So glad I found your channel. Both mouthpieces sound very good, for me personally I liked the Tone Master best, warmer and more fluid sounding somehow to my ears. Looking forward to seeing more of your posts, appreciate your sensible comments and you have galvanised me to practise my long tones and overtones every day!
You are a great musician and have a very intelligent approach.Your sound is beautiful on all that you play and you describe the differences accurately;therefore,whatever you choose to play in various situations will work...keep posting videos and I'll keep watching and being inspired.
+Anthony Spruill thanks so much for the compliments man! I actually just finished playing on these pieces again with different brands of reeds. The slightest thing gives a very slight change lol. but I definitely can hear it clearly
hey brother, thank you for responding back. i really admire and appreciate your profession as a saxophonist. You are very inspiring to us beginners and your knowledge is powerful. God bless you brother and continue to teach us on RUclips. I will definitely keep contact and continue to watch your videos.
You explained it perfectly with regards to going back and forth on mouthpieces. Your sound is nice and even. I think the Selmer soloist has a great spread or fullness to it. Thank you for uploading this video. Enjoyed it.
Mr kendrick you sound real good on the tone master. I have the 1st metal mouth pirce otto link made the master link facing 5 very open. I saw your metal mouth piece n i just brought the otto link Super tone master 8 . I cant wait to try it. Im using a Vandorne v16 on it n the green on the master link. Your soloist mout piece is good. Some artist use 1 mouth piece on 1 side of the album. N the other mouth piece on side 2 of the album.
I wanted to tell you what I blurted out loud to no one in the house as I was watching this video: "You're a NICE man!" Totally spontaneous and sincere. I don't know you, but this video was the second I've seen. I've read the comments below. I'll be concentrating a lot more on long tones for sure. Yours is a lovely tone. I think I preferred the 1st mouthpiece, the Ottolink. I don't use a metal mouthpiece. I'm a hobby player. I'm playing a1932 CONN 10M with a rubber Ottolink 7 and I just put on a Vandoren #3 reed and I like what's happening!!! Thanks for your videos. You play pretty music.
thanks man! Thanks for listening I appreciate it. I'm just being myself on here you know? There are a LOT of great musicians out there... some nice, some egotistical some humble etc. All different types. I just try to be a good person inside and out! :)
Sir I have a 1933 Otto link Master link low baffle wide chamber facing 5 for Tenor .I love your sound on the metal cause I love the Otto link sound yours is smooth with excellent flavor please play Alto more your videos are really helping me I played Otto link that mouth bbn piece for 40 yrs I have a metal selmer 1955
Hey totally agree man - I used to play exclusively on a whack of Florida links and they went so straight out into the crowd it was nuts but I've been playing on a short shank soloist, same thing 7* BP as you and I like how it projects not only forward but to all sides. Now getting more vintage rubber links, I think I've switched to rubber full time now! Anyways love the vids and the playing, keep em coming! Btw I think we talked on SOTW not long ago!
+enjoipanda808 Yup I'm about to get a vintage rubber link too. I have to have one of those in my collection. I HAVE to play one lol. Oh we talked on SOTW. It's definitely a small world. I haven't been a member for that long but it's definitely a great place for saxophonist to discuss all of our tech stuff lol
You kill me on both mouthpieces with your sound. On the Otto Link Tone Master you have this big ass sound that is very reminiscent of Trane, maybe that's because Trane is one of your influences, whatever the case I love it. On the Selmer Soloist, I hate to admit it but you sound like Joe henderson and yes, once again you sound great. As far as which one I prefer, I'm really feeling the Otto Link because of the big huge sound. Keep the videos coming brother, you have a great sound and great improvisation skills. DAMN I WISH YOU LIVED IN MICHIGAN SO I COULD STUDY WITH YOU
LOL!!!! I appreciate it homie! Well it's hard to get away from both Trane or Joe Hen when we talking about these 2 pieces. They were their signature pieces of course. When I play these... even if I haven't listened to Trane or Joe in a minute... those influences immediately return lol. It's no escaping it. I really appreciate the comment though man those are some HUGE giants you are mentioning lol. Their shoes are bigger than Shaq's lol.
Very nice. The Tone Master was brighter than I thought it would be, but the articulation was more crisp. The articulation on the Soloist was very soft, almost blurred by comparison...also less like a Link obviously. Just my .02.
The metal tone master has a more focused and centered sound. It is also slightly brighter. The hard rubber selmer soloist has a more spread sound and is a little darker sounding. The soloist sound can be used anywhere and the metal is a little more useful when performing rock because it matches the sounds of more contemporary artists. Many artists use different set ups for the type of work they are doing. We all want to fit into the genre and style needed to be more successful. That being said, the long tones you do have enabled you to develop a wonderful tone on all your mouthpieces. Your sound is awesome and your can play any mouthpiece or horn and make it sound fantastic. Your silver selmer is really special. I was also wondering about something you may know about. When having a horn refinished they sometimes ruin it striping off the old laquer and re laquering it. Silver horns don't have that same problem because they can just replace over the silver that is there and not loose the brass underneath. The result should be a great looking job with no change in tone. I know gold over silver will cause more resistance when playing but I don't think replating silver will change anything except the way the horn shines. Like to know what your experience has been with that or what you think. Thanks for your great videos and the best to you. Patrick
I liked them both. The Otto Link Tone master sounded smooth but edgy, while the Selmer Soloist sounded more powerful, and a little sketchy. Some great advice.
Yeah these are an extreme difference which is what I was tying to show. They are vastly different. It would have been a bit closer comparison had I tried like a Tone Master and Tone Edge. But these lol.... oil and water
I like the metal mouthpiece because has a balanced tone. Especially in high notes Otto Link is more warm, and has more low frequencies. Selmer is a little bit noisy in high notes, but sounds also very good.. Nice video!!
"Christmas Time is Here" great tune ( anecdotally! Eddie Harris played on a SS Selmer also, apparently a C* ) I think you sound amazing on both pieces, but for me personally I preferred the Selmer.. I can't really explain why? I guess it sounded warmer but edgier at the same time? Caveat Emptor to me?? If that makes any sense.
most people that have heard me play both pieces prefer me on the Selmer. They really can't say why. It's just something about it they say. They like the link... they think I have a great sound on a hard rubber or metal link... but they still pick the Selmer lol. However, they always say they hate the Selmer for themselves. I think it just agrees with me for some reason so I keep using it lol
In the practice room, Soloists are without question, my favorite mouthpieces. I love their warmth and the way their "roundness" seems to really fill up the room. However, once I started playing in an electric band with five string bass, drums, guitar, keys, and trombone, I quickly realized a lot of that beautiful sound (especially in the low midrange) was getting covered by the other instruments, so I switched to a HR Link copy that is bit brighter and cuts through the mix better. As you pointed out, so much depends on context. As for my favorite in this clip, any piece that YOU play is my favorite!
thanks a lot Quinn. Yup I came to the same conclusion. Soloist is a beautiful mouthpiece... but it's still going to depend on the context. I try to have a similar sound on any piece I play so I can know it's me doing the work and just a little coming from the piece. But yeah... I play on metal Links or Hard rubber Links mostly. I try to have a sound that's universal that will fit in any setting. It gets tricky sometimes bro lol. I appreciate the comment man
Curious about your long tone studies. Jody Jazz Hr is nice, Vandoren's T6...love to hear you compare it with the Vintage soloist. Appreciating your audio setup too. You are capturing the full range of the horn very well. ANd... you sound great on both. I am a fan of both sounds and attempt both textures in my playing. That soloist gets all the way into Joe. Wow! You sound great on both. What I notice is that your tone is consistent despite range. I've been playing 30+years and still sound tonally different across the ranges. Partly....my issue is reed care.
Thanks so much for your comment. I have devoted myself to long tones... everyday. I've tried to stick to this for the past decade. Even before gigs too as well. I think the more you do long tone the more you become one with the instrument and your inner sound regardless of setup. Muscle memory, air speed how to breathe all of that... is second nature after doing long tones for so many days and years. I don't have anything fancy I do other than hold notes out full and as long as I can, be it soft or loud... every register.
wider rubber mouthpieces help me play on narrower metal ones. I think it's important to be well-versed in both, just as you said, especially considering situation.
I play modern Soloists D (I heard they’re close to the short shank ones) on both my alto & tenor. They sound bright in high tones and mellow in low. Love them over the Otto Link. Keep your videos coming our way Stantawn, great job 👍🏼😉
Man, beautiful videos on your channel! I love it. I have a question. Are you sure that working on multiple mouthpieces gave you more opportunities to develop!? I mean, I think instead that a mouthpiece can give you a direction and you can work on it, but, by time you’ll learn to do things automatically for this mouthpiece and them don’t necessarily work on others! They could or not. But, changing is loosing them. Yeah, maybe you can develop more in a different direction with a different mouthpiece, and you cold like it. That’s what I think, what do you think about it?
There is a remarkable difference between the pieces. My favorite for you is the Soloist for sure! I don't have the right adjectives to describe it, so I'll go with the standard - warm.
i have a bundy II by selmar and im trying to put together a good mouthpiece and reed, ligature combo because of the cost. im currently out of work due to an near fatal car wreck. God spared my life
Thanks for the video. Good topic. The Selmer was brighter. I personally liked the more blue sound of the Otto Link. I am currently using a Vandoren T-75. If that falls in the hard rubber type you mentioned, I would love your thoughts or a video on those. What material was the black Selmer made from? Also appreciated the settings distinctions you mentioned from studio, to heavily mic'd etc.
Hi Stabtawn Like your tones and advice. Got to say i like the soloist (F) best as I have one a I try the tone master also which i left alone. I not long being playing (cannot find Good tutor where I live in the uk. Now i have a ? for you. I try rubber & metal. I find rubber are large in your mouth and metal are a lot smaller like the (Beechlers) Can you recc a few metal for alto (54ref new style) which are small and can give me a warm tone going to older style of jazz sound that I can buy straight out the box new only. I being looking a selmer jazz D/E and the Berg larsen 95 bronze. I use 2-2.5 reed R/Vandoren I also play a soprano and wat do you think of thes straight tenor and alto Dakota sax ? Glen
Stanton, you always sound great and play great no matter what mouthpiece you use. The question is, why are you limiting yourself. As you mentioned, what people hear as you play is NOT what you hear while playing. Many great mouthpieces are on the market, and they all have a return policy. It doesn't cost much to try a large selection of mouthpieces by companies known for making great pieces. Some horns are very dark sounding and they need a higher baffle to bring life and spirit to the sound. Some horns are very bright, and that includes silver plated selmer tenors. On those silver horns, a lower baffle may be the best. As you said, what you hear in your head is what you want to translate out of the bell, and for that to happen, you need to listen to a recording of yourself on each mouthpiece. It's a deal changer when you hear what others hear. All that being said, there is a world of new and old technology out there for us to choose from. Never limit yourself. God bless 😊
Hello Stantwan, I just started watching your videos. Love your sound! I'm ready for the altissimo range. Can you give some advise and some instructions?
First you should practice "overtones" to learn how to use your throat. Altissimo is really about your throat and your adam's apple and controlling that. Think about how it moves when you yawn.... how you can roll it down and up. That's where it starts.
You sound lovely on both mouthpieces, but I prefer the Otto Link Tone Master. To me, the Otto Master has a crisper (clear) and clean sound. I like the melody with the Otto Master better than with the Selmer Soloist.
Bro, I'm not a consistent player, been going in and out almost 10 years, financial problems and parenthood...life... but to the point, always want to try a metal MP but in my country (argentina) they cost a lot and of course not its not so easy to resale them , i have the oportunity to buy on the us or europe, cant test them until shipping arrive, what models would you recomend?? I'm actually playing a Aizen rubber MP 7 otto link type chamber on tenor sax. thanks!! really helpfull videos.
yeah this is a pretty hard thing to recommend. If you're going to buy used mouthpieces... eBay is probably the way to go. There is junkdude too as well... is a website that sales used pieces. As far as to what to recommend? That depends on what kind of sound are you going for... first I'd narrow it down to what brand of mouthpiece then what kind of chamber, and tip opening etc. There's Otto Links, Guardalas etc. There's vintage pieces... modern pieces
+Aman Tesfa quite a bit. First when you say "super" are you referencing a modern link or more so vintage Florida Link? The best place to look at the information and the history of these mouthpieces as well as the differences of them from one to another is here. theowanne.com/knowledge/mouthpiece-museum/otto-link
old Otto link mouthpieces were the best most of the big tenor players played on them the selmer soloist are great to and your right joe Henderson played on one and his sound was great the metal Otto link is to me has a dark sound the rubber mouthpiece is bright and fuffy both are great
+chriss1152 thanks so much for the comment bro and you are right Otto Links are amazing. I have 2 vintage metal ones and I use my FL Link the most. You can make it be whatever you want it to be. That's why all those jazz masters all sounded different regardless that they used them a lot lol
I have a link that I enjoy, but after 10min I am finding my jaw is having to stick out to get response, and quickly becomes painful. does that sound like a mouthpiece face/tip problem?
That's pretty hard to tell without being in person. It could even be the reed strengths you are using. Do you have a professional that you know that can give you some feedback?
I play through my PA, replicating that big fat Gene Ammons sound. I position the PA speakers accordingly, and can hear what the people hear. Problem solved! Can do the same with small acoustic Jazz groups. Works for me!
Definitely the soloist sounds better to my ears, full and mellow. The metal one is a little harsh, not totally unpleasant (both sound terrific) but still.
yeah during this time I just had started using a better mic than my iPhone. I didn't realize I had to change levels when I'm talking vs when I'm playing. I corrected this issue all videos afterwards
Wait a minute?? is your name StanTAWN or 'TWAN? This video at the beginning I heard you say your name but the pronunciation sounds different from your profile name??? Help me, a follower, correctly pronounce and spell your name!!!
What you say is true but tone has become so overrated that it has transcended the importance of playing great lines. My first rule, don’t switch. It’s a Pandora’s box and will do more harm than good, especially for young layers.
Brother, Coltrane would love your sound.
Man your sound is on point. Thanks for the motivation and pleased keep the videos coming.
+MrSaxMyJazz thanks so much for stopping by man. I appreciate the comment!
Your videos has helped me a lot can you please do more videos on the Alto I'm primarily a Tenor n I just went back to playing Ato thank you
So glad I found your channel. Both mouthpieces sound very good, for me personally I liked the Tone Master best, warmer and more fluid sounding somehow to my ears. Looking forward to seeing more of your posts, appreciate your sensible comments and you have galvanised me to practise my long tones and overtones every day!
You are a great musician and have a very intelligent approach.Your sound is beautiful on all that you play and you describe the differences accurately;therefore,whatever you choose to play in various situations will work...keep posting videos and I'll keep watching and being inspired.
+Anthony Spruill thanks so much for the compliments man! I actually just finished playing on these pieces again with different brands of reeds. The slightest thing gives a very slight change lol. but I definitely can hear it clearly
Very new to saxophone glad I found an authentic channel to learn from!
Love these videos Stantawn. You're a gifted musician and teacher. I wish you much success and happiness.
hey brother, thank you for responding back. i really admire and appreciate your profession as a saxophonist. You are very inspiring to us beginners and your knowledge is powerful. God bless you brother and continue to teach us on RUclips. I will definitely keep contact and continue to watch your videos.
You explained it perfectly with regards to going back and forth on mouthpieces. Your sound is nice and even. I think the Selmer soloist has a great spread or fullness to it. Thank you for uploading this video. Enjoyed it.
thanks so much for listening man I appreciate it!
Thank you Stan? You sound genius on both. 😁
This was the second video I watched of you.. You are a fountain of info, thank you. I subscribed
thanks for your support Franky!
Mr kendrick you sound real good on the tone master. I have the 1st metal mouth pirce otto link made the master link facing 5 very open. I saw your metal mouth piece n i just brought the otto link Super tone master 8 . I cant wait to try it. Im using a Vandorne v16 on it n the green on the master link. Your soloist mout piece is good. Some artist use 1 mouth piece on 1 side of the album. N the other mouth piece on side 2 of the album.
I ve said it before,but have to say it again.
Man,i love that Soloist sound !
All the best
Mario
Thanks for the advice. I've read material and watched other videos and no one explained that information. Thanks. Keep the video coming.
I wanted to tell you what I blurted out loud to no one in the house as I was watching this video: "You're a NICE man!" Totally spontaneous and sincere. I don't know you, but this video was the second I've seen. I've read the comments below. I'll be concentrating a lot more on long tones for sure. Yours is a lovely tone. I think I preferred the 1st mouthpiece, the Ottolink. I don't use a metal mouthpiece. I'm a hobby player. I'm playing a1932 CONN 10M with a rubber Ottolink 7 and I just put on a Vandoren #3 reed and I like what's happening!!! Thanks for your videos. You play pretty music.
thanks man! Thanks for listening I appreciate it. I'm just being myself on here you know? There are a LOT of great musicians out there... some nice, some egotistical some humble etc. All different types. I just try to be a good person inside and out! :)
Dude, I've been playing 43 years. You got skills bro. The 2nd mouthpiece sounded better to me.nice listening to ya.
Sir I have a 1933 Otto link Master link low baffle wide chamber facing 5 for Tenor .I love your sound on the metal cause I love the Otto link sound yours is smooth with excellent flavor please play Alto more your videos are really helping me I played Otto link that mouth bbn piece for 40 yrs I have a metal selmer 1955
sounds like you have some very legendary equipment there!
I thought I'd prefer the Link, but man you sound great on the Soloist. Warm and smooth, just lovely.
Hey totally agree man - I used to play exclusively on a whack of Florida links and they went so straight out into the crowd it was nuts but I've been playing on a short shank soloist, same thing 7* BP as you and I like how it projects not only forward but to all sides. Now getting more vintage rubber links, I think I've switched to rubber full time now! Anyways love the vids and the playing, keep em coming! Btw I think we talked on SOTW not long ago!
+enjoipanda808 Yup I'm about to get a vintage rubber link too. I have to have one of those in my collection. I HAVE to play one lol. Oh we talked on SOTW. It's definitely a small world. I haven't been a member for that long but it's definitely a great place for saxophonist to discuss all of our tech stuff lol
You kill me on both mouthpieces with your sound. On the Otto Link Tone Master you have this big ass sound that is very reminiscent of Trane, maybe that's because Trane is one of your influences, whatever the case I love it.
On the Selmer Soloist, I hate to admit it but you sound like Joe henderson and yes, once again you sound great. As far as which one I prefer, I'm really feeling the Otto Link because of the big huge sound. Keep the videos coming brother, you have a great sound and great improvisation skills. DAMN I WISH YOU LIVED IN MICHIGAN SO I COULD STUDY WITH YOU
LOL!!!! I appreciate it homie! Well it's hard to get away from both Trane or Joe Hen when we talking about these 2 pieces. They were their signature pieces of course. When I play these... even if I haven't listened to Trane or Joe in a minute... those influences immediately return lol. It's no escaping it. I really appreciate the comment though man those are some HUGE giants you are mentioning lol. Their shoes are bigger than Shaq's lol.
Great video brother -- 2020 and it's still relevant.
I'm glad it's been useful for some! Appreciate it man!
I love the sound on the soloist d on the tenor sax. ive got a new one for my alto sax and i love the rounded, bright tone
Very nice. The Tone Master was brighter than I thought it would be, but the articulation was more crisp. The articulation on the Soloist was very soft, almost blurred by comparison...also less like a Link obviously. Just my .02.
Love your tone with both mouthpieces, but I really dig the otto link
Fantastic videos, very helpful and I hope to be as good as you one day
The metal tone master has a more focused and centered sound. It is also slightly brighter. The hard rubber selmer soloist has a more spread sound and is a little darker sounding. The soloist sound can be used anywhere and the metal is a little more useful when performing rock because it matches the sounds of more contemporary artists. Many artists use different set ups for the type of work they are doing. We all want to fit into the genre and style needed to be more successful. That being said, the long tones you do have enabled you to develop a wonderful tone on all your mouthpieces. Your sound is awesome and your can play any mouthpiece or horn and make it sound fantastic. Your silver selmer is really special. I was also wondering about something you may know about. When having a horn refinished they sometimes ruin it striping off the old laquer and re laquering it. Silver horns don't have that same problem because they can just replace over the silver that is there and not loose the brass underneath. The result should be a great looking job with no change in tone. I know gold over silver will cause more resistance when playing but I don't think replating silver will change anything except the way the horn shines. Like to know what your experience has been with that or what you think. Thanks for your great videos and the best to you. Patrick
Thanks man, great video and playing! Liked the 2nd mouthpiece.
I love the Selmer Soloist sound but I think the Tone master is my no brainer! Huge sound!
Sounds great! I hear what you mean when you said in you Mark VI Alto about elements of your tenor in your alto.
+LeMelleKH2 yup! ;) it's definitely there. It can be a good thing I think. So I embrace it. Thanks for watching man!
I liked them both. The Otto Link Tone master sounded smooth but edgy, while the Selmer Soloist sounded more powerful, and a little sketchy. Some great advice.
Yeah these are an extreme difference which is what I was tying to show. They are vastly different. It would have been a bit closer comparison had I tried like a Tone Master and Tone Edge. But these lol.... oil and water
Where can i get to listen to more of your music ?
I like the metal mouthpiece because has a balanced tone. Especially in high notes Otto Link is more warm, and has more low frequencies. Selmer is a little bit noisy in high notes, but sounds also very good.. Nice video!!
that tone :) You are very talented!
thanks brother!
:Love your tone man! I go with the Soloist in this vid. Sound great
"Christmas Time is Here" great tune ( anecdotally! Eddie Harris played on a SS Selmer also, apparently a C* ) I think you sound amazing on both pieces, but for me personally I preferred the Selmer.. I can't really explain why? I guess it sounded warmer but edgier at the same time? Caveat Emptor to me?? If that makes any sense.
most people that have heard me play both pieces prefer me on the Selmer. They really can't say why. It's just something about it they say. They like the link... they think I have a great sound on a hard rubber or metal link... but they still pick the Selmer lol. However, they always say they hate the Selmer for themselves. I think it just agrees with me for some reason so I keep using it lol
In the practice room, Soloists are without question, my favorite mouthpieces. I love their warmth and the way their "roundness" seems to really fill up the room.
However, once I started playing in an electric band with five string bass, drums, guitar, keys, and trombone, I quickly realized a lot of that beautiful sound (especially in the low midrange) was getting covered by the other instruments, so I switched to a HR Link copy that is bit brighter and cuts through the mix better. As you pointed out, so much depends on context.
As for my favorite in this clip, any piece that YOU play is my favorite!
thanks a lot Quinn. Yup I came to the same conclusion. Soloist is a beautiful mouthpiece... but it's still going to depend on the context. I try to have a similar sound on any piece I play so I can know it's me doing the work and just a little coming from the piece. But yeah... I play on metal Links or Hard rubber Links mostly. I try to have a sound that's universal that will fit in any setting. It gets tricky sometimes bro lol. I appreciate the comment man
Curious about your long tone studies. Jody Jazz Hr is nice, Vandoren's T6...love to hear you compare it with the Vintage soloist. Appreciating your audio setup too. You are capturing the full range of the horn very well. ANd... you sound great on both. I am a fan of both sounds and attempt both textures in my playing. That soloist gets all the way into Joe. Wow! You sound great on both. What I notice is that your tone is consistent despite range. I've been playing 30+years and still sound tonally different across the ranges. Partly....my issue is reed care.
Thanks so much for your comment. I have devoted myself to long tones... everyday. I've tried to stick to this for the past decade. Even before gigs too as well. I think the more you do long tone the more you become one with the instrument and your inner sound regardless of setup. Muscle memory, air speed how to breathe all of that... is second nature after doing long tones for so many days and years. I don't have anything fancy I do other than hold notes out full and as long as I can, be it soft or loud... every register.
wider rubber mouthpieces help me play on narrower metal ones. I think it's important to be well-versed in both, just as you said, especially considering situation.
I play modern Soloists D (I heard they’re close to the short shank ones) on both my alto & tenor. They sound bright in high tones and mellow in low. Love them over the Otto Link. Keep your videos coming our way Stantawn, great job 👍🏼😉
I've never played one of the newer ones! But if you feel comfortable with it that's the most important thing!
Man, beautiful videos on your channel! I love it. I have a question. Are you sure that working on multiple mouthpieces gave you more opportunities to develop!? I mean, I think instead that a mouthpiece can give you a direction and you can work on it, but, by time you’ll learn to do things automatically for this mouthpiece and them don’t necessarily work on others! They could or not. But, changing is loosing them. Yeah, maybe you can develop more in a different direction with a different mouthpiece, and you cold like it. That’s what I think, what do you think about it?
There is a remarkable difference between the pieces. My favorite for you is the Soloist for sure! I don't have the right adjectives to describe it, so I'll go with the standard - warm.
That tonemaster sounds great. Nice playing!
+Roger Nordling thanks for listening man I appreciate it!
Your talking voice , the fullness of it probably contributes to your sound
Thanks and I cannot explain how great your sound is. But definitely Soloist and do you have any alto mouthpiece suggestions?
+Aman Tesfa I actually play a soloist on alto too! ruclips.net/video/8BZ4ywgrEQ4/видео.html
Both are beautiful sounding...but the sound is you!
i have a bundy II by selmar and im trying to put together a good mouthpiece and reed, ligature combo because of the cost. im currently out of work due to an near fatal car wreck. God spared my life
I think that the Otto link sounded a little more calm and smooth. Just a thought.
Christmas time is here. the Soloist sounds a lot louder and brighter to me??
Thanks for the video. Good topic. The Selmer was brighter. I personally liked the more blue sound of the Otto Link. I am currently using a Vandoren T-75. If that falls in the hard rubber type you mentioned, I would love your thoughts or a video on those. What material was the black Selmer made from?
Also appreciated the settings distinctions you mentioned from studio, to heavily mic'd etc.
I think the selmer sounds brighter than the link but that's just me love your playing and vidios I think you are great mate from sunny England tim
I personally liked Selmer soloist because of the intonation the accents it showed and overall the sound
+Lorenzo Velasquez Guerrero overall I'm very much a big fan of the soloist lol
Hi Stabtawn Like your tones and advice. Got to say i like the soloist (F) best as I have one a I try the tone master also which i left alone. I not long being playing (cannot find Good tutor where I live in the uk. Now i have a ? for you. I try rubber & metal. I find rubber are large in your mouth and metal are a lot smaller like the (Beechlers) Can you recc a few metal for alto (54ref new style) which are small and can give me a warm tone going to older style of jazz sound that I can buy straight out the box new only. I being looking a selmer jazz D/E and the Berg larsen 95 bronze. I use 2-2.5 reed R/Vandoren I also play a soprano and wat do you think of thes straight tenor and alto Dakota sax ?
Glen
Man, I want to send you more mouthpieces to demo. Very fine playing!
LOL thanks man!
De que año es tu Mark vi? me gusta mucho tu sonido!
Tone Master Otto Link all the way!
Do you play with the band? If yes will be nice to see it on the RUclips
Stanton, you always sound great and play great no matter what mouthpiece you use. The question is, why are you limiting yourself. As you mentioned, what people hear as you play is NOT what you hear while playing. Many great mouthpieces are on the market, and they all have a return policy. It doesn't cost much to try a large selection of mouthpieces by companies known for making great pieces. Some horns are very dark sounding and they need a higher baffle to bring life and spirit to the sound. Some horns are very bright, and that includes silver plated selmer tenors. On those silver horns, a lower baffle may be the best. As you said, what you hear in your head is what you want to translate out of the bell, and for that to happen, you need to listen to a recording of yourself on each mouthpiece. It's a deal changer when you hear what others hear. All that being said, there is a world of new and old technology out there for us to choose from. Never limit yourself. God bless 😊
Hello Stantwan,
I just started watching your videos. Love your sound! I'm ready for the altissimo range. Can you give some advise and some instructions?
First you should practice "overtones" to learn how to use your throat. Altissimo is really about your throat and your adam's apple and controlling that. Think about how it moves when you yawn.... how you can roll it down and up. That's where it starts.
Merci beaucoup l'Ami !!!
You've got a beautiful sound, man! Please let me know next time you're in ATL.
+Kenyon Carter will do man. I haven't been in the ATL scene in a long time. How are things down there?
You sound lovely on both mouthpieces, but I prefer the Otto Link Tone Master. To me, the Otto Master has a crisper (clear) and clean sound. I like the melody with the Otto Master better than with the Selmer Soloist.
For me, you with the Otto Link has the sound.
Bro, I'm not a consistent player, been going in and out almost 10 years, financial problems and parenthood...life... but to the point, always want to try a metal MP but in my country (argentina) they cost a lot and of course not its not so easy to resale them , i have the oportunity to buy on the us or europe, cant test them until shipping arrive, what models would you recomend?? I'm actually playing a Aizen rubber MP 7 otto link type chamber on tenor sax.
thanks!! really helpfull videos.
yeah this is a pretty hard thing to recommend. If you're going to buy used mouthpieces... eBay is probably the way to go. There is junkdude too as well... is a website that sales used pieces. As far as to what to recommend? That depends on what kind of sound are you going for... first I'd narrow it down to what brand of mouthpiece then what kind of chamber, and tip opening etc. There's Otto Links, Guardalas etc. There's vintage pieces... modern pieces
My rubber mouthpieces seem to be much mellower than the metal ones,4's against 7's
what do you think about the Jody jazz hr
Hey Kenneth... I've actually never played one before or held one in my hands. I know people that use them though
Dang, I didn't know you play with jlco!
only sometimes :)
Hey what's the difference between a Super or an original Tone Master Metal Tenor mouthpiece?
+Aman Tesfa quite a bit. First when you say "super" are you referencing a modern link or more so vintage Florida Link? The best place to look at the information and the history of these mouthpieces as well as the differences of them from one to another is here. theowanne.com/knowledge/mouthpiece-museum/otto-link
old Otto link mouthpieces were the best most of the big tenor players played on them the selmer soloist are great to and your right joe Henderson played on one and his sound was great the metal Otto link is to me has a dark sound the rubber mouthpiece is bright and fuffy both are great
+chriss1152 thanks so much for the comment bro and you are right Otto Links are amazing. I have 2 vintage metal ones and I use my FL Link the most. You can make it be whatever you want it to be. That's why all those jazz masters all sounded different regardless that they used them a lot lol
I have a link that I enjoy, but after 10min I am finding my jaw is having to stick out to get response, and quickly becomes painful. does that sound like a mouthpiece face/tip problem?
That's pretty hard to tell without being in person. It could even be the reed strengths you are using. Do you have a professional that you know that can give you some feedback?
Sonoridade perfeita
Do u by any chance give lessons?
What did you study to sound like that man???
I see you were in the christmas spirit at the time of this recording
I play through my PA, replicating that big fat Gene Ammons sound. I position the PA speakers accordingly, and can hear what the people hear. Problem solved! Can do the same with small acoustic Jazz groups. Works for me!
I know its been years but I think the 2nd mouthpiece sounds better :)
since this video the Soloist has become my main mouthpiece ;)
No doubt
The Soloist does sound cool and reminds me of Joe H but the Link, mmmmmm, I love the golden, tubular thing. Link wins!
Definitely the soloist sounds better to my ears, full and mellow. The metal one is a little harsh, not totally unpleasant (both sound terrific) but still.
definitely one of my favorite pieces... been playing it all this year!
what reed are you using
I have no idea here lol
Audio is quiet on this one.
yeah back then I was still figuring out the volume of talking vs playing using the same mic
this video volume is quite low. still following though.
yeah I forgot to adjust the mic for my talking level... it was set for the saxophone level
the metal...
I can't hear you on this particular video.. volume wise...the others are fine.
yeah during this time I just had started using a better mic than my iPhone. I didn't realize I had to change levels when I'm talking vs when I'm playing. I corrected this issue all videos afterwards
Wait a minute?? is your name StanTAWN or 'TWAN? This video at the beginning I heard you say your name but the pronunciation sounds different from your profile name??? Help me, a follower, correctly pronounce and spell your name!!!
Yes correct... spelled Stantawn... pronounced Stantwon (like Antwan with Stan"
What you say is true but tone has become so overrated that it has transcended the importance of playing great lines. My first rule, don’t switch. It’s a Pandora’s box and will do more harm than good, especially for young layers.
Cant hear you so good speaking
yeah in this older video I was still figuring out the voice mic vs sax mic thing