Gregory Crewdson: Trail log - the making of The Cathedral In The Pines (March 4, 2016)

Gregory Crewdson describes his early work in the late 1980s evolving into distinct series of painstakingly staged color photographs and black and white documentary photographs, such as Natural Wonder (1992-7), Hover (1997-7), Dream House (2002), Fireflies (2006), Beneath the Roses (2003-8), Sanctuary (2009), and Cathedral of the Pines (2012-6). Crewdson stresses the continuity of interest in using lighting to change the meaning of a place, the interaction of interior and exterior spaces, and elliptical, mysterious narratives. He suggests that his newest work is more painterly and cinematic.

[@emanuelanicoletti9736]

A great artist

[@eaacr]

Up there with Ansel Adams and Diane Arbus, love his work

[@theLupyo]

faire une vidéo sur la photo et charger en 480P vous n'avez pas honte ?

[@MonMccool123]

I really like his work, but feel like he's quite nervous to speak in front of everyone about his art.