VIOLIN masterclass by Miriam Fried | Concerto No. 4 in D major by Wolfgang Amadeus Mozart

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About this violin masterclass:
Concerto No. 4 in D major by Wolfgang Amadeus Mozart
Recorded with Miriam Fried and Emilia Sharpe in October 2021.
Accompanying pianist ‪@thuy-anhvuong9737‬
In this masterclass, Miriam Fried and Emilia Sharpe work on overcoming the fear of imperfection, releasing tension, and more in this violin masterclass.
0:00 Intro and playing part from Emilia Sharpe
7:37 Advice part from Miriam Fried
In this masterclass, Miriam Fried discusses capturing the playfulness and exuberance of Mozart’s fourth violin concerto with Emilia Sharpe. She touches on some important technical aspects such as vibrato, making large leaps, and preparing the bow, fingers, and arms for upcoming passages. She also points out some signs of tension in the performer and offers some advice on how to eliminate them in the practice room. The main focus of the class, however, is on delivering a convincing performance that conveys the spirit of the music. She encourages the student to release her fears of making mistakes and instead spend her energy feeling the emotion herself and then figuring out how to help the audience feel it as well. This involves feeling a strong sense of meter, having direction in every phrase, bringing out contrasting moods, and most importantly, enjoying oneself while playing this delightful music.
What we learn:
- Taking risks and not being afraid of mistakes.
- Feeling the meter and high points of the phrases.
- Bringing out the playful spirit of the music.
- Intentional use of vibrato.
- Communicating the character and meaning of the music to the audience.
About the Saline royale Academy:
The Saline royale Academy is an international music teaching center providing in-situ and online masterclasses taught by some of the most widely acclaimed teachers in the world at the Saline royale of Arc-et-Senans (France).
The Saline royale Academy focuses on helping to train tomorrow’s best musicians by giving them access to some of the greatest professor's teachings.
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[@patriciavillafana1798]

Marvelous!!! I´ve just begun to play violin and I learned a lot with Miss Fried. Thank you for posting. She is a wonderful teacher.

[@jamesboone3678]

She was great. She does need to bring out more of Mozarts charm in the piece.

[@jaschenski]

I agree it could have had more character, but she is a fabulous violinist all the same.

[@stanislavabozekova6559]

Esta maestra a mi entender es una de las profesoras que mejores clase magistrales imparte,otros genios violinisticos no logran emitir con tanta claridad tecnica el mensaje y a veces solo son descripcionesw de su propia subjetividad basada en su enorme talento y otras tocasn ellos los pasajes esperando que el alumno pueda copiarlo.Esta Maestra es realmente increible en su enseñanza

[@salineroyaleacademy]

Thank you for your comment, please feel free to discover Madame Fried's other masterclasses on our website: www.salineacademy.com/

[@musicresearch4383]

Best lesson in the world

[@election-classical-15-seconds]

❤

[@r.i.p.volodya]

AGAIN with the misguided meme that Mozart is an "opera composer" and everything else he ever wrote should be seen only through that operatic lens! Rubbish! 22 operas, yes - but 23 string quartets, 27 piano concerti, 41 symphonies, etc., etc. His catalogue has 626 pieces in it, only 22 of which are operas - that's only 3.5%. Will someone PLEASE acknowledge that thinking about operatic characters and changes of scene, etc. are NOTHING BUT A METAPHORE for "vary your tone, articulation and attitude to make your playing more interesting". Mozart was an "opera composer" when and only when he was writing operas. When he was writing concerti, however, THEN he was an instrumental composer.