I thought "Zealot Gene" was pleasant enough, but this album really blew me away. I love the more guitar-based music on this album. The interplay between the electric guitars and flute throughout the album is fantastic.
Listened to the album for the first time before coming to this review this morning. Pretty much a spot-on review, Pete. Yes, Ian's vocals have changed over the 50+ years that the band has been in rotation but very few do not have similar changes over that amount of time. Those who enjoy Tull with a long-term perspective should be happy Ian is still creating music for people to enjoy (or not). Too many of the musicians we enjoy have already left the planet. Ian is still with us and creating music that for the most part is not impeded by his current vocal range. A favorite Tull album? Not likely. But one that continues to be played and enjoyed? Most definitely. Thanks once again for the weekly new product shows, Pete.
I took me a while to get used to this album, but at this point, having done a lot of driving and listeing to the album in my car as I drive, I am super impressed, and I love all the songs. I'd be hard-pressed to decide now between Zealot Gene and Rökflöte ... and I hate the whole idea anyway of trying to rate art. That said, I've been thinking about the people who complain about Ian's voice, and strange as it seems at first, I am accustomed to Ian's voice and I wish people would stop talking about it. Like it or don't like it, but listen to the music and it is brilliant, as are the vocals. They are just as much Ian's instruments as the flute, and they fit perfectly. It took me a while to get there, but I would like these songs however the vocals were, and I think they all sound fine. This album has so much "music" in it, it is amazing, and I think that is why it always takes me so long to absorb a new Tull album, but - take it or leave it, that's how he sings, and there is nothing wrong with that. Listen to artists like Tom Waits and Leon Russel ... no one gives them grief about their voices, you either like it or not. Me, I like it. Sorry if people cannot get into it, but I think in general hearing the songs they are beautiful.
The vocals are absoluely fine throughout the album, as it has always been the case in the studio. He has severe problems with singing live nowadays, I guess the voice is strained after a few concerts, but that can't be detected on albums. The voice changed a bit over the years, is more limited in some ways, but he also does interesting new things with his charismatic voice he didn't do before on nearly every album. Calling the sinnging on this album a "whisper" is utter nonsense. Stopped listening to the review after that and gave it a dislike.
The review on my channel is my most watched vid - so there's still a diehard audience out there despite any naysers! I was pretty damn high on it after being somewhat down on Zealot Gene. The 5.1 and especially the Atmos mix are WAY better mixes than the CD. Any fans would be best with that, I go into that on my vid - it's done by Bruce from Pineapple Thief.
Was never a fan of JT when I was growing up. Probably the prog thing was over my head as a kid. Wasn't a fan of Anderson's voice either back in the day, but as I've grown older and wiser I've become more appreciative of Jethro Tull and Anderson especially the more recent stuff so I give it a thumbs up especially knowing we're fortunate enough to still be getting new music from Mr. Anderson 👍👏🎶🙂
I am excited about this new release. And glad for your review, Pete! As a long-time Jethro Tull and Ian Anderson fan, I am always enthusiastic about new music. Kudos to Ian for bringing some new music out. And I would also love to see him release some things from the vault. Enjoyed your review!
What a fantastic review!! Really in depth, with all the necessary explanations...I've enjoyed it a lot. I do not think that you read these comments Pete- you wouldn't have the time, understandably, but still I must say, you are my favourite reviewer, especially because you have obviously listened to a lot of British bands, which happen to be my favourites..Thank you so much, once more 💌🙏🎵☮🌍
Hi Pete I agree entirely with your review. This is a great album and it's marvellous to get new material from this band that is still creative and rewarding! I really enjoy your videos having discovered your channel not too long ago. I wonder if you have come across my favourite modern prog band Kaprekar's Constant? I love their three albums. All the best, Gary
This album sounds more like a Band effort compared to it's predecessor. The production is better, too. I was surprised by the great guitar sound and play. Ian's flute play is top notch as always. I stay on the Tull train, rock on, Mr. Anderson.
Great review. I think I pretty much agree with everything you said. I love Jethro Tull, and to me, this is a great album. Anyone who misses Martin Barre could go to his concerts. I already have my tickets for his november concert in largo florida. But the new guitar player for Tull is really good so no one should be disappointed.
I was surprised how much I liked this album. I'm happy with what we got from a 2023 Tull album. But The Zealot Gene actually came out in January of last year.
@@seaoftranquilityprog The next one is already scheduled for release in October of next year. Then Ian in some interviews I have heard him in says he may have to quit. After two of my favorite albums at this late date, and probably another one that will be every bit as good, it will break my heart if Ian retires. I'm thinking he won't be able to do it - I hope.
Love this album been a Tull fan since '71.First saw them in '73 seen them at least 25 times.Great band doesn't matter who's in it as long as Ian is in it
Its good to see J-Tull as an entity is still going, but to me they're nothing without Martin Lancelot Barre. See Tim Pierce's video exegesis of M. Barre's guitar style. As heavy and progressive as anything that came out in the 70's and early 80's. One of my fav records of theirs is actually Stormwatch.
Love Stormwatch (and the three albums on either side plus the wonderful Crest Of a Knave - maybe my fave Tull album). Agreed re: Barre, he's definitely missed in JT
Agreed re: Stormwatch. The album weaves a dark heaviness and metallic edge meshed with the folkiness of the prior 2 albums make for a magic combination. Dark Ages is a really underrated long form prog masterpiece.
This album proves that Tull can exist and even flourish without Martin. I love Martin but Joe shreds and blisters on the new album. His acoustic playing is also impeccable.
I saw Ian in Santa Rosa, CA in 2016 and he did the Musical Ian Anderson "Jethro Tull" that is the first time I saw him struggling with the voice but he had other singers in the Musical and the flute rocked the boat. I just saw Roxy. Music in 2022 50th anniversary tour and Bryan Ferry struggled a lot but kudos to these people. They keep going and in both cases the standing ovations and cheers where not missed.
For those that want a kick arse REAL new Jethro Tull album check out the new Under Wraps live concert "London Fields" from Hammersmith Odeon London 1984. Blows this weak shite out of the water. Anyone who hates the production value of the Under Wraps/Fly By Night era will be pleasantly surprised to hear how well the tracks sound/work in the live setting and how well the concert is performed. Martin in particular is on FIRE. These last two "Jethro Tull" products are an insult to the fans.
Live In Freiburg 1982 is pretty good too. There've been a bunch of good live archival concert sets from Tull over the past 10 years or so: Live At Konserthuset, Stockholm, Sweden (1969.01.09), Live In Concert 1977, Live In The Netherlands 1980, Live In Sweden '69, Midnight In Chicago (Live 1970)...Barre is touring A Brief History of Jethro Tull this year plus Aqualung/50th Anniversary (with Clive Bunker)
@@wolf1977 Thanks for the tips! I need to check out that 1982 show asap! Much agreed re: Martin Barre's current band with Clive - they play with so much passion and energy and they sound f'n awesome compared to the "Jethro Tull" product shows of 2022. I had a hard time at first with the vocals of Martin's band but now I love them and the energy he brings to the band.
I’m on the same exact page/ and summary as PETE just stated. So far, I like slightly better than Zealot gene 3️⃣.5️⃣-3️⃣.7️⃣5️⃣ in that general range In 3 months IAN will be 7️⃣6️⃣. This is a tremendous output, great review PETE. Thank you 👍💯
Why are people slamming Zealot Gene ... both of these albums are fantastic. I love ZG because it is warm and personal, pretty much Ian's first. But RF is also so amazing, a little more musical, and so packed with complexity.
Looking forward to Pete's review of this. Highlights so far are Voluspo, Wolf unchained, Hammer on Hammer, very well written and excellent arrangements. People will forever compare to classic Tull and Ian's ageing vocals, but you know what, it's a decent album and Ian sounds fine on this
@@robertparks7233 Should check out Martin Barre's 2023 shows - a bunch in MA, one in NYC, other NY State shows, CT, NJ...He's touring A Brief History Of Tull & Aqualung 50th Anniversary Tour with Clive Bunker (South America only)
The two points are called Umlaut and are used in all Germanic languages . It is a very nice album but for some reason it does not rock me but that is more my personal opinion, Anderson and Co. are however top musicians.
The more emphasis on guitar gives it vibes of Martin Barre.....and we needed that . .really good album....from a long-term Tull fan...I agree %100 on your review.
Voluspo, Ginunggagap, etc. are all references to Norse Mythology and the creation myths associated. Allfather is a reference to Odin. Trickster and the Mistletoe, is obviously referring to how Loki caused the Death of Baldr.
Cheers Pete. I totally agree with you on these album. I like this album much better with more guitar than the Zealot Gene. Solid songs Ginnugagapp, Trickster, Wolf Unchained and The Navigators.
Thank you Pete for this review o' Rok Flote which I look forward to hearin'. Been a Tull fan since This Was 'n saw them live for the first time in 1970-the best concert I've ever attended. Been collectin' their albums 'n seein' live Jethro Tull shows ever since. Just got Zealot Gene 'n am excited to hear it for the first time...JC
I agree Pete this is a very enjoyable album if you're a tull fan. Would we all want martin barre on this album? Of course, Dave Pegg too. But let's just enjoy it for what it is. I like the songs and it has a good mix of rock and folk. Ian's voice works in spots and other times I would like to hear a little more power but it's where he's at right now. Overall I am really enjoying it. That's what counts, right?
I just loved The Zealot Gene (and I'm pretty sure it was released at the beginning of last year), and yeah I consider this new one a sort of companion piece. Still waiting for my vinyl to arrive... it's already shipped... can't wait to give it a listen! *I pushed pause at the **3:50** mark of your review* / will continue listening to the rest, now....
Great review. I really love this album. btw - there is an interview here on yt - it was never supposed to be an instrumental album. Flöte is of course the german word for flute, not any "nordic" language.
I love this album and your review Pete is spot on. I agree that the keyboards could be more evident and I miss also Anderson's acoustic guitar. He doesn't seem to play it live anymore and Parish-James plays it instead on this album.
I've just been listening to Ian and Bruce Soord's Dolby interview last week in London. Ian said he had one more record to come out in 2024 then that will be that. He was asked if there was one album he would like to be remastered/re-recorded and that was Under Wraps, if he could find a drummer to replace the drum machine! Interesting stuff, check it out.
Soord's Atmos mix is TERRIFIC and the only way I'll be listening to this from now on. I compared them for my channel's review and his beats the CD by a mile.
Gave it a spin yesterday, pleasantly surprised! Much Better than Zealot...but I did notice many of the songs just stopped mid-flow - many could have gone on a lot longer, perhaps it would have been an idea to merge a few of the songs and have a few "mini-epics". Other than that, as Peter attests, a fine Tull album.
I had no idea Tull was coming out with a new album! Ordering it noow. Speaking of Ian - I've been playing Ian Hunters new record Defiance pt.1 !I outstanding that my man is still doing it well! Preview that one Pete! Prolly not your usual jam but.. 🤘😎🤘
Hope it comes with Fly By Night material as well. There are such great compositions from this era mired in horrific gated drum machines and aged synths. I hope Steve can rescue these potential masterpieces from the perpetual 80s production ruin.
Love your reviews, I agree with nearly all what you said about the cd. Spot on about Tull and Ian Anderson, Ian is the main man, always was and always will be. Ian said he is doing one more album and that's it, the end. Maybe Ian won't be on the last one,lol.
Jethro Tull died with the departure of Martin Barr, They are now the Ian Anderson Appreciation Society. Good bands come and go, and this is no exception.
No Barre, no deal. Kidding. So Pete, if you think this new album is as strong as "catfish rising," then I'll need to check it out. Thanks for all your hard work.
As strong as Catfish Rising ? , really ? , I don’t know what is happening with 70, 80 and 90 Jethro Tull fans who have forgotten or lost the sense of recognizing what is excellent prog music vs mediocre music, Zealot Gene and Rok Flute have nothing progressive that the band had during those decades, many fans have aged and forgotten how to recognize progressive rock. Never this new album is at the level of Catfish Rising .
Hey Pete, great review and comments. Thanks for addressing the people who whine, bitch and moan about the various changes that have occurred over the 55yrs of this bands' (I.A.) existence...Ian is one of the greatest artists in the history of music and thankfully he is still making some quality material. This album is much more "satisfying" than the Zealot album. A much better cover, mix, compositions and playing (especially the GTR and drums) . I really enjoy the instrumental sections throughout most of the songs, there is a lot more complexity, which always makes for good prog rock. This may be the first time that Ian did not play acoustic GTR on an album??? his flute playing is always great, but he does not "spit into the flute" like he used to, he is playing much more proper, classical style...either way still great. "Never too old to rock and roll" !!!
Thanks, Pete for your unflinching review. The only problem I have with this album is Voluspo, which I think is unnecessary. It would have been better to start with Ginnungagap. However, the spoken voice at the end in Ithavoll works perfectly. Is this album better than The Zealot Gene? Not sure. Both are really good and are extremely close. To me, they fall somewhere short of the classics (Benefit, Aqualung, Thick As A Brick, etc.) and closer to the (in my opinion) next level Tull (Broadsword And The Beast, Rock Island, Catfish Rising, etc.). They are the best material from the band since Catfish Rising, I think. I also think that if it gets enough exposure, RokFlote could possibly become the next Broadsword And The Beast in the German speaking countries. They would really go for this, I believe.
Broadsword is grossly overrated. I think people are swayed by the great cover art. IMO, Roots to Branches destroys everything else that came after Stormwatch, especially the last four Anderson releases.
It’s a solid effort by a classic band .. we should all be grateful that we get music like this instead of all the trash that’s out out today.. enjoy it !!
@@peterberg8417 I would argue that Tull is Ian plus Martin but that's me...I'm not someone who insists that when most original members of a band are gone they should stop using the same/original band name but honestly these are much more solo Anderson albums than Tull band records. Even given that if one likes it then enjoy, like the OP said
A little concerned? I agree, when I first heard Voluspo it was annoying. I took my iTunes and set it to being at 1:05 to hear the real song, and it is ... well first was Gunnungigap, then Navigators, and then Hammer On Hammer, and they quickly became new Tull classics for me - as good as anything ever in the past, and I don't give a rip about Ian's voice, I actually love it and would not want to change a thing at this point. Now Voluspo is yet another classic. Like you said there is so much music in this music it blows me away. It just took a me w while to wrap my brain around it. I think I'd put this in the top list ... but for Tull it has to be greater than 10.
Totally diggin' the more folky sound and the intricate flute parts that this record has to offer in songs like 'Ginnungagap', 'Trickster' and the 'Navigators'. Excellent release. Hammer on Hammer and Wolf Unchained are also growing on me because of the nice guitar riffs and solos they have.
I will miss Florian Ophale. I love his guitar tone, but of course I'll give the new guy a chance. I've barely absorbed The Zealot Gene yet. I'm okay with Ian's changed voice and always have been. The main thing is the melody writing. I've had a little trouble latching on to the newer melodies from Anderson / Tull lately, though Thick as a Brick II is quite good. I also remember enjoying Homo Erraticus, but again, can't remember any of the melodies. It may just be that I am older and can't remember stuff well. Sometimes you have to give Tull several listens before it sinks in -- and having thousands upon thousands of hours of music at my fingertips has not helped to let it sink in. Currently I'm more excited about the new Yes in which they are really trying hard to channel the classic Yes sound, but I'm loyal to Tull and always will be.
A small gripe: on this and Zealot Gene there are occasional keyboard patches which sound incredibly cheesy and dated, more so than I'd ever heard even on their older stuff. A string patch comes to mind, which doesn't make sense since we've come so far with sampled instruments. So, if not a budget limitation, an inexplicable aesthetic choice? Yes also recently used some really daft keyboard sounds. Really makes me miss the old Hammond and portative organs, and Palmer's string arrangements.
Main keyboard/synth for this album is a Roland Fantom 8 and a Hammond XK-3C. But O'Hara choices are really bad and it comes even worse with Ian Anderson directives and mix.
Jethro Tull ended when Ian Anderson fired A Giddings, D Perry Martin Barre and J Noyce. This band is Ian Anderson and collaborators not members of Jethro Tull. This album as Zealot Gene are only Anderson input . The True Jethro Tull was a band with strong progressive smart and sophisticated musical passages , Martin Barre guitar was part of the Jethro Tull legacy , Barriemore Barlow D Perry and C Bunker were outstanding drummers , J Evan D Palmer and A Giddings outstanding keyboardists and D Pegg J Noyce , J Hammon Hammon and J Glascook were amazing bassists. J Evan composed 50% of Thick as a Brick and Passion Play, Marin Barre Guitar in Aqualung is outstanding one of the best solo guitar I ever heard , what have been the contributions of these new member to the Jethro Tull music, nothing .
Probably still a ways to go to match John Mayall (80+ per Wiki), Zappa (Wiki lists so many that they're listed under their own letters alphabetically - 36 total under "B" alone - but that's "all Zappa record contributors"), Santana, Whitesnake...There's a site that attempts to track bands with the most total band members & they had Tull with 24 but not sure if that was up-to-date (and no mention of Mayall & Zappa which has to be an oversight)...
Instrumentally it is a nice flute sounding album,. Maybe hiring a vocalist for the tracks would be well desired since advance age of mister Anderson Could be a thing for Jethro Tull as in a different direction but people might understand it.
Nice review and sums up my thoughts exactly. I also did exactly the same with the large media book edition and wondered why the members weren't listed, only to see it later.
This won't be remembered as classic Tull but it's still as good or better than most bands manage nowadays. Ian remains one of the smartest and wittiest people in the music business.
A balanced perspective. This is a regular rock album with some Tull elements sprinkled here and there. Zealot Gene better exemplifies Tull than this album.
I’m enjoying this a lot as I did Zealot Gene, I think you can tell it was at one time intended as an instrumental, as the music and arrangements are a tad stronger than ZG. As for Ian’s vocals, obviously they aren’t the vocals of peak Tull, but I will say I think they sound like Ian Anderson, where much of the post Broadsword albums didn’t, hello Mark Knopfler. If I had to rank this album and last years then they would both be above everything after Broadsword, and as I never play them probably This was and Stand up too. I’d rate it a 4.
I heard the Metallica was releasing an album this year. I have no idea, I don't follow Metallica or metal music at all, but it would be great if IA/JT got the Grammy again, and this time could appear to accept it. This album has a lot of what I think of as Metal motifs in it, but they are done to Tull perfection so they sound beautiful to the ear, not like nails on a chalkboard. In a way it is metal ... forged with a flute.
@@justgivemethetruth - You invite other peoples’ opinions when you post a comment, slapnuts. That’s how it works. If you think this phony version of an all-time great band is going to win a Grammy in 2023, I’d love some of what you’re smoking, man.
I think this album is as good as any Tull album. LOVE IT ! His voice sounds very good on this album. Too many things that are great about this record to explain.
Listened to it a couple times now and it's definitely better than the heinously atrocious "Zealot Gene," but that's a pretty low bar. Sounds a bit more like classic Tull, but still feels more like an IA solo record. I recently listened to Ian's recent solo records and this fits right in there. Seems like he's just using the Tull moniker to sell more records. Even listening to the 90s Tull albums, you can hear more of a band sound than you hear on this, perhaps because those guys were simply better, more experienced musicians who had often played with other bands in addition to Tull. But, hey, it's better than no new music from Ian.
It's growing on me. The Navigators is a great track. Wolf Unchained sounds too straight forward. I lind of wish Ian kept it instrumental with a strong emphasis on flute. But new Tull is always a good thing!
I enjoy it. I wish a few of the tracks were instrumentals as opposed to Ian literally speaking the words. I know he can’t sing like he used to and I do want him singing on some tracks but I feel some of these tracks would have just been even more atmospheric without any vocals
It is Icelandic that the woman is saying in the beginning and at the end and the album is pretty good and realy good :) good what 55+ year old band can do :)
i gave this 3.5 stars it was good, but not exciting, need a relisten, zealot gene came out over a year ago i believe, i think i like this a touch better , cheers!!🐯
I've only listened to it twice, but I find the album very pedestrian. Way too much singing, not enough instrumental moments. The drums sound very flat and somehow very "light". This album feels more like a Ian Anderson solo record record, where I thought Zealot had much more depths and more Tull vibes. Maybe it'll click later on...right now, I'm not impressed. Cheers.
Here's an early review: His singing is better than on the Zealot gene. That's a plus. But his voice is still weak. Other than that, there's nothing new here. Then again, being a fan since his first album, I feel his best work ended in the 70's. I respect that Ian continued to explore new music and grow as a flutist and arranger, but to be honest, for me, the first 5 albums are all I need, even though I've continued to follow him all these years . But at this point, it's kinda like hoping grandpa doesn't spill any food. And it's boring waiting for it to happen Or not happen. In other words,, this is album is "okay." If that's enough for you, then get it. But if you're looking for a breakthrough record, this ain't it. Those days are over.
Good morning Pete. Always enjoy your numerous videos. I am sincerely happy for those that like this album. Envious actually. Unfortunately, Tull is done for me. This is coming from one of the biggest fans ever, since I first heard Thick as a Brick (my favorite). I like all the albums from the debut through The Jethro Tull Christmas Album (the last album prior to the proper ending of Tull.) Due to Ian's voice troubles, and a feeling that the band was increasingly growing tired of the routine, the latter day shows were painful to attend. I had stopped going, but having been given a ticket, reluctantly attended the pathetic 50th Anniversary of Tull show at the Beacon. At least there was a lot of cool videos, but infuriatingly not one mention of Martin Barre. Shameful. This will be the 2nd "Tull" album (starting with Zealot) I didn't buy a physical copy of, and kinda dreaded the release. I gave Zealot 2 listen attempts through my youtube music, and skimmed through RokFlote. On both I'm hearing forced attempts at prog, with a tired sound and retread themes. Nothing shines. If I'd bought the physical product, it would sit on the shelf forever. And I find it ironic that the new guitarist is making some hard rock sounds that are loud in the mix. Didn't they used to have an amazingly talented player that could've done it better, but was kind of held back, then dismissed (MB)? Must have been very frustrating for him. I realize the Tull name was probably resurrected for financial reasons (makes sense), and that these are Ian solo albums (which I'd be happier with), but the magic that is Jethro Tull was always more than Ian (genius that he is), whether he admits it or not. Yes, there'd have been no Tull without him, but any band members always had distinctive style, personality and stage presence/persona, and made their contributions well known in the music. These guys now are more like nondescript session men. Good players, yes, but meh. And boy would I have been mad to be at the show where the guitarist wasn't even there (taped performance due to covid), and a substitute bass player. Anywhoo… just my thoughts on current conditions. Very sad for this Tull fanatic. More power to those that can still enjoy it though. Keep up the great vids! Cheers.
Hi Pete. Long time Jethro Tull fan here. Liking this album quite a bit. RökFlöte is a totally different animal than The Zealot Gene, to be sure. I've given it 5 spins so far and it certainly is a grower. Joe Parrish-James acquits himself quite well on electric guitar (as did Florian Ophale did on ZG) to the point where Martin Barre is not missed at all on this record. Honestly, I don't think I missed him on ZG either. Having said all that, I don't think RökFlöte hangs together as a whole quite as fine as The Zealot Gene does. I know I'm in the minority here but I happen to think that ZG is an absolute masterpiece (5/5) with the perfect blend of rock and folky tracks. RökFlöte and The Zealot Gene are a great one-two punch comeback to relevance for the venerable Jethro Tull. I give RökFlöte a early 4/5 with room for improvement!
"Martin Barre is not missed at all on this record" - I miss Barre A LOT - in general, not just on this particular album. He has put out some good solo records, the most recent one that I have is the 2019 Live At The Factory Underground. However since leaving Tull in 2011 I believe he's only made 4 studio albums. He's touring his A Brief History of Tull show this year (special guest Clive Bunker) - I'll bet it's got a good chance of outperforming these quasi-solo Ian Anderson albums! Then again I'm coming at this as someone for whom these last two JT albums are not in the top 2/3 of the band's discography...Correction: Bunker only guests on the South America/Aqualung 50th Anniversary tour dates
@@wolf1977 Do I wish Barre was still with the band? Of course! Do I wish Barrie Barlow was still with the band? Yup! And I can go right down the line of all our favorites. But, as you know, things change. The "new guy" does a really good job here. I bought Barre's 50 Years of Jethro Tull CD set but haven't listened to it yet. Looking forward to that. I would put ZG in the upper 1/3 of the discography and RökFlöte right along side of Stormwatch. I think they both have a sort of darker feel to them.
@@michaellord9745 Ian Anderson should have been stoped long time back , move on also . You don’t understand , without M Barre , Perry and Giddings, there is not any more Jethro Tull . This current band is a shame .
![Seungmin "그렇게, 천천히, 우리(As we are)" | [Stray Kids : SKZ-PLAYER]](http://i.ytimg.com/vi/kAzmhLHePqU/mqdefault.jpg)
I thought "Zealot Gene" was pleasant enough, but this album really blew me away. I love the more guitar-based music on this album. The interplay between the electric guitars and flute throughout the album is fantastic.
This album was far superior to ZG. I agree spot on the guitar and flute were high spots of the album.
Listened to the album for the first time before coming to this review this morning. Pretty much a spot-on review, Pete. Yes, Ian's vocals have changed over the 50+ years that the band has been in rotation but very few do not have similar changes over that amount of time. Those who enjoy Tull with a long-term perspective should be happy Ian is still creating music for people to enjoy (or not). Too many of the musicians we enjoy have already left the planet. Ian is still with us and creating music that for the most part is not impeded by his current vocal range. A favorite Tull album? Not likely. But one that continues to be played and enjoyed? Most definitely. Thanks once again for the weekly new product shows, Pete.
Great assessment
I took me a while to get used to this album, but at this point, having done a lot of driving and listeing to the album in my car as I drive, I am super impressed, and I love all the songs. I'd be hard-pressed to decide now between Zealot Gene and Rökflöte ... and I hate the whole idea anyway of trying to rate art.
That said, I've been thinking about the people who complain about Ian's voice, and strange as it seems at first, I am accustomed to Ian's voice and I wish people would stop talking about it. Like it or don't like it, but listen to the music and it is brilliant, as are the vocals. They are just as much Ian's instruments as the flute, and they fit perfectly. It took me a while to get there, but I would like these songs however the vocals were, and I think they all sound fine.
This album has so much "music" in it, it is amazing, and I think that is why it always takes me so long to absorb a new Tull album, but - take it or leave it, that's how he sings, and there is nothing wrong with that. Listen to artists like Tom Waits and Leon Russel ... no one gives them grief about their voices, you either like it or not. Me, I like it. Sorry if people cannot get into it, but I think in general hearing the songs they are beautiful.
The vocals are absoluely fine throughout the album, as it has always been the case in the studio. He has severe problems with singing live nowadays, I guess the voice is strained after a few concerts, but that can't be detected on albums.
The voice changed a bit over the years, is more limited in some ways, but he also does interesting new things with his charismatic voice he didn't do before on nearly every album.
Calling the sinnging on this album a "whisper" is utter nonsense. Stopped listening to the review after that and gave it a dislike.
The review on my channel is my most watched vid - so there's still a diehard audience out there despite any naysers! I was pretty damn high on it after being somewhat down on Zealot Gene. The 5.1 and especially the Atmos mix are WAY better mixes than the CD. Any fans would be best with that, I go into that on my vid - it's done by Bruce from Pineapple Thief.
Was never a fan of JT when I was growing up. Probably the prog thing was over my head as a kid. Wasn't a fan of Anderson's voice either back in the day, but as I've grown older and wiser I've become more appreciative of Jethro Tull and Anderson especially the more recent stuff so I give it a thumbs up especially knowing we're fortunate enough to still be getting new music from Mr. Anderson 👍👏🎶🙂
Bought this album few days ago, I like it a lot .Happy of that legendary name still make great music ,respect!!!
Great session, love Tull. Thanks for posting.
Thank you for this informative review .
I look forward to listening to this album .
Cheers !
I am excited about this new release. And glad for your review, Pete! As a long-time Jethro Tull and Ian Anderson fan, I am always enthusiastic about new music. Kudos to Ian for bringing some new music out. And I would also love to see him release some things from the vault. Enjoyed your review!
The spoken word by Unnur adds wonderful texture and connects us very nicely the to the ancient text.
What a fantastic review!! Really in depth, with all the necessary explanations...I've enjoyed it a lot. I do not think that you read these comments Pete- you wouldn't have the time, understandably, but still I must say, you are my favourite reviewer, especially because you have obviously listened to a lot of British bands, which happen to be my favourites..Thank you so much, once more 💌🙏🎵☮🌍
Hi Pete I agree entirely with your review. This is a great album and it's marvellous to get new material from this band that is still creative and rewarding! I really enjoy your videos having discovered your channel not too long ago. I wonder if you have come across my favourite modern prog band Kaprekar's Constant? I love their three albums. All the best, Gary
This album sounds more like a Band effort compared to it's predecessor. The production is better, too. I was surprised by the great guitar sound and play. Ian's flute play is top notch as always. I stay on the Tull train, rock on, Mr. Anderson.
Great review. I think I pretty much agree with everything you said. I love Jethro Tull, and to me, this is a great album. Anyone who misses Martin Barre could go to his concerts. I already have my tickets for his november concert in largo florida. But the new guitar player for Tull is really good so no one should be disappointed.
I've put this in my top ten tulls albums Great review.
It is a new Tull classic, so amazing.
How?
Great review Pete have now put this on my birthday list so will get is bought for me soon by a family member
I was surprised how much I liked this album. I'm happy with what we got from a 2023 Tull album. But The Zealot Gene actually came out in January of last year.
Did it? Holy shit...feels like it JUST came out!
@@seaoftranquilityprog It feels like The Christmas Album just came out!
@@seaoftranquilityprog
The next one is already scheduled for release in October of next year. Then Ian in some interviews I have heard him in says he may have to quit. After two of my favorite albums at this late date, and probably another one that will be every bit as good, it will break my heart if Ian retires. I'm thinking he won't be able to do it - I hope.
Love this album been a Tull fan since '71.First saw them in '73 seen them at least 25 times.Great band doesn't matter who's in it as long as Ian is in it
Enjoy him, he is sick and old.
Right! No Ian, no JT. Don't think it's possible anyway..legally or otherwise
Will check this out, thanks for posting!
Its good to see J-Tull as an entity is still going, but to me they're nothing without Martin Lancelot Barre.
See Tim Pierce's video exegesis of M. Barre's guitar style. As heavy and progressive as anything that came out in the 70's and early 80's. One of my fav records of theirs is actually Stormwatch.
Love Stormwatch (and the three albums on either side plus the wonderful Crest Of a Knave - maybe my fave Tull album). Agreed re: Barre, he's definitely missed in JT
Agreed re: Stormwatch. The album weaves a dark heaviness and metallic edge meshed with the folkiness of the prior 2 albums make for a magic combination. Dark Ages is a really underrated long form prog masterpiece.
Ian doesn’t play any guitar on this album, nor has he in recent concerts.
This album proves that Tull can exist and even flourish without Martin. I love Martin but Joe shreds and blisters on the new album. His acoustic playing is also impeccable.
I saw Ian in Santa Rosa, CA in 2016 and he did the Musical Ian Anderson "Jethro Tull" that is the first time I saw him struggling with the voice but he had other singers in the Musical and the flute rocked the boat. I just saw Roxy. Music in 2022 50th anniversary tour and Bryan Ferry struggled a lot but kudos to these people. They keep going and in both cases the standing ovations and cheers where not missed.
Thank you. I agree with your review.
For those that want a kick arse REAL new Jethro Tull album check out the new Under Wraps live concert "London Fields" from Hammersmith Odeon London 1984. Blows this weak shite out of the water. Anyone who hates the production value of the Under Wraps/Fly By Night era will be pleasantly surprised to hear how well the tracks sound/work in the live setting and how well the concert is performed. Martin in particular is on FIRE. These last two "Jethro Tull" products are an insult to the fans.
Live In Freiburg 1982 is pretty good too. There've been a bunch of good live archival concert sets from Tull over the past 10 years or so: Live At Konserthuset, Stockholm, Sweden (1969.01.09), Live In Concert 1977, Live In The Netherlands 1980, Live In Sweden '69, Midnight In Chicago (Live 1970)...Barre is touring A Brief History of Jethro Tull this year plus Aqualung/50th Anniversary (with Clive Bunker)
@@wolf1977 Thanks for the tips! I need to check out that 1982 show asap! Much agreed re: Martin Barre's current band with Clive - they play with so much passion and energy and they sound f'n awesome compared to the "Jethro Tull" product shows of 2022. I had a hard time at first with the vocals of Martin's band but now I love them and the energy he brings to the band.
It arrives today and i see them live on Saturday.
I’m on the same exact page/ and summary as PETE just stated. So far, I like slightly better than Zealot gene 3️⃣.5️⃣-3️⃣.7️⃣5️⃣ in that general range In 3 months IAN will be 7️⃣6️⃣. This is a tremendous output, great review PETE. Thank you 👍💯
Why are people slamming Zealot Gene ... both of these albums are fantastic. I love ZG because it is warm and personal, pretty much Ian's first. But RF is also so amazing, a little more musical, and so packed with complexity.
Looking forward to Pete's review of this.
Highlights so far are Voluspo, Wolf unchained, Hammer on Hammer, very well written and excellent arrangements.
People will forever compare to classic Tull and Ian's ageing vocals, but you know what, it's a decent album and Ian sounds fine on this
Agreed
Well said. That comparison with the classics seems inevitable, but that shouldn't hinder anybody from enjoying some of the new JT songs.
I made the same point on my review - compare to Zealot Gene, his recent solo stuff - but not to his 25 year old self - it's dumb.
Shitload of tour dates in Ny for J Tull,Pete taking a wk off for those shows
@@robertparks7233 Should check out Martin Barre's 2023 shows - a bunch in MA, one in NYC, other NY State shows, CT, NJ...He's touring A Brief History Of Tull & Aqualung 50th Anniversary Tour with Clive Bunker (South America only)
Great review Pete. Thanks!!!
The two points are called Umlaut and are used in all Germanic languages . It is a very nice album but for some reason it does not rock me but that is more my personal opinion, Anderson and Co. are however top musicians.
The more emphasis on guitar gives it vibes of Martin Barre.....and we needed that . .really good album....from a long-term Tull fan...I agree %100 on your review.
Very intuitive intelligent review. Thank you
I listened to the album while working. 1st... I had no desire to turn it off. 2nd... Enjoyed it quite a bit, and will listen again.
In My humble opinión is a very good Tull Album Great guitar work Nice Review.🎸
Voluspo, Ginunggagap, etc. are all references to Norse Mythology and the creation myths associated. Allfather is a reference to Odin. Trickster and the Mistletoe, is obviously referring to how Loki caused the Death of Baldr.
Obviously...😎
Cheers Pete. I totally agree with you on these album. I like this album much better with more guitar than the Zealot Gene. Solid songs Ginnugagapp, Trickster, Wolf Unchained and The Navigators.
It’s a pretty decent/solid record.
Thank you Pete for this review o' Rok Flote which I look forward to hearin'. Been a Tull fan since This Was 'n saw them live for the first time in 1970-the best concert I've ever attended. Been collectin' their albums 'n seein' live Jethro Tull shows ever since. Just got Zealot Gene 'n am excited to hear it for the first time...JC
I love the album, great review Pete thanks
Nice review , i love the album
I agree Pete this is a very enjoyable album if you're a tull fan. Would we all want martin barre on this album? Of course, Dave Pegg too. But let's just enjoy it for what it is. I like the songs and it has a good mix of rock and folk. Ian's voice works in spots and other times I would like to hear a little more power but it's where he's at right now. Overall I am really enjoying it. That's what counts, right?
You're enjoying the "Ian Anderson show", and that's OK. Others (me included) would like more of a JT band album & that's OK too
I would love the Live Bursting Out lineup. But that can't happen. I'll take any kind of Tull I can get and be happy.
I just loved The Zealot Gene (and I'm pretty sure it was released at the beginning of last year), and yeah I consider this new one a sort of companion piece. Still waiting for my vinyl to arrive... it's already shipped... can't wait to give it a listen! *I pushed pause at the **3:50** mark of your review* / will continue listening to the rest, now....
My first impression of the album is that it could go between Heavy Horses and Storm Watch. I love it! Hell of a lot more than Zealot Gene.
Good review, Pete. I agree that it is a very solid, very enjoyable album and superior in every way to The Zealot Gene.
Great review. I really love this album. btw - there is an interview here on yt - it was never supposed to be an instrumental album. Flöte is of course the german word for flute, not any "nordic" language.
Yeah, it’s not a literal translation of rock flute, but a play on it.
Nothing wrong here. A darn fine record!!
Excellent review. Honest and robust. I liked the Zealot Gene, but I also felt it was lacking something. Mine is on the way and I can hardly wait.
I love this album and your review Pete is spot on. I agree that the keyboards could be more evident and I miss also Anderson's acoustic guitar. He doesn't seem to play it live anymore and Parish-James plays it instead on this album.
He's basically letting Joe carry his guitar
SPOT ON REVIEW PETE !!! U R NUMBER ONE !!!
Minimum time between two Tull albums: 231 days between "Minstrel..." & "Too Old to Rock 'n' Roll..."
I've just been listening to Ian and Bruce Soord's Dolby interview last week in London. Ian said he had one more record to come out in 2024 then that will be that. He was asked if there was one album he would like to be remastered/re-recorded and that was Under Wraps, if he could find a drummer to replace the drum machine! Interesting stuff, check it out.
UW would benefit from a real drummer but I don’t think anyone cares at this point.
Soord's Atmos mix is TERRIFIC and the only way I'll be listening to this from now on. I compared them for my channel's review and his beats the CD by a mile.
Gave it a spin yesterday, pleasantly surprised! Much Better than Zealot...but I did notice many of the songs just stopped mid-flow - many could have gone on a lot longer, perhaps it would have been an idea to merge a few of the songs and have a few "mini-epics". Other than that, as Peter attests, a fine Tull album.
Agree. Very good album but some songs end prematurely to my ears.
I had no idea Tull was coming out with a new album!
Ordering it noow.
Speaking of Ian - I've been playing Ian Hunters new record Defiance pt.1 !I outstanding that my man is still doing it well!
Preview that one Pete! Prolly not your usual jam but..
🤘😎🤘
pete, you know you're gonna buy "Under Wraps" when the Steve Wilson mix comes out.
Hope it comes with Fly By Night material as well. There are such great compositions from this era mired in horrific gated drum machines and aged synths. I hope Steve can rescue these potential masterpieces from the perpetual 80s production ruin.
Love your reviews, I agree with nearly all what you said about the cd. Spot on about Tull and Ian Anderson, Ian is the main man, always was and always will be. Ian said he is doing one more album and that's it, the end. Maybe Ian won't be on the last one,lol.
I think that the album is amazing i love it 4/5 for me.
Bought the album a few days ago, I really like it, and I am sure, it’s going to grow on me even more.
That's one thing I love about JT, the more I listen the more I hear, the more I love!
Got it with angel on friday what if frank sang on tulls lp ??
I'm seeing them on Friday.
Jethro Tull died with the departure of Martin Barr, They are now the Ian Anderson Appreciation Society. Good bands come and go, and this is no exception.
No Barre, no deal. Kidding.
So Pete, if you think this new album is as strong as "catfish rising," then I'll need to check it out. Thanks for all your hard work.
When did he say that??
@@rightchordleadership 10:27
@@timsmith9953 you may want to play that part again
As strong as Catfish Rising ? , really ? , I don’t know what is happening with 70, 80 and 90 Jethro Tull fans who have forgotten or lost the sense of recognizing what is excellent prog music vs mediocre music, Zealot Gene and Rok Flute have nothing progressive that the band had during those decades, many fans have aged and forgotten how to recognize progressive rock. Never this new album is at the level of Catfish Rising .
@@rightchordleadership Why?
What is your opinion on fusion group Ian Gillan Band?? Would be interesting 💫💫
Watch my Gillan album ranking to find out!
Hey Pete, great review and comments. Thanks for addressing the people who whine, bitch and moan about the various changes that have occurred over the 55yrs of this bands' (I.A.) existence...Ian is one of the greatest artists in the history of music and thankfully he is still making some quality material. This album is much more "satisfying" than the Zealot album. A much better cover, mix, compositions and playing (especially the GTR and drums) . I really enjoy the instrumental sections throughout most of the songs, there is a lot more complexity, which always makes for good prog rock. This may be the first time that Ian did not play acoustic GTR on an album??? his flute playing is always great, but he does not "spit into the flute" like he used to, he is playing much more proper, classical style...either way still great. "Never too old to rock and roll" !!!
You are correct sir
Love Ian. I’ll follow wherever he leads. 💚
Love the record
Thanks for your review, I like the new Jethro Tull music, still.
Thanks, Pete for your unflinching review. The only problem I have with this album is Voluspo, which I think is unnecessary. It would have been better to start with Ginnungagap. However, the spoken voice at the end in Ithavoll works perfectly. Is this album better than The Zealot Gene? Not sure. Both are really good and are extremely close. To me, they fall somewhere short of the classics (Benefit, Aqualung, Thick As A Brick, etc.) and closer to the (in my opinion) next level Tull (Broadsword And The Beast, Rock Island, Catfish Rising, etc.). They are the best material from the band since Catfish Rising, I think. I also think that if it gets enough exposure, RokFlote could possibly become the next Broadsword And The Beast in the German speaking countries. They would really go for this, I believe.
Broadsword is grossly overrated. I think people are swayed by the great cover art. IMO, Roots to Branches destroys everything else that came after Stormwatch, especially the last four Anderson releases.
It's OK. I think Andersons vocals sound better here than on the previous album. Highlights: 'Ginnungagap' 'Wolf Unchained'
For sure
Yeah, he's writing FOR his vocals not against them.
I'm hearing that too, a little more comfortable with his vocal range.
This is a very good album.
It’s a solid effort by a classic band .. we should all be grateful that we get music like this instead of all the trash that’s out out today.. enjoy it !!
Exactly
The only member of the 'classic' band is Anderson. It's a solo with session men.
@Lemming 998 well Tull is Ian. The entire Tull career has been Ian with a revolving door of musicians. He's the constant and the face of Tull
@@peterberg8417 I would argue that Tull is Ian plus Martin but that's me...I'm not someone who insists that when most original members of a band are gone they should stop using the same/original band name but honestly these are much more solo Anderson albums than Tull band records. Even given that if one likes it then enjoy, like the OP said
@@lemming9984 You realize Ian was the only founder member left since 1972 yes?
I now love The Norse intro and outro. Not only the spoken text but also the music really does what it's meant to do. Introduce and exit the story.
Tull with a new album and today Hawkwind too!
A little concerned? I agree, when I first heard Voluspo it was annoying. I took my iTunes and set it to being at 1:05 to hear the real song, and it is ... well first was Gunnungigap, then Navigators, and then Hammer On Hammer, and they quickly became new Tull classics for me - as good as anything ever in the past, and I don't give a rip about Ian's voice, I actually love it and would not want to change a thing at this point. Now Voluspo is yet another classic. Like you said there is so much music in this music it blows me away. It just took a me w while to wrap my brain around it.
I think I'd put this in the top list ... but for Tull it has to be greater than 10.
Totally diggin' the more folky sound and the intricate flute parts that this record has to offer in songs like 'Ginnungagap', 'Trickster' and the 'Navigators'. Excellent release. Hammer on Hammer and Wolf Unchained are also growing on me because of the nice guitar riffs and solos they have.
Exactly
Those are probably my 3 faves!
Nice one Pete.
I will miss Florian Ophale. I love his guitar tone, but of course I'll give the new guy a chance. I've barely absorbed The Zealot Gene yet. I'm okay with Ian's changed voice and always have been. The main thing is the melody writing. I've had a little trouble latching on to the newer melodies from Anderson / Tull lately, though Thick as a Brick II is quite good. I also remember enjoying Homo Erraticus, but again, can't remember any of the melodies. It may just be that I am older and can't remember stuff well. Sometimes you have to give Tull several listens before it sinks in -- and having thousands upon thousands of hours of music at my fingertips has not helped to let it sink in. Currently I'm more excited about the new Yes in which they are really trying hard to channel the classic Yes sound, but I'm loyal to Tull and always will be.
I really liked it. It’s much better than i expected it to be.
A small gripe: on this and Zealot Gene there are occasional keyboard patches which sound incredibly cheesy and dated, more so than I'd ever heard even on their older stuff. A string patch comes to mind, which doesn't make sense since we've come so far with sampled instruments. So, if not a budget limitation, an inexplicable aesthetic choice? Yes also recently used some really daft keyboard sounds. Really makes me miss the old Hammond and portative organs, and Palmer's string arrangements.
Main keyboard/synth for this album is a Roland Fantom 8 and a Hammond XK-3C. But O'Hara choices are really bad and it comes even worse with Ian Anderson directives and mix.
And Ian made fun of Andy Giddings “horrendous 80s sample library” after Giddings left Tull. 🙄 I think the ol’ bastard is losing it.
Jethro Tull ended when Ian Anderson fired A Giddings, D Perry Martin Barre and J Noyce.
This band is Ian Anderson and collaborators not members of Jethro Tull. This album as Zealot Gene are only Anderson input .
The True Jethro Tull was a band with strong progressive smart and sophisticated musical passages , Martin Barre guitar was part of the Jethro Tull legacy , Barriemore Barlow D Perry and C Bunker were outstanding drummers , J Evan D Palmer and A Giddings outstanding keyboardists and D Pegg J Noyce , J Hammon Hammon and J Glascook were amazing bassists. J Evan composed 50% of Thick as a Brick and Passion Play, Marin Barre Guitar in Aqualung is outstanding one of the best solo guitar I ever heard , what have been the contributions of these new member to the Jethro Tull music, nothing .
I believe I might be wrong there have been a total of 29 members of Jethro Tull x
Probably still a ways to go to match John Mayall (80+ per Wiki), Zappa (Wiki lists so many that they're listed under their own letters alphabetically - 36 total under "B" alone - but that's "all Zappa record contributors"), Santana, Whitesnake...There's a site that attempts to track bands with the most total band members & they had Tull with 24 but not sure if that was up-to-date (and no mention of Mayall & Zappa which has to be an oversight)...
Instrumentally it is a nice flute sounding album,. Maybe hiring a vocalist for the tracks would be well desired since advance age of mister Anderson Could be a thing for Jethro Tull as in a different direction but people might understand it.
I don’t see that happening
I think he's writing well for the voice he has now - it's only live it stands out on old songs.
Nice review and sums up my thoughts exactly. I also did exactly the same with the large media book edition and wondered why the members weren't listed, only to see it later.
This won't be remembered as classic Tull but it's still as good or better than most bands manage nowadays. Ian remains one of the smartest and wittiest people in the music business.
A balanced perspective. This is a regular rock album with some Tull elements sprinkled here and there. Zealot Gene better exemplifies Tull than this album.
I’m enjoying this a lot as I did Zealot Gene, I think you can tell it was at one time intended as an instrumental, as the music and arrangements are a tad stronger than ZG. As for Ian’s vocals, obviously they aren’t the vocals of peak Tull, but I will say I think they sound like Ian Anderson, where much of the post Broadsword albums didn’t, hello Mark Knopfler.
If I had to rank this album and last years then they would both be above everything after Broadsword, and as I never play them probably This was and Stand up too. I’d rate it a 4.
I've listen to Rökflöte twice and I'm suprised. It is very good. Viibes and tunes from the old good times Aqualung - Stormwatch. I enjoy it.
Enjoyed the Zealot Gene. Can't wait for this!
Beste one in 20 + years 🤘🤘
Yeah, since Roots or Catfish, I'd say.
be thankful for a good not great but good TULL album
I heard the Metallica was releasing an album this year. I have no idea, I don't follow Metallica or metal music at all, but it would be great if IA/JT got the Grammy again, and this time could appear to accept it. This album has a lot of what I think of as Metal motifs in it, but they are done to Tull perfection so they sound beautiful to the ear, not like nails on a chalkboard. In a way it is metal ... forged with a flute.
Tull is long past any such awards, which are meaningless today, anyway.
@@crusheverything4449
It would be hilarious, and a tribute to Ian, Tull and this album. I didn't ask for your opinion either minger.
@@justgivemethetruth - You invite other peoples’ opinions when you post a comment, slapnuts. That’s how it works. If you think this phony version of an all-time great band is going to win a Grammy in 2023, I’d love some of what you’re smoking, man.
I think this album is as good as any Tull album. LOVE IT ! His voice sounds very good on this album. Too many things that are great about this record to explain.
Listened to it a couple times now and it's definitely better than the heinously atrocious "Zealot Gene," but that's a pretty low bar. Sounds a bit more like classic Tull, but still feels more like an IA solo record. I recently listened to Ian's recent solo records and this fits right in there. Seems like he's just using the Tull moniker to sell more records. Even listening to the 90s Tull albums, you can hear more of a band sound than you hear on this, perhaps because those guys were simply better, more experienced musicians who had often played with other bands in addition to Tull. But, hey, it's better than no new music from Ian.
He’s absolutely using the Tull name to sell more records. But I’m cool with it as long as the albums are this good (I didn’t care for TZG at all).
It's growing on me. The Navigators is a great track. Wolf Unchained sounds too straight forward. I lind of wish Ian kept it instrumental with a strong emphasis on flute. But new Tull is always a good thing!
Ian has said at times he's thought about an instrumental album with lyrics in the booklet and "sung" by the flute. Would be an interesting idea.
Spot on review..Tull is not Aqualung or thick as a brick anymore with memorable melodies, but I love what Ian does
Really like this album. Home run.
I enjoy it. I wish a few of the tracks were instrumentals as opposed to Ian literally speaking the words. I know he can’t sing like he used to and I do want him singing on some tracks but I feel some of these tracks would have just been even more atmospheric without any vocals
It is Icelandic that the woman is saying in the beginning and at the end and the album is pretty good and realy good :) good what 55+ year old band can do :)
i gave this 3.5 stars it was good, but not exciting, need a relisten, zealot gene came out over a year ago i believe, i think i like this a touch better , cheers!!🐯
Love the channel. Love the content. I tried to love this. I couldn't. It's bad...I mean really bad.
I am still trying...been checking it out on my Amazon streaming service for 3-4 daze. Not, yet. :-)
I've only listened to it twice, but I find the album very pedestrian. Way too much singing, not enough instrumental moments. The drums sound very flat and somehow very "light". This album feels more like a Ian Anderson solo record record, where I thought Zealot had much more depths and more Tull vibes. Maybe it'll click later on...right now, I'm not impressed.
Cheers.
Here's an early review: His singing is better than on the Zealot gene. That's a plus. But his voice is still weak. Other than that, there's nothing new here. Then again, being a fan since his first album, I feel his best work ended in the 70's. I respect that Ian continued to explore new music and grow as a flutist and arranger, but to be honest, for me, the first 5 albums are all I need, even though I've continued to follow him all these years . But at this point, it's kinda like hoping grandpa doesn't spill any food. And it's boring waiting for it to happen Or not happen. In other words,, this is album is "okay." If that's enough for you, then get it. But if you're looking for a breakthrough record, this ain't it. Those days are over.
Those days were over something like 40 years ago. Is it that difficult to have reasonable expectations?
@@samuelecallegari6117 Expectations of what?
Not a hardcore Tull fan, but I enjoyed this album. Zealot Gene, as well.
Good morning Pete. Always enjoy your numerous videos. I am sincerely happy for those that like this album. Envious actually. Unfortunately, Tull is done for me. This is coming from one of the biggest fans ever, since I first heard Thick as a Brick (my favorite). I like all the albums from the debut through The Jethro Tull Christmas Album (the last album prior to the proper ending of Tull.) Due to Ian's voice troubles, and a feeling that the band was increasingly growing tired of the routine, the latter day shows were painful to attend. I had stopped going, but having been given a ticket, reluctantly attended the pathetic 50th Anniversary of Tull show at the Beacon. At least there was a lot of cool videos, but infuriatingly not one mention of Martin Barre. Shameful. This will be the 2nd "Tull" album (starting with Zealot) I didn't buy a physical copy of, and kinda dreaded the release. I gave Zealot 2 listen attempts through my youtube music, and skimmed through RokFlote. On both I'm hearing forced attempts at prog, with a tired sound and retread themes. Nothing shines. If I'd bought the physical product, it would sit on the shelf forever. And I find it ironic that the new guitarist is making some hard rock sounds that are loud in the mix. Didn't they used to have an amazingly talented player that could've done it better, but was kind of held back, then dismissed (MB)? Must have been very frustrating for him. I realize the Tull name was probably resurrected for financial reasons (makes sense), and that these are Ian solo albums (which I'd be happier with), but the magic that is Jethro Tull was always more than Ian (genius that he is), whether he admits it or not. Yes, there'd have been no Tull without him, but any band members always had distinctive style, personality and stage presence/persona, and made their contributions well known in the music. These guys now are more like nondescript session men. Good players, yes, but meh. And boy would I have been mad to be at the show where the guitarist wasn't even there (taped performance due to covid), and a substitute bass player.
Anywhoo… just my thoughts on current conditions. Very sad for this Tull fanatic. More power to those that can still enjoy it though. Keep up the great vids! Cheers.
Hi Pete. Long time Jethro Tull fan here. Liking this album quite a bit. RökFlöte is a totally different animal than The Zealot Gene, to be sure. I've given it 5 spins so far and it certainly is a grower. Joe Parrish-James acquits himself quite well on electric guitar (as did Florian Ophale did on ZG) to the point where Martin Barre is not missed at all on this record. Honestly, I don't think I missed him on ZG either. Having said all that, I don't think RökFlöte hangs together as a whole quite as fine as The Zealot Gene does. I know I'm in the minority here but I happen to think that ZG is an absolute masterpiece (5/5) with the perfect blend of rock and folky tracks. RökFlöte and The Zealot Gene are a great one-two punch comeback to relevance for the venerable Jethro Tull. I give RökFlöte a early 4/5 with room for improvement!
"Martin Barre is not missed at all on this record" - I miss Barre A LOT - in general, not just on this particular album. He has put out some good solo records, the most recent one that I have is the 2019 Live At The Factory Underground. However since leaving Tull in 2011 I believe he's only made 4 studio albums. He's touring his A Brief History of Tull show this year (special guest Clive Bunker) - I'll bet it's got a good chance of outperforming these quasi-solo Ian Anderson albums! Then again I'm coming at this as someone for whom these last two JT albums are not in the top 2/3 of the band's discography...Correction: Bunker only guests on the South America/Aqualung 50th Anniversary tour dates
@@wolf1977 Do I wish Barre was still with the band? Of course! Do I wish Barrie Barlow was still with the band? Yup! And I can go right down the line of all our favorites. But, as you know, things change. The "new guy" does a really good job here. I bought Barre's 50 Years of Jethro Tull CD set but haven't listened to it yet. Looking forward to that. I would put ZG in the upper 1/3 of the discography and RökFlöte right along side of Stormwatch. I think they both have a sort of darker feel to them.
You seriously don’t miss Martin at all? Or is that hyperbole? Ian’s music has no balls without Martin.
@@crusheverything4449 He's not with the band anymore. Time to move on from it.
@@michaellord9745
Ian Anderson should have been stoped long time back , move on also . You don’t understand , without M Barre , Perry and Giddings, there is not any more Jethro Tull . This current band is a shame .