Francesco Durante - Lamentationes Jeremiae Prophetae

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  • Опубликовано: 12 сен 2024

Комментарии • 19

  • @dzinypinydoroviny
    @dzinypinydoroviny 2 года назад +8

    That Fm7 chord is absolutely beautiful. It has this mysterious and almost morbid quality that fits within the context very well.

  • @adamcapoferri6903
    @adamcapoferri6903 2 года назад +10

    Absolutely gorgeous. Thank you for bringing this work to the light.

  • @celibidache1000
    @celibidache1000 2 года назад +1

    Just those first two chords in succession - deliciousness!

  • @antoniolorenzoni4617
    @antoniolorenzoni4617 2 года назад +1

    Grande musica! Durante è senza dubbio un ottimo maestro!

  • @Clivejvaughan
    @Clivejvaughan 2 года назад +1

    Very attractive, thanks !
    Finally, am learning enough to be able to tell (sometimes !) when the recording does NOT match the score...for that opportunity am SO grateful to all the YT score uploaders !

  • @danilobalestrieri8542
    @danilobalestrieri8542 Год назад +2

    Francesco Durante, Angelo Durante's nephew, was the master of Paisiello, Pergolesi, Traetta, and many more Neapolitan geniuses.

  • @A415-Serbian
    @A415-Serbian Год назад

    Thanks for the posting great Durante. In addition to comments, this is LECTIO TERZA (Third Lesson) of Lamentationes Jeremiae Prophetae:
    I. LECTIO PRIMA for soprano, flutes, horns, violins, viola and basso continuo
    1. Largo: De lamentatione
    2. Andante: Misericordiae Domini
    3. Tempo giusto: Heth. Novi diluculo
    4. Andante: Teth. Bonus est
    5. Recitativo: Iod. Sedebit solitatius
    6. Largo assai: Iod
    7. Andante: Dabit percutienti
    8. Largo: Jerusalem, convertere
    II. LECTIO SECUNDA for soprano, alto, violins, viola and basso continuo
    9. Larghetto: Aleph. Quomodo obscuratum
    10. Allegro Forte: Sed & Iaminae
    11. Andante comodo: He. Qui vescebantur
    12. Allegro assai: Et maior effecta est
    13. Largo: Jerusalem, convertere
    III. LECTIO TERZA (THIS VIDEO) for soloists, four-part choir, horns, violins, viola and basso continuo
    14. Poco Largo: Incipit oratio [00:00]
    15. Largo comodo: Pupilli facti sumus [06:12]
    16. Poco Largo: Recordare Domine [08:58]
    17. Andante: Patres nostri [12:31]
    18. Andante: Pellis nostra [16:42]
    19. Poco Largo: Recordare Domine [19:04]
    20. Largo: Mulieres in Sion humiliaverunt [22:38]
    21. Tempo giusto Lamentevole: Jerusalem, convertere [24:25]

  • @fredvacher8419
    @fredvacher8419 Год назад

    A masterpiece. Thank you so much.

  • @pascalbergerault4405
    @pascalbergerault4405 2 года назад +3

    Repères :
    I. Incipit oratio Jeremiæ prophetæ [00:00]
    II. Pupilli facti sumus absque patre [06:12]
    III. Recordare Domine [08:58]
    IV. Patres nostri peccaverunt [12:31]
    V. Pellis nostra [16:42]
    VI. Recordare Domine [19:04]
    VII. Mulieres in Sion [22:38]
    VIII. Jerusalem convertere [24:25]

  • @AlessandroSistiMusic
    @AlessandroSistiMusic 5 месяцев назад

    Thank you so much for this! I just heard this work at a concert, and I wouldn't be surprised if your video is where the music director first found out about this work :)

  • @jasonmikolajewski2653
    @jasonmikolajewski2653 2 года назад +2

    Wonderful

  • @niyizurugeronorbert6369
    @niyizurugeronorbert6369 2 года назад

    Awesome composition

  • @kallehed6330
    @kallehed6330 2 года назад +5

    I'm now converted to Jerusalem
    or that's what I think the last song was about...

    • @gioacchinocastiello7330
      @gioacchinocastiello7330 2 года назад

      "Jerusalem convertere ad Dominum Deum teum" : Jerusalem return to the Lord your God

  • @valeriovittorini306
    @valeriovittorini306 6 месяцев назад

    Would it be possible to have the four tracks separate?

  • @Uhor
    @Uhor 2 года назад

    Will you upload Porpora's Salve Regina? I got it stuck in my head.

    • @SPscorevideos
      @SPscorevideos  2 года назад

      Actually, there are already a couple of score video of that piece, and they're very old. I'll still consider it, if I can find a decent edition (there's only a hard to read manuscript, on IMSLP...).