Pat Martino - Jazz Blues Etude (Lesson Excerpt)
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- Опубликовано: 20 дек 2016
- Excerpt from In The Style Of Pat Martino Vol.4
Check out In The Style Of Pat Martino lesson series:
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Pat Martino improvises 4 choruses over a Bb jazz blues.
One of the most original of the jazz-based guitarists to emerge in the 1960s, Pat Martino made a remarkable comeback after brain surgery in 1980 to correct an aneurysm caused him to lose his memory and completely forget how to play. It took years, but he regained his ability, partly by listening to his older records. Martino began playing professionally when he was 15. He worked early on with groups led by Willis Jackson, Red Holloway, and a series of organists, including Don Patterson, Jimmy Smith, Jack McDuff, Richard "Groove" Holmes, and Jimmy McGriff. After playing with John Handy (1966), he started leading his own bands and heading sessions for Prestige, Muse, and Warner Bros. that found him welcoming the influences of avant-garde jazz, rock, pop, and world music into his advanced hard bop style. After the operation, Martino did not resume playing until 1984, making his recording comeback with 1987's The Return. Although not as active as earlier, Pat Martino has regained his earlier form, recording again for Muse and Evidence; he later signed with Blue Note, issuing All Sides Now in 1996, followed two years later by Stone Blue and in 1998 by Fire Dance. In 2001 Martino released a live album recorded at Yoshi's in California. Two years later he teamed with saxophonist Joe Lovano for Think Tank. Remember: A Tribute to Wes Montgomery appeared on Blue Note in 2006.
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Martino has always been a jazz blues monster. This reminds me of his early kick ass blues playing on records by tenor sax man Willis "Gator" Jackson (Headed and Gutted - great title! but also great album) and organist Don Patterson.
"El Hombre". So young and so skilled
Excellent! Unreal. Pat can play the changes like butter.
Rest In Peace master
Pat you always amazing! What a swinging, yes. Thank you.
Warms the heart
Awesome! A live Legend, Thanks Denis!
Very Good Grandfather.
Good luck 😃👍🎸
Cool playing,I love this kind of tune.
lol...
RIP Maestro :c
This amazing artist
This is how bebop blues guitar is meant to sound. Swingy and musically on point...
Legend
Wow dude you’re a master
muy bueno! Nice..
🙏
ive transcribed a boatload of martinos solos im in love with what hes doing..i just want to hear how he sounds on spain i dont have money to buy the dvd :((
get a job dude
genius,!!
I would love to hear pat play his old koontz guitar again one day.
Is that the natural wood finish solid body one where he plays do you have a name live
god damn!
Does anybody know which kind of pick he use? Dunlop Jazz lll? or FENDER?
Slow this down and you got the blues the jazz blues
I need to buy the full lesson or the DVD please?
Pat is one of the true legendary bop-jazz-guitarists ! the electric-jazz guitar is a totally different ``beast`` than the Selmer--acoustic a la Django !!! always practice the jazz-electric-guitar ``plugged-in``!!! (it may sound stupid, but its a very ``huge`` issue ! )
You're right about one thing. You sound stupid.
how come its not on volume 2???
how to get guitar transcription or tab for this etude?
❤❤❤❤❤❤❤❤❤❤❤❤❤
Right hand technique is important if you want this style
Is that nylon or very thick steel strings?
Very thick strings. 16s i think
0:47 !!!
how to get this jazz tone?
Fat strings (like, 0.015 gauge), low action, roll down the treble, and a beautiful custom made guitar :)
Which pick?
A specific pick is not that important. It should be extremely thick (and therefore rigid) though, I use dunlop tortex Jazz III, they're .5 mm thick. , also the smaller size helps with the quick alternate picking/string changes. But really, just find something you like and stick with it. Oh and @Nocturnal Snake, a very big part of his sound here is high quality pickups, that's one of the biggest things you can change to affect the tone on a solid body like he's playing here. And double for all that Alex said.
A .5mm pick is not heavy at all. Pat uses at least a 2.0mm pick and one that is much larger than a wimpy Jazz III. How do I know this?...I asked him.
:) jazz III's are 1.14mm, typo. It's hostile attitudes like yours that keep jazz from being an accessible to everyone. Try being more positive.
It don’t mean a thing if it ain’t got that swing.
I transcribed this whole solo if anyone wants tabs. Sorry. Dont know how to write music notation
@@cjgreen4331 absolutely. whats a good email to send them to?
How can I get the transcription please?
Says who?