Mr. Miranda is a phantastik teacher. Why? Because he doesn't look or speak with Macho. But when he opens his mouth and speaks the authority in his delivery and presentation is filled with a knowledge that is executed to perfection. Confused? Another way to say is the way he breaks down each sectional movement, with such humility it overtakes the fiercest critics who might say his English pronunciation is stilted and breaks the student's concentration. I say bravo Michael de Miranda. Your English pronunciation is just beautiful, charming, and adds to the generosity of your mission (if I may say) to educate the world of drummers who want to learn. I applaud your courage to share with a singular perfection the knowledge in a way we can learn. Yehūda (just retired teacher from the San Francisco Unified School District). With love and light.
Thank you very much Joel! I really appreciate your comment and I hope more and more people will enjoy my video's. And you are right, the lessons are not for me to show off, but just sharing. that's all. Again thank you very much!
Thank you for all the videos you break it down and make it easy to learn. I've learned some patterns that you have posted and use them when i play Thanks again
Perhaps you can send me a link of the Patato Valdez pattern that you want to be explained. Because Patato has so many variations and he can play the tumbao so freely. I don't know what patterns you like!
It's similar to our heartbeat. If you think of triplets, with the last one a rest: One-trip-(rest), Two-trip-(rest). OR in Six: 1-2-(rest)-4-5-(rest) 💓💓⏸️. 💓💓⏸️
Muy bien hecho, Michael.. muy claras todas las lecciones estoy impresionanado.. Way to go..showing the four main shapes of 6/8 rhythms!!!I appreciate that and will be incorporating my second conga (third drum tone) even more with you r lesson!! VAYA!!!
Thank you so much for your lessons. I have learn much. You explain clear and well. My only question for you is, at what point do we improvise? God bless.
Hi Michael. These 4 rythms here are quite new to me. Can I know what kind of music can I play with these? For examples, maybe you can give the name of some common, familiar American/Latin music from Gloria Estafan, Sergio Mendes, Tito Puenta, or other latin/cuban musicians. Thank you
You have a sharp eye! When I look very closely, I can see it too. The audio is a little bit behind. I hope it is not big problem for everybody.... Thanks for your comment!
Thank you for the videos. I know you said, that you are not specialized in african rhythms, but since angolan semba and brazilian samba are fairly close together, could you do one of those, or invite someon that can? It's so hard to understand the feel of the music if you dont understand the "tribal" part of it. Thanks :)
I am glad you like my videos. If you have links from Semba and good information about it, then I can check it out. BTW I did some Candomblé rhythms and Cuban Bantu rhythms, they are from the Angola region. I don't know if you've seen them, but they are interesting too. I wish you good luck!
Thanks man Did you try to reverse your video to make it easier for the right handed (sorry for the left team) ? The mirror effect is really helpfull when you try to learn a new rythm Because when i do the exact opposite move i feel like a bad dancer who is stepping on girl feet. Anyway great job
I have a big question ,I tray to see how I locate my 3 drums ,I can see the quinto its in center buet the conga and tumbadora I don't know if is left or right do to the way sometimes computer reflect ,
Julio Tirado Hello Julio, I don't if you are right or left handed, but most of the time they put the tumba on the side of your strong hand. So I am right handed and the tumba is on my right side. Good luck!
Thank you, Isaac. I wrote it in 6/8 because of the clave in these rhythms. And the clave is also written over 2 bars. But you count these rhythms in 4.... Enjoy the rhythms.
Thanks, Michael,sorry I am lazy and did not count really you mean 4 for one measure or 4 for the complete pattern ? (I think I did see old scores with the clave on 1 bar, which was not so easy to read ) I play the piano but I like rythms and appreciate how well explained they are there . Great Eh just realized, the 2 bar pattern is maintained because of the flow, the balancing of the clave , isnotitte ? !!
michael de miranda teacher.. congas is very wonderful.. thank you very so much..😊
Mr. Miranda is a phantastik teacher. Why? Because he doesn't look or speak with Macho. But when he opens his mouth and speaks the authority in his delivery and presentation is filled with a knowledge that is executed to perfection. Confused? Another way to say is the way he breaks down each sectional movement, with such humility it overtakes the fiercest critics who might say his English pronunciation is stilted and breaks the student's concentration. I say bravo Michael de Miranda. Your English pronunciation is just beautiful, charming, and adds to the generosity of your mission (if I may say) to educate the world of drummers who want to learn. I applaud your courage to share with a singular perfection the knowledge in a way we can learn. Yehūda (just retired teacher from the San Francisco Unified School District). With love and light.
Thank you very much Joel! I really appreciate your comment and I hope more and more people will enjoy my video's. And you are right, the lessons are not for me to show off, but just sharing. that's all.
Again thank you very much!
mdm son los mejores tutoriales de percusión.
saludos desde sudamérica!
Saludos desde Holanda!
Muchas gracias, Maxi!
Panga taught me that exact same Abakuá Matancera 3 drum pattern in Habana! It is such a beautiful pattern. Thank you.
That's great! Panga is super!!!
Really like that Abakua Habana - all these 6/8 rhythms are great, thanks again for an amazing lesson!
Excellent lessons - the combination of breaking down the pattern + visual notation is awesome.
Thank you, Jerome!
Michael, you are one of the best teachers. muuuchas gracias
Thank you Michael, your time in sharing your knowledge is greatly appreciated!
Thank you very much! I'm creating more videos here on www.patreon.com/MichaeldeMiranda
Perhaps you want to join me there?
Congratulations Michael¡¡¡, this is another great tutorial video,thanks for to share it...VAYA MAESTRO¡¡¡¡¡¡
Wow ! you have made it ridiculously simple! Thanks for this great lesson.
Love these rhythms and your teaching method! Thank you very much!
Thank you for all the videos you break it down and make it easy to learn. I've learned some patterns that you have posted and use them when i play Thanks again
As always, thank you very much for the incredible video. They are clear and a great resource to conga students across the world!
Great classes. I wish I had three congas.
Thank you! With three congas you can make very nice melodies...
Thank you so much for this excellent lesson! So helpful and clear. Wonderful teacher!
Thank you Mike!
Wow rare rhythm Afrekete, thank you so much for making this great tutorial!
Great teacher !
Thank you, Roberto!
Perhaps you can send me a link of the Patato Valdez pattern that you want to be explained. Because Patato has so many variations and he can play the tumbao so freely. I don't know what patterns you like!
Thanks, great stuff.
There's something about 6/8 rhythm, it's so driving. I love them!
6/8 rhythms always have a nice flow, that's why it feels good to play these rhythms!
It's similar to our heartbeat.
If you think of triplets, with the last one a rest: One-trip-(rest), Two-trip-(rest). OR in Six:
1-2-(rest)-4-5-(rest)
💓💓⏸️. 💓💓⏸️
very nice patterns! thanks for sharing
amazing instructor! thank you for sharing this amazing talent. encourages me to take more musical classes!
+iheartMambo Thank you! It is always good to take classes and develop! Good luck!
Afrekete is not used a lot, but it is still a beautiful rhythm! Thanks!
Thank you! I hope the conga students are enjoying the video's!
Muy bien hecho, Michael.. muy claras todas las lecciones estoy impresionanado.. Way to go..showing the four main shapes of 6/8 rhythms!!!I appreciate that and will be incorporating my second conga (third drum tone) even more with you r lesson!! VAYA!!!
Very, Very Good. Thank you, Maestro
Great class as allways! Thank you.
Thank you so much for this video. Very important for me to learn these patterns
I love you man your so humble it's insane.
Great video. Many thanks for sharing
very good michael thank you!
gdm michael leer heel veel van je thx. nu wil ik graag weten hoe je lambada speelt op de conga. gr
Heel prettig uitgelegd, fantastic!
Thank you so much for your lessons. I have learn much. You explain clear and well. My only question for you is, at what point do we improvise? God bless.
Your welcome and have fun with the rhythms!!
Hi Michael. These 4 rythms here are quite new to me. Can I know what kind of music can I play with these? For examples, maybe you can give the name of some common, familiar American/Latin music from Gloria Estafan, Sergio Mendes, Tito Puenta, or other latin/cuban musicians. Thank you
THIS IS AN AMAZING WORK !
Graag gedaan! Veel plezier met de ritmes!!
You have a sharp eye! When I look very closely, I can see it too. The audio is a little bit behind. I hope it is not big problem for everybody.... Thanks for your comment!
¡Muchas Gracias, Maestro!
Great Job- Thank you! (Is the sound recording a bit behind though?) Maybe it is my connection.... Thank you for your videos.
Can you give some advice on what frequency you tune your drums to from the requite to the tumba
For this abakua Habana style you need a little independency, but once you've got this, it is great to play!!
Excellent!!!
Thank you for the videos. I know you said, that you are not specialized in african rhythms, but since angolan semba and brazilian samba are fairly close together, could you do one of those, or invite someon that can? It's so hard to understand the feel of the music if you dont understand the "tribal" part of it.
Thanks :)
I am glad you like my videos. If you have links from Semba and good information about it, then I can check it out. BTW I did some Candomblé rhythms and Cuban Bantu rhythms, they are from the Angola region. I don't know if you've seen them, but they are interesting too. I wish you good luck!
thanks michael!
Thank you very much!!
Thanks a lot man!!
Thank you very muuuuch!!
Thanks man
Did you try to reverse your video to make it easier for the right handed (sorry for the left team) ?
The mirror effect is really helpfull when you try to learn a new rythm
Because when i do the exact opposite move i feel like a bad dancer who is stepping on girl feet.
Anyway great job
Thank you!
Your welcome!!
Your welcome!
I have a big question ,I tray to see how I locate my 3 drums ,I can see the quinto its in center buet the conga and tumbadora I don't know if is left or right do to the way sometimes computer reflect ,
Julio Tirado Hello Julio, I don't if you are right or left handed, but most of the time they put the tumba on the side of your strong hand. So I am right handed and the tumba is on my right side. Good luck!
Thanks!! hey I see You do a few Bomba Lessons,i do make Bomba Barrils ,Cua,and maracas too,and somo others African or taino Percuccions
Thanks!!
Can you please do some soca and calypso lessons?
i love your job, really good. greetings from Argentina. a little thing: the previous count should be 1-2-3, not 1-2-3-4... this music is in 3/4 or 6/8
Two measures of 6/8:
1 & a 2 & a 3 & a 4 & a
..how about two congas ? blessings and my best !! 😊😊 😊😊
That is an excellent job and thanks !! written or decomposed in 6 8 for the reading facility ? it should be 12 8 is not it ?
Thank you, Isaac. I wrote it in 6/8 because of the clave in these rhythms. And the clave is also written over 2 bars. But you count these rhythms in 4.... Enjoy the rhythms.
Thanks, Michael,sorry I am lazy and did not count really you mean 4 for one measure or 4 for the complete pattern ? (I think I did see old scores with the clave on 1 bar, which was not so easy to read ) I play the piano but I like rythms and appreciate how well explained they are there . Great
Eh just realized, the 2 bar pattern is maintained because of the flow, the balancing of the clave , isnotitte ? !!
I am curious, what congas are these? SOS?
PRO...
Matt V Thanks!!
Thanks!
Abla en español pe
Your welcome!!
Your welcome!!