@@nickcarverphoto Hiya, Nick, a question from someone not familiar with filming for movies. You mentioned that reciprocity is not encountered in a movie camera. Is that simply because they run 24 frames a second through them and thus there is no prolonged exposure time? Have you considered, if you want to block a streetlight out, making a blind that can hook over those thumb screws on your camera so you don't have to tie up a hand holding it? Also, it'll reduce the chance you might shake the camera during a timed exposure. You were concerned that the piece of plastic blinding the streetlight might show up in the photo. If you had it mounted rather than hand held you could look through the view finder to verify it isn't. Just a thought.
@@nickcarverphoto Great photo, and those two tires standing on their treads by the bay door farthest from the street add that little something that makes it even more interesting.
I like the way the CineStill give a bit of a slight sickly green tint to the fluro lights rather than the warm cast the Portra gives. The shot feels more sunlit with the Portra whereas the Cinestill is more "hey, look at this shop, it's not natural!" and I love that juxtaposition.
And we loved just the trace of red from the halation... It couldn't make up for the neon signs being off, but it still managed to add that nice bit of red.
The cut to you with your head on the steering wheel is what true photographers look like many more times than I like to admit...Job well done getting the shot!
Dude, you’re one of my favorite photographers to follow. Even when nothing seems to be going your way in the videos, it’s inspiring to watch you find ways to make it work. Thank you
I like the failure parts. Most youtubers just post the successful situation. Seeing you fail, while comical, is actually informative. I drove by a place 2x a week for a year before I made the image. Granted it was on my way to work and I only work 2 days a week, but still.
I'm drawn to the coldness of the Cinestill photos. It accentuates the loneliness and independence of an early shift life. The pink halo is an awesome contrast for the cool fluorescence lighting. I thought you were going to swallow the toothpick on a few occasions.
We settled in together on the sofa and put our feet up, ready to sit back and enjoy. And we did. And, since I've not seen anyone else say it here, we love the music, the bit with the fire, all of it.
These videos can always help me destress. Everything about these location videos is so serene to me, I'll come back to them several times if I need to wind down after a rough day. Maybe it's the pacing, no over the top and unnecessary high-energy edits, just slow and serene like the pics. Thanks Nick!
Best one since the laundromat, which is maybe my favourite photography video on YT. I hope the cine version will grow on you, it has a lot of character.
So I was getting new tires the other day, and there's this road worker in the median making survey measurements. The weird thing is that there was no guy with the stick to be found. I thought the guy was up to no good. I got closer but then it was clear that he had a toothpick in his mouth. I immediately retreated.
Wonderful example of why we put effort into our images. Personally I like the Cinestill version a wee bit more. But it's more about the process than the result, which is the reason we shoot film. Andy
"Leaks Light Diagnosis 50 years". Man what a sign! I just chuckle all the way through your vids and love what you do. Great result, like the eerie mood of the cinestill and think the cooler tones suit the scene more. STill love Portra 400 though :)
Nick Carver, you are the man! :-) I am your big fan from up north 🇨🇦 Loving all your videos - I often rewatch them just for my viewing pleasure! I must confess - they inspired me to get out and enjoy photography again! And by the way - sometimes I use the safety vest as well!!! :))) And oh gosh... how I understand your frustration when things don't align perfectly for the shot... but oh boy how it is satisfying when things come together!
This is my favourite photography youtube channel by a country mile. Nick is calm and collected opposed to how most hosts are screaming in your face and paranoid you have the attention span of a mosquito. The fact that Nick also shows the whole process - the skill, knowledge, technical expertise and patience you need to make great art - is a gift. Thanks for sharing this with us Nick. You're a true master!
Great video. For me I really need to see those signs lit for this photo to be engaging. I like how you said it tells a story which is pretty cool. I know it was beyond your control but imagine how much juicier the result would have been with sign lights on. I admire your persistence and commitment. 👌
First of all I love these videos. I GREATLY appreciate that you show the frustrations of shooting on location. As for Cinestill vs Portra. That's a tough one. The Cinestill looks more lonesome and desolate with the cooler tones. The portrait evokes a place that while not exactly welcoming at least wasn't abandoned by people, if that makes sense.
I know the frustration...I once went to a location (sunrise over an ocean pool with glassy water in the pool. Always had some crazy person swimming laps in the middle of winter. I went 10 times to get that particular shot. The 10th time I was just expecting the same as the other times,....BUT, this time there was no one there, the conditions were perfect, I was so excited to finally get the shot. Patience and persistence is often a requirement.
I pass by an old Firestone garage almost 3 times a week. I can confirm, that those neon signs at dusk are glorious ! And, there is a railway across from that location. I might snap a picture or two soon.
love the experience you share with us, from planning to final shot. from technical to simple advice, from why to how.... I alway wait for the weekend to see your new on location videos, so I can dedicate quality time to see them.
Welcome back Nick. Great image and lovely composition. I was going to say that you should've moved the camera a little to the right so that the "T" in "TIRE" was fully visible but then the tree would've blocked the windshield of the bus.
Hi Nick ! yeah... you are SOOOO purposeful and persistent ! Probably that's why your photos are great and videos are so interesting . Good luck ! With Respect to you and your creation . Evgeny from Russia
I love your videos that make me realise that I'm not the only one who screws up, like wrong place, wrong time, wrong gear, and then forget to rotate the frikkin' rotating back! :) Great idea! I'm gettin' a box of tooth picks! No one messes with a toothpick chewer.
Great commentary on this one. I enjoyed hanging out with 4am Nick. Juuuuuuuuust a little more manic than you usually present yourself ;-) I think I prefer the Portra image in this one - for what it's worth.
Oh yeah, more input from the master of goodness.....OMG!!!! A he has a fridge JUST for film!!! Be still my heart!!! You ARE the man Nick. One of the handful of automatic likes. Keep snappin' those images!!!!
Thanks for sticking it out. Great video! Even better photographs!!!! Love the comparison of the CineStill 800T to the Portra 400. I can't decide which I like better either.
Holy S**t I have felt this pain so many times. This video has every single point of annoyance and struggle that's goes into a single image. Thanks for everything Nick.
Thank you Nick, very nice video and great suggestion about the use of the toothpick ;-) I think not having the Firestone light on adds to the photo a better equilibrium and I do love the CineStill result. Congratulation!
Great video, Nick. I died laughing at the Cinestill gas station joke. You mentioned that you don't film a lot of on location because sometimes it is a lot of failing before you get the shot. I actually love seeing that persistence in your videos. Social media has a way of distorting people's view of reality and you see all these great images and when I go out the light doesn't work, or there's no clouds so the image is just boring, and I get frustrated. It's good for people to see that you are actually just working hard for the images you get and you sometimes have to keep going back to get the image you want. I've been trying to incorporate that more into my photography and it has helped a ton.
Your relentless persistence is certainly a lesson for me. Thanks for sharing your experience of getting this shot. I love it. I particularly love the CineStill shot, I can almost hear the tubes buzzing with that halo and cooler tone.
Great image Nick! It would be great to see you and GrainyDays do a collaboration video. I think the two of you together would be very entertaining. Different styles, different workflows but the same love for shooting film!
I love how you mentioned that you are like an archeologist when you do these types of photographs. I've never thought about it like that when I am doing my decay photography, but you nailed just how it feels for me. I look for those little clues in the scene to tell the story of what happened with the subject and then try to convey it all through the picture. Love your videos because they really do show the difficulties that most have no idea exist when it comes to "taking a picture."
A great way to end my day. Watching a Nick Carver location film. Top notch as ever. Great to see you work through your frustrations. I love those images. I’m from the UK so I’m really into the locations you shoot. Growing up watching loads of US tv shows these scenes are both familiar and different st the same time. Keep em coming!
Love these on location vids - such a real person - talking about what it's really like for us all - with great humour (that's the way we spell it in the UK)
I really liked these photos and I'm torn between the two different kinds of film you used. It's kind of cool to think of the different vehicles that have been in and out of there and the different characters that have probably worked there over the years. Thanks for sharing our talent!
One of your funniest videos yet! I really admire the persistence on this one. I'd love to see you do an on location video in New York City. Applying your eye and craft to some of the architectural gems here (known and unknown) would be such a treat to the photographic universe.
I love it when you search out these locations for a shoot. As I watched I started thinking about light painting the Firestone sign. I’ve never tried doing any light painting but this video made me think about giving it a try.
I am sorry for the effort it took, but it was one of the most entertaining episodes to me. And an excellent picture as always! So much to see, so much to learn! BTW those palm trees and that billboard at 3:40!
I'm digging the Portra shot more. I like the warm tones myself, but I know there are a ton of folks who love CineStill, and ain't nothing wrong with that!
Just yesterday was thinking, "It's been a while since seeing Nick." And here you are! Turned a miserable, rainy day (week) in the PNW into a great escape.
It wouldn't be a Nick Carver video if I didn't fail the first time. Love it! I have been Jonesing for a new video. This one was great Nick. The CineStill is a really compelling look. Can't wait to see what you try to shoot next with it.
I like the CineStill because it has more of the archaeologist from the future vibe. I’m not sure if you have a book about these lonely American civilization buildings. But if you don’t you should. It is a very useful and impressive body of work. Personally these images make me think about how beautiful the USA was before the arrival of Europeans. My hat is off to you on the film photography I miss my Arca Swiss and wish I had your patience. The 617 is one of the truly great formats. This tire store shot is particularly beautiful. Tho in my world view very sad. Much as I love what you do, and am sorely tempted to go back to film, I think I am going to upgrade to the Fuji gfx 100S and shoot in their 24::65 format snd crop to 1::3. Bottom line your work is inspiring and makes me want to find more time for photography. Bravo !!!
Great Video and Photography, Nick. You put a lot of effort into these videos and it shows: the storytelling gets better with each one, and it‘s already on point! You can‘t imagine how helpful and inspiring this type of content this is for someone who bought his largeformat equipment a few months ago. I still haven‘t completely figured out how to „manually“, spot-meter yet, but with a bit of luck, I‘ll be buying your course in a few days to do so :-) Keep up the great work!
All kinds of old buildings on Tustin Ave in Orange. Hell…even an old Firestone shop just like this one. I live off Katella and 55 and constantly think how you’d shoot some of these buildings.
![Seungmin "그렇게, 천천히, 우리(As we are)" | [Stray Kids : SKZ-PLAYER]](http://i.ytimg.com/vi/kAzmhLHePqU/mqdefault.jpg)
3 minutes in and I’m already taking notes. Toothpick… brilliant.
Make sure you get them Toothpicks from Peak Design 🧐
Brae Hunziker
“I’m not sure this film works on anything other than gas stations at night.” These on location videos are so entertaining!
The tires in front of the garage door really add to the scene.
But i'd have laid the front one on it's side.........
Another well made, entertaining video. A Great image too. I love the persistence and foresight in your photography, something I wish I had more of 👍👍
I read this comment with your voice in mind, Thomas LOL :)
I loved that cinestill photo. Cant wait to see more.
It all starts with a toothpick Thomas :-)
Definitely a relaxing content as well.
Loved this one, man. ❤️
Thank you, my man. Means a lot coming from you.
A @Matt Day and @Nick Carver video on the same day? And about Large Format ? Wearing hats? More proof that they are the same person. :)
@@nickcarverphoto Hiya, Nick, a question from someone not familiar with filming for movies. You mentioned that reciprocity is not encountered in a movie camera. Is that simply because they run 24 frames a second through them and thus there is no prolonged exposure time? Have you considered, if you want to block a streetlight out, making a blind that can hook over those thumb screws on your camera so you don't have to tie up a hand holding it? Also, it'll reduce the chance you might shake the camera during a timed exposure. You were concerned that the piece of plastic blinding the streetlight might show up in the photo. If you had it mounted rather than hand held you could look through the view finder to verify it isn't. Just a thought.
@@nickcarverphoto Great photo, and those two tires standing on their treads by the bay door farthest from the street add that little something that makes it even more interesting.
Please never stop making these vids.I have never owned a camera and you are making me wanna become a medium format photographer .
“Not sure this film works on anything other than gas stations at night…” that statement alone was worth the price of admission!!! Lol!
I like the way the CineStill give a bit of a slight sickly green tint to the fluro lights rather than the warm cast the Portra gives. The shot feels more sunlit with the Portra whereas the Cinestill is more "hey, look at this shop, it's not natural!" and I love that juxtaposition.
And we loved just the trace of red from the halation... It couldn't make up for the neon signs being off, but it still managed to add that nice bit of red.
I expect fluorescent lights to look kind of green in a picture. What I grew up with.
Another Nick Carver Video...Its like opening a present at Christmas...not sure what you will get, but you know it will be just what you'll love.
I love the two tires on the ground.
The cut to you with your head on the steering wheel is what true photographers look like many more times than I like to admit...Job well done getting the shot!
Your explanation of why you take photos like this one was perfect. Great job!
Dude, you’re one of my favorite photographers to follow. Even when nothing seems to be going your way in the videos, it’s inspiring to watch you find ways to make it work. Thank you
I like the failure parts. Most youtubers just post the successful situation. Seeing you fail, while comical, is actually informative. I drove by a place 2x a week for a year before I made the image. Granted it was on my way to work and I only work 2 days a week, but still.
Nick Carver on Location!!!!!!!! Yes!!!!!!!
Love it, cars parked in front of buildings you want to photograph , just does you in, your perseverance is next level
I'm drawn to the coldness of the Cinestill photos. It accentuates the loneliness and independence of an early shift life. The pink halo is an awesome contrast for the cool fluorescence lighting. I thought you were going to swallow the toothpick on a few occasions.
We settled in together on the sofa and put our feet up, ready to sit back and enjoy. And we did. And, since I've not seen anyone else say it here, we love the music, the bit with the fire, all of it.
These videos can always help me destress. Everything about these location videos is so serene to me, I'll come back to them several times if I need to wind down after a rough day. Maybe it's the pacing, no over the top and unnecessary high-energy edits, just slow and serene like the pics. Thanks Nick!
Best one since the laundromat, which is maybe my favourite photography video on YT. I hope the cine version will grow on you, it has a lot of character.
Love these vids and love the architectural shots of classic American scenes. They’re what people outside America want America to be. 👍
That one tire just hanging out in front of the garage really makes the image.
I really like the cinestill one! The deep blue sky is haunting
Fantastic,real photography, analog forever!
Why are all his videos so dang entertaining?
So I was getting new tires the other day, and there's this road worker in the median making survey measurements. The weird thing is that there was no guy with the stick to be found. I thought the guy was up to no good. I got closer but then it was clear that he had a toothpick in his mouth. I immediately retreated.
Wonderful example of why we put effort into our images. Personally I like the Cinestill version a wee bit more. But it's more about the process than the result, which is the reason we shoot film. Andy
Another classic. I can see the toothpick making a regular appearance in more videos. Keep up the great work Nick.
"Leaks Light Diagnosis 50 years". Man what a sign! I just chuckle all the way through your vids and love what you do. Great result, like the eerie mood of the cinestill and think the cooler tones suit the scene more. STill love Portra 400 though :)
You are the "Clint Eastwood" of the analogue film fraternity!
Nick Carver, you are the man! :-) I am your big fan from up north 🇨🇦 Loving all your videos - I often rewatch them just for my viewing pleasure! I must confess - they inspired me to get out and enjoy photography again! And by the way - sometimes I use the safety vest as well!!! :))) And oh gosh... how I understand your frustration when things don't align perfectly for the shot... but oh boy how it is satisfying when things come together!
This is my favourite photography youtube channel by a country mile. Nick is calm and collected opposed to how most hosts are screaming in your face and paranoid you have the attention span of a mosquito.
The fact that Nick also shows the whole process - the skill, knowledge, technical expertise and patience you need to make great art - is a gift.
Thanks for sharing this with us Nick. You're a true master!
Great video. For me I really need to see those signs lit for this photo to be engaging. I like how you said it tells a story which is pretty cool. I know it was beyond your control but imagine how much juicier the result would have been with sign lights on. I admire your persistence and commitment. 👌
Thank you for your patience! So happy with a new on location film!
First of all I love these videos. I GREATLY appreciate that you show the frustrations of shooting on location.
As for Cinestill vs Portra. That's a tough one. The Cinestill looks more lonesome and desolate with the cooler tones. The portrait evokes a place that while not exactly welcoming at least wasn't abandoned by people, if that makes sense.
I know the frustration...I once went to a location (sunrise over an ocean pool with glassy water in the pool. Always had some crazy person swimming laps in the middle of winter. I went 10 times to get that particular shot. The 10th time I was just expecting the same as the other times,....BUT, this time there was no one there, the conditions were perfect, I was so excited to finally get the shot. Patience and persistence is often a requirement.
I pass by an old Firestone garage almost 3 times a week. I can confirm, that those neon signs at dusk are glorious ! And, there is a railway across from that location. I might snap a picture or two soon.
love the experience you share with us, from planning to final shot. from technical to simple advice, from why to how.... I alway wait for the weekend to see your new on location videos, so I can dedicate quality time to see them.
Welcome back Nick. Great image and lovely composition. I was going to say that you should've moved the camera a little to the right so that the "T" in "TIRE" was fully visible but then the tree would've blocked the windshield of the bus.
Another excellent Nick Carver production. Always watchable, never disappoints.
Oh yeah Nick, you're certifiable! Welcome to the club!
Hi Nick ! yeah... you are SOOOO purposeful and persistent ! Probably that's why your photos are great and videos are so interesting . Good luck ! With Respect to you and your creation . Evgeny from Russia
I love your videos that make me realise that I'm not the only one who screws up, like wrong place, wrong time, wrong gear, and then forget to rotate the frikkin' rotating back! :)
Great idea! I'm gettin' a box of tooth picks! No one messes with a toothpick chewer.
I think I say this on every on location video but man these are absolute gems, seriously. Top tier photography content on RUclips Nick!
Simply the best content on RUclips - well worth the wait. You should have a TV show!
“I’m not actually sure this film works on anything other than gas stations at night...” Well played, sir, well played.
Great commentary on this one. I enjoyed hanging out with 4am Nick. Juuuuuuuuust a little more manic than you usually present yourself ;-) I think I prefer the Portra image in this one - for what it's worth.
Oh yeah, more input from the master of goodness.....OMG!!!! A he has a fridge JUST for film!!! Be still my heart!!! You ARE the man Nick. One of the handful of automatic likes. Keep snappin' those images!!!!
Alright, cinestill and a toothpick. Got it. Thank you Nick I love these.
Thanks for sticking it out. Great video! Even better photographs!!!! Love the comparison of the CineStill 800T to the Portra 400. I can't decide which I like better either.
The standing tires are the heroes for me
Lovely video to go with my morning coffee, thanks Nick!
Came out great. Tires out front make it 👌🏻 remember those expensive new 55 mistakes though.
Great to see you back doing an on location video. Thank you!
The most entertaining photography video i've watched to be honest.
Holy S**t I have felt this pain so many times. This video has every single point of annoyance and struggle that's goes into a single image. Thanks for everything Nick.
those were some strong "SIR!"' 's .. very assertive.. i'm going to have to get me some tooth picks...
It's the trees that make this great. We live in the desert and there are trees! :)
Can’t get enough of these On Location videos. Cinestill at peak light is my favorite photo, I like the cold colors of the storefront over portra.
You know Nick is a true professional. Stays in character for the final shoot..... the toothpick!
Came for the photography, stayed for the laughs. Where's the love button?
Look at that… Nick Carver has another filmolicious video out. Awesome!
Thank you Nick, very nice video and great suggestion about the use of the toothpick ;-) I think not having the Firestone light on adds to the photo a better equilibrium and I do love the CineStill result. Congratulation!
I absolutely agree with your motivation, and what fantastic results you achieve!!
LOVE, LOVE, LOVE when you take us along with you on your shooting and location scouting expeditions and share your thought processes.
GREAT stuff!
Great video, Nick. I died laughing at the Cinestill gas station joke.
You mentioned that you don't film a lot of on location because sometimes it is a lot of failing before you get the shot. I actually love seeing that persistence in your videos. Social media has a way of distorting people's view of reality and you see all these great images and when I go out the light doesn't work, or there's no clouds so the image is just boring, and I get frustrated. It's good for people to see that you are actually just working hard for the images you get and you sometimes have to keep going back to get the image you want. I've been trying to incorporate that more into my photography and it has helped a ton.
Hard work pays of. Great picture Nick.
That urban camo is genius, I'm gonna use it next time 👍
A Photo Archaeologist from the Future...now that's what I want to be when I grow up
Yay another video, your youtuber merch should be the high vis vest 😂
Your relentless persistence is certainly a lesson for me. Thanks for sharing your experience of getting this shot. I love it. I particularly love the CineStill shot, I can almost hear the tubes buzzing with that halo and cooler tone.
Great image Nick! It would be great to see you and GrainyDays do a collaboration video. I think the two of you together would be very entertaining. Different styles, different workflows but the same love for shooting film!
I love how you mentioned that you are like an archeologist when you do these types of photographs. I've never thought about it like that when I am doing my decay photography, but you nailed just how it feels for me. I look for those little clues in the scene to tell the story of what happened with the subject and then try to convey it all through the picture. Love your videos because they really do show the difficulties that most have no idea exist when it comes to "taking a picture."
Thanks as always Nick! I loved the cinestill shot!
Great to see another video, Nick. I like the CineStill but they're both cool.
A great way to end my day. Watching a Nick Carver location film. Top notch as ever. Great to see you work through your frustrations. I love those images. I’m from the UK so I’m really into the locations you shoot. Growing up watching loads of US tv shows these scenes are both familiar and different st the same time. Keep em coming!
The evening just got a whole lot better
Love these on location vids - such a real person - talking about what it's really like for us all - with great humour (that's the way we spell it in the UK)
Great photos. Very entertaining video Nick. Love your location video best of all. Thanks
I really liked these photos and I'm torn between the two different kinds of film you used. It's kind of cool to think of the different vehicles that have been in and out of there and the different characters that have probably worked there over the years. Thanks for sharing our talent!
One of your funniest videos yet! I really admire the persistence on this one. I'd love to see you do an on location video in New York City. Applying your eye and craft to some of the architectural gems here (known and unknown) would be such a treat to the photographic universe.
Such an underrated channel. I have never gone this far for a shot, but I think I should try.
Fun stuff Nick! Thanks for your persistence, great image and video.
I utilize a modified surveyors tripod for my onsite shots. It really adds to the camo! Plus, one of the most stable tripods I have ever shot with!
I love it when you search out these locations for a shoot. As I watched I started thinking about light painting the Firestone sign. I’ve never tried doing any light painting but this video made me think about giving it a try.
Iconic Americana, Love it and well worth the scoping trips and so impressed by how much skill you put into it. Rocking the highways camo, nice one!
WOW, both of the images are Amazing. But I think the Cinestill is phenomenal, I love its look and the color palette (no bias).
Got to admire your commitment. Loved the photos. You have inspired me to try analog again after a long absense. 35mm not large format though.
I am sorry for the effort it took, but it was one of the most entertaining episodes to me. And an excellent picture as always! So much to see, so much to learn! BTW those palm trees and that billboard at 3:40!
I use the Rodenstock 115mm on my 5x7 and love it. It's equal to 23.5mm on full frame sensor.
“Give me a ***** break’
Another Epic adventure from Nick 👍😀
I'm digging the Portra shot more. I like the warm tones myself, but I know there are a ton of folks who love CineStill, and ain't nothing wrong with that!
Just yesterday was thinking, "It's been a while since seeing Nick." And here you are! Turned a miserable, rainy day (week) in the PNW into a great escape.
That's the advantage of being in the PSW. Hardly ever a cloud, but you bake your balls off.
It wouldn't be a Nick Carver video if I didn't fail the first time. Love it! I have been Jonesing for a new video. This one was great Nick. The CineStill is a really compelling look. Can't wait to see what you try to shoot next with it.
Nice and simple… cinestill ah? Like it.. Nice composition Nick and love that camera! Cheers..
I like the CineStill because it has more of the archaeologist from the future vibe.
I’m not sure if you have a book about these lonely American civilization buildings. But if you don’t you should. It is a very useful and impressive body of work.
Personally these images make me think about how beautiful the USA was before the arrival of Europeans.
My hat is off to you on the film photography I miss my Arca Swiss and wish I had your patience. The 617 is one of the truly great formats. This tire store shot is particularly beautiful. Tho in my world view very sad.
Much as I love what you do, and am sorely tempted to go back to film, I think I am going to upgrade to the Fuji gfx 100S and shoot in their 24::65 format snd crop to 1::3.
Bottom line your work is inspiring and makes me want to find more time for photography.
Bravo !!!
You need an online merch store that includes items such as reflective vests and toothpicks 😁. Great video.
Great Video and Photography, Nick. You put a lot of effort into these videos and it shows: the storytelling gets better with each one, and it‘s already on point! You can‘t imagine how helpful and inspiring this type of content this is for someone who bought his largeformat equipment a few months ago. I still haven‘t completely figured out how to „manually“, spot-meter yet, but with a bit of luck, I‘ll be buying your course in a few days to do so :-) Keep up the great work!
All kinds of old buildings on Tustin Ave in Orange. Hell…even an old Firestone shop just like this one. I live off Katella and 55 and constantly think how you’d shoot some of these buildings.
The way it really is sometimes. Thanks.