Superb.... No Words ! Ihaparamenum iru Ragam Simhendramadhyamam 57th Mela Adi talam Papanasam Sivan Krithi This Krithi is on Lord Subramania ! Papanasam Sivan Craftfully describes in this song P ihaparamenum iru ulagilum parasukham udavum suguNa shIlA AP guha sharavaNabhava shivabAlA shiva guruvenum pugazh perum vaDivElA aghamurum avuNargaL kula kAlA amarar ulagam akhila uyirum vaLaravaruL krpAlavAla C dayai nirainda tiru vizhigaL paniraNDum tavazhnda muruval vadanam Arum puyaga rAjanenat-tigazhndha panniru bhuyangaLum akhala maNi paNiyum mayaloDum iru puRam iru mAdar maruva nan mayilmishai varuvAyE bhayasija padaviNai taruvAyE bhava kaDark-karai kaDakka aruN marakkalam koDukkum Raga Simhendramadhyamam 57th mela Alias: simendramadhyamam Aro: S R2 G2 M2 P D1 N3 S Av: S N3 D1 P M2 G2 R2 S A raga that is grand in every way, regal, meditative, bold and striking is Simhendramadhyamam. Chiselled with utmost beauty, every facet of this raga brims with passionate appeal. The notes taken up by this raga are Sadja, Chatusruti Rishabha, Sadharana Gandhara, Prati Madhyama, Pancama, Sudhha Dhaivata, and Kakali Nishada. It is a Melakarta raga, complete in every way, and its notes lend themselves to gamakas, symmetric patterns and clever permutations while singing alapanas , niraval and kalpanaswaras . This raga in Dikshitar Paddhati is called Sumadyuti and it is also prevalent in Hungarian folk music and the music of the Spanish gypsies. Such ragas that are loved across the length and breadth of the world are testimony to the universal appeal of music, and the fact that such scales have been explored with great attention to detail in classical music certainly shows that Indian music is one of the most enlightening forms of art upon this earth. In Carnatic music, “Kamakshi Kamakoti,” “Pamarajana” and “Neelachala Natham” are Dikshitar's brilliant creations in this scale. Other popular kritis include “Needu Charanamule” attributed to Thyagaraja, “Nata Jana Paripalaka,” “Unnaiyallal” of Koteeswara Iyer, “Ikaparam ennum” of Papanasam Sivan, “Ninne Nammiti” of Mysore Vasudevachar and “Rama Rama” of Swati Tirunal. Singers like N. C. Vasantakokilam and M.S. Subbulakshmi, possessing high-pitched and sweet voices, sang many of these songs and made them super hits in their day. One such masterpiece in this raga that my octogenarian grandmother often hums is Suddhananda Bharati's “Kanneduthagilum .”
I was under the view that the krithi " kanneduthagilum" was by Papanasam Sivan sir.Thanks for the clarification.I am not able to locate this beautiful song.
super... Thank you for sharing this krithi...வாழ்த்துக்கள்..
Amma... Pranam 🙏🙏🙏
East or west MS is the best
MS’s ‘ Ihaperamenum’ Papanasam Sivan kriti in Simhendramadhyamam ragam is divine melodious! ✌️Radhe Krishna
Amma...... Sadgathi.... 🕉🌹🙏🏻
Arumai
Thank for sharing many unheard song by MS Amma
Thank you. First time I am hearing this song
Superb.... No Words ! Ihaparamenum iru Ragam Simhendramadhyamam 57th Mela Adi talam Papanasam Sivan Krithi
This Krithi is on Lord Subramania ! Papanasam Sivan Craftfully describes in this song
P ihaparamenum iru ulagilum parasukham udavum suguNa shIlA
AP guha sharavaNabhava shivabAlA shiva guruvenum pugazh perum vaDivElA aghamurum avuNargaL kula kAlA amarar ulagam akhila uyirum vaLaravaruL krpAlavAla
C dayai nirainda tiru vizhigaL paniraNDum tavazhnda muruval vadanam Arum
puyaga rAjanenat-tigazhndha panniru bhuyangaLum akhala maNi paNiyum
mayaloDum iru puRam iru mAdar maruva nan mayilmishai varuvAyE
bhayasija padaviNai taruvAyE bhava kaDark-karai kaDakka aruN marakkalam koDukkum
Raga Simhendramadhyamam 57th mela Alias: simendramadhyamam
Aro: S R2 G2 M2 P D1 N3 S Av: S N3 D1 P M2 G2 R2 S
A raga that is grand in every way, regal, meditative, bold and striking is Simhendramadhyamam. Chiselled with utmost beauty, every facet of this raga brims with passionate appeal. The notes taken up by this raga are Sadja, Chatusruti Rishabha, Sadharana Gandhara, Prati Madhyama, Pancama, Sudhha Dhaivata, and Kakali Nishada. It is a Melakarta raga, complete in every way, and its notes lend themselves to gamakas, symmetric patterns and clever permutations while singing alapanas , niraval and kalpanaswaras .
This raga in Dikshitar Paddhati is called Sumadyuti and it is also prevalent in Hungarian folk music and the music of the Spanish gypsies. Such ragas that are loved across the length and breadth of the world are testimony to the universal appeal of music, and the fact that such scales have been explored with great attention to detail in classical music certainly shows that Indian music is one of the most enlightening forms of art upon this earth.
In Carnatic music, “Kamakshi Kamakoti,” “Pamarajana” and “Neelachala Natham” are Dikshitar's brilliant creations in this scale. Other popular kritis include “Needu Charanamule” attributed to Thyagaraja, “Nata Jana Paripalaka,” “Unnaiyallal” of Koteeswara Iyer, “Ikaparam ennum” of Papanasam Sivan, “Ninne Nammiti” of Mysore Vasudevachar and “Rama Rama” of Swati Tirunal.
Singers like N. C. Vasantakokilam and M.S. Subbulakshmi, possessing high-pitched and sweet voices, sang many of these songs and made them super hits in their day. One such masterpiece in this raga that my octogenarian grandmother often hums is Suddhananda Bharati's “Kanneduthagilum .”
I was under the view that the krithi " kanneduthagilum" was by Papanasam Sivan sir.Thanks for the clarification.I am not able to locate this beautiful song.
@@balasubramaniansubramanian3671 ji My Pleasure 🙏
@@balasubramaniansubramanian3671 🙏🙏Sir, The song kanneduthagilum is in kalki golden jubilee golden collection on you tube.🙏
Really thankful kartheek sharma