This is the synth I've been waiting for for years. Well worth the coin IMO. In a world where there is a race to the bottom with mini this and mini that the fact that this even exists should make every synth lover smile. Great content here as per usual Loopop!
I find the pricing outrageous. For this price you can buy a Polybrute, a Nord Stage 3 88, a Model D (or even a Poly D), a Hydrasynth Desktop and a Digitakt - ALL AT ONCE and have an amazing studio (just a quick search for some different types of gear... you might also switch out something for a Summit or add an H9 Pedal). Yeah the Moog One looks like an amazing synth but I don't think synth lovers should encourage these rip-offs. In the end the sounds were quite the usual bread and butter and the layout and structure is mediocre at best (quite a bit form over function).
@@Xul I've been buying synths for almost 30 years. I've owned a pretty nutty amount of different synths and currently settled on 28 ranging from 1972 to 2021. I originally also thought the price of the Moog One seemed crazy until I thought about the fact my Polymoog 203a is worth $4000 and although it sounds lovely and has some really unique character, it can't exactly do a ton and basically can't be moved anywhere without having to open it up and reseat the polycards. Then I thought about how many other analog poly synths I have that I'm not super into. The current prices on vintage Jupiter synths is so crazy. The 4 is $4000 and the 8 is now listed at 30k!!!! Now that's nuts. I love the Hydrasynth and it's one of my all time favorite synths but that is not going to sound like the Moog One at all. Behringer is just garbage. I had 6 of them and got rid of them as fast as I could. I think $6000 on one beautiful analog poly synth that basically replaces at least 5 other synths that I currently have is very acceptable. Shoot, I paid 4k each for an SH7 and an Oscar. Great synths generally cost a few grand and once you have some synths of that level you kind of just go "ohhhhh now I get it". Wood and metal and weight! I like my synths big and beefy. I want them to look and feel as good as it sounds. I think this is a really beautiful machine and the fact that Moog has now built of 3000 of these shows that there are people happy to pay for a quality machine.
@@VincentPresley boomers driving up vintage synths to absurd prices is exactly the reason why you shouldn’t be encouraging these prices; normalizing it is the last thing we want 16 voice analog polyphony is pretty impressive but when it costs $9000 you really start thinking about how many good songs were written with just one, i mean what’s the point of even making any of this stuff if the only people who can afford it are established musicians and retirees? no offense to either but that’s a pretty limited audience and doesn’t exactly increase the probability of this thing being used to create anything that people will remember
@@aawagga6841 Most people that say "boomer" don't seem to know what that means. I'm not a boomer and neither are any of the people I know with large amounts of gear. Real gear that's well made costs money. I used garbage guitar amps for years before I finally bit the bullet and realized what I had been avoiding. It's not hard to save money for something nice. I work a full time normal job, run a record label, release my own albums, tour in bands, spin records at clubs, etc. I don't waste time with sports and video games so I don't really have to cry about things being expensive because everything I do brings money in. You can buy and use bottom shelf garbage gear like Behringer and VSTs if you want. They're there for you. People that still like instruments to feel like real instruments and not look like plastic little toys are willing to pay more. Those are also usually the people that take themselves a little more serious and will probably actually do something with the gear.
I'm trying to rationalize getting one of these and here's what I've come up with: buy this synth for $8k and spend the next 8 years just exploring all its possibilities, so it only comes down to $1k / year. Not bad. Great video loopop!
When i first started making music i didn't like moog at all. But then when i used a moog slim phatty for a techno track in the studio of my production school i came to realise the whole point of moog is how strong and raw it sounds so you can add stuff yourself. I was absolutly blown away by the sound with some added fx and this thing without fx already seems 10x better. Imagine what it could do with effects o-0 When i have the money im definitly buying this. Really good review :)
The colors chosen including buttons and knobs, panels and trim are really extremely appealing to me. The wood tone almost orange does not go with any of it but nice that it's real wood. This is touchy because when spending $8K you'd better like the appearance because you will be staring at it a lot. I'd prefer a dark wood or even grey oak etc. I wonder will they offer other types before I even considering dropping that much cash. The cheaper a board is the less it matters and vice versa. I mean very seriously I might consider buying one if the wood has other options.
Nahhh, my novation summit does this + wavetables + fm for a quarter of the price and waldor iiridium does everything × 10 for less tham half the price! This is just moog being moog😂
Thanks for the detailed and beautifully made overview! I have had my One 16V for over a year now (one of the first 50 serial numbers) and, after a bit of a rocky start with less-than-perfect firmware versions and battling with my own preconceptions, it has become my favorite instrument ever - it feels and sounds like nothing else (and again, time is your friend to really get to understand its nature and sonic versatility), it has the most "acoustic" feel of any synth I've ever used, and it is nothing less than a game changer when it comes to sound design and user experience. It is now the first instrument I reach for whatever piece I am working on - it is an astonishing accomplishment and an instant classic IMHO. Love it... a lot. :)
Love the comment about dividing the price by the number of voices; that makes it the most cost-effective Moog on the market lol. Plus this synth isn't supposed to be another keyboard; it's supposed to be a premium, centerpiece synth workstation at the heart of your studio. It's aimed at professionals and professional studio budgets. For us shmucks down here in the dirt, you're selling a lot to make room for this beast. It's definitely not for me, but boy, is fun to look at and dream about. Maybe one day. I feel like I need to take keyboard lessons to earn the right to buy one of these! Also Asheville, NC is only about an hour and fifteen minute drive for me. I go there for shows a lot and have of course toured Moog's facility. It was amazing, to say the least. Full of people who love what they do and are the best at their craft. I shook the hand of a guy who probably built my DFAM. Everything is made by hand and they still do some stuff the OLD school way. Just bringing it up to say that I don't feel like this synth is too expensive. You get every bit of what you pay for and I truly feel like this is the best and most comprehensive piece of analog gear on the market.
Excellent video! This is the overview I’ve been waiting for. I finally understand the concept and potential of this monstrosity. Once you look at all the details, the price doesn’t seem so crazy after all. Time will tell, but it seems Moog may have finally dethroned the Andromeda as the Godzilla of analog synths.
At my school, we use drone bucks to represent the relative cost of something. At the time, one drone buck = $750. I think we need a unit of measure, one Moog buck. Start that at a say, a Moog Sub Phatty or such.
Fantastic review and thank you. Impressive 16 voice analog poly. What strikes me is that it sounds like an instrument in itself that will stand the test of time. Moog will support it and update it with firmware. Expensive but 16 voices, multiple filters, 4 LFO's etc...
your videos have influenced so many of my gear purchases. the squarp pyramid was the first piece of kit i bought based on one of your reviews. great work!
You cannot use the USB Host connector to connect a class-compliant MIDI device. Though the manual suggests so, it has been confirmed to me by Moog support that it is not the case.
I will say it’s worth it. It makes me play better and it’s the biggest sounding most polished sounding synth ive ever heard. I’m a sample/loop maker and I don’t have to do any extra mixing really when using this machine. Each patch sounds like a finished mixed melody part.
Thank you for posting. I love the One! I've had access to one in Hollywood for the past year, I haven't reached the ceiling yet and I'm always making new sounds. I would never drag one on stage (it weighs a ton!) But for studio use, (especially soundtracks) it is an amazing machine with amazing sound.
Still enjoying the one all this time later. I put the cover on and forget about it for a while (mostly because I have this fear about it breaking lol) and every once in a while I get it out and bask in it's glory.
Fantastic overview. I’ve been enjoying the One for just over a year, and am still discovering its potential. Thanks for this vid and all of your consistently great reviews.
I would like to add for anyone even considering the 8 voice, remember it's 3 synths. The layering for pads is what make this beauty what it is. Good big! It's worth it.
Watching this, I remember "Trio" having two major hits with a Casio Minikeyboard (Da da da and Herz ist Trumpf). That helps keeping things together ;-)
@@troublesomecorsair yeah but it's so overused it's become totally obnoxious. Try to come up with something more original and funny next time. This one lost its punch a while back
It's got nothing to do with being like a CS-80, is why. MemoryMoog was always a 'one up' response to the Prophet-5, and the One is a clear continuation of the MM form.
Such a well putt together review. Amazing to say the least. Way to sell it. I’m convinced and inspired. I feel like Sméagol from the ring film. “My precious” 🤣🤣🤣
Thanks! I've been waiting for this review for a while now and I'm glad you were able to make it happen. Very succinct and thoughtful review, the best so far!
Coming back to this video again 6 months later. Still learning from this video. I have an OSCar and the filter separation knob is what makes that synth. I totally missed that the Moog One had that. I've had almost every vintage Moog (not including any modular systems) and the filters losing all the low end as soon as resonance is added was always their biggest flaw to me. The Moog One and Matriarch finally fixed that with their multiple filters. I still read so much hate about the One and I really don't get it. It most definitely sounds like a Moog. It most definitely can do so much more than the classics. I think the hate comes from people that got faulty units early on (mine works perfectly, including the tuning) and from people that don't know how to use it or only heard the presets. The presets are pretty terrible. They sound like they just really wanted to prove that the One could sound like non-Moog keyboards. Very few classic Moog sounds in the presets at all.
Happy to hear that your unit's tuning is fine ! I'm actively looking to buy a M1 16 voices and the only thing holding me back is the tuning problems, cause I want to use the One with Orchestral sounds, it need to be tuned, not perfectly ( I'd love some analog detune goodness ) but it needs to be workable in tonal music context. Thanks for the comment !
@@jfracine_composition It's odd because half the complaints about the One are about some tuning problem that was fixed right away and the other half complain about the tuning be too exact. I don't think these people ever owned one. It's most definitely one of my favorite synths ever made.
When people say it sounds like a vst, I think that could arguably be taken as a compliment. Especially considering this is an analog synth. I don't think people understand how powerful software is. That it could sound so clean and pure is a testament to remarkable engineering. Also, when people display the Moog One features, they typically want to demo polyphony. The few phatter, gnarly sounds I've heard from the One sound great, but those kinds of patches don't always sound great with multiple notes playing at once.
I wish Moog would do something in-between this and one of their monos, something like a 4 voice sub 37 or something. One (hehe) hell of a jump from mono to poly, a 3k jump to 10k+ where I am. I guess the Polybrute could maybe fill that space now. But it'd be nice to have something the size of the sub 37 with more voices. Back to multi tracking I guess
Good point about what happens to a parameter when you turn a knob. The Memorymoog had 3 modes for that, in the global settings (not per patch). Does the Moog One have these features? (Names of modes are my own) 1. follow: if you turn a knob the parameter will immediatly start to increase or decrease. Unless the knob had started out pointing in the exact direction as the parameter's currently-active value: in one direction, you would reach the end of the knob's travel before you to reach the the limit of the parameter's range, and in the other direction you would reach the end of the parameter's range first and as you continue to turn the knob to its physical limit there would no longer be more change to the parameter. To bring the knob to the state where it points in the exact direction of the parameter's value, you could quickly move the kob all the way to one end and then to the other, whch would alighn the knob's travel with the parameter's value. 2. jump: as soon as a turn to the knob is detected, the parameter instantly jumps to the value the knob is pointing at. (This is a useful mode, but sometimes a tiny movement of the knob would be detected even though you weren't touching it at the time, and the parameter would jump. Moog fixed this with a later firmware update wherein the jump would not occur until the knob had been moved at least 2%.) 3. through: turning the knob has no effect on the parameter until it passes through the parameter's current value, after which it follows. I found mode three to be the safest and most useful for live performance. This was helped by a key feature: the Memorymoog had a six-digit display, and as soon as any knob was turned the display's first three digits would show the memorized value for that parameter, and the last three digits would show the currently active value. So you could always see where you were, or return the parameter close to its original position.
well finally you showed me a new piece of gear and I didn't rush right out an buy it. :-) ...but I'm thinking about it. If I won a million in the lottery, a trip to asheville would be the first thing I did for myself.
We need more demos of the ONE with only analog FX, because all those digital FX and especially those horrible “shimmer” type verbs makes it sound like any old VST synth IMO…
What do you think of the Moog One today after all the patches? I recently got the Quantum Mk2, but have never had an analog synth. I do really like that I have so much control with the Quantum, 3 oscilators, 6 LFO (rarely use more than 2) and plenty of Envelopes (often use 4). The synths that caught my eye is Moog One, because of the complexity, Also the UI seems really nice to me. The OB X8 sounds fantastic, but has much less features. The Mini Moog D seems nice for base and some leads, but very expensive. I also use a lot of sampled instruments from Kontakt so synth is just part of the sound I do. However it has been the most fun I had in years!
Hi, I use MOscilloscope and MAnalyzer by a company called Melda - they’re free with some limitations in the MFreeFXBundle. Occasionaly I’ll use scopes by VCV
Sounds beautiful, however I hate this workflow, the reason to buy a Moog in the world of VSTs (besides sound etc) is too have the hands on knob experience, Id much rather get the matriarch over this Something like the synth I have the minimoog Voyager is a great mix of knobs but also saving presets and patches But great video! best synth reviewer out there
It might be taste but sound wise I think there are poly synths which sound better at a lower price. I think the OB-6 and the Prophet-5/10 has more character and warmness in the sounds. The Moog one obviously has a better dialing in experience.
you've sold me on this thing..i was on the fence but i'm going to work towards getting it and sell some other stuff to that end. they should really give you one forever for what you've done here with this presentation.
So... you've got me thinking. 3 Deepmind 12 "desktop" versions polychained, one Eventide H9, one Arturia Keystep. I should be able to press all but one key on the Keystep for 36 note polyphony, for about $2500/-
I think you missed the 4th DM12d in that calculation - you don't need an additional H9, b/c you have a decent effect in every D12 ;-) Then it's 48 voices ;-) But, tbh, DM12, as much as I like it, it's not as fine and smooth like this Moog. And it is limited with those strange osc waveform concept. Sometimes it reacts unexpected or slow (in low fan mode) to knob fiddling. However, I would not spend that much money for a synth just to have it at home. And that Moog 1 is not made for carrying it around.
when you turned pan to the right @ 25:00, my Beyerdynamic DT990 headphones connected to the laptop minijack was reversed, not sure where that is comming from
I kinda wish everything complicated in life would have a Loopop video
Kinda? I sure wish
No kidding, a 3 year old who wont sleep for instance? 🥴
He really is a master of concise explanation. A truly talented educator.
Loopop for Income Tax! 😅
Right?? 👌😉
Moog sending you one of these is about the best PR move they could have made. Incredible walkthrough yet again!
This is the synth I've been waiting for for years. Well worth the coin IMO. In a world where there is a race to the bottom with mini this and mini that the fact that this even exists should make every synth lover smile. Great content here as per usual Loopop!
I love HUGE synths yes.
I find the pricing outrageous. For this price you can buy a Polybrute, a Nord Stage 3 88, a Model D (or even a Poly D), a Hydrasynth Desktop and a Digitakt - ALL AT ONCE and have an amazing studio (just a quick search for some different types of gear... you might also switch out something for a Summit or add an H9 Pedal).
Yeah the Moog One looks like an amazing synth but I don't think synth lovers should encourage these rip-offs. In the end the sounds were quite the usual bread and butter and the layout and structure is mediocre at best (quite a bit form over function).
@@Xul I've been buying synths for almost 30 years. I've owned a pretty nutty amount of different synths and currently settled on 28 ranging from 1972 to 2021. I originally also thought the price of the Moog One seemed crazy until I thought about the fact my Polymoog 203a is worth $4000 and although it sounds lovely and has some really unique character, it can't exactly do a ton and basically can't be moved anywhere without having to open it up and reseat the polycards. Then I thought about how many other analog poly synths I have that I'm not super into. The current prices on vintage Jupiter synths is so crazy. The 4 is $4000 and the 8 is now listed at 30k!!!! Now that's nuts. I love the Hydrasynth and it's one of my all time favorite synths but that is not going to sound like the Moog One at all. Behringer is just garbage. I had 6 of them and got rid of them as fast as I could. I think $6000 on one beautiful analog poly synth that basically replaces at least 5 other synths that I currently have is very acceptable. Shoot, I paid 4k each for an SH7 and an Oscar. Great synths generally cost a few grand and once you have some synths of that level you kind of just go "ohhhhh now I get it". Wood and metal and weight! I like my synths big and beefy. I want them to look and feel as good as it sounds. I think this is a really beautiful machine and the fact that Moog has now built of 3000 of these shows that there are people happy to pay for a quality machine.
@@VincentPresley boomers driving up vintage synths to absurd prices is exactly the reason why you shouldn’t be encouraging these prices; normalizing it is the last thing we want
16 voice analog polyphony is pretty impressive but when it costs $9000 you really start thinking about how many good songs were written with just one, i mean what’s the point of even making any of this stuff if the only people who can afford it are established musicians and retirees? no offense to either but that’s a pretty limited audience and doesn’t exactly increase the probability of this thing being used to create anything that people will remember
@@aawagga6841 Most people that say "boomer" don't seem to know what that means. I'm not a boomer and neither are any of the people I know with large amounts of gear. Real gear that's well made costs money. I used garbage guitar amps for years before I finally bit the bullet and realized what I had been avoiding. It's not hard to save money for something nice. I work a full time normal job, run a record label, release my own albums, tour in bands, spin records at clubs, etc. I don't waste time with sports and video games so I don't really have to cry about things being expensive because everything I do brings money in. You can buy and use bottom shelf garbage gear like Behringer and VSTs if you want. They're there for you. People that still like instruments to feel like real instruments and not look like plastic little toys are willing to pay more. Those are also usually the people that take themselves a little more serious and will probably actually do something with the gear.
Half way through this I found myself saying, "Well it is kind of 3 synths in one" about an 8 grand synth.
Your reviews are dangerously good, sir
I wouldn't have a place for something like this, but I'll sure listen to you talk nerdy about it.
I'm trying to rationalize getting one of these and here's what I've come up with: buy this synth for $8k and spend the next 8 years just exploring all its possibilities, so it only comes down to $1k / year. Not bad.
Great video loopop!
I want one. Just Doing Some Synth Maths:
Moog One vs...
OB-6 Desktop - £1850
Prophet 6 Desktop - £1850 (£3700)
Prophet Rev 2 16 Desktop - £1520 (£5220) vs. Moog One 8 Voice
Subsequent 37 - £1200 (£6420)
Hydrasynth Desktop - £750 (£7170)
Poly D - £600 (£7770) vs. Moog One 16 Voice
Yeah except you'll spend the next eight years gassing over every other new release as well
@@danielmulholland5869 Don't worry, we're doing that anyway
Another rationalization I am thinking is this thing will hold or increase in value. Its like a musical 401k smart!
Or even better. Its like a 20 year mortgage at 400 a year. Plus it keeps you inside out of trouble which is priceless.
I've had my moog one for three years still learning.....thanls for video.
the only person on youtube who could ever sell me an $8k synth!
Same.. If I had $8k 😅
Facts
*convince me to steal one**
you heard nothing
And freezers to Eskimos!
its your own fault !
When i first started making music i didn't like moog at all. But then when i used a moog slim phatty for a techno track in the studio of my production school i came to realise the whole point of moog is how strong and raw it sounds so you can add stuff yourself. I was absolutly blown away by the sound with some added fx and this thing without fx already seems 10x better. Imagine what it could do with effects o-0
When i have the money im definitly buying this. Really good review :)
I bought my first Moog a week back (Sub 25) after 30 years of producing and I'm already a convert too.
Tutorial Request: "How to afford a Moog One" :D
sell all your other gear and only eat off $5 a day for 6 months and you should be close :)
Where to store it? I can't afford a big house or rent a flat to have Moog One.
@@KiR_3d a normal desk will suffice and still have room for a laptop and interface I would think lol
@@blaythessteuer What's your room sizes?
LOL
The colors chosen including buttons and knobs, panels and trim are really extremely appealing to me. The wood tone almost orange does not go with any of it but nice that it's real wood. This is touchy because when spending $8K you'd better like the appearance because you will be staring at it a lot. I'd prefer a dark wood or even grey oak etc. I wonder will they offer other types before I even considering dropping that much cash. The cheaper a board is the less it matters and vice versa. I mean very seriously I might consider buying one if the wood has other options.
I think this might be one of the most insane devices ever conceived and yet 95% of the world will never appreciate
...more like never afford it. LOL!
more like 99.9
Nahhh, my novation summit does this + wavetables + fm for a quarter of the price and waldor iiridium does everything × 10 for less tham half the price! This is just moog being moog😂
Thanks for the detailed and beautifully made overview! I have had my One 16V for over a year now (one of the first 50 serial numbers) and, after a bit of a rocky start with less-than-perfect firmware versions and battling with my own preconceptions, it has become my favorite instrument ever - it feels and sounds like nothing else (and again, time is your friend to really get to understand its nature and sonic versatility), it has the most "acoustic" feel of any synth I've ever used, and it is nothing less than a game changer when it comes to sound design and user experience. It is now the first instrument I reach for whatever piece I am working on - it is an astonishing accomplishment and an instant classic IMHO. Love it... a lot. :)
Congratulations! Saving money for mine (on top of getting other stuff from other funds). I hope I will be just as happy with it as you are!
Just got one and I am so thankful for this video. I can’t wait to explore this incredible instrument.
You just had to flex 💪🏽 you lucky bastard😂🤣😂🤣 this synthesizer is a monster take care
Loopop. Your reviews are the best by a long shot. Second isn’t even close! Thank you 🙏
Totally agree. I'm no professional musician, I just have a casual/hobbyist interest in music and synthesizers, and loopop is phenomenal.
Having played this at Perfect Circuit, I was immediately in awe of what a magnificent monster this analog polysynth truly is. I still drool over it.
The Moog One review I've been waiting for. Thanks Mr. Loopop
Love the comment about dividing the price by the number of voices; that makes it the most cost-effective Moog on the market lol. Plus this synth isn't supposed to be another keyboard; it's supposed to be a premium, centerpiece synth workstation at the heart of your studio. It's aimed at professionals and professional studio budgets. For us shmucks down here in the dirt, you're selling a lot to make room for this beast. It's definitely not for me, but boy, is fun to look at and dream about. Maybe one day. I feel like I need to take keyboard lessons to earn the right to buy one of these!
Also Asheville, NC is only about an hour and fifteen minute drive for me. I go there for shows a lot and have of course toured Moog's facility. It was amazing, to say the least. Full of people who love what they do and are the best at their craft. I shook the hand of a guy who probably built my DFAM. Everything is made by hand and they still do some stuff the OLD school way. Just bringing it up to say that I don't feel like this synth is too expensive. You get every bit of what you pay for and I truly feel like this is the best and most comprehensive piece of analog gear on the market.
Excellent video! This is the overview I’ve been waiting for. I finally understand the concept and potential of this monstrosity. Once you look at all the details, the price doesn’t seem so crazy after all. Time will tell, but it seems Moog may have finally dethroned the Andromeda as the Godzilla of analog synths.
At my school, we use drone bucks to represent the relative cost of something. At the time, one drone buck = $750. I think we need a unit of measure, one Moog buck. Start that at a say, a Moog Sub Phatty or such.
This is by far one of the best sounding synths I've ever heard!
The software / digital control seems amazing. So many possibilities to precisely shape envelopes, LFOs, modulations etc.
This synth is so deep I can’t feel my legs.
that sounds serious
it could be that you don’t have legs, after you had to sell them to buy this.
I've just ordered my moog one and your video is my go to source for learning the machine until I get it. Great video!
Why I support Loopop on Patreon.
Thank you so much for making this!! Just got one and am so stoked that you made this tutorial. It's the coolest synth I've owned yet!
Fantastic review and thank you. Impressive 16 voice analog poly. What strikes me is that it sounds like an instrument in itself that will stand the test of time. Moog will support it and update it with firmware. Expensive but 16 voices, multiple filters, 4 LFO's etc...
Tbh I’d rather watch your synth videos than Netflix, Hulu, etc like 90% of the time, so well done!
I LOVE MY MOOG ONE AND WISH I BOUGHT THE 16 VOICE AND NOT THE 8. IT REALLY IS ONE VERY SPECIAL SYNTH ESPECIALLY ITS KEYBED
jesus christ, this is the kind of thing that can make an entire sound track by itself, without having to multitrack. God I wish I had 7k to spare
your videos have influenced so many of my gear purchases. the squarp pyramid was the first piece of kit i bought based on one of your reviews. great work!
I would eagerly watch any review loopop posted: Electronic gear, phones, pizzas...pants. Great, thorough reviews! Thanks!
By far the best and easiest synth I have ever worked with, so easy to just dive in and get going making sounds.
You cannot use the USB Host connector to connect a class-compliant MIDI device. Though the manual suggests so, it has been confirmed to me by Moog support that it is not the case.
I will say it’s worth it. It makes me play better and it’s the biggest sounding most polished sounding synth ive ever heard. I’m a sample/loop maker and I don’t have to do any extra mixing really when using this machine. Each patch sounds like a finished mixed melody part.
Man, this is SUCH a great review of a synth I absolutely love.
Thanks for this amazing production, Loopop.
Thank you for posting. I love the One! I've had access to one in Hollywood for the past year, I haven't reached the ceiling yet and I'm always making new sounds. I would never drag one on stage (it weighs a ton!) But for studio use, (especially soundtracks) it is an amazing machine with amazing sound.
Maybe the best synth for Deep Analog Sound Design !!!
Sounds GORGEOUS.
Amazing synth, but why did they finish the wood to look like the cabinets you would find in an RV in 1988?
The cabinet closely resembles the Memorymoog.
@@s73ve88 As I've learned more about the legacy of this synth, I've noticed that similarity.
hey man, that was a unrated time in recreational vehicles!
I can't imagine they let you keep it... how hard is it to send this thing back? Emotionally *and* literally- it's a monster!
Let's just say I've stopped taking their calls
E P it’s not.
@@loopop 😂😂😂
This is the best review I’ve seen of this gigantic synth. It gives a real idea of what it would be like to live with, and programme the beast!
Still enjoying the one all this time later. I put the cover on and forget about it for a while (mostly because I have this fear about it breaking lol) and every once in a while I get it out and bask in it's glory.
Fantastic overview. I’ve been enjoying the One for just over a year, and am still discovering its potential. Thanks for this vid and all of your consistently great reviews.
I would like to add for anyone even considering the 8 voice, remember it's 3 synths. The layering for pads is what make this beauty what it is. Good big! It's worth it.
Intro song is lovely. I will probably never own this synth but what an amazing creation.
Thank you very much!
Watching this, I remember "Trio" having two major hits with a Casio Minikeyboard (Da da da and Herz ist Trumpf). That helps keeping things together ;-)
Moog + More = Morgue
which is where I'll be after auctioning too many internal organs
Because you're just too lazy to work.... might be (and most likely to be 100% correct observation) the answer to your (obnoxious) nonsense.
@@mitsanut5869 You're absolutely correct, however I did work and saved up a fortune and now I have my 4-tier keyboard dream rig.
@@troublesomecorsair good for you....so why are you whining about putting up your insides for auction?
@@mitsanut5869 It's a meme-ish sort of joke akin to GAS remarks.
@@troublesomecorsair yeah but it's so overused it's become totally obnoxious. Try to come up with something more original and funny next time. This one lost its punch a while back
Again, your review of the One is as good as it gets!
We need more Polys, thanks for the video, I played with this synt and is like a Tank
I'm buying mine in a day or two. I can't wait!
Great video! Very excited to get mine in September.
A synth only surpassed by the reviewer. Excellent content, editing and value. Gratefully.
I’m kind of surprised they didn’t go for polyphonic after touch like on the CS-80.
Agreed. Fatar, the keybed supplier they use, don't make one (any more), as I understand it.
Let's see how Behringer will deal with this once their CS80 clone will arrive. ;) I'm already looking forward to that.
It's got nothing to do with being like a CS-80, is why.
MemoryMoog was always a 'one up' response to the Prophet-5, and the One is a clear continuation of the MM form.
Finally! I’ve been waiting for some sort of tutorial on this on RUclips. Thanks as always.
Such a well putt together review. Amazing to say the least. Way to sell it. I’m convinced and inspired. I feel like Sméagol from the ring film. “My precious” 🤣🤣🤣
Thanks! I've been waiting for this review for a while now and I'm glad you were able to make it happen. Very succinct and thoughtful review, the best so far!
Thanks very much!
Planning on taking the moog one plunge in 6 more months when my current gear loans are paid off. Great video as usual thanks
OrfinMusik Go for it man. I own the 16 voice and not a day goes by that I regret buying it.
I could spend my whole life playing with this.
Coming back to this video again 6 months later. Still learning from this video. I have an OSCar and the filter separation knob is what makes that synth. I totally missed that the Moog One had that. I've had almost every vintage Moog (not including any modular systems) and the filters losing all the low end as soon as resonance is added was always their biggest flaw to me. The Moog One and Matriarch finally fixed that with their multiple filters. I still read so much hate about the One and I really don't get it. It most definitely sounds like a Moog. It most definitely can do so much more than the classics. I think the hate comes from people that got faulty units early on (mine works perfectly, including the tuning) and from people that don't know how to use it or only heard the presets. The presets are pretty terrible. They sound like they just really wanted to prove that the One could sound like non-Moog keyboards. Very few classic Moog sounds in the presets at all.
Happy to hear that your unit's tuning is fine ! I'm actively looking to buy a M1 16 voices and the only thing holding me back is the tuning problems, cause I want to use the One with Orchestral sounds, it need to be tuned, not perfectly ( I'd love some analog detune goodness ) but it needs to be workable in tonal music context.
Thanks for the comment !
@@jfracine_composition It's odd because half the complaints about the One are about some tuning problem that was fixed right away and the other half complain about the tuning be too exact. I don't think these people ever owned one. It's most definitely one of my favorite synths ever made.
Yess man! Thanks for the review!
Man the initial progression is so damn good! Great review!
When people say it sounds like a vst, I think that could arguably be taken as a compliment. Especially considering this is an analog synth. I don't think people understand how powerful software is. That it could sound so clean and pure is a testament to remarkable engineering.
Also, when people display the Moog One features, they typically want to demo polyphony. The few phatter, gnarly sounds I've heard from the One sound great, but those kinds of patches don't always sound great with multiple notes playing at once.
Best review and tutorial of the Moog One. Great work !
This is a touchstone for me, thank you. #ContinuedLearning
I wish Moog would do something in-between this and one of their monos, something like a 4 voice sub 37 or something. One (hehe) hell of a jump from mono to poly, a 3k jump to 10k+ where I am.
I guess the Polybrute could maybe fill that space now. But it'd be nice to have something the size of the sub 37 with more voices. Back to multi tracking I guess
the review on this synth on the internet ... thanks again, keep up the good work
I didn't know i need one in my life. Now i know.
Thank you for the extremely informative video.
Looking forward to getting my hands on one of these beasts
As usual, the absolute best review EVER! Thanks👍
FANTASTIC synth...
Yo! My man Loopop. Please show us around in your studio, and show us your favourite machines/devices.
I bet you are a Monomachine guy?
I don't have one unfortunately! Still reworking the studio but I will when it's finished (will take a while...)
That’s a deal. 🤗
Good point about what happens to a parameter when you turn a knob. The Memorymoog had 3 modes for that, in the global settings (not per patch). Does the Moog One have these features? (Names of modes are my own)
1. follow: if you turn a knob the parameter will immediatly start to increase or decrease. Unless the knob had started out pointing in the exact direction as the parameter's currently-active value: in one direction, you would reach the end of the knob's travel before you to reach the the limit of the parameter's range, and in the other direction you would reach the end of the parameter's range first and as you continue to turn the knob to its physical limit there would no longer be more change to the parameter. To bring the knob to the state where it points in the exact direction of the parameter's value, you could quickly move the kob all the way to one end and then to the other, whch would alighn the knob's travel with the parameter's value.
2. jump: as soon as a turn to the knob is detected, the parameter instantly jumps to the value the knob is pointing at. (This is a useful mode, but sometimes a tiny movement of the knob would be detected even though you weren't touching it at the time, and the parameter would jump. Moog fixed this with a later firmware update wherein the jump would not occur until the knob had been moved at least 2%.)
3. through: turning the knob has no effect on the parameter until it passes through the parameter's current value, after which it follows.
I found mode three to be the safest and most useful for live performance. This was helped by a key feature: the Memorymoog had a six-digit display, and as soon as any knob was turned the display's first three digits would show the memorized value for that parameter, and the last three digits would show the currently active value. So you could always see where you were, or return the parameter close to its original position.
well finally you showed me a new piece of gear and I didn't rush right out an buy it. :-) ...but I'm thinking about it. If I won a million in the lottery, a trip to asheville would be the first thing I did for myself.
this is most comprehensive review I have ever seen, thank you! subscribed :)
Christmas came early. Thanks for making this!
What a terrible job you have. NOT! Wonderful demo. You've explained it all so well. Thanks.
Perfect tutorial. I was waiting for this poly moog. Now I’m sure it’s great I just need to save some dollars.
The epitome of synth excess... and I love it.
Thank you for this, really good dive. On my list for sure!
We need more demos of the ONE with only analog FX, because all those digital FX and especially those horrible “shimmer” type verbs makes it sound like any old VST synth IMO…
Now that you have reviewed the Moog One @LoopOP, we need the UDO Super 6 reviewed. ;)
What do you think of the Moog One today after all the patches? I recently got the Quantum Mk2, but have never had an analog synth. I do really like that I have so much control with the Quantum, 3 oscilators, 6 LFO (rarely use more than 2) and plenty of Envelopes (often use 4). The synths that caught my eye is Moog One, because of the complexity, Also the UI seems really nice to me. The OB X8 sounds fantastic, but has much less features. The Mini Moog D seems nice for base and some leads, but very expensive. I also use a lot of sampled instruments from Kontakt so synth is just part of the sound I do. However it has been the most fun I had in years!
Just got mine :D
Great review of an awesome synth . . . Cheers !
I would go for the 8 voice myself personally. I find 16 voices is really difficult to set properly in a mix, especially next to other synths.
True. While some players may disagree, IMHO, a synth can be too thick in a busy mix. 🙂
Loopop, What is the great vizualization tool you are using to show waveform and frequency spectrum (visible at 11:50) ?
Hi, I use MOscilloscope and MAnalyzer by a company called Melda - they’re free with some limitations in the MFreeFXBundle. Occasionaly I’ll use scopes by VCV
lucky you :) , i really just wanna play one of these , gonna have to go find a store that has one
For sure!
Yay!!!!! Thanks for making this vid!
Sounds beautiful, however I hate this workflow, the reason to buy a Moog in the world of VSTs (besides sound etc) is too have the hands on knob experience, Id much rather get the matriarch over this
Something like the synth I have the minimoog Voyager is a great mix of knobs but also saving presets and patches
But great video! best synth reviewer out there
It might be taste but sound wise I think there are poly synths which sound better at a lower price. I think the OB-6 and the Prophet-5/10 has more character and warmness in the sounds. The Moog one obviously has a better dialing in experience.
Sure...but will it blend?
a pure merveille likewe say here! nice one sir, always good and educative.
you've sold me on this thing..i was on the fence but i'm going to work towards getting it and sell some other stuff to that end.
they should really give you one forever for what you've done here with this presentation.
Moog per dollar lol
Of course behringer model d and crave though, hehe
So... you've got me thinking.
3 Deepmind 12 "desktop" versions polychained, one Eventide H9, one Arturia Keystep.
I should be able to press all but one key on the Keystep for 36 note polyphony, for about $2500/-
I think you missed the 4th DM12d in that calculation - you don't need an additional H9, b/c you have a decent effect in every D12 ;-) Then it's 48 voices ;-)
But, tbh, DM12, as much as I like it, it's not as fine and smooth like this Moog. And it is limited with those strange osc waveform concept.
Sometimes it reacts unexpected or slow (in low fan mode) to knob fiddling. However, I would not spend that much money for a synth just to have it at home. And that Moog 1 is not made for carrying it around.
when you turned pan to the right @ 25:00, my Beyerdynamic DT990 headphones connected to the laptop minijack was reversed, not sure where that is comming from
Great in depth demo, tks
Rolls Royce of synthesizers , has every right to be expensive , not everyone drives Bentley
Loopop+Moog One=This is not happening!!
Beautiful. Thanks.