Danny.. sitting here in England listening to a storm play out, contemplating whether to get out there and photograph the wild skies and i found this. How utterly beautiful... please share more so i can share you🙏🙏...Bree😉
Im trying to get this solo in my high school performance, this rlly sets a great example and a learning source for me, thank you!!! great singing, very sturdy voice
On a daily basis I have access to a healthy vibrant C2, give me a microphone and I can sing A1's in chest, the lowest I've ever sang in chest is F#1 but thats very rare. Usually in the mornings I have a G1, but again, would need a microphone. As an opera singer it is important to clarify because anything that requires a microphone is useless in classical music.
So this solo is Tuba Mirum which is the "bass solo" in Mozart's requiem. This is not a baritone solo, and definitely not a tenor solo (the "Tenor Solo" happens right after the "Bass Solo.") You do need to be a bass to sing these solos in order to be heard over the orchestra, remember, back in those days Mozart didn't have access to microphones so nothing is amplified. I CAN hit tenor high notes, but would never market myself as a tenor because there would be days that I simply don't have those notes. I'm a Bass, but I learned how to sing in my "subharmonic" register. Subharmonics are a very tricky singing technique that allow me to sing much deeper. There are however people out there that are considered "oktavists" and they can sing quite a bit lower than the bass range. My good friend Erik Hollaway is a true Oktavist. His channel is "ThatBassVoice" i dont think "ThatOktavistVoice" had the same ring to it.
One very basic advice to a beneficial technique, coming from Belcanto: Aim at always giving your voice a reliable, firm and flexible frame to lean and grow into and then do just that: relax and focus. Relax: deeper notes come by imvitation, not by force. Focus: hone in on deliberately and precisely maximizing the overtones, that silver lining wich marks your voice to stand out over the orchestra's tutti, let alone the Tenor cutting into your phrase like in this example. And if, after and on top of that, you want to unlock a whole separate register, check out subharmonics ruclips.net/video/9VI026eWiW4/видео.htmlsi=ANIlyXvcJxM5T-s7
Danny.. sitting here in England listening to a storm play out, contemplating whether to get out there and photograph the wild skies and i found this. How utterly beautiful... please share more so i can share you🙏🙏...Bree😉
Would love to hear Danny sing bass in a barbershop quartet! ❤
Im trying to get this solo in my high school performance, this rlly sets a great example and a learning source for me, thank you!!! great singing, very sturdy voice
So a trained operatic bass
Que voz incrível
Как же красиво 💕
This is amazing!
Nice to listen!
Que voz insana!!
Oh, now it makes sense.
❤fantastic
Is there a full recording of this performace? Mozart's Requiem is my favorite choral work.
Wow
Love you, dear man
Need to hear a viking song version
Nice! How low can you sing in "chestvoice"?
On a daily basis I have access to a healthy vibrant C2, give me a microphone and I can sing A1's in chest, the lowest I've ever sang in chest is F#1 but thats very rare. Usually in the mornings I have a G1, but again, would need a microphone. As an opera singer it is important to clarify because anything that requires a microphone is useless in classical music.
Why did I think it would be a double bass 💀
I don't get it. He's a bass but he can also hit tenor high notes lmao.
So this solo is Tuba Mirum which is the "bass solo" in Mozart's requiem. This is not a baritone solo, and definitely not a tenor solo (the "Tenor Solo" happens right after the "Bass Solo.") You do need to be a bass to sing these solos in order to be heard over the orchestra, remember, back in those days Mozart didn't have access to microphones so nothing is amplified. I CAN hit tenor high notes, but would never market myself as a tenor because there would be days that I simply don't have those notes. I'm a Bass, but I learned how to sing in my "subharmonic" register. Subharmonics are a very tricky singing technique that allow me to sing much deeper. There are however people out there that are considered "oktavists" and they can sing quite a bit lower than the bass range. My good friend Erik Hollaway is a true Oktavist. His channel is "ThatBassVoice" i dont think "ThatOktavistVoice" had the same ring to it.
Danny, I'm 13, a classical singer, and my lowest note is an f2. I want to know how to hit lower notes, any advice/coaching you can give?
One very basic advice to a beneficial technique, coming from Belcanto: Aim at always giving your voice a reliable, firm and flexible frame to lean and grow into and then do just that: relax and focus. Relax: deeper notes come by imvitation, not by force. Focus: hone in on deliberately and precisely maximizing the overtones, that silver lining wich marks your voice to stand out over the orchestra's tutti, let alone the Tenor cutting into your phrase like in this example.
And if, after and on top of that, you want to unlock a whole separate register, check out subharmonics ruclips.net/video/9VI026eWiW4/видео.htmlsi=ANIlyXvcJxM5T-s7