Easily Save Boring Basslines with 1 Synth Tip!
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- Опубликовано: 19 июн 2024
- Ever found yourself stuck with a boring, single-note bassline? In this video, I'll share a synth tip that will help you transform those dull basslines into unique, rhythmic patterns using LFOs. This technique has been a game-changer for me when I need a fresh burst of melodic inspiration!
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00:00 What we're talking about today?
00:54 Why this is helpful
01:26 Focusing on LFO 1 first
02:50 Understanding "FM Input"
03:38 Trying different LFO shapes
03:45 THIS is why it works so well in Modular
04:46 Taking it to the MAX
05:46 Adding a second LFO
06:24 Combining both LFO to the same destination
06:44 Creating a new awesome pattern in two seconds
07:48 Using Rhythmic LFO on a synthesizer
08:25 Making your synthesizer act like a Modular System
09:31 Crucial important to understand about LFOs and marketing
12:00 Sync'd polyphonic LFOs sound amazing!
12:54 The "Fake Delay" Trick with LFO 2
14:03 Now let's hear it all together!
15:55 BUILD UP! and JAM!
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#novationpeak #modularsynth #eurorack 
Развлечения
That was an amazing video, seriously. I guess that I mentioned that before, but I think it is worth saying it again: to me, the most inspiring and enjoyable videos of your are those when it comes across that you are having fun yourself - and even more so when slightly unexpected things happen and you just go with it.
It is those moments that get me up again (most of the times, that is) and just go and try something, even when it totally unrelated to what your video was about. That good fun you are having and the surprise you are enjoying, man, that sure is contagious - at least for me. And I appreciate it a lot! Thanks for that video!
Being more into psy/acid techno, I was really digging that last jam. With that mix of the faster tempo synced LFO with the other one, it has an almost clocked sample & hold like effect, but with repetition - I like it!
That end beat was killer! Awesome tip for the Peak!
Chorus does wonders for bass also 😊
Interesting choice to put the chorus at the end of the chain.
Thanks for the knowledge! 💪🏾
It's so nice to see you vibin' while you share your ideas. Some great tips Ricky, thanks a lot !
This is good. Really nice demo of how important adding movement to voices is. Defo going to try this on the circuit mono.
Very good tips, thanks Ricky 😉
thank you ricky ❤your videos are one of the most consistent sources of fun and inspiration on the internet for me. i really want to try out modular because of you!
We love you Ricky you must be beside yourself living so close to perfect circuit!
Love my Maestro. Most versatile piece of kit.
Peak content for the weekend!!! Niceeeee
Loved this!
Great tip. Thanks 🙏
thanks for this Ricky! I struggle with basslines, and this is great food for thought.
Ricky please turn back acid/techno jam back in a channel like you synth jam series!! We need it
Dang your workflow here is inspiring. Also how you just cooked up the new baseline at 6:48 !
Nice one Ricky X
Cool❤❤❤ i just bought adsr module. My fist was an oscillator
I love using the LFO PlugIn in Ableton since I discovered what it does :)
awesome ending! Peace and Love from Berlin
this is really good man, 1 thing i'd love to see is your full synthesis course, i've got a couple of books and online courses but they always seem to be explaining the same thing. i'd really love to see your course, you always come up with different modulation and signal path tricks which not a lot of guys speak about when they are exlpaining in depth...if you see this, please do a course bro.
The more you fuck around the more you find out
Whow, that is so amazing!!! Thanks for that. I‘m on fire. Luckily I‘m owning a peak. Will do my homework. Thanks for sharing.
maestro and constellation are some of the best modules in euro
Thanks! Some Acid movements at the end.
nice!
Can I ask why you use the circuit tracks vs the digitakt. I was wondering if you recommend one over the other?
One of my favorite examples of this technique, is at around the 6minute mark in Jon Hopkins - Open Eye Signal.
Open eye signal was all hand automated with the ms20 filter, not lfo
whoa! totally! that sounds so cool
Freaking Love that Song and jon hopkins in general
You sure? I know he made the Sounds with his ms20 but the Filter movement sounds very automated to my ears. Cant imagine him repeating the same movements for 7 min straight haha
@@mod.3x he recorded it in by hand so it was different everytime dont know if he did it all in one go or not but i read that in an article of his anyways, tho it could be that the bass in the rest of the song is automated by hand and the dubby part at the 6 min part is lfo, could be possible
LFO is the way
The ending 😂
Knowledge…! Is…! POWER.!!!
@@ftc_music peace
le LFO c'est la vie !
Agree!
💛from South Africa
0:10 sounds like Lime and Pink by Wadsworth
You said while using the maestro that you have "attenuation turned on internally." Is that something the maestro can do and I've never known about it‽
You should make a song with your final sentence 😆
❤❤❤
I don't see why you couldn't use your synth workaround live while adjusting the LFO. Simply move the LFO to desired new position, set phase to 0deg, then as soon as beat 1 plays, set back to free. New LFO is now locked again.
every ricky tinex video: "hey, did you know that synths have envelopes?"
Can we do that with the Sh-4D ?
I guess there is no way to set that up on a elektron machine? But thx for this one! Hard stuff❤
I don't get it. Which parameter are you mapping the LFO to?
in my personal opinion Bass need to be tight with more focus on having a Deep Beautiful fondamenta tone/timbre that has depth, i think Bass don’t need modulation by LFOs as it creates just distraction because Bass is something perceived physically.
My 2 cent are that BASS need just a wise use of Envelope, velocity/gate and manually twicking the Filter while following the track evolution, that approach in my opinion keeps bass interesting enough still not distractive !
Nice Bass to me is:
A beautiful deep Oscillator + Snappy envelope + a beautiful ANALOG filter + short ripetitive catchy sequence + human real time twicking while recording like this guy here 👇🙂
ruclips.net/video/QXtXYlJLJuk/видео.htmlfeature=shared
THO LFO are more useful for Pads/Leads.
how to synchronize LFOs on Syntakt? please
ST has different LFO types like oneshot and synched. Together with the LFO trigger option in the trigger menu you can go really wild with it! 2 LFOs per track and 2 more on the FX track. 🤩
Reseting lfo is simple feature, strange that peak cant do it in a proper way.
This is really easy to do with Maths because it has two channels and two attenuverters. If Maths is synched with your clock it’s easy to send a reset signal and have the frequency match tempo :)
But are BORING basslines worth saving? 🤔😁
😺😺😺
Recently purchased all 3 e25 boxes..Can't read them very well.reached out to elektron via a call and a support ticket. Wanting to purchase standard faceplates. No response in 7 days. Figured I'd reach out to you and see if you can light a fire under someone's ass.
Love your content and will keep consuming it voraciously.
I understand commercials pay the bills but it's super not cool when I'm listening intently to your art and RUclips comes in with the face melter.
RUclips needs an ATTENUATE COMMERCIALS option!
bruh i'm ngl i have no fkn idea what you're talking about in this video..... dope tho
I was like you 3 years ago when I first started watching his channel. It gets more fun when you get it. Trust.
@@spencertatum897 Same bro. Iam high as fxck r n and understand Ricky easily. He is the best modern teacher of synth magic
😂
amazing lesson, even with a scratchy knob How about the Peak and external cv controls, taking into account the solitary CV *MOD* in 3.5mm port. Am I missing another possibility for externally-controlled movement, perhaps redesignating the pedal or animate connectors?