When I was a kid my dad and my uncle built harpsichords over my grandparents grocery store. The back room had an organ, a grand piano, and several harpsichords and clavichords. I was always messing around, sticking my hand inside and strumming the strings, holding the sustain pedal down and yelling into it, etc. Then a friend of mine got an Alesis Quadraverb that had resonators on it. There was a bank of 5 and they had really weird polyphony - every time you played a midi note it would change the pitch of the next resonator in the cycle. But you could also retune each resonator to a different transposing. We made music by running drum sounds or guitar feedback through it. It was so much fun! Later I tried getting a similar effect in Supercollider. And I found out that having more than a handful of resonators will totally tank the CPU. I love that there's a pedal that's up to the task! (although it's possible that the real problem was the matrix mixer that connected every resonator to every other one, like a teeny tiny neural net)
@@mikeciul8599 my dad was a musician and educator with a voracious appetite for learning new instruments. As an immigrant with limited income and a young family, he couldn’t afford to indulge his passions. His answer was to become a dealer or a distributor for the things that interested him. This was how he managed to get a clavichord, and then eventually a Neupert harpsichord, as well as Premier and Deagan vibraphones, etc. All lovely things for me to fool around with.
I don't know anything about making music and I just stumbled on this channel. I feel like I just entered a different world. I had no idea pedals existed, I just assumed most distortion is done in a computer. That is so cool.
@@communications23 I am a visual artist and so music isn’t really for me. However, it is always cool to see people passionate about a totally different art from what I practice!
@@LFPAnimations I think it could inform your own art if you try different kinds of things. Like trying to visually depict the sounds etc. But whatever feels right for you is the correct way obviously.
@@communications23 It is hard enough to master one art and music has never been a strongsuit for me. I tried drums and guitar in middle school, but photography and filmmaking is what I gravitated towards. I prefer to just hire a composer or sound engineer if I need it on a project. Plus supporting other artists is cool :)
For those of you who do Eurorack, of course you know that Rings popularized the idea of the resonator half of physical modeling as an effect. But it didn’t have midi in to gain control over which bands were open or closed. The closest thing I think would be TiNRS Bopp & Steve which isn’t out yet. So, yeah, good job to Mr Snyder for bringing this stuff to the pedal world! It’s a super cool idea more people should try.
Yep, came on to say exactly the same thing! There's nothing new about this at all, except maybe a resonator hasn't been done in pedal form. I like to process guitar through Rings using VCV, and send it random pitch info from something like sample and hold into a quantiser.
@@LordoftheBadgers true, but guitarists just love pedals. Hardly anyone seems to use Eurorack with guitar. I would use hardware too, just can't justify the cost...
Adored the little ditty you played at 2.30. sounded really good with this effect too. It may well be my favourite of anything I have heard you play on this channel.
Totally separate from the cool pedal stuff, anyone recognize what's going on with the bridge situation of that P-90 offset guitar? It looks like there's some sort of sliders as part of the tailpiece...
"Prismatic Wall" is also a 9th level D&D wizard's spell. "A shimmering, multicolored plane of light forms a vertical opaque wall--up to 90 feet long, 30 feet high, and 1 inch thick--centered on a point you can see within range. Alternatively, you can shape the wall into a sphere up to 30 feet in diameter centered on a point you choose within range. The wall remains in place for the duration. If you position the wall so that it passes through a space occupied by a creature, the spell fails, and your action and the spell slot are wasted. The wall sheds bright light out to a range of 100 feet and dim light for an additional 100 feet. You and creatures you designate at the time you cast the spell can pass through and remain near the wall without harm. If another creature that can see the wall moves to within 20 feet of it or starts its turn there, the creature must succeed on a Constitution saving throw or become blinded for 1 minute. The wall consists of seven layers, each with a different color. When a creature attempts to reach into or pass through the wall, it does so one layer at a time through all the wall's layers. As it passes or reaches through each layer, the creature must make a Dexterity saving throw or be affected by that layer's properties as described below. The wall can be destroyed, also one layer at a time, in order from red to violet, by means specific to each layer. Once a layer is destroyed, it remains so for the duration of the spell. Antimagic field has no effect on the wall, and dispel magic can affect only the violet layer. 1. Red. The creature takes 10d6 fire damage on a failed save, or half as much damage on a successful one. While this layer is in place, nonmagical ranged attacks can't pass through the wall. The layer can be destroyed by dealing at least 25 cold damage to it. 2. Orange. The creature takes 10d6 acid damage on a failed save, or half as much damage on a successful one. While this layer is in place, magical ranged attacks can't pass through the wall. The layer is destroyed by a strong wind. 3. Yellow. The creature takes 10d6 lightning damage on a failed save, or half as much damage on a successful one. This layer can be destroyed by dealing at least 60 force damage to it. 4. Green. The creature takes 10d6 poison damage on a failed save, or half as much damage on a successful one. A passwall spell, or another spell of equal or greater level that can open a portal on a solid surface, destroys this layer. 5. Blue. The creature takes 10d6 cold damage on a failed save, or half as much damage on a successful one. This layer can be destroyed by dealing at least 25 fire damage to it. 6. Indigo. On a failed save, the creature is restrained. It must then make a Constitution saving throw at the end of each of its turns. If it successfully saves three times, the spell ends. If it fails its save three times, it permanently turns to stone and is subjected to the petrified condition. The successes and failures don't need to be consecutive; keep track of both until the creature collects three of a kind. While this layer is in place, spells can't be cast through the wall. The layer is destroyed by bright light shed by a daylight spell or a similar spell of equal or higher level. 7. Violet. On a failed save, the creature is blinded. It must then make a Wisdom saving throw at the start of your next turn. A successful save ends the blindness. If it fails that save, the creature is transported to another plane of the GM's choosing and is no longer blinded. (Typically, a creature that is on a plane that isn't its home plane is banished home, while other creatures are usually cast into the Astral or Ethereal planes.) This layer is destroyed by a dispel magic spell or a similar spell of equal or higher level that can end spells and magical effects."
A friend builds custom harp guitars. One of the things I love about them, is how the harp strings resonate as you play the guitar section, creating harmonically-related reverberations. Truly angelic sounds….
Reverb models reflection and absorption, this models the action of resonant bodies. Kinda a distinction of scale but the fundamental unit (delay) is used very differently, the delay time and feedback parameters are much more tightly controlled in physical modelling, whereas reverb just has a bunch of them filtered and modulated somewhat.
You show up with a stereo v2 and you'll have my wallet open before the video finishes. I don't play mono instruments; putting this first in my chain doesn't fix this. Pedal creators: we appreciate you, but going forward, mono is the ultimate boner killer.
Totally fair, I kinda feel the same way about stereo TBH but I really loved this effect and the process behind this all, and really wanted to highlight it. I’m going to get around the mono stuff in the studio with this by using some reamping and panning techniques in post. I do it with the CB Habit and Thermae and get great results; but I know that doesn’t really help everyone
Fair criticism, of course. The primary goal here was to introduce physical modeling into a guitar-centric context. And while there are of course lots of stereo rigs, guitars are by and large still mono. Due to all the analog processing going on the hardware is already pretty complex, and a stereo implementation would have increased the price by 20-25%. So, we decided to keep it mono.
@@electronicaudioexperiments just in case it needs to be said: if this was stereo and cost 25% more, I would 100% already have a confirmation email in my inbox. "just sayin"
love the sounds, love the concept love the 'I'm morphin' here' idea popped in my head for next version wet/dry outputs to send the reflection bank to another part of the room via amp #2
Are the melodies you play in the demos from your music? If so, I gotta hear more! I could listen to this stuff all day. So incredibly relaxing. Especially with the cool effects from the prismatic wall. Feels very cinematic.
I ❤️ when you do the longer form videos and I can hear you actually play for while, and see everything the pedal does. This was really especially lovely today. Thank you so much harp hippie.
OK the information on this pedal about my favorite guitar effect was even better than EAEs video manual! I use Mutable Insdtruments Rings and the Dreadbox Antidote (you presented briefely) on my pedalboard coupled to a Eurorack box, for this effect but my problem is I can't microtonally tune Rings resonant harmonics. WITH THIS it seems I can! AND use my foot for further expressions. A MUST for me. Thank You Emily and Ross!!!
it feels like it, I just got the Erica Synth Nightverb and it morphs as well and is def true morphing, but the changing delay times can create some unpleasant modulation depending on a few things
@@emilyharpist2 have you tried a Vortex? I can't believe it's not been revisited, way ahead of it's time, and really cheap....then. I thinks it's the kinda forgotten. You'd love it.
This is Chase Bliss-like I prefer a couple of Black Skycraft over this. Or Piotr’s Hexe Revolver. Or my custom Babybox but that’s a WHOLE other topic. 😂
We've had this for decades in modular synthesizers. My serge modular rack with a frequency shifter, an analog delay line, sping reverb, fixed filter bank, etc. could do this in spades. It does sound nice, but I don't see how this is a new effect in any way shape or form.
@@VirtualModular @bijoucassell4587 If you read some of our other materials on this pedal, I talk about this a bunch. Synth users have indeed been able to enjoy physical modeling (and other incredibly powerful effects, like filter banks) for a long time. I thought it was interesting that nobody had bothered to bring these sounds intentionally into a pedal context, especially tuned for amplified electric instruments. That's what we built this from the ground up to achieve.
I appreciate your channel for introducing me to this awesome pedal! The harp playing through it reminded me of the Eno/Lanois Harold Budd’s “the pearl”. Been chasing that sound for years. Here it is with acoustic piano: ruclips.net/video/CHecE_U2HDA/видео.htmlsi=PH-LQEj7PsmkVckU
I have been enamored with Live’s Corpus since I figured it out, layering under my cheap kick drum and adding melodies to field recordings and other mangling… Russ could’ve went for the octave, just saying. I have owned a pair of suction cup drivers since 2008 and maybe I should try to use them. If you hear screaming from Massapequa,I got electrocuted. I’ll be OK.
this looks so interesting, too bad i forget my headphones like everyday, i want those chain things so i can wear my pedals, would be cool for making fun pictures
Guitar Rig 5 had "Resochord" that should have been a pedal like this. I remember doing some really similar things to this video with Resochord in 2012.
I was like shit....what's her name. Then I remembered how you memed yourself into harplady, almost clicked fanshmano, and helloooo nurse! Still waiting on those absolutely sick and based Castlevania sotn covers, because Id just love to hear YOU play them through (if it's possible from infringement and all that law bound horseshit)
I was in a folk music shop some time back. Someone was trying a banjo and I heard her exclaim... "How come this banjo has reverb?!". I pointed out the herd of harps behind her... 😂 Sounded cool though!
This seems cool. I already have a piano damper resonation effect on my stage piano (Yamaha CK88). The cool thing about it being an effect, as opposed to part of the piano sound engine, is that I can use it on other sounds. However, it's not as customizable or as intense sounding as this pedal. There are also resonators in the Continuum. I don't have an Iridium or Quantum, but if someone does, you've got a whole synth engine like this - IDK whether you can tune the bands chromatically. This is a good idea for a pedal.
That is an amazing sounding pedal! Great video as well! Just a question though, I’m thinking of getting into pedals for my electric guitar, so how should I start? Would it be something like just collecting pedals I think sound cool (like this one), or are there certain effect pedals I should make sure to get in order to get my basics down first?
Can't say I'm impressed. I like seeing new ideas for sound, but sadly most of them are so specific that a pedal like4 this can only find it's home in one song or even more likely, part of one song. Basically, sounds fun, but in real life... it will sit unused a lot. Just my thoughts.
Just started the vid, so maybe it gets mentioned later, but "Prismatic Wall" is the name of a spell in Dungeons & Dragons since the first edition. Where m'nerds at??
The way I yelled "It's MORPHIN TIME" on reflex before it happened in the video. At least I'm not the only one wired that way.
😂
dude, ok, hear me out ... pretzel. shaped. harp.
A parp!
Harp road case = Harp shaped box
When I was a kid my dad and my uncle built harpsichords over my grandparents grocery store. The back room had an organ, a grand piano, and several harpsichords and clavichords. I was always messing around, sticking my hand inside and strumming the strings, holding the sustain pedal down and yelling into it, etc.
Then a friend of mine got an Alesis Quadraverb that had resonators on it. There was a bank of 5 and they had really weird polyphony - every time you played a midi note it would change the pitch of the next resonator in the cycle. But you could also retune each resonator to a different transposing. We made music by running drum sounds or guitar feedback through it. It was so much fun!
Later I tried getting a similar effect in Supercollider. And I found out that having more than a handful of resonators will totally tank the CPU. I love that there's a pedal that's up to the task! (although it's possible that the real problem was the matrix mixer that connected every resonator to every other one, like a teeny tiny neural net)
@@mikeciul8599 my dad was a musician and educator with a voracious appetite for learning new instruments. As an immigrant with limited income and a young family, he couldn’t afford to indulge his passions. His answer was to become a dealer or a distributor for the things that interested him. This was how he managed to get a clavichord, and then eventually a Neupert harpsichord, as well as Premier and Deagan vibraphones, etc. All lovely things for me to fool around with.
this is quickly becoming my favorite pedal review channel. Please keep doing more in person interviews. This really do be lit.
I am literally
I exist literally as well
Thanks harp mom
I don't know anything about making music and I just stumbled on this channel. I feel like I just entered a different world. I had no idea pedals existed, I just assumed most distortion is done in a computer. That is so cool.
Oh I so hope it will inspire you to pick up any instrument. Even if you're not any good, it's such a joy to explore the sonic qualities,
@@communications23 I am a visual artist and so music isn’t really for me. However, it is always cool to see people passionate about a totally different art from what I practice!
@@LFPAnimations I think it could inform your own art if you try different kinds of things. Like trying to visually depict the sounds etc. But whatever feels right for you is the correct way obviously.
@@communications23 It is hard enough to master one art and music has never been a strongsuit for me. I tried drums and guitar in middle school, but photography and filmmaking is what I gravitated towards. I prefer to just hire a composer or sound engineer if I need it on a project. Plus supporting other artists is cool :)
a five-sided octagon is my spirit animal, just sayin.
Same
For those of you who do Eurorack, of course you know that Rings popularized the idea of the resonator half of physical modeling as an effect. But it didn’t have midi in to gain control over which bands were open or closed. The closest thing I think would be TiNRS Bopp & Steve which isn’t out yet. So, yeah, good job to Mr Snyder for bringing this stuff to the pedal world! It’s a super cool idea more people should try.
Meng Qi Wingie 2 - have you seen that?
Yep, came on to say exactly the same thing! There's nothing new about this at all, except maybe a resonator hasn't been done in pedal form. I like to process guitar through Rings using VCV, and send it random pitch info from something like sample and hold into a quantiser.
@@VirtualModular yep. And there are several solutions for getting the signal into hardware eurorack and thru rings etc
@@LordoftheBadgers true, but guitarists just love pedals. Hardly anyone seems to use Eurorack with guitar. I would use hardware too, just can't justify the cost...
@@VirtualModular wise. So wise. I could've bought a bloody car if I'd seen sense earlier 🤦♂️
Jesse and John should do a Prismatic EUNA and just call it a day. Also, thanks Harp Lady
Note triggering the Prismatic Wall is wicked and the low res sounds are so choice!
It definitely sounds like a 9th level abjuration spell.
I would be motivated to obtain a PRISMATIC WALL pedal if it was stereo so that I could use it on both channels of my Korg KRONOS 2-88 keyboard!
Get two and run the left and right with different settings for maximum Wall
John! Harp Lady used words I understand!
😂 😂
Hitting the Prismatic Backwalls
John's Metal Zone drip is *ON POINT* 🤘
It really do be
I love the MT-2
Sort of like an easy-mode MI Rings in a pedal. Neat! (Not claiming it's a clone/port...just to be clear! 😆)
Yes that seems to be the closest thing!
Adored the little ditty you played at 2.30. sounded really good with this effect too. It may well be my favourite of anything I have heard you play on this channel.
Totally separate from the cool pedal stuff, anyone recognize what's going on with the bridge situation of that P-90 offset guitar? It looks like there's some sort of sliders as part of the tailpiece...
"Prismatic Wall" is also a 9th level D&D wizard's spell.
"A shimmering, multicolored plane of light forms a vertical opaque wall--up to 90 feet long, 30 feet high, and 1 inch thick--centered on a point you can see within range. Alternatively, you can shape the wall into a sphere up to 30 feet in diameter centered on a point you choose within range. The wall remains in place for the duration. If you position the wall so that it passes through a space occupied by a creature, the spell fails, and your action and the spell slot are wasted.
The wall sheds bright light out to a range of 100 feet and dim light for an additional 100 feet. You and creatures you designate at the time you cast the spell can pass through and remain near the wall without harm. If another creature that can see the wall moves to within 20 feet of it or starts its turn there, the creature must succeed on a Constitution saving throw or become blinded for 1 minute.
The wall consists of seven layers, each with a different color. When a creature attempts to reach into or pass through the wall, it does so one layer at a time through all the wall's layers. As it passes or reaches through each layer, the creature must make a Dexterity saving throw or be affected by that layer's properties as described below.
The wall can be destroyed, also one layer at a time, in order from red to violet, by means specific to each layer. Once a layer is destroyed, it remains so for the duration of the spell. Antimagic field has no effect on the wall, and dispel magic can affect only the violet layer.
1. Red. The creature takes 10d6 fire damage on a failed save, or half as much damage on a successful one. While this layer is in place, nonmagical ranged attacks can't pass through the wall. The layer can be destroyed by dealing at least 25 cold damage to it.
2. Orange. The creature takes 10d6 acid damage on a failed save, or half as much damage on a successful one. While this layer is in place, magical ranged attacks can't pass through the wall. The layer is destroyed by a strong wind.
3. Yellow. The creature takes 10d6 lightning damage on a failed save, or half as much damage on a successful one. This layer can be destroyed by dealing at least 60 force damage to it.
4. Green. The creature takes 10d6 poison damage on a failed save, or half as much damage on a successful one. A passwall spell, or another spell of equal or greater level that can open a portal on a solid surface, destroys this layer.
5. Blue. The creature takes 10d6 cold damage on a failed save, or half as much damage on a successful one. This layer can be destroyed by dealing at least 25 fire damage to it.
6. Indigo. On a failed save, the creature is restrained. It must then make a Constitution saving throw at the end of each of its turns. If it successfully saves three times, the spell ends. If it fails its save three times, it permanently turns to stone and is subjected to the petrified condition. The successes and failures don't need to be consecutive; keep track of both until the creature collects three of a kind. While this layer is in place, spells can't be cast through the wall. The layer is destroyed by bright light shed by a daylight spell or a similar spell of equal or higher level.
7. Violet. On a failed save, the creature is blinded. It must then make a Wisdom saving throw at the start of your next turn. A successful save ends the blindness. If it fails that save, the creature is transported to another plane of the GM's choosing and is no longer blinded. (Typically, a creature that is on a plane that isn't its home plane is banished home, while other creatures are usually cast into the Astral or Ethereal planes.) This layer is destroyed by a dispel magic spell or a similar spell of equal or higher level that can end spells and magical effects."
Can't go wrong with a good pretzel
Helllll yeah
@@emilyharpist2 I took a diversion from Snyder brand and am now on Dot's pretzels. I'm a pretzel fan too. All are good....no admitted loyalty 😉🍻
Accurate description 🤷♂️
Neat pedal - thanks for the review 😎🍷
May I ask, which would you buy first if you could only pick one: Prismatic Wall or Chroma Console?
Entirely depends on what other pedals you have. If you don't have any other pedals, Chroma for sure.
If you have a lot of pedals already; PW for sure. If you don’t really have any, CC is good and covers a ton of ground!
My question, too! I think they would do well together, though. 🤔
A friend builds custom harp guitars. One of the things I love about them, is how the harp strings resonate as you play the guitar section, creating harmonically-related reverberations. Truly angelic sounds….
EAE rules. There are so many amazing pedal makers in Massachusetts 🥲
"John the Resonator" is one of the best Depeche Mode songs
werent that the fella what wrote the book on the seven seas
@@tsvtsvtsv…seven SEALS
Mighty morphin power rangers!
That is one smaart morph ya got der Haarp Lady. 😊
I’m morphin’ hea!
but can it play wonderwall?
Asking the real questions🧐
Hope you, Russ and all your fuzzy friends are safe and happy!
How is this not just fancy reverb?
Reverb models reflection and absorption, this models the action of resonant bodies. Kinda a distinction of scale but the fundamental unit (delay) is used very differently, the delay time and feedback parameters are much more tightly controlled in physical modelling, whereas reverb just has a bunch of them filtered and modulated somewhat.
get it streght its linear algebra working on the plank scale. Come on everyone knows that.
What is the warbly song your playing around 2:50
Her accent when she says it could be a turtle is pure Walt Whitman, the mall, not the poet
Really like the sound, I am thinking now about getting one for my sax and synth
You show up with a stereo v2 and you'll have my wallet open before the video finishes. I don't play mono instruments; putting this first in my chain doesn't fix this. Pedal creators: we appreciate you, but going forward, mono is the ultimate boner killer.
Totally fair, I kinda feel the same way about stereo TBH but I really loved this effect and the process behind this all, and really wanted to highlight it. I’m going to get around the mono stuff in the studio with this by using some reamping and panning techniques in post. I do it with the CB Habit and Thermae and get great results; but I know that doesn’t really help everyone
@@emilyharpist2 PW sounds totally sick! Our pleading for stereo is somewhere between jealousy and an earnest desire to be released from a snare trap
Fair criticism, of course. The primary goal here was to introduce physical modeling into a guitar-centric context. And while there are of course lots of stereo rigs, guitars are by and large still mono. Due to all the analog processing going on the hardware is already pretty complex, and a stereo implementation would have increased the price by 20-25%. So, we decided to keep it mono.
@@electronicaudioexperiments just in case it needs to be said: if this was stereo and cost 25% more, I would 100% already have a confirmation email in my inbox. "just sayin"
@@pjforde1978 That's cool. I'm sure we will develop something in stereo in the future.
new pedal drop
harpist, first stop
love the sounds, love the concept
love the 'I'm morphin' here'
idea popped in my head for next version
wet/dry outputs to send the reflection bank
to another part of the room via amp #2
Those are all awesome ideas! I’m morphin’ hea
Are the melodies you play in the demos from your music? If so, I gotta hear more! I could listen to this stuff all day. So incredibly relaxing. Especially with the cool effects from the prismatic wall. Feels very cinematic.
A mono reverb pedal. Just beyond idiotic.
I totally love this. No better instrument to demo this pedal than the harp.
I ❤️ when you do the longer form videos and I can hear you actually play for while, and see everything the pedal does.
This was really especially lovely today. Thank you so much harp hippie.
Again such a beautiful demo! Always fun watching!
The harp really is the best for showing off these pedals. Thank you!
It's understandable that you ate all his pretzels; morphing takes a lot out of you.
OK the information on this pedal about my favorite guitar effect was even better than EAEs video manual! I use Mutable Insdtruments Rings and the Dreadbox Antidote (you presented briefely) on my pedalboard coupled to a Eurorack box, for this effect but my problem is I can't microtonally tune Rings resonant harmonics. WITH THIS it seems I can! AND use my foot for further expressions. A MUST for me. Thank You Emily and Ross!!!
Prismatic WOAH
This was an awesome video! Totally have to try prismatic wall!
Oooh, plus a nerdy reference. Love a nerdy reference on a music tool.
Strategically placed Pile poster
I really love hearing your harp do that chorusing sound via the Prismatic Wall. It was a beautiful and made me smile.
Thanks for the video! Need this for my harp.
The bit at 7:40 is a vibe
Eyyy I'm morphin heeah 😂😂 never change, Emily
The yap in this viddi is taking every W no cap
like a Meng Qi Wingie 2
Does it Morph or Cross-fade?
The only true morphing FX unit I've used is the Lexicon Vortex....
it feels like it, I just got the Erica Synth Nightverb and it morphs as well and is def true morphing, but the changing delay times can create some unpleasant modulation depending on a few things
@@emilyharpist2 have you tried a Vortex?
I can't believe it's not been revisited, way ahead of it's time, and really cheap....then.
I thinks it's the kinda forgotten.
You'd love it.
I love the name of this channel: "Harp Lady"
im so glad i clicked on this while i was high
Why are people so mean in comments help me understand
Some don’t understand the point so feel left out. Others are just trolling c**ts. In between those there’s everyone else x
10:38 what's behind your right shoulder? The larger white piece of gear?
It's almost built for harp by gods it's great!
NOT THE FIRST POST, BOO YAA!!!
Harp lady channel is the best. Thank you for covering this! I’m a huge fan of EAE.
How do?!
This is Chase Bliss-like I prefer a couple of Black Skycraft over this. Or Piotr’s Hexe Revolver. Or my custom Babybox but that’s a WHOLE other topic. 😂
New Yorker explains music theory
“Fockin 5 side thing? That’s 5ths. This thing? Could be fockin anything, could even be a fockin turtle”
A Eurorack version of this with CV control over all the er.. controls.. would sell like hotcakes
We've had this for decades in modular synthesizers. My serge modular rack with a frequency shifter, an analog delay line, sping reverb, fixed filter bank, etc. could do this in spades. It does sound nice, but I don't see how this is a new effect in any way shape or form.
Yep, exactly this. It's basically Rings, which is illegal to use on RUclips without Clouds as well. 😂
@@VirtualModular @bijoucassell4587 If you read some of our other materials on this pedal, I talk about this a bunch. Synth users have indeed been able to enjoy physical modeling (and other incredibly powerful effects, like filter banks) for a long time. I thought it was interesting that nobody had bothered to bring these sounds intentionally into a pedal context, especially tuned for amplified electric instruments. That's what we built this from the ground up to achieve.
@@electronicaudioexperiments I see, I had a reading comprehension issue, that's my bad! An entirely new effect for "pedal users". Carry on!
This is SO interesting and sounds SO GOOD!
I appreciate your channel for introducing me to this awesome pedal! The harp playing through it reminded me of the Eno/Lanois Harold Budd’s “the pearl”. Been chasing that sound for years. Here it is with acoustic piano: ruclips.net/video/CHecE_U2HDA/видео.htmlsi=PH-LQEj7PsmkVckU
I have been enamored with Live’s Corpus since I figured it out, layering under my cheap kick drum and adding melodies to field recordings and other mangling…
Russ could’ve went for the octave, just saying.
I have owned a pair of suction cup drivers since 2008 and maybe I should try to use them. If you hear screaming from Massapequa,I got electrocuted. I’ll be OK.
this looks so interesting, too bad i forget my headphones like everyday, i want those chain things so i can wear my pedals, would be cool for making fun pictures
God I love your videos so much.
It‘s a Rings by Mutable Instruments turned in a Pedal?
That’s definitely the closest thing!
Guitar Rig 5 had "Resochord" that should have been a pedal like this. I remember doing some really similar things to this video with Resochord in 2012.
Last Gasp Art Lab's Misty Cave did this first, but this is a much better application. I'm looking forward to mine arriving.
This is magnificent. I wonder how it would sound on my gurdy... hmmm....
I was like shit....what's her name. Then I remembered how you memed yourself into harplady, almost clicked fanshmano, and helloooo nurse! Still waiting on those absolutely sick and based Castlevania sotn covers, because Id just love to hear YOU play them through (if it's possible from infringement and all that law bound horseshit)
I was in a folk music shop some time back. Someone was trying a banjo and I heard her exclaim... "How come this banjo has reverb?!".
I pointed out the herd of harps behind her... 😂
Sounded cool though!
This effect would be groundbreaking in eurorack format
This seems cool. I already have a piano damper resonation effect on my stage piano (Yamaha CK88). The cool thing about it being an effect, as opposed to part of the piano sound engine, is that I can use it on other sounds. However, it's not as customizable or as intense sounding as this pedal. There are also resonators in the Continuum. I don't have an Iridium or Quantum, but if someone does, you've got a whole synth engine like this - IDK whether you can tune the bands chromatically. This is a good idea for a pedal.
I could listen to you play that song at 2:29 for hours on end
I'm looking at it as the very first pedal for sculpting tone... 😮
That is an amazing sounding pedal! Great video as well! Just a question though, I’m thinking of getting into pedals for my electric guitar, so how should I start? Would it be something like just collecting pedals I think sound cool (like this one), or are there certain effect pedals I should make sure to get in order to get my basics down first?
Can't say I'm impressed. I like seeing new ideas for sound, but sadly most of them are so specific that a pedal like4 this can only find it's home in one song or even more likely, part of one song. Basically, sounds fun, but in real life... it will sit unused a lot. Just my thoughts.
Does anyone know what the tailpiece is on the Jazzmaster behind them during the interview portion of the video?
if you like this you should check out the lastgasp audio labs misty cave. it's a resonator with an echo and an exp jack. it's neat.
So… the effect pedal necklaces… THAT was interesting as well.
Just started the vid, so maybe it gets mentioned later, but "Prismatic Wall" is the name of a spell in Dungeons & Dragons since the first edition. Where m'nerds at??
Love your humor ! You are precious ! Oh, great video. Thanks for the info.
Neat sounding pedal. I really like your vids. Now if I could just find a violin player as into pedals.
lol, my wife has the Dungeons and Dragons and Drive ins and Diners and Dives
WHY IS A PEDAL LIKE THAT "MONO"? (i know it's not your fault and I'm not yelling at *you*)
As a wizard, do I need to be level 17 before engaging the Prismatic Wall?
Tell the trees people are starting to think this way. I think they are more worried about other uses for wood then wood used for instruments. 😅
But really, whats Uncle Em think about stocking these in his store? Was going to come down to catch a deal or two this weekend
So it's a virtual talkbox except for a piano instead of Swatkins' vocal tract?
Sounds like it'd be great for video game soundtracks
The pedal sounds great and all but I just can't trust paid reviews. I bet she is not even sorry about eating those pretzels
I play world ending-disgusting-metal riffs but I'll admit this is sick