Was duftet doch der Flieder (Gerald Finley) Glyndebourne 2011

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  • Опубликовано: 4 окт 2024
  • DIE MEISTERSINGER VON NÜRNBERG
    Richard Wagner
    Acte 2on
    Was duftet doch der Flieder
    Hans Sachs: Gerald Finley
    London Philharmonic Orchestra
    Director musical: Vladimir Jurowski
    Director escènic: David McVicar
    Designer - Vicki Mortimer
    Lighting designer - Paule Constable
    Movement director - Andrew George
    Fight director - Nicholas Hall
    Festival de Glyndebourne 26/06/2011

Комментарии • 11

  • @cantorandopera
    @cantorandopera 11 лет назад +3

    Each artist offers something different - comparing Finley to Terfel or others is meaningless. He is wonderful in every way - tone, musicianship, style and makes a very believable Sachs. This is a wonderful clip. Bravo Mr. Finley! (too bad it ends abruptly)

  • @aliciasarramida
    @aliciasarramida 6 лет назад

    Great!!!

  • @waltermontani1621
    @waltermontani1621 11 лет назад

    stupendo!

  • @arnaldobrignoli4464
    @arnaldobrignoli4464 8 лет назад

    bello!

  • @Tilantelcontar
    @Tilantelcontar 13 лет назад +2

    in my opinion a wonderful Sachs. And why not a Sachs in his beginning forties? Why not a Sachs who would make a real alternative to Stolzing in Evas eyes? If there will be a DVD of this Meistersinger Performance it will be mine for certain!

    • @Quotenwagnerianer
      @Quotenwagnerianer 5 лет назад +1

      I can tell you why. Meistersinger is the only opera of Wagner that can basically be pinpointed to an exact historical date. The real sachs was way in his 60's when he was a widower (as he tells us in the opera a little later). So you can sing it in your 40's but the make-up artist should make it clear that the character is nearing his 70's.

    • @Moshmorenko
      @Moshmorenko 8 месяцев назад

      @@Quotenwagnerianer This is completely irrelevant. Wagner's Hans Sachs is not the historical Hans Sachs; though he took a lot of detail from history, Wagner wrote an opera, a work of art, not a documentary. And I know of no part of the opera where Sachs volunteers his age. Nor have I seen any production where the make-up artist does as you suggest - nor should they.

  • @OfficerMurdoch
    @OfficerMurdoch 11 лет назад

    Could anybody upload the whole production, please?

  • @Joverny
    @Joverny 11 лет назад

    A good lyric bass-bariton-voice. It sounds like he is leaning on Terfel's singing. Including the same problems of singing top notes on vocal "a" -like "andate" - in a way too blank. This will cause serious problems . Not now, but soon. Especially, if the voice (at this time) is not strong enough for Wagner. That could be reason, not to sing Wagner now.

  • @heyfigaro
    @heyfigaro 13 лет назад

    Beautiful, lieder-style singing but he's too young (vocally and physically) for the role as yet. It needs more gravitas and heft (listen to the end of Act 3) but in ten years' time Finley could conquer the world as Sachs. If he still wants to, of course...

  • @Szilgyo
    @Szilgyo 13 лет назад

    Finley is a superb artist, but a real MISCAST as Sachs.