take a look at the elements and principles of art. All of what you are saying are a rough interpretation of that. The structure already exist and unfortunately most art educators ignore them.
Best photography essays on RUclips.
Big thank you. I’m onboard. Inviting emotive creative evidence in my work more than I thought possible. I love your beautiful photography thank you for sharing
You have expressed clearly what I have found hard to put into words. Your channel is helping my photography enormously. So glad I found it.
You have an amazing eye for composition. One of my favorite photographers here. Thanks for sharing your thoughts and insights. Excellent information in this video.
You are bringing a very important perspective on the reality of what should be landscape photography. Well done!
Excellent. I listened carefully and liked a lot especially as a professional photographers. For me the protograph is a way of communication and its objective is " to pursuade ".
On Emotion In Photography: Great discussion and for me emotion in photography is everything. But I have a somewhat different take. I actually want to share my specific emotion with the viewer as opposed to the image totally standing on its own. The way I do that is with a title. It is a work in progress to encourage viewers to see a title as an integral part of the viewing experience. Again, just a different approach. Again, thanks for the wonderful video! Ted
I agree and relate with your statement about using emotions into our photography. We must evoke our emotions from our photographs and it echoes out. When I started with photography I don't look at the images for weeks to a month. This help me choose what image gives out an emotion.
Very, very, and very helpfull of inspiration.. The greatest quote for our photography world :
A TRAP TO AVOID
Emotion for creativly building and creat positive another emotion of photograph.
Brilliant !!
Excellent as always. Very useful and thought provoking advice.
I need a book of most of these b&w photographs
Great video! Something to think about, for sure! Beautiful photos 📸👌
An excellent presentation Adrian, I am at present refining and printing images from a trip I took 3 weeks ago and I am trying to be critical of the shots but find it really difficult to divorce myself from my “in the field experience” to judge an image on its own merit, (in my excitement I might then “publish” an image or four and then wonder if anyone else gets it and regret sharing). But then, I also want to remember those “in the field experiences” and recreate the emotions., therefore I print and make a small photo book of the trip and after a while print, frame and display at home my “best” images from that trip, after all it’s me that I make the images for then I can decide which shots if any to “publish” anywhere.
Thank you
Interesting subject. It definitely made me think about certain images.
i did find this helpful, thank you. You absolutely do capture the beauty of the World and I very much admire your style of photography
Cool video, thank you for sharing!
With Olaf and you I'm definitely not going to join the competition for square black&white images! I think I'll rather experience with long, narrow images, maybe?
Long, and narrow can be just as beautiful, but perhaps also a bit more difficult, since we don't see in Panoramas. 😉😊
These tripod-fanatics, do they know how much my girls should scream to me if I took the time to set up a tripod? Do they have kids with them?
😂
We have to be careful with an image is considered better because of the subject matter. If you hike to a remote place to see an rare scene, it isn’t necessarily better than a picture taken of a simple subject matter. The difference is the technique used by the photographer to extract the best possible image. People who don’t know much about photography will always gravitate to eye candy and don’t always care about the elements and principles of art.
It's easy to sit back and watch your videos, concentrating on content alone but I noticed that this particular one must have required a good amount of time spent editing to add clips from previous videos. I appreciate that and thank you for your work.
With regard to the content, very many years ago, before digital imaging, I used to get postcard size proof prints and select only the best for quality printing. I would throw the rejected prints in the waste bin but my wife would fish many of them out again telling me that they were not 'rubbish' as I had described them. Looking back, I can see that she was right and I should have been less hasty and left them for a week or two for a more reflective consideration of them.
Your examples of images showing possible emotions, whilst subjective and liable to different interpretations by the viewer of the image, have given me another tool (or more tools) for composing my images. So yet again, I am indebted to you. Many thanks.
This is amazing 🤩!
Great 👍
One of the hardest things for me is figuring out how to edit/print a photo to emphasize different feelings. I tend to produce prints that are technically competent of interesting subjects but without _feeling_. Any ideas?
You’re touching on what is the crux of true art: namely transferring feelings to the observer of the art. This applies to all mediums of art: music, painting, writing, and every other art form, including photography.
very good
You obviously read Tolstoy
Adding emotion to a photograph is not a conscious effort, but something that occurs spontaneously. For this, the photographer should look at his subject with an empty mind. This is my opinion.
Deberías hacer un video hablando todo en español jaja
Please take a look at the elements and principles of art. All of what you are saying are a rough interpretation of that. The structure already exist and unfortunately most art educators ignore them.