When I was a kid my dad and my uncle built harpsichords over my grandparents grocery store. The back room had an organ, a grand piano, and several harpsichords and clavichords. I was always messing around, sticking my hand inside and strumming the strings, holding the sustain pedal down and yelling into it, etc. Then a friend of mine got an Alesis Quadraverb that had resonators on it. There was a bank of 5 and they had really weird polyphony - every time you played a midi note it would change the pitch of the next resonator in the cycle. But you could also retune each resonator to a different transposing. We made music by running drum sounds or guitar feedback through it. It was so much fun! Later I tried getting a similar effect in Supercollider. And I found out that having more than a handful of resonators will totally tank the CPU. I love that there's a pedal that's up to the task! (although it's possible that the real problem was the matrix mixer that connected every resonator to every other one, like a teeny tiny neural net)
@@mikeciul8599 my dad was a musician and educator with a voracious appetite for learning new instruments. As an immigrant with limited income and a young family, he couldn’t afford to indulge his passions. His answer was to become a dealer or a distributor for the things that interested him. This was how he managed to get a clavichord, and then eventually a Neupert harpsichord, as well as Premier and Deagan vibraphones, etc. All lovely things for me to fool around with.
Just started the vid, so maybe it gets mentioned later, but "Prismatic Wall" is the name of a spell in Dungeons & Dragons since the first edition. Where m'nerds at??
A friend builds custom harp guitars. One of the things I love about them, is how the harp strings resonate as you play the guitar section, creating harmonically-related reverberations. Truly angelic sounds….
I ❤️ when you do the longer form videos and I can hear you actually play for while, and see everything the pedal does. This was really especially lovely today. Thank you so much harp hippie.
For those of you who do Eurorack, of course you know that Rings popularized the idea of the resonator half of physical modeling as an effect. But it didn’t have midi in to gain control over which bands were open or closed. The closest thing I think would be TiNRS Bopp & Steve which isn’t out yet. So, yeah, good job to Mr Snyder for bringing this stuff to the pedal world! It’s a super cool idea more people should try.
Yep, came on to say exactly the same thing! There's nothing new about this at all, except maybe a resonator hasn't been done in pedal form. I like to process guitar through Rings using VCV, and send it random pitch info from something like sample and hold into a quantiser.
@@LordoftheBadgers true, but guitarists just love pedals. Hardly anyone seems to use Eurorack with guitar. I would use hardware too, just can't justify the cost...
Adored the little ditty you played at 2.30. sounded really good with this effect too. It may well be my favourite of anything I have heard you play on this channel.
I don't know anything about making music and I just stumbled on this channel. I feel like I just entered a different world. I had no idea pedals existed, I just assumed most distortion is done in a computer. That is so cool.
@@communications23 I am a visual artist and so music isn’t really for me. However, it is always cool to see people passionate about a totally different art from what I practice!
@@LFPAnimations I think it could inform your own art if you try different kinds of things. Like trying to visually depict the sounds etc. But whatever feels right for you is the correct way obviously.
@@communications23 It is hard enough to master one art and music has never been a strongsuit for me. I tried drums and guitar in middle school, but photography and filmmaking is what I gravitated towards. I prefer to just hire a composer or sound engineer if I need it on a project. Plus supporting other artists is cool :)
Would have missed this entirely (damn you, algorithm!) if it hadn't been included in the best of '24 clip. Kudos to designer John, this is a must-have. 👍👍
"Prismatic Wall" is also a 9th level D&D wizard's spell. "A shimmering, multicolored plane of light forms a vertical opaque wall--up to 90 feet long, 30 feet high, and 1 inch thick--centered on a point you can see within range. Alternatively, you can shape the wall into a sphere up to 30 feet in diameter centered on a point you choose within range. The wall remains in place for the duration. If you position the wall so that it passes through a space occupied by a creature, the spell fails, and your action and the spell slot are wasted. The wall sheds bright light out to a range of 100 feet and dim light for an additional 100 feet. You and creatures you designate at the time you cast the spell can pass through and remain near the wall without harm. If another creature that can see the wall moves to within 20 feet of it or starts its turn there, the creature must succeed on a Constitution saving throw or become blinded for 1 minute. The wall consists of seven layers, each with a different color. When a creature attempts to reach into or pass through the wall, it does so one layer at a time through all the wall's layers. As it passes or reaches through each layer, the creature must make a Dexterity saving throw or be affected by that layer's properties as described below. The wall can be destroyed, also one layer at a time, in order from red to violet, by means specific to each layer. Once a layer is destroyed, it remains so for the duration of the spell. Antimagic field has no effect on the wall, and dispel magic can affect only the violet layer. 1. Red. The creature takes 10d6 fire damage on a failed save, or half as much damage on a successful one. While this layer is in place, nonmagical ranged attacks can't pass through the wall. The layer can be destroyed by dealing at least 25 cold damage to it. 2. Orange. The creature takes 10d6 acid damage on a failed save, or half as much damage on a successful one. While this layer is in place, magical ranged attacks can't pass through the wall. The layer is destroyed by a strong wind. 3. Yellow. The creature takes 10d6 lightning damage on a failed save, or half as much damage on a successful one. This layer can be destroyed by dealing at least 60 force damage to it. 4. Green. The creature takes 10d6 poison damage on a failed save, or half as much damage on a successful one. A passwall spell, or another spell of equal or greater level that can open a portal on a solid surface, destroys this layer. 5. Blue. The creature takes 10d6 cold damage on a failed save, or half as much damage on a successful one. This layer can be destroyed by dealing at least 25 fire damage to it. 6. Indigo. On a failed save, the creature is restrained. It must then make a Constitution saving throw at the end of each of its turns. If it successfully saves three times, the spell ends. If it fails its save three times, it permanently turns to stone and is subjected to the petrified condition. The successes and failures don't need to be consecutive; keep track of both until the creature collects three of a kind. While this layer is in place, spells can't be cast through the wall. The layer is destroyed by bright light shed by a daylight spell or a similar spell of equal or higher level. 7. Violet. On a failed save, the creature is blinded. It must then make a Wisdom saving throw at the start of your next turn. A successful save ends the blindness. If it fails that save, the creature is transported to another plane of the GM's choosing and is no longer blinded. (Typically, a creature that is on a plane that isn't its home plane is banished home, while other creatures are usually cast into the Astral or Ethereal planes.) This layer is destroyed by a dispel magic spell or a similar spell of equal or higher level that can end spells and magical effects."
OK the information on this pedal about my favorite guitar effect was even better than EAEs video manual! I use Mutable Insdtruments Rings and the Dreadbox Antidote (you presented briefely) on my pedalboard coupled to a Eurorack box, for this effect but my problem is I can't microtonally tune Rings resonant harmonics. WITH THIS it seems I can! AND use my foot for further expressions. A MUST for me. Thank You Emily and Ross!!!
Been wanting this pedal since it came out. EAE makes some, if not all, of my favorite pedals put there. Both Limelight and Dagger never leave my board. But both this one and Sending have been in my want list for a while now ❤
This is rad pedal. Like the controls. I already got the Meng Qi Wingie2 to experiment with a physical modeling resonator, it's stereo in and out too. That harp piano amp is super cool!
Oh wow, you should release that last piece you played as a stand-alone track or something. I could listen to it all day 😍 and with that ramping between low and higher frequencies... cherry on top! So beautiful! 🙌 You can even call it "Trippin' on Morphin"
0:30 The low frequency reverberation tone kind of reminds me of a bass-tone from some of the 80-90's ballads like the bass-line in "Berlin - Take My Breath Away".
This seems cool. I already have a piano damper resonation effect on my stage piano (Yamaha CK88). The cool thing about it being an effect, as opposed to part of the piano sound engine, is that I can use it on other sounds. However, it's not as customizable or as intense sounding as this pedal. There are also resonators in the Continuum. I don't have an Iridium or Quantum, but if someone does, you've got a whole synth engine like this - IDK whether you can tune the bands chromatically. This is a good idea for a pedal.
We've had this for decades in modular synthesizers. My serge modular rack with a frequency shifter, an analog delay line, sping reverb, fixed filter bank, etc. could do this in spades. It does sound nice, but I don't see how this is a new effect in any way shape or form.
@@VirtualModular @bijoucassell4587 If you read some of our other materials on this pedal, I talk about this a bunch. Synth users have indeed been able to enjoy physical modeling (and other incredibly powerful effects, like filter banks) for a long time. I thought it was interesting that nobody had bothered to bring these sounds intentionally into a pedal context, especially tuned for amplified electric instruments. That's what we built this from the ground up to achieve.
Guitarists (and presumably bassers) have been able to get a natural reverb for years AND YOU CAN TOO! Sit on your sofa, and rest your instrument on the backrest of the sofa. The vibrations will travel through the wood to the springs in your sofa (if it has any), and you'll get the naturally amplified reverberations, it can make practicing at home feel like a whole different environment than we're expecting.
Are the melodies you play in the demos from your music? If so, I gotta hear more! I could listen to this stuff all day. So incredibly relaxing. Especially with the cool effects from the prismatic wall. Feels very cinematic.
Damn, I may actually need one of these. Wanted a Frostwave Resonator and a LastGasp Misty Cave for the longest time, but because I've been up my own derrier with stereo rigs lately I kind of ignored this when it came out, but as Emily so rightly says I could just do what I do with my Mel9/Habit/etc. and put this near the front of the chain, with some stereo chums aft. Grrrr, the blasted list doesn't get any shorter...
it feels like it, I just got the Erica Synth Nightverb and it morphs as well and is def true morphing, but the changing delay times can create some unpleasant modulation depending on a few things
@@emilyharpist2 have you tried a Vortex? I can't believe it's not been revisited, way ahead of it's time, and really cheap....then. I thinks it's the kinda forgotten. You'd love it.
Guitar Rig 5 had "Resochord" that should have been a pedal like this. I remember doing some really similar things to this video with Resochord in 2012.
I have been enamored with Live’s Corpus since I figured it out, layering under my cheap kick drum and adding melodies to field recordings and other mangling… Russ could’ve went for the octave, just saying. I have owned a pair of suction cup drivers since 2008 and maybe I should try to use them. If you hear screaming from Massapequa,I got electrocuted. I’ll be OK.
can't wait until some noise artist gets their hands on this beauty, and we won't even realize it until grainy live show footage shows that this is part of their pedalboard
There are some really amazing physical modeling plugins out there! It's a vast and amazing world that we really wanted to introduce in a more guitar-centric context.
Totally separate from the cool pedal stuff, anyone recognize what's going on with the bridge situation of that P-90 offset guitar? It looks like there's some sort of sliders as part of the tailpiece...
Reverb models reflection and absorption, this models the action of resonant bodies. Kinda a distinction of scale but the fundamental unit (delay) is used very differently, the delay time and feedback parameters are much more tightly controlled in physical modelling, whereas reverb just has a bunch of them filtered and modulated somewhat.
It kind of makes me think of spring reverb but with extra stuff Edit: ok maybe not but some of the reverberations have that spring reverb sound to them
![BLACK BAG - Official Trailer [HD] - Only in Theaters March 14](http://i.ytimg.com/vi/Du0Xp8WX_7I/mqdefault.jpg)
When I was a kid my dad and my uncle built harpsichords over my grandparents grocery store. The back room had an organ, a grand piano, and several harpsichords and clavichords. I was always messing around, sticking my hand inside and strumming the strings, holding the sustain pedal down and yelling into it, etc.
Then a friend of mine got an Alesis Quadraverb that had resonators on it. There was a bank of 5 and they had really weird polyphony - every time you played a midi note it would change the pitch of the next resonator in the cycle. But you could also retune each resonator to a different transposing. We made music by running drum sounds or guitar feedback through it. It was so much fun!
Later I tried getting a similar effect in Supercollider. And I found out that having more than a handful of resonators will totally tank the CPU. I love that there's a pedal that's up to the task! (although it's possible that the real problem was the matrix mixer that connected every resonator to every other one, like a teeny tiny neural net)
@@mikeciul8599 my dad was a musician and educator with a voracious appetite for learning new instruments. As an immigrant with limited income and a young family, he couldn’t afford to indulge his passions. His answer was to become a dealer or a distributor for the things that interested him. This was how he managed to get a clavichord, and then eventually a Neupert harpsichord, as well as Premier and Deagan vibraphones, etc. All lovely things for me to fool around with.
I also grew up with a harpsichord maker dad. Wow. We could swap a lot of stories.
@@cheeseheadfiddle no way! We totally should! My dad lives in Toronto now. His brothers also made harpsichords, in Michigan and Colorado.
Just started the vid, so maybe it gets mentioned later, but "Prismatic Wall" is the name of a spell in Dungeons & Dragons since the first edition. Where m'nerds at??
Saw the pedal on reddit and was like "thays my favorite spell" now I'm here 🎉
A friend builds custom harp guitars. One of the things I love about them, is how the harp strings resonate as you play the guitar section, creating harmonically-related reverberations. Truly angelic sounds….
I ❤️ when you do the longer form videos and I can hear you actually play for while, and see everything the pedal does.
This was really especially lovely today. Thank you so much harp hippie.
this is quickly becoming my favorite pedal review channel. Please keep doing more in person interviews. This really do be lit.
For those of you who do Eurorack, of course you know that Rings popularized the idea of the resonator half of physical modeling as an effect. But it didn’t have midi in to gain control over which bands were open or closed. The closest thing I think would be TiNRS Bopp & Steve which isn’t out yet. So, yeah, good job to Mr Snyder for bringing this stuff to the pedal world! It’s a super cool idea more people should try.
Meng Qi Wingie 2 - have you seen that?
Yep, came on to say exactly the same thing! There's nothing new about this at all, except maybe a resonator hasn't been done in pedal form. I like to process guitar through Rings using VCV, and send it random pitch info from something like sample and hold into a quantiser.
@@VirtualModular yep. And there are several solutions for getting the signal into hardware eurorack and thru rings etc
@@LordoftheBadgers true, but guitarists just love pedals. Hardly anyone seems to use Eurorack with guitar. I would use hardware too, just can't justify the cost...
@@VirtualModular wise. So wise. I could've bought a bloody car if I'd seen sense earlier 🤦♂️
Cool pedal and love the designer interview bits.
Adored the little ditty you played at 2.30. sounded really good with this effect too. It may well be my favourite of anything I have heard you play on this channel.
I don't know anything about making music and I just stumbled on this channel. I feel like I just entered a different world. I had no idea pedals existed, I just assumed most distortion is done in a computer. That is so cool.
Oh I so hope it will inspire you to pick up any instrument. Even if you're not any good, it's such a joy to explore the sonic qualities,
@@communications23 I am a visual artist and so music isn’t really for me. However, it is always cool to see people passionate about a totally different art from what I practice!
@@LFPAnimations I think it could inform your own art if you try different kinds of things. Like trying to visually depict the sounds etc. But whatever feels right for you is the correct way obviously.
@@communications23 It is hard enough to master one art and music has never been a strongsuit for me. I tried drums and guitar in middle school, but photography and filmmaking is what I gravitated towards. I prefer to just hire a composer or sound engineer if I need it on a project. Plus supporting other artists is cool :)
The harp really is the best for showing off these pedals. Thank you!
Again such a beautiful demo! Always fun watching!
I really love hearing your harp do that chorusing sound via the Prismatic Wall. It was a beautiful and made me smile.
Would have missed this entirely (damn you, algorithm!) if it hadn't been included in the best of '24 clip. Kudos to designer John, this is a must-have. 👍👍
The way I yelled "It's MORPHIN TIME" on reflex before it happened in the video. At least I'm not the only one wired that way.
😂
Note triggering the Prismatic Wall is wicked and the low res sounds are so choice!
"Prismatic Wall" is also a 9th level D&D wizard's spell.
"A shimmering, multicolored plane of light forms a vertical opaque wall--up to 90 feet long, 30 feet high, and 1 inch thick--centered on a point you can see within range. Alternatively, you can shape the wall into a sphere up to 30 feet in diameter centered on a point you choose within range. The wall remains in place for the duration. If you position the wall so that it passes through a space occupied by a creature, the spell fails, and your action and the spell slot are wasted.
The wall sheds bright light out to a range of 100 feet and dim light for an additional 100 feet. You and creatures you designate at the time you cast the spell can pass through and remain near the wall without harm. If another creature that can see the wall moves to within 20 feet of it or starts its turn there, the creature must succeed on a Constitution saving throw or become blinded for 1 minute.
The wall consists of seven layers, each with a different color. When a creature attempts to reach into or pass through the wall, it does so one layer at a time through all the wall's layers. As it passes or reaches through each layer, the creature must make a Dexterity saving throw or be affected by that layer's properties as described below.
The wall can be destroyed, also one layer at a time, in order from red to violet, by means specific to each layer. Once a layer is destroyed, it remains so for the duration of the spell. Antimagic field has no effect on the wall, and dispel magic can affect only the violet layer.
1. Red. The creature takes 10d6 fire damage on a failed save, or half as much damage on a successful one. While this layer is in place, nonmagical ranged attacks can't pass through the wall. The layer can be destroyed by dealing at least 25 cold damage to it.
2. Orange. The creature takes 10d6 acid damage on a failed save, or half as much damage on a successful one. While this layer is in place, magical ranged attacks can't pass through the wall. The layer is destroyed by a strong wind.
3. Yellow. The creature takes 10d6 lightning damage on a failed save, or half as much damage on a successful one. This layer can be destroyed by dealing at least 60 force damage to it.
4. Green. The creature takes 10d6 poison damage on a failed save, or half as much damage on a successful one. A passwall spell, or another spell of equal or greater level that can open a portal on a solid surface, destroys this layer.
5. Blue. The creature takes 10d6 cold damage on a failed save, or half as much damage on a successful one. This layer can be destroyed by dealing at least 25 fire damage to it.
6. Indigo. On a failed save, the creature is restrained. It must then make a Constitution saving throw at the end of each of its turns. If it successfully saves three times, the spell ends. If it fails its save three times, it permanently turns to stone and is subjected to the petrified condition. The successes and failures don't need to be consecutive; keep track of both until the creature collects three of a kind. While this layer is in place, spells can't be cast through the wall. The layer is destroyed by bright light shed by a daylight spell or a similar spell of equal or higher level.
7. Violet. On a failed save, the creature is blinded. It must then make a Wisdom saving throw at the start of your next turn. A successful save ends the blindness. If it fails that save, the creature is transported to another plane of the GM's choosing and is no longer blinded. (Typically, a creature that is on a plane that isn't its home plane is banished home, while other creatures are usually cast into the Astral or Ethereal planes.) This layer is destroyed by a dispel magic spell or a similar spell of equal or higher level that can end spells and magical effects."
That jam with the bit crusher was especially cool! What an incredible device!
I totally love this. No better instrument to demo this pedal than the harp.
Really like the sound, I am thinking now about getting one for my sax and synth
OK the information on this pedal about my favorite guitar effect was even better than EAEs video manual! I use Mutable Insdtruments Rings and the Dreadbox Antidote (you presented briefely) on my pedalboard coupled to a Eurorack box, for this effect but my problem is I can't microtonally tune Rings resonant harmonics. WITH THIS it seems I can! AND use my foot for further expressions. A MUST for me. Thank You Emily and Ross!!!
That warbly action at like 2:50 is incredible
Harp lady channel is the best. Thank you for covering this! I’m a huge fan of EAE.
This is SO interesting and sounds SO GOOD!
This was an awesome video! Totally have to try prismatic wall!
Accurate description 🤷♂️
Neat pedal - thanks for the review 😎🍷
Thanks for the video! Need this for my harp.
What is the warbly song your playing around 2:50
i love that he is wearing a metal zone. that bit using a piano as amp is AWESOME
Been wanting this pedal since it came out. EAE makes some, if not all, of my favorite pedals put there.
Both Limelight and Dagger never leave my board.
But both this one and Sending have been in my want list for a while now ❤
Hope you, Russ and all your fuzzy friends are safe and happy!
Love your humor ! You are precious ! Oh, great video. Thanks for the info.
Love your playing!! So beautiful!
dude, ok, hear me out ... pretzel. shaped. harp.
A parp!
Harp road case = Harp shaped box
John's Metal Zone drip is *ON POINT* 🤘
It really do be
I love the MT-2
This is rad pedal. Like the controls. I already got the Meng Qi Wingie2 to experiment with a physical modeling resonator, it's stereo in and out too. That harp piano amp is super cool!
"John the Resonator" is one of the best Depeche Mode songs
werent that the fella what wrote the book on the seven seas
@@tsvtsvtsv…seven SEALS
Oh wow, you should release that last piece you played as a stand-alone track or something. I could listen to it all day 😍 and with that ramping between low and higher frequencies... cherry on top! So beautiful! 🙌 You can even call it "Trippin' on Morphin"
EAE rules. There are so many amazing pedal makers in Massachusetts 🥲
0:30 The low frequency reverberation tone kind of reminds me of a bass-tone from some of the 80-90's ballads like the bass-line in "Berlin - Take My Breath Away".
Hitting the Prismatic Backwalls
Jesse and John should do a Prismatic EUNA and just call it a day. Also, thanks Harp Lady
Strategically placed Pile poster
Love those Moog-style knobs. Might need to grab this!
love these knobs
This seems cool. I already have a piano damper resonation effect on my stage piano (Yamaha CK88). The cool thing about it being an effect, as opposed to part of the piano sound engine, is that I can use it on other sounds. However, it's not as customizable or as intense sounding as this pedal. There are also resonators in the Continuum. I don't have an Iridium or Quantum, but if someone does, you've got a whole synth engine like this - IDK whether you can tune the bands chromatically. This is a good idea for a pedal.
Oooh, plus a nerdy reference. Love a nerdy reference on a music tool.
The yap in this viddi is taking every W no cap
The bit at 7:40 is a vibe
a five-sided octagon is my spirit animal, just sayin.
Same
Can't go wrong with a good pretzel
Helllll yeah
@@emilyharpist2 I took a diversion from Snyder brand and am now on Dot's pretzels. I'm a pretzel fan too. All are good....no admitted loyalty 😉🍻
Sounds awesome. I love EAE. the fact that it’s not stereo is a heartbreaker.
John is a freaking genius..
I would be motivated to obtain a PRISMATIC WALL pedal if it was stereo so that I could use it on both channels of my Korg KRONOS 2-88 keyboard!
Get two and run the left and right with different settings for maximum Wall
God I love your videos so much.
We've had this for decades in modular synthesizers. My serge modular rack with a frequency shifter, an analog delay line, sping reverb, fixed filter bank, etc. could do this in spades. It does sound nice, but I don't see how this is a new effect in any way shape or form.
Yep, exactly this. It's basically Rings, which is illegal to use on RUclips without Clouds as well. 😂
@@VirtualModular @bijoucassell4587 If you read some of our other materials on this pedal, I talk about this a bunch. Synth users have indeed been able to enjoy physical modeling (and other incredibly powerful effects, like filter banks) for a long time. I thought it was interesting that nobody had bothered to bring these sounds intentionally into a pedal context, especially tuned for amplified electric instruments. That's what we built this from the ground up to achieve.
@@electronicaudioexperiments I see, I had a reading comprehension issue, that's my bad! An entirely new effect for "pedal users". Carry on!
I want this now thank you again!
Guitarists (and presumably bassers) have been able to get a natural reverb for years AND YOU CAN TOO!
Sit on your sofa, and rest your instrument on the backrest of the sofa.
The vibrations will travel through the wood to the springs in your sofa (if it has any), and you'll get the naturally amplified reverberations, it can make practicing at home feel like a whole different environment than we're expecting.
I love the name of this channel: "Harp Lady"
10:38 what's behind your right shoulder? The larger white piece of gear?
Eyyy I'm morphin heeah 😂😂 never change, Emily
Are the melodies you play in the demos from your music? If so, I gotta hear more! I could listen to this stuff all day. So incredibly relaxing. Especially with the cool effects from the prismatic wall. Feels very cinematic.
Last Gasp Art Lab's Misty Cave did this first, but this is a much better application. I'm looking forward to mine arriving.
John! Harp Lady used words I understand!
😂 😂
LOL! xD
You should read the "Thing Explainer" book by Randal Munroe, I'm sure it will amuse you .
Damn, I may actually need one of these. Wanted a Frostwave Resonator and a LastGasp Misty Cave for the longest time, but because I've been up my own derrier with stereo rigs lately I kind of ignored this when it came out, but as Emily so rightly says I could just do what I do with my Mel9/Habit/etc. and put this near the front of the chain, with some stereo chums aft. Grrrr, the blasted list doesn't get any shorter...
Sort of like an easy-mode MI Rings in a pedal. Neat! (Not claiming it's a clone/port...just to be clear! 😆)
Yes that seems to be the closest thing!
Does it Morph or Cross-fade?
The only true morphing FX unit I've used is the Lexicon Vortex....
it feels like it, I just got the Erica Synth Nightverb and it morphs as well and is def true morphing, but the changing delay times can create some unpleasant modulation depending on a few things
@@emilyharpist2 have you tried a Vortex?
I can't believe it's not been revisited, way ahead of it's time, and really cheap....then.
I thinks it's the kinda forgotten.
You'd love it.
Guitar Rig 5 had "Resochord" that should have been a pedal like this. I remember doing some really similar things to this video with Resochord in 2012.
I have been enamored with Live’s Corpus since I figured it out, layering under my cheap kick drum and adding melodies to field recordings and other mangling…
Russ could’ve went for the octave, just saying.
I have owned a pair of suction cup drivers since 2008 and maybe I should try to use them. If you hear screaming from Massapequa,I got electrocuted. I’ll be OK.
So… the effect pedal necklaces… THAT was interesting as well.
can't wait until some noise artist gets their hands on this beauty, and we won't even realize it until grainy live show footage shows that this is part of their pedalboard
Her accent when she says it could be a turtle is pure Walt Whitman, the mall, not the poet
May I ask, which would you buy first if you could only pick one: Prismatic Wall or Chroma Console?
Entirely depends on what other pedals you have. If you don't have any other pedals, Chroma for sure.
If you have a lot of pedals already; PW for sure. If you don’t really have any, CC is good and covers a ton of ground!
My question, too! I think they would do well together, though. 🤔
Would be nice to know what the other gear is.. the white MIDI controller and the drum machine.
Prismatic WOAH
OMG! A sympathetic vibration pedal is so cool. I want to mess around with it!
This is really cool. Someone needs to make a plug in version
There are some really amazing physical modeling plugins out there! It's a vast and amazing world that we really wanted to introduce in a more guitar-centric context.
Totally separate from the cool pedal stuff, anyone recognize what's going on with the bridge situation of that P-90 offset guitar? It looks like there's some sort of sliders as part of the tailpiece...
Not my cup of tea but I'm glad I found this channel
I like to think that all the instruments in the studio are singing along
It definitely sounds like a 9th level abjuration spell.
if you like this you should check out the lastgasp audio labs misty cave. it's a resonator with an echo and an exp jack. it's neat.
6:13 so no mics anywhere?
It's almost built for harp by gods it's great!
6:45 but is it MPE enabled for multiple incoming channels???? or can it accept .scl files??????? 😃😃😃😃
doesn't look like it 😢
MPE is cool, but would totally break MIDI on a traditional pedalboard setup. Had to stop somewhere!
How is this not just fancy reverb?
Reverb models reflection and absorption, this models the action of resonant bodies. Kinda a distinction of scale but the fundamental unit (delay) is used very differently, the delay time and feedback parameters are much more tightly controlled in physical modelling, whereas reverb just has a bunch of them filtered and modulated somewhat.
Nice one, so versatile ...
Thanks harp mom
im so glad i clicked on this while i was high
You make every pedal seem as if they had the harp in mind while designing.
imagining doing the exciter thing on a big room full of harps
Yesssss more awesome pedals from Pedal Gir- ERRR-HARPLADY- I said Harp Lady.
How do we get an exciter, can you do a longer video about that?
So it's basically a pedal version of Mutable Instruments' Rings module but with more features? Sounds cool
rings is definitely the closest thing!
UNlce Em as a power ranger is now the only image I have in my head and probably will do for some time.
It kind of makes me think of spring reverb but with extra stuff
Edit: ok maybe not but some of the reverberations have that spring reverb sound to them
Totally makes sense because it emulates strings resonating (instead of a spring)
We need a “chesty harp lady eating pretzels asmr” ft. Prismatic Wall
Instantaneous Andreas Vollenwieder ( spelling ?) - prismatic wall sounds super cool - thanks for the review - intriguing 👏👏👏👍🙏🌏✌️🎼🎶💫
This is so cool, I wish it wasn't 400 dollars but I get it, there are pedals that are way more. it seems like a lot of work went into it.
I got octagon glasses a while ago. The first time my parents saw them, they said "cool hexagon glasses!!!"
It‘s a Rings by Mutable Instruments turned in a Pedal?
That’s definitely the closest thing!
But really, whats Uncle Em think about stocking these in his store? Was going to come down to catch a deal or two this weekend