Kemper tip: Doubletracking guitar by Bert Meulendijk
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- Опубликовано: 27 авг 2024
- In this video : dubbeltracking guitar using the Kemper Profiling amp. Doubletrack, keeping the effects stereo. bertmeulendijk...
For best result use a headphone for listening. bertmeulendijk...
Used profile : BM RR Archie dist 1, used guitar : Folreden JM strat
Keep making videos Bert! They're all fantastic as are your sounds, profiles and playing!
Top video Bert!!!!!
Thnx Maxim!!
Thank you for the tip. It sounds huge.
Thanks Jim!!
wow thats awsome
Thank you Bert! Greetings from Frank (eltzejupp). Take care of you and l hope we get more of stuff like this from you.
Hey Frank, thanks man!!! How are you doing..? Hope you’re well!! Yes, I’m planning to do more videos.
@@bertmeulendijkkemperprofil3137 Hi Bert, all is well, hope you are well too in this crazy times. Nice video, very helpful and the sound is cool. I have also done some vids on my Kemp Man channel. No playing outside☹️☹️
Great tip Bert. never thought of doing it like this, but the result is great!
Hey Ed, yeah it works ain't it :-)
Always good vids with something good to offer. Health and happiness Bert. Love your profiles 🎸✌️😎👌
Thanks John!!!
Ha i knew it... its the Archie rig , that strat can only sound that good on the Archie Rigs, (i love them) Thank you so much Bert, you now have new students hahaha :)
Haha, Archie is a killer👊🏻👊🏻 Let the students come to me😁 Thanks Ash
Many thanks for the tip Bert! 👍
You're welcome Clemens!!
Thanks so much :-)
Hi Bert. Greetings from Istanbul! Thanks a lot for your videos. Are you plug in the Kemper directly to the sound card? What I am trying to say is that I am not happy with the vast difference from what I hear thru Kemper and Marshal amp in the room and what I record when I directly run my Kemper in the SL12 and monitoring through Genelec studio monitors. As I use Kemper stage which is not powered, I wonder if it should go first through an amp to get amplifier like sound? Any advice? Thank you so much! Keep rockin' 🤘
Hi, an amplifier in the room will always give a different impression than the sound coming out of your monitors. This is probably also due to the possible level difference...It probably sounds more imposing due to the pressure of a 4 x 12...What you should actually do is record your Marshall in the room with a microphone and compare that with the sound from the Kemper...that will give you a fair comparison.
I go from my Kemper directly into my interface and don't use a poweramp. I honestly don't think that's going to make a difference either....
@@bertmeulendijkkemperprofil3137 Thank you Bert. Apreciated. 🤘 Have a great day!
Hi Bert...I bought several of your great Kemper profiles and love how good they sound. I appreciate you sharing your recording tips here and look forward to using them shortly. Do you record direct via XLR OR S/PDIF into interface into DAW or do you mic an amp cab? Also, if you don’t mind ...what are your Kemper output recording and DAW LEVELS for guitar? Thx, vr, Mike
Thanks Mike!! I use mainly XLR outputs directly into protools. Level depends...In my studio I use -12dB and master volume about -6, DAW level on zero, but sometimes I have to play in studios where I have to switch off the -12dB
@@bertmeulendijkkemperprofil3137 as always really appreciate quick response and information shared! I’ve just been using S/PDIF into Logic Pro . Thanks Bert!👍
hi why did you record the 1st left mono track when not used within the final stereo track ?
I think he used that just to achieve the stereo effect…. But I’m still a little confused
I sense I'm going to feel like an idiot when I get this but for now it's just not adding up.
Hi Joel, what exactly isn’t adding up...?
When you’re recording a stereotrack, in this case 2 mono tracks panned hard left right the effect remains stereo right.
If you redo one of the mono tracks you will have your played part twice but the effect will remain stereo because you are re-recording one of the hard left right panned tracks. So you re-record only one side of the stereo effect. That keeps the effect stereo but the played part doubled.
Try it by using a ping pong delay.
@@bertmeulendijkkemperprofil3137 Thank you for taking the time to respond. Ultimately, I just need to try it and I'm sure it'll be great...but I don't understand how the stereo effect would necessarily be in phase with the previous recording. Phase may not be the best word but what I'm trying to describe is if it's something like a ping pong delay, what prevents the stereo delay from getting out of sync so you just get no delay on one side and the taps are stacked on the other? I'm so sorry if this is a dumb question.
@@PackinForSuperbowl Same question here ...
@@dave_audio I still haven't tried it yet because... well..
life but my best guess is the delay is always going to ping on the left side first. I could see a scenario where one could make some initial accidental string noise that triggers the delay and puts them out of phase but I dunno. Maybe it's time for me to quit making excuses and record some guitars to find out. 😉
So, when you record the initial dual mono tracks, you’re printing stereo delay to the track, but when you overdub the left mono track, doesn’t that erase and overdub the initial stereo effect on that left side?
One question from a devoted fan of your profiles... if you are recording in a mono track, how do you keep the stereo effect of the delay?
Hi Paco, by recording the first track in stereo, coming in stereo from your Kemper, on two mono tracks panned 100% left-right. When you redo one track the effects are still stereo. Cheers
Thanks for the clarification. So, the second time you record only “half” of the signal, only the left output? You could, in theory, only record the right output the first time?
@@ReinoutVrijhoef yes you’re right, you can do that. But recording the first track in stereo gives you a nicer sound and stereo effects.
Nice!!!!
Amigo de los guitarras, dankjewel!!!!
Nice.
Thanks Folkert!!
Why did you have to redo one monotrack at the end?
It is all about gaining this wide space sound. There are several methods, for example these two:
1. using stereo effects such as stereo-delay, stereo-reverb or stereo-chorus.
2. playing the guitar part twice and hardpan the tracks (wich is called doubling).
In this video Bert explains how to combine these two methods.