Usher Waltz - Nikita Koshkin
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- Опубликовано: 7 сен 2024
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Thomas Viloteau plays one of the most iconic pieces in the Guitar repertoire, the Usher Waltz by Nikita Koshkin, composed after the short story "The fall of the house of Usher" by Edgar Allan Poe.
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Love this piece and enjoy this interpretation. So many people are technically perfect but miss the dynamic emotion.
I was able to see Nikita Koshkin perform this in Mesquite, Texas of all places! Probably around 1996-97.
I'm used to a faster performance of this song, so in the first few bars I found it strange. But then, when I started to understand his ideas, I found it incredible. Ghostmagoric
Awsome! I really enjoy your version of this piece, and sound
Coolest thing I've heard on guitar in a long time. Heard it before but this time it really hit me...🎉🎉❤❤😅
Absolutely great this performance!
Thera is too good. I like this
That right hand technique gives you that tone bro keep it up
This right hand technique kills dynamics and madness of this piece.
@@aleksander7545dont
Bravo!!
Spectacular video. Tremendous creativity and beautiful music.
Marvelous interpretation!
Лучшее исполнение этой пьесы, которое я слышала. Браво! Очень круто!
Спасибо !
Best version!
Just impressive.
Really enjoy your ideas
Bien joué, il serait fort agréable de vous entendre jouer plus de pièces de Nikita Koskhin.
love Poe
this song
and bartok pizzicato
thats why im here ;)
Nicely done. Great playing!
Thank you .
Wow, he puts that Smallman guitar through its paces. Pretty fantastic stuff!
What do you mean??
@@user-pt4ic1qu5q The guitar Thomas is playing is from a Western Australian Luthier, Greg Smallman.
Wonderful
Dude - awesome :)
Спасибо! Блестящая интерпретация.
Bravissimo🥰
Bravo!
GREAT! Respect from Russia)
Wow, very beautiful!
Regards
Peter
I would love to hear you play Elegia from Brouwer, I really think you could make an amazing interpretation from it
Yes, it is.
Hard to believe this is named after the R&B singer... joking. But seriously, my favorite Edgar Allen Poe-themed piece of music.
very well!
Pour moi la référence d'interprétation est la version de John Williams mais ta version est bien plus mélodique et travaillé, tu prends le temps de jouer, ça dégage toutes les sonorités du morceau. Au final ta version est vraiment agréable !
Запись на лестничном пролёте с закрытой матрасом стеной оценил)
Great! i can find mistakes, but he can definitely play it better than I can right now.
is that a smallman ?
Who has made your Guitar?
Greg Smallman
Trop de retouche sonore, ça dénature totalement la véritable beauté de la pièce :-(
ZAEBIS*
of coruse you sound great, but dont you feel this kind of right hand technique makes it hard to play? too much like
easy for him I think :p
good forearm
Excuse me is that another white guy. Quite creative isn't he. Awesome me son.
Good technique, but too much rubbato.
good! But not clear..
A little slow to be a waltz.
+neechian The waltz can be at a wide range of tempi according to its nationality and era.
+Víctor M. Gallardo What bothers me with this version is the liberty taken with the tempo. there's too many crescendo's and decrescendo's. It's not a version you could dance to. I'm learning this one right now so I've been listening to a lot of different variations. it's hard to listen to this after you hear John Williams play it. But if you ever do get the chance to see Thomas play it's definitely worth it. He was in Edmonton a couple years ago and we made him do 4 encores. So Thank you Thomas!!!!!
+neechian silly comment.
+Denian Arcoleo lol seriously.
Stefan Giudici ?
Where is it written that waltz's should be quick? This was the performers decision and interpretative choice.
lol seriously :-)