Danny Seraphine: How the Band Chicago was Started. Part One
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- Опубликовано: 27 сен 2024
- Today's guest is one of the founding members of Chicago, Danny Seraphine. Danny talks about how he became a drummer and how Chicago, from his point of view, was formed.
The Chicago Story. As Told by James Pankow. Part One.: • The Chicago Story. As ...
The Chicago Story. As Told by James Pankow. Part Two: • The Chicago Story. As ...
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I was a roadie in '69 for Chicago Transit Authority and The Illinois Speed Press, both bands managed by James Guercio. At the time they had just gotten to L.A. and we were doing short tour hops up and down the west coast. There were THREE of us schlepping all the equipment in two semi's! A whole lot of work for $50.00 a week and $7.50 per diem expenses while we bunked four to a room! I got the floor most of the time!
Dang Quest.... that’s rough.... best, Joe
@@MusiciansHallofFameMuseum Yeah, it was! BUT, I was young, happy to be there and nuts, so it was all good!
were there any soundboard recording made on Chicago and Hendrix?
But back then $50 was good. I was around as well. We had roadies that worked for less. Haywires, St Rita where CTA played but hardly north.
Questfortruth .....wow. No shit. Thanks for this. Those days, huh...
I’m 58 and pretty much alone. I grew up playing drums to rock music and my mom and grandmother had a piano and one of the first song I learned on piano was color my world. Chicago was and is one of my favorite bands and music of all time. I grew up listening to Saturday in the park! Legendary songs after another. Much love to all members and deepest condolences to all. We will love and always miss you. Thank you for your musical genius. R.I.P.
So much in that interview. You let the person talk with only minimal prompts to direct the speaker. Well done Joe.
Thank you David.... there is another part coming out that’s about twice as long .... also contains Danny’s memory of the day Terry passed away. It should be coming out within the next week. Best... Joe
@@MusiciansHallofFameMuseum Looking forward to part two, Joe! 🥁
Danny in my opinion just a fantastic drummer and an important part on Chicago’s style and greatness. He has an incredible smoothness and technique on the drums. Chicago could not have been Chicago without his polished and unique drumming style. Obviously Terry Kath was a one of a kind pool God as everyone agrees on that. Robert Lamm is another tremendous presence and a hell of a musician. Peter Cetera am incredible bass player and fantastic singer and them that phenomenal horn section.! What a band !! One for the ages. To this day still my favorite band all time
Very inspirating. I never knew Danny, Terry and Walther were the founders. Danny doesn't get old. He still looks like a young guy. That's how your life should be: forever young
I watched Danny play with Chicago Transit Authority as the opening group for Jimi Hendrix and later as Chicago (all founding members including Terry Kath) a total of 3 times in 1969 and 1970 in West Virginia, Florida and Virginia, in that order. There are no words to describe the sound. At the concert with Jimi Hendrix, when it was time for CTA to leave and Jimi to start, the crowd started chanting, "No, not yet! We want more of these guys, whoever they are!" They hadn't released their first album and the MC had slurred their name. None of us knew who they were, but we knew that we liked them more than Hendrix already. Two weeks later, their first album, Chicago Transit Authority was released and they had played every single song on it. Best concert, ever!
I'm a drummer and I started out playing rock. After listening to Danny's jazz licks, I started learning jazz and I've been playing jazz drums ever since. I'm not as good as Danny but he has always been my favorite rock drummer. Without Danny and Terry, Chicago was never the same.
Thanks for sharing your thoughts with us Boomer.... Joe
I saw the same show opening for Hendrix when they played in Oakland California... Before CTA had an album!
@@Bazerkly Seriously, I left the show still not knowing their name. Two weeks later, I visited a friend in St. Louis who was friends with a DJ and had a copy of the not-yet-released first album, Chicago Transit Authority. He showed it to me and I still did not recognize the name. But when he put the album on the turntable, I started yelling that I had just seen them. Then he started yelling back, calling me every bad name he could think of. At the next concert that I was able to attend (Miami, FL) he went with me. That was in March 1970. Great times. I was only 20 years old.
Tongue in cheek, I know, but did Terry play Free Form Guitar?
Wow that is SOOO incredible!!!!!!
You are one fortunate individual !!!
To have lived that experience!?!
Ultimate Out if this world Dynamic experiences of a lifetime!!
And to be a witness to tell everyone what the crowd was cheering. But livin in the moment when it was born, it was jus living and loving the music from these new guys. Jimi and Chicago
Man that's the most powerful experience!! . can't even imagine seeing them together n with Terry.
Was it true jimi thought Terry was better?
Awesome you being a jazz drummer after Danny's Incredible drumming skills. Jazz is so underrated to most of the world it's a shame! Probably the most skilful music there is!
I Grew up on chicago as a kid in the 70s. They define my childhood. As i got older i really learned to appreciate Danny s incredible drumming and the band.
Terry was the greatest of all time!
Always my hero forever!!
I am so blown away to hear that experience you witnessed!!!
One of if not thee best witnessing stories I've ever read from a comment.
It's the best to hear that from somebody.
Ill be thinking about that for awhile.
Thank you for sharing that!🙌
And this interview from this Amazing man Danny is the greatest ever!!
Now i know the very beginning from
THee founding member.
So beautiful!!
My favorite band of all time!!
One of my all time favorite rock drummers
They were all meant to play together,and I’m really happy they did.The rest was magic.👍👍
Meant to happen.... seems like it doesn’t it Brian.... Joe
Musicians Hall of Fame & Museum
Absolutely!
Yeah, "together" until Danny Seraphine was screwed, cut out of the band in the early 90's.
In 1967 I was playing drums with Ross Gentile, a good friend of mine who attended DePaul. He told me about this group of guys he was in school with who had a dynamite band called The Big Thing and he invited me out to see theem at a place called the NIckel Bag on River Road in a suburb of Chicago. I was blown away at the what I heard and became an immediate fan! Danny mentioned Dwight Kalb, who I knew very well as he became the booking agent for a band I was in called In The Beginning which was a heavy rock group in Chicago. What good memories that brings back. Danny is the consumate "tasty" drummer and I love listening to him. Great interview!!
One of the greatest drummers ever. Such a down to earth guy. Chicago has always been among my top 2 favorite bands ever!
Thanks for watching Moe... Joe
Joe, thanks for yet another great interview! The original Chicago lineup is my favorite band ever and this was a real thrill. I know people who have met or are friends with Danny and he is as he appears, a regular, down to earth, all around nice gentleman.
Thank you Robert.. Joe
You won’t find musicians speaking more honestly anywhere. Thank You Joe for providing this for us. 🎶👍🏻🎶
Thanks as always mVm…. Joe
Thanks for posting this! Chicago's one of my all-time favorite bands. It's 45 years ago today that Terry left us, and there will NEVER be another Terry Kath.
Absolutely love this interview with Danny Seraphine!
One correction to Danny's comment about nothing written by Terry on the first album is that Terry Kath was the songwriter credited for "Introduction" and "Free Form Guitar" as shown on the record label.
Their first album "Chicago Transit Authority" is a classic masterpiece. Every member of that band had a important part in the music. When I heard Terry Kath sing I first thought that he was a black guy because of his deep voice but that's one of the reasons I liked them so much was their harmonies from all the people who sing lead & backup vocals. You had Terry's deep voice, Robert Lamms great voice and Peter Cetera's high cool voice. Listen to those guys sing together as they do an awesome version of Steve Winwood's "I'm A Man" and Terry's guitar isn't that bad either. Bands who have multiple singers and add harmonies to their songs add an extra element to their music and their band. I really enjoy groups with three or more singers and how they find ways to get everyone involved is nothing but a bonus. Chicago's first couple of albums were amazing in my opinion, they were awesome ! 🇺🇸
Thanks for watching Cars... Joe
@Sebastian , spam & eggs for breakfast ? I have to admit I believe I have had it once or twice when I was younger !
@Sebastian , two of my favorite cereal's, golden grams, raisin bran. I can also enjoy corn pops, honey smacks or frosted mini wheats along with spam & eggs & toast, you can't beat it and Im lucky to have a good breakfast as I know some Children aren't so lucky !
Another great interview.Danny phenomenal drimin for his time and forward.Too bad he got kicked out of his own band.I loved hearing him tell his story.The band was never tje same after Terry Kath' s passing a real tragedy, real loss all around !!!!
Thanks for sharing your comments Michael…..Joe
What a great interview. Love Danny's openness and vulnerability.
I haven't thought about Chicago in awhile, but this fascinating interview brought back the memory of what a great band Chicago was. I had their first couple of LPs back in the day, but they went waywardly astray over the years. So I just ordered a copy of the original Chicago Transit Authority. Can't wait to hear it again. All thanks to this inspiring interview. Thanks.
Thanks William... I think all of us early fans feel the same... best... Joe
I still have my copy of that album I bought in 1971 at age 16.
Chicago went "astray" by the mid-'70s because the guys weren't coming up with any more good songs. Peter Cetera brought in producer David Foster to help. The songs he brought in took them from selling 50k copies of an album to a million. That whole story is told in the documentary on Foster's career that's currently playing on Netflix.
Randy Jordan Actually Danny said he brought Foster in after asking Bill Champlin if he thought he’d do a good job. Danny had tried to get Foster for the disastrous (from a sales point) Chicago XIV, but the band didn’t hit it off with him. Columbia dropped the band after that album, so they were at a point where they figured they had nothing to lose with Foster. Besides, he produced hit singles and albums for their fellow horn band Earth, Wind & Fire.
I played to Chicago's records growing up in high school. Such a great inspiration.
Hi Dennis... yes my high school car had Chicago 8-track tapes in the player 80 percent of the time... Joe
Danny has been my favorite drummer since I first heard their first album in band class at Roosevelt Jr. High in 7th grade in 1969... the band teacher brought the album to class... I finally got to see the band in March of 75... and so many memories from that I can tell.. He did a great solo at the show..
Thanks for sharing your thoughts drmorg... Joe
@@MusiciansHallofFameMuseum sir, you have made my month of August simply by taking the time to reply. It was unexpected and makes me want to spend even more time in the studio working on my art. Thank you. DrMorq
Love Danny Seraphine and Chicago, especially the earlier stuff. Great, great American band. Too bad they had to part ways, Danny was as much a part of their original sound as was the horn section, Terry Kath, the great vocal work by the singers, etc. etc. Was never quite the same after he left. Thanks for the interview and thanks for posting.
Thank you too Tony... Joe
I'm so glad to hear this interview (and Part 2 as well) with Danny. Hearing his thoughts and observations gives a wonderful, added human dimension to the band and to his drumming. Chicago for me-as a kid growing up in upstate New York who was in high school from 1971-74-was a force of nature; my sister had their first two early albums and I listened to them even more than she; our high school band director was a recent grad of the SUNY Fredonia Jazz Ensemble and began our school's very first counterpart, called "Stage Band" back then, and we played several of Chicago's songs ("Does Anybody Really Know What Time It Is?" and "Color My World" and "Make Me Smile" in Jazz Ensemble arrangements that were fresh from the publisher); and I have to credit Chicago, along with The Beatles, for being a significant part of what led me to become a music major myself at Ithaca College's School of Music (1974-78; 1980-81) and at Cornell (1981-84). For me Chicago was not only a great band to listen to but they were a happy learning experience as well-e.g., their first two albums taught me by ear-before I ever learned them by name in my college music theory classes-what harmonic sequences and 4-3 suspensions were.
I FINALLY got to hear the then-current incarnation of Chicago play live in South Bend, IN at our local performing arts center in 2005, which completed the circle for me, except of course that I missed hearing Terry, Peter, and my favorite powerhouse drummer, Danny. However, a friend of mine from my hometown area had seen Chicago with the original members play (at either the State University College at Oneonta, NY or in Binghamton, NY-I can't be sure now) sometime during the early 1970s and I still remember her telling me how that the band was not given to playing encores in those years but that the kids in her audience were so insistent in their standing ovation that the band finally gave in and played extra for them. (Isn't there something wonderful and 'old school' about that kind of responsiveness to an audience?)
Musically, I'd never heard anything like Chicago before, and it wasn't just the instrumentation-which, if you think about it, IS a scaled-down version of a Jazz Ensemble-a generous-sized rhythm section plus 1 each of Trumpet, Trombone, and Saxophone, the instruments that as fuller sections comprise the wind (horn) sections of a Big Band. The band also singing their own vocals made Chicago a true fusion of a rock band and of a 'representative' jazz ensemble. I loved everything about all that they did on their early albums, especially musically, and I think their strength as an ensemble derived from their individual strengths synergizing; these included fantastic musicianship on instruments and singing, fantastic arranging for the instrumentation they used, solidity of classical training married to self-taught rock and roll and jazz-derived elements, the sheer vigor of youth, and a truly unbelievable PRECISION of execution.
You can tell Chicago's members were either classically trained and/or had otherwise honed their craft in performance from, again, their incredible PRECISION, which I'd never heard the likes of before on any other record, and rarely since. Theirs is a kind of happy-and-confident precision, and you can hear it in Danny's drumming to a degree that Buddy Rich's band held forth with similarly, but in Buddy's case it happens under a kind of tension that's less easygoing. Chicago's precision was more 'comfortable,' and seemed to derive more from an earnest love and understanding of their art than from the pressure of playing tight in order to not displease-and then perhaps be chewed out afterward by-Mr. Rich. Chicago's professionalism in their musicianship was more 'inviting,' I think, and of course it was wonderfully captured and rendered by the recording studio people who put them onto records for the rest of us to hear. Those early recordings just have the best sort of acoustic vitality and clarity to them that I'd ever heard up to that point, and I think that quality remains unequalled to this day, in that digital technology just sounds different and a little less warm to my ears.
If I could say something personally to Danny it would be "Thank you!," most importantly, for showing me what a drummer could do and how MUCH a drummer could do, and with such fierce but controlled energy. I took the standard Percussion minor course as a music education major in college but we were never given Set Drumming-a real loss to me now, I think!-and of course world-class Set Drummers learn the bulk of what they do by listening and performing, and not merely through practicing of rudiments. Danny and Ringo Starr, who I know admire each other's talent, both have something else that great Set Drummers always have: an ARRANGER'S sense and sensibility for what a song/recording needs from them; they know when to do less and when to do more, and when they do more they know (or can figure out fairly quickly) what best to contribute to the arrangement of the song. A great arranging drummer always adds to the effectiveness of the SONG, first and foremost.
For sheer inventiveness and comprehensive command of every element of the Set Drums, Buddy Rich is pretty much unparalleled, but Danny is very comparable in terms of overall skill and range of capability. Where I would say they differ is that Buddy sounds like he's always living in the moment, always improvising as he goes, and as wonderful as that turns out and as high the level of his technique is, you still get the feeling that it's all always unique and just for THAT moment. Danny, on the other hand, plays in a way that seems more organically integrated with the rest of the band; the difference is that his powerful and wide-ranging drumming is less about him as an individual and as a personality than as the heart of the integrated whole. Buddy always seems to stand out from his band, as though the band were there to be his accompaniment; Danny always seems to be part of an 'army of generals' who are on a more equal footing and who are all striving together for a common goal.
Most home-grown drummers have nothing approaching the skill and complexity/precision of technique that Danny displays in his drumming. In his fill right before the start of the first Verse of "Make Me Smile" (just before the words "Children play in the park…") Danny incorporates the most exquisite 16th note sextuplets I've ever heard-to this day-and he arrives at the Verse so fluidly and smartly that it still takes my breath away to hear it. There are dozens and dozens of similar moments in his drumming on just the first two albums as well, and while Danny's drumming is denser and more complex than the 'average' it's always FLUID and NATURAL-it's HUMAN and SOULFUL. Ringo was perfect for The Beatles, and kept perfect and solid time as a fantastic 'arranging' drummer, but was reluctant to ever perform a drum solo per se; Danny could do everything, including incredible solos, and with an equally facile arranger's ear guiding him.
I don't know if Danny ever got kidded about this in his youth, but I always thought there was something 'angelic' looking about his appearance (perhaps appropriate to his surname "Seraphine"?). He had-and still has-a sort of 'fresh-faced innocence' to his demeanor that belies the power he actually has under his fingers and feet. He's intelligent, thoughtful, insightful, well-informed, and surprisingly soft-spoken, rather the opposite of what you'd expect from just hearing his tornado-in-a-bottle musical chops. In my own music-making I'm a composer, arranger, and songwriter, and when I write for Jazz Ensemble or for a rock demo with-I'm ashamed to say-canned synthesizer drumming in it, I always bear in mind what I know is possible on the Set Drums as the result of having heard Danny do it so, so, SO very well. So: THANK YOU, Danny, for being such an important part of my youth, for showing me 'how it's done,' and for contributing so productively to one of the world's finest bands ever. I feel like I know America and the city of Chicago a little better as well because of you.
@ChipsAPlentyBand Thanks for sharing the link. Your "review" and insights into Danny's Set Drums excellence is a welcome read. Thank you for taking the time to share your thoroughly composed notes (no pun intended)!
What a great story about Danny Seraphine and Chicsgo. I attended Ithaca College School of Music too, between 1973-1977, studying guitar with Steve Brown and playing in the Jazz Lab and Jazz Rock Ensemble led by Dave Riley. Again, what a great story!
@@ericroberts4204 We overlapped for three years at IC, Eric, and when Steve kindly had the IC Jazz Lab/Ensemble read through a piece (titled 'Rip Off''') I'd written in high school but had never heard you might well have played it for me...if so, THANK YOU and please forgive me for such an unschooled Guitar part(!).
I did the Music Ed./Band track at IC from 1974-78, studied Euphonium with Jim Linn, Bands with Herb Mueller and Ed Gobrecht, Conducting with Pam Gearhart, Composition with Karel Husa, and Theory with Arlin, Lord, Brodhead and Ostrander. And I bothered Steve Brown as you know, who graciously gave me time out of your rehearsal schedule.
Later on Karel took me back for my Composition masters and then again at Cornell. We shared various adventures with me serving as his music copyist--still by hand in those days--and remained friends until his death in 2016 at age 95. I taught Theory at IC for one year (1985-86) with Dr. Arlin helping show me the ropes.
It's great to hear from you, and I hope your life is enjoyable and productive. I'm so much of a late bloomer myself that I've only just finished writing my first symphony. I hope 'Better late than never' still applies....
All the best--Don
Great interview. It's sad the band eventually broke their rule and fired Danny. To me he was an integral part of their sound.
Hi again Seeburg... I wish it hadn’t happened too... I understand how things can get difficult within a band but they were not thinking of their fans feelings. Thanks again for watching... Joe
@@MusiciansHallofFameMuseum: The story I heard was he was really bad about tuning drums between songs. That's a pretty weak reason, especially after so many years together.
@@walterholland1251 Reportedly, another reason for his dismissal was that when the band was touring, Danny would go out sightseeing instead of being at the venue rehearsing for the concerts.
They were never the same group after Terry Kath died
@@sldl04: True.
Hey Joe.... this was an absolutely fantastic interview, what a relatable person Danny is and what an incredible band it was too.
Thanks Warren... glad you liked it... part two coming soon..., Joe
Danny, I’ve said this before, I’ve said it to your face, I’ve told you on messenger - ... and, I don’t know - maybe you’ve known this and to hear it again and again and again and again and again from we plebes out here, has it taking on a dulled patina...and I don’t know any other way, other than words on a post to say it to you but, that shit you were slinging live on those early 70s dates - Buffalo, Rochester, Syracuse, Jersey City was some of the most genius innovative playing I’ve ever seen. The V album stuff, “A Hit by Varese”, “State of the Union” proved to be your shiningest moment.
You fucking gave me chills, sitting in the stands. You were so far ahead of the curve. Man. Thanks.
Well done, I was 12 -13 years old when CTA came out. I was a young guitarist, listening to everyone from BS&T to Frank Zappa. I was overwhelmed buy the balance of sound from CTA ... I would get to hear them live in Albuquerque three times. They weren't quite the same after Terry passed away. My Favorite albums are the first three, but I have all of them. There is a comment below about Leonid and Friends. This cover band from Russia is as close as it gets to hearing the original sound of CTA. I am a huge follower of Leonid and Friends. One thing I have never heard anyone try to replicate was Free Form Guitar off the first album, Terry was the best!
So many great memories around Chicago music back in the 70's. I was a teenager & loved their music always.
Thanks for watching RRR.... best, Joe
@@MusiciansHallofFameMuseum you are welcome 💘 your channel
Pure gold once again Joe! Talk about the "Beginnings" of one of the greatest bands of all time! I remember first hearing them on the radio & being blown away by that Chicago sound! Great interview & looking forward to the next session.......... 👍👍😉😉
Thanks Steve... Joe
Danny is my inspiration and one of the real men!!! Thanks for sharing your interview w/ Danny - I’m going to see him play on Waikiki, 8 October- so stoked!!!
A great interview about one of my absolute favourite bands growing up! (Those three first Chicago albums are monsters!)
Very interesting details I never knew before. Thank you once more, Joe!
Hi Arne... Thanks again.. Joe
Can't wait to hear Part II. I fell in love w/CTA and bought their first 5 albums which included their first Live box set. South California Purples was probably my favorite song out of all their songs of those albums. Thanks Joe.
Thank you GG... Joe
"Beginnings" is my favorite song of all time, and that's coming from a huge Beatles fan. I'm a karaoke singer, and I have a track of "Beginnings" that's the full 7-minute version with all of the percussion at the end etc.
@@randyjordan5521 It's funny you should mention the Beatles. In SCPurples they reference "I Am The Walrus" on their debut album CTA.
@@randyjordan5521 There's a good version of "Beginnings" on VI Decades Live (This Is What We Do) from the Isle of Wight concert (6:06) but not enough cowbell.
@@GG-ks4ul Yeah, I first noticed that when I played the album in 1971. It was an early example of "sampling" prior songs. That's just one example of how influential the Beatles were on pretty much every other act that followed them.
Damn I respect this channel so much. It gives those of us whom have a deep knowledge of Rock n’ Roll somewhere to go.
Thanks 81……Joe
Introduction sums up early Chicago perfectly, six minutes of mood changes and showcasing their musical chops.
Thanks for giving us Chicago!
Love listening to the history of this! Danny Seraphine does such a great job telling the story!
Danny Seraphine seems to be very genuine, candid and honest about his memory recollection. Very interesting and enlightening stuff. What an amazing drummer!
The high the night his skill was elevated by the others, what a feeling that must have been as they came together and made the 'Chicago' sound.
Thanks for watching John... joe
Thanks for posting, Joe. It is only recently I learned Danny Seraphine parted ways with Chicago 30 years ago!
Thanks for watching John... joe
Was so happy to see them twice with Terry Kath in Montreal and Toronto back in the 1970s. Just starting to learn the trumpet in 1970 I was mesmerized by their horn section.
Love Danny and Chicago. Love Terry’s singing almost more than his guitar playing. It’s amazing how great those old records sound. So many British bands could barely get things recorded decently. It’s impossible to imagine the chaos that Danny witnessed back then. The only one who was straight and they were all such great players you have to laugh if you think about it. Number 1 drummer.
When Danny speaks of his own performance being elevated by being with other excellent musicians... It carries through to other skills/talents, as well. I immediately identified with that. No matter what you do, working with other excellent people makes you better. This is a great interview with a great musician and a very cool guy!
Thanks Lou... Joe
And the rest history... Thank God for putting all those men together ❤️
This is just a great interview. Really captures the dynamics of band life
Hi 567.... thanks for watching and be sure to catch part two.... Joe
i came along when Chicago was in the "16" era, and they'd lost their rep as a rock w horns band. i loved their old stuff, but like many, regretted the loss. after Pete left the band, i went to see them with my gf, cuz she wanted to go, and i was not expecting what i got. they were just amazing. they were the old band again, and they blew us both away. saw them 3 times over the next couple of tours. Unforgettable. very cool to hear this founding member's stories.
Danny and I took lessons from the great West Coast Jazz drummer Chuck Flores. He had played with Charly "Bird" Parker.
Thanks for watching Clark... Joe
I saw Chicago twice in memphis in the early 70s. My favorite band. I was in University of Memphis in '77 when a friend of mine came into class to tell us that Terry Kath was deceased. We all had our on little rock bands and followed Chicago more than other bands and we were shocked....Chicago was really never the same after that
Chicago was amazing originally line up that what happens when you have the best playing in all instruments they were a level or two above everyone for sure
Great interview, growing up in Chicago....this band was Chicago
Thanks for watching Brian... Joe
Thank you Joe for another great interview--I love listening to Danny Seraphine talk about music and the band!
Saw Chicago summer of 2019 & they rocked. Wish Danny never left the group. Thanks Joe for providing these gems to us rock fans.
Thank you to NYC...,Joe
Danny got fired in 1990.
Good storys,from the best band, the unique guys,best feelings.
Danny made the comment that Terry Kath did not compose anything on the first album. That is incorrect. He wrote the music and lyrics for Introduction, the first track on the first album. It is still a monster of a piece and Chicago still plays it to open their concerts.
I love his honesty! What an articulate man. Great drummer also...I hope you are feeling well after your surgery Danny! 😀
My family were all musicians. My father played the piano and harmonica. I played the clarinet. At Christmas time we all had our musical instruments and felt like the frigging Osmond family! Beautiful voices and beautiful musicians! Having a tight group like you had, is definitely a family!!
Most excellent interview.
Thanks Deborah... Joe
Thanks Danny, I think you named my next band "Free Chicken". Love it! Saw Danny absolutely destroy the Spectrum in Philly every time I saw him, just mind blowing power and skill on drums! Was totally bummed how his time with the band ended....that just wasn't right. He defined what I consider the best in music of our time!!
Thanks Nick... yes “FreeChicken”... I like that too... Joe
Danny is friends with a band called (Leonid and Friends) They are from Russia, and cover Chicago songs. Check them out!😎✌❤
Robert... Leonid are a great cover band... not often will you hear a guitarist pretty much play Terry Katy’s lead break on 25 or 6 To 4 note for note and have the correct sound too... Actually the whole band... horns to vocals... I’d go see them if they came to Nashville. Thanks Robert for sharing your thoughts... Joe
@@MusiciansHallofFameMuseum I love those guys. Incredible musicians. I want to see them if they come into my area.
I’ll definitely check them out! Thank you.
@@MusiciansHallofFameMuseum You're welcome! I'm hoping they come near Pittsburgh one day!
L&F are so good. I have seen them 2 times on both their trips here. You tube them... yet nothing like in person.
What a treat Joe! Chicago, especially the original lineup is such a monster aggregation. Also one of my favorites. Definitely a gift from God to Humankind. Thanks for this great interview!
Hi Ricardo... yes their music was/is a gift from God to me. Thanks for watching... Joe
When I was a teenager in the early 70's I was a soon to be guitar player so of course gravitated to to that instrument on the records being played at home. However there were times when other instruments would become amazing
"WTF - who is that playing?" moments and that was Danny, who opened my eyes to spectacular drumming. His inventiveness floored me to the point of thinking being a drummer was the way to go. I get the same feelings 50 years later because he's a master - a drummer's drummer. Another was Bill Bruford. I never really noticed drums until Danny and Bill opened that door for me. Superb interview Joe. I watch everything you post.
Thanks 6string… best, Joe
what a great interview, ive learn so much, thank you! 6 days until Dannys birthday!
Thanks Elijah... Joe
Early Chicago is one of my favorite bands of all time. Difficult to choose a favorite song because there are so many hits, but for me, it's Beginnings, which I think is a masterpiece. This is an interesting interview.
theeey were a great band
Hi Robert...yes they were... Joe
They still are. Three of the original guys are still in the band, but they're now on about their 4th lead tenor singer, 4th lead guitarist, and 4th drummer. The guy singing tenor now was in a Chicago tribute band. They brought him in when the previous guy didn't want to tour anymore.
Fascinating interview! I met Danny back in 2016, during a drum seminar, here in Vancouver. Looking forward to part 2 of this...
Hi Cary... if you’re a Chicago fan check out the two part interview I did with James Pankow last year.... best, Joe
Awesome interview!
Thanks James.. Joe
Baby what a big surprise I'm like who is this band whenever I hear one of their songs I can literally picture the Chicago skyline these guys epitomized that sound they were great...if you leave me now...hard to say I'm sorry...saturday in the park...excelence
Thanks for sharing your thoughts Jude... Joe
@@MusiciansHallofFameMuseum The man who conceived, envision and started/kept the MHOF to honor all musicians everywhere, even me! sitting in my living room in my "makeshift" studio laying it down...thanks me! No THANK YOU!! And we can lay rest assured that somewhere in the world, at all times, whether in the studio, the stage, dad and moms garage and especially the kid that picks up the guitar or sits down at that piano or drums for the first time. Music is love, music is eternal, music encompasses generations, races, creeds and colors.
Thanks to all the musicians that brought us those hits! UNSUNG to us! but known by some of the greatests
John Lennon once said:
"If you give me a tuba, I'll get you something out of it"...thats music!
Thank you Joe Chambers!
Very kind Jude... thank you... Joe
Nice interview.
Thanks RG.... Joe
This is maybe the best interview I have heard. I just learned a lot, very revealing of what is necessary and good for a group and what a group is. It reveals a lot you know that saying that a group is the sum of it's parts. If I was to think deeply about this group the question would be how did they do that? It's the blend and outcome from it. Compare to other groups and they are outstanding with the dynamics they merged together. Danny just explained that in full. Establishing is difficult, collecting the elements not any easy task but what he said "no weak links." No weak links it the key.
Thanks for sharing your thoughts Gregory... Joe
The day Chicago fired Danny , was the day that band never had another top 10 hit, album or seemed to many to be Chicago anymore! Nice interview Joe! Danny was the nicest guy in that band I met him and he always was kind!
Thanks for watching David...... Joe
True. First they said Chicago died with Terry's death, then it was when Peter left but it seems to me like it was after Danny left. To this day when you see them perform live, they're playing music pre 1991.
My favorite song by Chicago is "Street Player". I believe that Danny wrote it.
Thanks Mike... Joe
Great! One of our first bands was a horn band ("The Crowd" 😊 Conroe, Texas) pre Chicago and, of course, pre BST.
CTA hit (double album?) when I was in the 9th AF Band mid '66-mid '70.
So neat back then to hear a tight pop band with great horns and vocals.
Thanks for sharing Buzz... Joe
I love this guy. Had the opportunity to talk with him at some of the drum shows. Despite all his success, he never got a big head.
Great!!!
Thanks EB for watching... Joe
You are my first drummer I learned from Danny, Thank you for CTA!
I remember watching them nail down his drums before a concert at Virginia Tech in 1971.
Thanks for watching Thomas... Joe
Thank you!
Awesome, thank you :)
Thank you Brian... Joe
Nicely done What a great interview quite informative Fantastic band & I wondered what happened to them Didn't know they fired him
Thanks for watching Nelly... part two coming soon... Joe
@@MusiciansHallofFameMuseum looking forward to it I so enjoy your interviewing Great Works Thanks so mucj
Thanks again Nelly.... Joe
Great interview with Danny, one of my drumming idols! Chicago lost the magic when Danny was no longer in the band.
Hi JN... thanks for watching Danny is one of my most favorite drummers and friends... Best, Joe
Almost missed this one Joe. Many thanks for your sharing.
You really don't know how good Danny is until you listen to the"Live" recordings that are out there mainly because they have so many musicians playing on the studio recordings and his drumming is good but it doesn't stand out then I heard a live recording of "Make Me Smile" and a quick drum solo at the end of the song that made me take notice and understand how good Danny was as a drummer. In my opinion, he's a very underrated drummer probably because he's just a little different than an ordinary drummer. Danny Seraphine is a master class Drummer !
I saw them in So. Cal when they first started.
I have Seraphine's book "Street Player". Good book! His California Transit Authority cd is cool, too.
Thanks for sharing Terry... Best, Joe
When I was little, I saw the name James William Guercio on their material so much, I thought he was a band member..😎🇺🇸
Thanks for sharing your thoughts and watching our channel Craig... Joe
In the interview with Joe Chambers, James Pankow says that it was he who had the idea of a horn lead rock band and it was he who found and recruited the other musicians. Aye right!
Met Danny at NAMM LA in the Zyljian (sp?) line, 2007? Also met Mick Fleetwood and Joe Porcaro. Unbef-inlievable! :D 🔥
Interesting thank you
Watched pt. 2 first then this.
Very cool interview.
Free chicken? Heck yeah!
The Blue Album !!
Glen ... do you mean their second album.. The Silver album? Thanks for watching... Joe
@@MusiciansHallofFameMuseum Yep, silver or Blue .
Yes.... what a great album.... probably my favorite of theirs.... Best, Joe
The first three albums were magical. Thru VII they were still pretty good. After that I think they lost their mojo and descended into schmaltzy rock. Losing Terry was a terrible blow - he was the one who brought the energy. Danny was a superior drummer throughout his tenure!
Jimi Hendrix cited Terry Kath as one of his favorite guitarists, and considered Kath to be "the best guitarist in the universe".
When Terry Kath died so did Chicago.
Thanks for sharing your thoughts Sammy.. Joe
Amen, Sam!
His drumming was never better than on the Live at Carnegie Hall version of 'Free.'
"They don't give a damn about any trumpet-playin' band.
It ain't what they call rock and roll."
The old "Dire Straits" reference
@@michaelmerck7576 I'm an old dad. I only have bad, old dad jokes! :)
They had a common bond: performing standards.
Title should read How The Band " Chicago Transit Authority " was created.
I couldn't agree more top 5 rock band who ever lived.Terry Kath probably the best guitarist or one of the greatest guitarists who ever lived. Probably won't get much argument from that.
I always thought Chicago was a mature 'horn band' as he calls it. No weak links.
So what instrument was Walter Perazaider(sp) was to be second chair on? I'm thinking either clarinet or flute.
Hi Walter... I’m going to guess maybe all the above mentioned plus Sax? Just guessing. Good question... I always assumed ( you know what they say about assuming) it was Sax... best.. Joe
@@MusiciansHallofFameMuseum:Thanks for replying. I heard something that eluded to classical music so I presumed the second chair would be anything except sax.
You may be right! I really don’t know... joe
@@MusiciansHallofFameMuseum:Historically the classical world has not been kind to the saxophone.
Walt would have played clarinet. He was a clarinet performance graduate of DePaul University, my alma mater.
I still have the drumstick you tossed to me.
@11:53 That's Barnaby's Pizza 🤦.
Now I thought the Pussycat on Rush was a topless bar?
I do have a friend who has told me and shown me all kinds of early Chicago history and photos who was hanging with the band.
This guy looks like he’s 50. When was this interview?
Hi PT…. It should say in the intro but probably 2005……….Best, Joe