I want to write something here. But I don't know what. Her playing is amazing. Her wrist looks as relaxed as if she was waving farewell to a friend. Her fingers move effortlessly through the keys. And everything sounds clear, clean and immaculate. There is not a single key wrongly pressed in these performances. I think she can not be human. I'm still baffled.
Every now and a person with immense ability in some field comes along. Examples: Einstein, Leibniz, Stephen Hawking, Chopin, Bach, Brahms, Beethoven, etc.
I'm a bit unhappy to see this, she is playing in a way that shouldn't work technically, and yet it works perfectly. Where is her hand getting support ? her wrist is so high and this piece has some stretch that aren't possible with a high wrist. Why is this allowed to work by physics, it shouldn't. Even one assumes she has superhuman skills to time each finger from mid air with no reference, it's still impossible. I would want to learn from her, but i'm sure she wouldn't teach.
dont worry its human !!!! and quite some people are able to play like here. but she has one of the most natural play and natural technic of all pianists out there mis formed by their teachers
@@christiankircher369 i don't think so, other pianist sound much more struggling, they hide it but i hear it with accents and skipped note. She may be using speed in the middle section and pedalling to hide it too. I remember personally knowing a pianist who played with high wrist. I believe this technique has more limited dynamic range and sounds a bit all the time the same.
Can't help It, as I continue my studies of this etude, I just keep coming back to this performance. The 1st ascending arpegio (particulary the C's played by the thumb) tells you way much about the interpreter's technique. It's perfect here. So many pianists don't play it properly as it's so damn hard to keep it sound and still light when employing a honest thumb under aproach (and all fluid with no pedal faking) Miss Lisitsa, your hand is so light I just can't believe it! Thank you for this.
The thumb is the most hard finger to play in almost all Chopn's etude, and especially in this one. I am struggling like mad with it. If i play with a flat thumb the thumb is happy but the rest of the hand is not in a good position for other fingers, and if i play with a high wrist like her then all other fingers are happy but my thumb feels awkward and uncomfortable and will cramp and claw inside under and tense the whole hand. I've tried everything and cannot figure how ( i have the same problem with Op 10 n 1). I played the piano for over 10 years but learned piano only starting at age 23. I believe there's a need to play piano as a child to form tendons and muscle and nerves to certain movements. Especially the thumb. I don't understand otherwise because i've really tried so hard searching for the technique that works for my hand.
Bravo! I'm surprise how wonderfully this was executed. I thought she was gonna play this too fast but she didn't ... Just perfect and delightful! I just heard this by another performer and I thought it could not get better.. But here it is... !!!!
Besides all, it's very beatiful to see the closes of her fingers running across the keyboard - because the delicacy, the levity. This is a stuff we can't have in alive performances. But we have in the DVDs, or in the You Tube videos.
tout ce que peux dire, je reste bouche bee... incredible great performance all the etudes. everything is clear, there is nothing uncontrolled everything is precisely in time and sound. and the big flow is there at any time the best phrasing I ever heard....
Yes and it's quite disheartening to see what simply shouldn't work as a technique actually working perfectly in her hands. It just doesn't make sense, like a magic trick that you know is not possible. It's very unnerving as a learning pianist to see her technique. You cannot get anything from it to help you learn. imitating her technique produces nothing that works, it actually doesn't which makes me wonder if maybe genetics is the cause, some hands anatomy may explain this.
This piece takes virtuosic effort to play but that is only the start of making music out of it! Alfred Cortot , the foremost interpreter here, shows what happens when you make real art out of it. I found this impressive but raw and in need of a period of ripening musical understanding.Would like to hear this gifted pianist again in 10 years!
Some people say that speed is way to much in her etudes.... but honestly, I think that is what brings these etudes alive and give you that goosebump effect :) I love it.
this has always been my favorite etude, maybe even my favorite Chopin piece. No one seems to agree with me on that; but I think this etude is highly underrated because it is rarely played in good taste. Even many of the big names play it choppy and loud. Played well, it is one of the most magical things the composer ever penned. Listitsa does a fine job IMO in this particular etude, though it could use more contrast. What a joy to finally see it played! The mid section looks terribly hard!
You are right the mid section is some of the most unplayable bars in Chopin. It's not that it's difficult but completely against the anatomy of the hand. This means it cannot be played with conventional technique. It's quite upsetting to try to play this, it's like the hand has to do some highly compensated and abnormal things.
After watching her hands and listening to the great sound that came out of the piano i am just sitting here and keep telling myself : absolutely amazing.
wow if I thinkd who Wladimir Horwitz was the best pianist that I ever listend played this song!... I was wrong! WOW you input so love, so passion... so... I can't explain it in words; and that is in all the songs!...It's so amazing!!! my lady let me tel; that you are absolutly a prodigie playin chopin.... great!!! Bravissimo!!! I wish someday play chopin as well as you...
horrowitz was backed by his clan who operate all the big venues, banks, and newspapers. When you take off all that he was an allright pianist and there are plenty except without the backing.
Бал для двоих .. Сегодня воистину правит мной рок! Дурной Купидон направляет ли жестом? Какой-то бесовский иль божий поток занёс меня в это эдемское место. Тут нотки ментола и смеси духов, в кувшине вино, морс со льдами налиты, создание счастья без войн и слогов, смущающе-страстно-приватные виды. На гладком возвысьи красотка кружит, как будто бы пава, святая орлица. Мной "внутренний мальчик" поёт, чуть дрожит от радости, чувственных действий девицы. Вкушаю я взгляды и каждое па, то ангельски нежусь, то жадно беснуюсь, смотрю на её одиноческий бал, забыв про всё-всё, только ею любуюсь. Я жду её схода с предгорья, шеста, как будто лавины прохладной и ясной, как слёта соловушки с жерди, куста, как спуска курка офицера при казни. Хмельные глаза дарят явь и фантазм. А сердце нагрелось, жаруют все вены. Душе предстоит очень сочный оргазм, когда подойдёт ко мне, сев на колени... ..
I have some friends which can play as good as this... and yes they can do this in one day. But its because of the talente and alot of work before that. I play alot of chopin etudes and must agree - there is alot to learn from them all the time.
I thought that the left hand could of been more vocal, but overally it is great, the overall clearness is really amusing, gives it the correct "light" feel.
The technique is excellent, and I was really savoring this until 1:41 when the closing section is for some reason treated with mechanical severity. This is one of Chopin's most wistful moments when executed with legato to contrast the rest of the piece, but it's all rather dry here and a missed opportunity for musical joy in this interpretation. Nonetheless, one of the better performances out there.
I practice this etude for 5 months now. I've heard all the recordings on youtube, many from other sources and ofcourse all from this year's Chopin international competition. Read numerous analyses and comments (Cortot's ftw) and talked it many times with my conservatory teacher. Initially I did not really like your recording that much but now I begin to think that it is among the finest !
I am dejected by her playing, it's really supernatural, i don't understand how she can fly over the keys with her high wrist she seems in a completely different league than even the world class best pianists. They struggle, even when they're playing their best. I wish i understand what is happening here even if i cannot do it myself. I think that it has to do with starting piano at age 4. Her hand must be completely grown to suit piano playing. Mine is not i started learning too late.
@Chopianist3 I don't think anyone understands Chopin. I doubt whether he ever really understood himself however this lady's playing is absolutely wonderful.
@broadwood1830 thats pretty sweeping too.. im an asian and im not impressed by Lang Lang but that doesn't mean Asians can't play Chopin's music the way Chopin would. Please, don't judge people. It's musicality that matters, not whether you're European or anything.
i disagree. The major difference is starting very young, it will form your hand and brain to piano playing when your body is still very plastic and flexible. Most kids start when they're 8-9 already too late to be an immense talent they end up being great pianists.
@thisguyheisaguy Asian players are mostly good technicans, but what Chopin needs is impression and the knowing of old european pianistic virtue. Valentina sound origninally like our midi if finale plays chopin. This is why everybody laughs about Lang-Lang and others .... For knowing what we mean, please listen to Pugno, Risler, Alfred Cortot, Emil von Sauer, Moritz Rosenthal, Raoul Koczalski, Francis Planté, Valdimir de Pachman and so on..... They all are able to play Chopin in a livley kind.
저 음대 안나왔어요. 아직 입시생 입니다. 그리고 제 댓글에 언짢으신 것 같은데, 다시 말씀드리지만 저는 '그렇게 어렵지 않다' 라고 했지. '쉽다'라고는 안했습니다. 단지 제가 직접 해본 입장과 경험에 빗대서 말씀드리는 거고 충분한 연습시간을 들이면 할 수 있다는게 제 말뜻 이었습니다. 오해하신 것들 같아서 말씀드립니다.
Her technique is incredible so much superior to other top pianists including any competition winners. What she is doing with her hand i wouldn't think possible if i had not seen it. Even seeing it, i don't understand how her technique works. It does not make sense from physics and i am a pianist.
@@omarino99I don't think that it is unmatched but it is very specific to her. It is going to have some limitations for some score but she is well in transcendal range that it does not matter. It's on par with Liszt.
@@ericastier1646 yeah no i know what you mean. it’s like she’s found the perfect adaptation of her body to play the piano, meanwhile everyone else seems to be using a suboptimal approach in comparison. they may achieve the same things, but they have to put a lot more intentional effort into it, meanwhile lisitsa seems to produce music just by mindlessly letting her fingers follow the law of physics. it looks effortless and it most likely is how it feels to her as well.
@@omarino99 No, i disagree with what you write again. There is no "perfect adaptation of her body to play the piano", she found one way, the one she developed but watching the technique of other accomplished pianists like Luganski (Russian school) it is completely different anatomically but it also looks effortless and transcendental. The reality is that there are many approaches to play the piano that can reach very high level but each has limitations including Lisitza it might be difficult for you to see and hear but her high bent wrist and lashing movements are limiting her dynamic range and also makes it difficult and sometimes impossible for her to play notes while holding another note with a finger. She is in fact dropping notes in studies like Op 10 n 2. But being fast and looking effortless make you not see it. But her level is so high you don't notice.
I have to say, the girl looks SO relaxed and so much at ease that it makes you want to die! And those fingers just flying over the keys with no difficulty at all... Brilliant.
You know I've watched videos of other performances with commenters who preferred them, citing Lisitsa as technically brilliant, but lacking some soul. I understand where they are coming from but watching this after the Horowitz version I have no qualms saying that I prefer this. Some of Horowitz's phrases I adore, particularly the end, but Lisitsa can effortlessly bring out the various melodies and really make the major theme shout out. It's fantastic when music makes you smile involuntarily.
@VikingFfm Bosendorfer. She's always playing on these Imperials. They're amazing pianos, the most expensive in the world - I'd take one over a Steinway any day.
I want to write something here. But I don't know what. Her playing is amazing. Her wrist looks as relaxed as if she was waving farewell to a friend. Her fingers move effortlessly through the keys. And everything sounds clear, clean and immaculate. There is not a single key wrongly pressed in these performances. I think she can not be human. I'm still baffled.
Every now and a person with immense ability in some field comes along.
Examples: Einstein, Leibniz, Stephen Hawking, Chopin, Bach, Brahms, Beethoven, etc.
Yes indeed!👍 she is amazing.
I'm a bit unhappy to see this, she is playing in a way that shouldn't work technically, and yet it works perfectly. Where is her hand getting support ? her wrist is so high and this piece has some stretch that aren't possible with a high wrist. Why is this allowed to work by physics, it shouldn't. Even one assumes she has superhuman skills to time each finger from mid air with no reference, it's still impossible. I would want to learn from her, but i'm sure she wouldn't teach.
dont worry its human !!!! and quite some people are able to play like here. but she has one of the most natural play and natural technic of all pianists out there mis formed by their teachers
@@christiankircher369 i don't think so, other pianist sound much more struggling, they hide it but i hear it with accents and skipped note. She may be using speed in the middle section and pedalling to hide it too. I remember personally knowing a pianist who played with high wrist. I believe this technique has more limited dynamic range and sounds a bit all the time the same.
It's amazing!!! Congratulations!!!
Can't help It, as I continue my studies of this etude, I just keep coming back to this performance.
The 1st ascending arpegio (particulary the C's played by the thumb) tells you way much about the interpreter's technique. It's perfect here. So many pianists don't play it properly as it's so damn hard to keep it sound and still light when employing a honest thumb under aproach (and all fluid with no pedal faking) Miss Lisitsa, your hand is so light I just can't believe it! Thank you for this.
The thumb is the most hard finger to play in almost all Chopn's etude, and especially in this one. I am struggling like mad with it. If i play with a flat thumb the thumb is happy but the rest of the hand is not in a good position for other fingers, and if i play with a high wrist like her then all other fingers are happy but my thumb feels awkward and uncomfortable and will cramp and claw inside under and tense the whole hand. I've tried everything and cannot figure how ( i have the same problem with Op 10 n 1). I played the piano for over 10 years but learned piano only starting at age 23. I believe there's a need to play piano as a child to form tendons and muscle and nerves to certain movements. Especially the thumb. I don't understand otherwise because i've really tried so hard searching for the technique that works for my hand.
Bravo! I'm surprise how wonderfully this was executed. I thought she was gonna play this too fast but she didn't ... Just perfect and delightful! I just heard this by another performer and I thought it could not get better.. But here it is... !!!!
Brava*
I love this woman's piano-playing. Whether or not that small smile is real or affected, she looks totally into it
이곡을 저렇게 편안한표정으로 물흘러가듯이 칠수있는거지...몇번을봐도 감탄
그렇구나...이곡은 아무리 악보봐도 중반까지밖에 못치겠더라구요 ㅋㅋ
코펩느리게 쳐도 자꾸 겹친다는 ㅋㅋ
악보 안보면서 칠 때가 되야 진짜 연습이 시작되는거지만요 ㄷㄷ
는 외우기(만) 쉽고 오히려 외워야 그나마 칠만한게 에튜드 아니던가요 ㅋ
저분은 세계적인 피아니스트라서 같은곡을 들어도 뭔가의 미묘한 차이에서의 우월감이 느껴짐....대단하다...
ZUN lisitsa는 세계적인 피아니스트라고까지는 할수 없습니다.유투브만 보면 모를까, 다른 피아니스트들, 예를들어 어리지만 쇼팽 컴페티션 파이널 스테이지 참가자들만 봐도 확연히 차이가 납니다
제에발.. 그냥 이런글좀 쓰지마바 제에바라아아아ㅏ라ㅏ아알
신은재 저사람이 잘 몰라서 알려준건데 잘못됨? ㅋ
상국쓰 아닌데여?
김수원 그러니까 니같은 클래식 유투브로 배운 사람들한테 유투브에서 쇼팽 에튀드로 유명하다고 ㅋㅋㅋ 말귀를 못알아먹네
Esta hecha para tocar a Chopin y Liszt no cabe duda, en esto es excelente, lo mejor que he visto
I love how this isn't a "VEVO" channel; she actually is amazing enough to post these amazing videos herself.
ㅁㅊ 이곡을 겁나 와 재미있다~ 호호호호호호호호~ 정말 재미 있는 곡이구나! 이런 표정으로 함 겁나 어려운걸 역시 검투사.
ㅅㅂ존나웃기네
Wtf
미쳤ㅋㅋㅋㅋㅋㅋㅋㅋ아니 표현 너무 재미지네요
this is why my teacher always said:
practice scales, practice scales, PRACTICE SCALES!!!
I hated scales -_-
Besides all, it's very beatiful to see the closes of her fingers running across the keyboard - because the delicacy, the levity. This is a stuff we can't have in alive performances. But we have in the DVDs, or in the You Tube videos.
her performance is even better that I thought It is really nice
Валентина, превосходное исполнение! Не могу, прям, налюбоваться, нарадоваться, наслушаться...
햇빛... 역시 발렌티나 리시차님은 대단해...존경합니다
tout ce que peux dire, je reste bouche bee...
incredible great performance all the etudes.
everything is clear, there is nothing uncontrolled everything is precisely in time and sound. and the big flow is there at any time the best phrasing I ever heard....
Yes and it's quite disheartening to see what simply shouldn't work as a technique actually working perfectly in her hands. It just doesn't make sense, like a magic trick that you know is not possible. It's very unnerving as a learning pianist to see her technique. You cannot get anything from it to help you learn. imitating her technique produces nothing that works, it actually doesn't which makes me wonder if maybe genetics is the cause, some hands anatomy may explain this.
This piece takes virtuosic effort to play but that is only the start of making music out of it! Alfred Cortot , the foremost interpreter here, shows what happens when you make real art out of it. I found this impressive but raw and in need of a period of ripening musical understanding.Would like to hear this gifted pianist again in 10 years!
“The pleasure of criticizing takes away from us the pleasure of being moved by some very fine things.”
- Jean de La Bruyère
I am going through these Etudes and I am totally completely amazed by your performances. Bravo.
You know what they said to Bartok playing the Revolutionary Etude: it's amazing how well you play it, despite your fine left-hand technique..
So gracious, so effortless, so perfect. I would like to see a few seconds more of her gestures in the end. What a pleasure.
Some people say that speed is way to much in her etudes.... but honestly, I think that is what brings these etudes alive and give you that goosebump effect :) I love it.
If you learned this Etude recently, you probably have plenty of more time to practice, and with time it will gradually improve.
Yes, I have improved a lot since 3 years old.
I thought you were talking about her and I was thinking “ what do you mean ?“
Valentina I love the sound of your performances! Your executions fascinate me!
I love this one
this has always been my favorite etude, maybe even my favorite Chopin piece. No one seems to agree with me on that; but I think this etude is highly underrated because it is rarely played in good taste. Even many of the big names play it choppy and loud. Played well, it is one of the most magical things the composer ever penned. Listitsa does a fine job IMO in this particular etude, though it could use more contrast. What a joy to finally see it played! The mid section looks terribly hard!
These are arpeggios
You are right the mid section is some of the most unplayable bars in Chopin. It's not that it's difficult but completely against the anatomy of the hand. This means it cannot be played with conventional technique. It's quite upsetting to try to play this, it's like the hand has to do some highly compensated and abnormal things.
I love how she plays this!
I love her treble in this piece. She plays it perfectly!
Best interpretation I've heard of this piece!
That perfect tremolo at the start, my god! Amazing!
갓리시차...넋놓고봤어요
개인정ㅋㅋㅋ
After watching her hands and listening to the great sound that came out of the piano i am just sitting here and keep telling myself : absolutely amazing.
박자부터가 따라갈 수가없닼ㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋ아 이거 나도저렇게 치고싶다..
빠르기 혹은 템포가 맞는 표현입니다.^^
Best interpretation of this piece I've ever heard along with Murray Perehia's
this is amazing. i am learning this piece, and it is friggin`hard.
it damn is hard. i'm mad about it.
Magic. Absolutely magic.
My favorite out of both sets!
너무 음악 소리 부드러워요~~~//♡♡♡♡♡♡ 건반 위를. 막 그냥. 지나가용. ㅎㅎㅎㅎ
Best version of this etude by a long way
Valentina, you are just ...
AMAZING!!!!
Love that arpeggio at 2:06
Yet another virtuoso performance!!!
Totally amazing, as always!
They are both well above par.
wow if I thinkd who Wladimir Horwitz was the best pianist that I ever listend played this song!... I was wrong! WOW you input so love, so passion... so... I can't explain it in words; and that is in all the songs!...It's so amazing!!! my lady let me tel; that you are absolutly a prodigie playin chopin.... great!!! Bravissimo!!! I wish someday play chopin as well as you...
horrowitz was backed by his clan who operate all the big venues, banks, and newspapers. When you take off all that he was an allright pianist and there are plenty except without the backing.
she plays it so effortlessly;3
she's incredible !
진짜 햇빛같다.......
Magnificent!
1:41 is so perfectly on time :)
this reminds me of a pedantic squirrel, but a nice pedantic squirrel.
valentina, you are amazing at Chopin!
Awesome! Never heard anything so lovely
아ㅠㅠㅠ다시한국와주세요ㅜ
Бал для двоих
..
Сегодня воистину правит мной рок!
Дурной Купидон направляет ли жестом?
Какой-то бесовский иль божий поток
занёс меня в это эдемское место.
Тут нотки ментола и смеси духов,
в кувшине вино, морс со льдами налиты,
создание счастья без войн и слогов,
смущающе-страстно-приватные виды.
На гладком возвысьи красотка кружит,
как будто бы пава, святая орлица.
Мной "внутренний мальчик" поёт, чуть дрожит
от радости, чувственных действий девицы.
Вкушаю я взгляды и каждое па,
то ангельски нежусь, то жадно беснуюсь,
смотрю на её одиноческий бал,
забыв про всё-всё, только ею любуюсь.
Я жду её схода с предгорья, шеста,
как будто лавины прохладной и ясной,
как слёта соловушки с жерди, куста,
как спуска курка офицера при казни.
Хмельные глаза дарят явь и фантазм.
А сердце нагрелось, жаруют все вены.
Душе предстоит очень сочный оргазм,
когда подойдёт ко мне, сев на колени...
..
I have some friends which can play as good as this... and yes they can do this in one day. But its because of the talente and alot of work before that. I play alot of chopin etudes and must agree - there is alot to learn from them all the time.
Este estudio es hermoso=D!! y vean cómo Valentina lo disfruta=D!!!
This etude is beautiful=D!!! look at how she really enjoy it=D!!!
Beautiful!!😍😍
👍🏻
I love how relaxed and fluid she is.
This song took me at least a month to learn and I cant even get close to playing like this. Life seems to be completely unfair.
That's because it took you a month. This stuff takes MONTHS AND MONTHS
@@sergeirachmaninoff8481 years !
Lovely piece and playing!
Fantastic!!!
Oh, what a treat!
Thank you! Now I'll go to number 9!
she's incredible
I thought that the left hand could of been more vocal, but overally it is great, the overall clearness is really amusing, gives it the correct "light" feel.
와..경이롭다ㅠㅠㅠ
I love her
I think I'm in love.
Wonderful!
So cool...
@CorelliChopin08
Most students start off with the Op. 10 no. 5 to master the light touch required in the RH for the subsequent etudes.
The technique is excellent, and I was really savoring this until 1:41 when the closing section is for some reason treated with mechanical severity. This is one of Chopin's most wistful moments when executed with legato to contrast the rest of the piece, but it's all rather dry here and a missed opportunity for musical joy in this interpretation. Nonetheless, one of the better performances out there.
Exactly what I thought, but better phrased then in my head
The balance between LH and RH is not right. Compare Horowitz - his LH really sings.
I practice this etude for 5 months now. I've heard all the recordings on youtube, many from other sources and ofcourse all from this year's Chopin international competition. Read numerous analyses and comments (Cortot's ftw) and talked it many times with my conservatory teacher. Initially I did not really like your recording that much but now I begin to think that it is among the finest !
I am dejected by her playing, it's really supernatural, i don't understand how she can fly over the keys with her high wrist she seems in a completely different league than even the world class best pianists. They struggle, even when they're playing their best. I wish i understand what is happening here even if i cannot do it myself. I think that it has to do with starting piano at age 4. Her hand must be completely grown to suit piano playing. Mine is not i started learning too late.
@Chopianist3 I don't think anyone understands Chopin. I doubt whether he ever really understood himself however this lady's playing is absolutely wonderful.
Val has a great technique and feel for the heart of each piece. For something really special, though--see this piece by Sokolov at 17 yrs.
@broadwood1830 thats pretty sweeping too.. im an asian and im not impressed by Lang Lang but that doesn't mean Asians can't play Chopin's music the way Chopin would. Please, don't judge people. It's musicality that matters, not whether you're European or anything.
Goddamn hard etude, man.
A great etude for the 2nd scherzo
This is the only Chopin Etude I can play....OMG I'm jealous...
이곡을 껌씹듯이 아주 쉽게 치는구나
대단해~~
You are the reincarnation of Chopin ♫
I guess first you have to be born with immense talent, otherwise not even 12 hours a day would do. This young woman is a fantastic musician.
i disagree. The major difference is starting very young, it will form your hand and brain to piano playing when your body is still very plastic and flexible. Most kids start when they're 8-9 already too late to be an immense talent they end up being great pianists.
@thisguyheisaguy Asian players are mostly good technicans, but what Chopin needs is impression and the knowing of old european pianistic virtue. Valentina sound origninally like our midi if finale plays chopin.
This is why everybody laughs about Lang-Lang and others .... For knowing what we mean, please listen to Pugno, Risler, Alfred Cortot, Emil von Sauer, Moritz Rosenthal, Raoul Koczalski, Francis Planté, Valdimir de Pachman and so on..... They all are able to play Chopin in a livley kind.
素晴らしい!!!
Shes a fantastic pianist but she always plays it faster than I like personally.
Yup, and thats her style. Btw this speed is the right speed for thos piece. Half note = 88
Mason Juhl fast but skillful
This 1:57 - 2:13 makes me fly over the moon.
햋빛 에튀드 자체가 어려운 곡은 아닌데, 발렌티나 리시차님은 정말 곡을 과거의 쇼팽과 같을정도로 편곡하심....뭔가 하나하나의 임팩트와 음악적인 요소가 잘 느껴짐.
hanuri Kim 아 넵~!
햇빛을 쉽다고 말하다니..ㅋㅋㅋㅋ엄청 잘 치시나 보네요
잘 치진 않아요...ㅎㅎ..근데 그냥 보면 에튀드 자체가 연습곡이다 보니 연습하면 할 수 있으니까...
ZUN 아~ 음대나오셨어요?
저 음대 안나왔어요. 아직 입시생 입니다. 그리고 제 댓글에 언짢으신 것 같은데, 다시 말씀드리지만 저는 '그렇게 어렵지 않다' 라고 했지. '쉽다'라고는 안했습니다.
단지 제가 직접 해본 입장과 경험에 빗대서 말씀드리는 거고
충분한 연습시간을 들이면 할 수 있다는게 제 말뜻 이었습니다.
오해하신 것들 같아서 말씀드립니다.
Her technique is incredible so much superior to other top pianists including any competition winners.
What she is doing with her hand i wouldn't think possible if i had not seen it. Even seeing it, i don't understand how her technique works. It does not make sense from physics and i am a pianist.
indeed, her technique stands unmatched…
@@omarino99I don't think that it is unmatched but it is very specific to her. It is going to have some limitations for some score but she is well in transcendal range that it does not matter. It's on par with Liszt.
@@ericastier1646 yeah no i know what you mean. it’s like she’s found the perfect adaptation of her body to play the piano, meanwhile everyone else seems to be using a suboptimal approach in comparison. they may achieve the same things, but they have to put a lot more intentional effort into it, meanwhile lisitsa seems to produce music just by mindlessly letting her fingers follow the law of physics. it looks effortless and it most likely is how it feels to her as well.
@@omarino99 No, i disagree with what you write again. There is no "perfect adaptation of her body to play the piano", she found one way, the one she developed but watching the technique of other accomplished pianists like Luganski (Russian school) it is completely different anatomically but it also looks effortless and transcendental. The reality is that there are many approaches to play the piano that can reach very high level but each has limitations including Lisitza it might be difficult for you to see and hear but her high bent wrist and lashing movements are limiting her dynamic range and also makes it difficult and sometimes impossible for her to play notes while holding another note with a finger. She is in fact dropping notes in studies like Op 10 n 2. But being fast and looking effortless make you not see it. But her level is so high you don't notice.
@@ericastier1646 i disagree that lugansky looks effortless. undoubtedly good technique but it’s another class really.
this seems like it would be so much to play :)
Its like mixing waterfall etude with torrent...
I can hardly contain myself :D - I'm in love
와우......손이 소리보다 빨라
a true virtuoso!
Perfect technique
I have to say, the girl looks SO relaxed and so much at ease that it makes you want to die! And those fingers just flying over the keys with no difficulty at all... Brilliant.
amazing
Wow
Oh oh oh xxx
You know I've watched videos of other performances with commenters who preferred them, citing Lisitsa as technically brilliant, but lacking some soul. I understand where they are coming from but watching this after the Horowitz version I have no qualms saying that I prefer this. Some of Horowitz's phrases I adore, particularly the end, but Lisitsa can effortlessly bring out the various melodies and really make the major theme shout out. It's fantastic when music makes you smile involuntarily.
@andyng85 I couldn't agree more !
@VikingFfm Bosendorfer. She's always playing on these Imperials. They're amazing pianos, the most expensive in the world - I'd take one over a Steinway any day.
Ich liebe Sie für zwei Ewigkeiten, Belle Valentina !💥💞💖💝💘