I saw you have C-Log3 but no C-Log in "Input Color Space" I shoot on Canon EOS R through Atomos Ninja V in C-Log or will it work if I choose C-Log3? well probably not a correct transformation?
Hey Cullen, I just got this great Cinelook-Tool and it is fantastic. I have two questions. Why is the look-setting Onyx just in Cinelook 709 available? I couldn't find it in RCM or ACES mode. My 2nd question, what does the title of these looks mean? Is there a list who describes these looks like "this special look has the characteristics of Fuji-Film" or something like that.
We'll update our site with more information about this. When it comes to ONYX, it's a special film print and the measured spectral data is not possible to translate over to RCM/ACES because the tone curve is a part of the emulation. Same same goes for Niran.
I love Matthew but his voice sounds like at any minute he could say to me “this isn’t the time or place, that’s inappropriate and I think you should leave”
Hi Dimitri. A high-end cinematic look is often a result of the creative manipulation of the colorist but also the contribution from the color scientist. The plugin handles the color space transforms and includes complex components such as cross-colour contamination and data based on real film colorimetry.
Are there any Hue-Shift adjustment (like the one on baselight) going to be implemented to the plugin?
How come you guys don’t have Clog2 in your plug-in, but Clog3? Seems a little strange
lolllll
I saw you have C-Log3 but no C-Log in "Input Color Space" I shoot on Canon EOS R through Atomos Ninja V in C-Log or will it work if I choose C-Log3? well probably not a correct transformation?
Hi Vasya. Put a color space transform prior to your Ravengrade node and transform from C-Log to C-Log 3.
Hey Cullen, I just got this great Cinelook-Tool and it is fantastic. I have two questions. Why is the look-setting Onyx just in Cinelook 709 available? I couldn't find it in RCM or ACES mode. My 2nd question, what does the title of these looks mean? Is there a list who describes these looks like "this special look has the characteristics of Fuji-Film" or something like that.
We'll update our site with more information about this. When it comes to ONYX, it's a special film print and the measured spectral data is not possible to translate over to RCM/ACES because the tone curve is a part of the emulation. Same same goes for Niran.
Can you creat a lookup table to be used for on-set monitoring with this plugin?
Yes!
It would help if it can output a 3dlut for loading look into camera
I concur, also an option to turn off the looks but not the transform
It works right within Resolve 18.5
how to install the plugin?
1080p is torture!
I love Matthew but his voice sounds like at any minute he could say to me “this isn’t the time or place, that’s inappropriate and I think you should leave”
Interesting.
Would be even cooler if you explain how to achieve same look without plugin :)
Hi Dimitri. A high-end cinematic look is often a result of the creative manipulation of the colorist but also the contribution from the color scientist. The plugin handles the color space transforms and includes complex components such as cross-colour contamination and data based on real film colorimetry.
𝓟Ř𝔬𝓂𝔬𝐒ϻ