I'll do a video on secondary dominants in the future. Plenty of examples with The Beatles and Queen off the top of my head. There are also examples of secondary dominants within the song examples I gave. For example, Eye In The Sky, in the key of D goes Bm E D. That E chord is a V/V secondary dominant. In My Life by The Beatles, where it goes A E F#m A7 D. That A7 is a V/IV secondary dominant. In Walking After Midnight, the song is in C. The C to C7, the C7 is a V/IV secondary dominant.
@@RedHookGuitar2 thanks that would be a nice video lesson on secondary dominants. I think the band Oasis used secondary Dominants a lot also and Slash Chords because Beatles used a lot of Slash Chords which are Secondary Dominants because the Slash chords ROOT note will be the Secondary Dominant of that previous chord or after chord.
Well let’s go through it. A major 2 works quite well as it’s a secondary dominant. It’ll lead amazingly to the 5 chord which then resolves perfectly to the 1. Then there’s the major 3rd which is borrowing from the harmonic minor scale ( I could be way off on this I’m just going from memory ) Next there’s the minor 4. Then I’d say another big one is the flat 7 chord which is borrowed from the parallel minor key. So if you’re in G Major , you’d borrow the Fmajor from G minor
Thank you
What other Rock songs use Borrowed harmony like the II chord and six VI chord? secondary dominants
I'll do a video on secondary dominants in the future. Plenty of examples with The Beatles and Queen off the top of my head. There are also examples of secondary dominants within the song examples I gave. For example, Eye In The Sky, in the key of D goes Bm E D. That E chord is a V/V secondary dominant. In My Life by The Beatles, where it goes A E F#m A7 D. That A7 is a V/IV secondary dominant. In Walking After Midnight, the song is in C. The C to C7, the C7 is a V/IV secondary dominant.
@@RedHookGuitar2 thanks that would be a nice video lesson on secondary dominants. I think the band Oasis used secondary Dominants a lot also and Slash Chords because Beatles used a lot of Slash Chords which are Secondary Dominants because the Slash chords ROOT note will be the Secondary Dominant of that previous chord or after chord.
What are the most common borrowed chords in major keys and minor keys?
Well let’s go through it. A major 2 works quite well as it’s a secondary dominant. It’ll lead amazingly to the 5 chord which then resolves perfectly to the 1.
Then there’s the major 3rd which is borrowing from the harmonic minor scale ( I could be way off on this I’m just going from memory )
Next there’s the minor 4.
Then I’d say another big one is the flat 7 chord which is borrowed from the parallel minor key. So if you’re in G Major , you’d borrow the Fmajor from G minor
So I’ll start a revolution from my bed
☺