I really wish this wonderful song had a continuous view of the musicians hands so those of us who are trying to play this right could observe his magical hands and fingers.
The music is great. I assume the location was chosen for it's acoustic properties but it is a beautiful building. The distressed looking walls are fantastic and the windows and wood are fantastic too. I wish I had a place like this to play guitar.
I think it is very close cosmetically you the interior and general architecture of English houses at the time when John Dowland, the composer of this song, lived. Although I believe his music was written for the Lute.
Mr.Denoth, can you please respond and tell me which tuning this is? I am a self taught player who is trying to learn late in life. Cannot know whether what notes provided online are recommended. If anybody else knows, please tell me.
He's probably using Karl Scheit's edition (Universal Editions UE 12472). This is in dropped-D tuning. I suspect this is the source because of the unusual spelling "Hunssdon", whereas most all other editions call it "Hunsdon" with a single "s".
@Stopfear @@davidnorton2642 UE16712 (John Dowland Solowerke II) spells Hunsdon's although at the bottom of the page it refers to UE12472. The tuning in UE16712 has the third lowered to F sharp (F# or Fis) instead of G for all compositions in there. Even for King of Denmark's Galliard which has a lowered 6th to D in UE12247. Both the references to UE12247 as well as UE 12472 remark that that is the Guitar tuning. The foreword of UE16712 by Karl Scheit explains the diiffernt tunings for Lute (3rd is F#) and Renaissance Lute which is a minor third higher. He explains that for capturing the Renaissance Lute sound usually a capo on the third position is used .
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I really wish this wonderful song had a continuous view of the musicians hands so those of us who are trying to play this right could observe his magical hands and fingers.
The music is great.
I assume the location was chosen for it's acoustic properties but it is a beautiful building. The distressed looking walls are fantastic and the windows and wood are fantastic too. I wish I had a place like this to play guitar.
I think it is very close cosmetically you the interior and general architecture of English houses at the time when John Dowland, the composer of this song, lived. Although I believe his music was written for the Lute.
@@StopFear Ah, that makes sense. Thanks.
and Christoph it's one of the best
one word: PERFECT
Awesome i love this piece congrats!
That was Awesome!
Great played great concert piece
it's my favorite
Wow, You are really superb, Bravo! Thank you for sharing.
🤘
One of my favorites! Thanks!
Really lovely colors! ☺️
Wunderschön gespielt..best regards
Omg i love this TT
bravo!
GENIAL BUENISIMO ATTE CARLOS
Mr.Denoth, can you please respond and tell me which tuning this is? I am a self taught player who is trying to learn late in life. Cannot know whether what notes provided online are recommended. If anybody else knows, please tell me.
He's probably using Karl Scheit's edition (Universal Editions UE 12472). This is in dropped-D tuning. I suspect this is the source because of the unusual spelling "Hunssdon", whereas most all other editions call it "Hunsdon" with a single "s".
@Stopfear @@davidnorton2642 UE16712 (John Dowland Solowerke II) spells Hunsdon's although at the bottom of the page it refers to UE12472. The tuning in UE16712 has the third lowered to F sharp (F# or Fis) instead of G for all compositions in there. Even for King of Denmark's Galliard which has a lowered 6th to D in UE12247. Both the references to UE12247 as well as UE 12472 remark that that is the Guitar tuning. The foreword of UE16712 by Karl Scheit explains the diiffernt tunings for Lute (3rd is F#) and Renaissance Lute which is a minor third higher. He explains that for capturing the Renaissance Lute sound usually a capo on the third position is used .