It is fun to see the heads, one has such long beautiful hair that make it ''big'' and the other has nice short hair, so the difference is so big But i love them both....2 legends
Quel cadeau, Un grand Merci M. Charles Couineau.. !! Quel bonheur d'entendre et voir ces deux grandes (immenses) Dames du piano, et sur le même clavier... et avec Mozart ! merveilleux, magiiiiique.
Grande apresentação ... que elegância a de Maria João Pires, posição de mão, deslizando por sobre as teclas, lindo de ver, lindo de ouvir ... Argerich, sempre impecável.
Spiritul muzicii lui Mozart este splendid redat de cele doua mari maestre , Martha Argerich si Maria Joao Pires! Multumesc pentru postare! Silvia Baciu
Marta i Maria siostrzane dusze stworzyły piękne dzieło. Sztuka jednoczy to przestrzeń w której harmonia, piękno połączenia między muzykami, przesłaniem kompozytora spotykają się z duchowością❤.Mozna sie tym karmić. Internet wnosi również coś wartościowego do naszego życia
Amazing unity of purpose by these two consummate musicians but remember, the real genius is Wolfgang Amadeus himself, without whom we would never hear this sublimely beautiful sonata. I salute all three of you!
I was unaware of this piece until I stumbled upon it being played on YT by two brothers aged 12 and 10. YT then sent me here. Both performances incredible for different reasons.
The whole of Mozart's output for 4 hands piano is extremely lovely ( plus the 2 piano sonata K 448 !! ) - Still ..... I retain so strongly in my mind the old Eschenbach-Frantz recorded version that I cannot completely appreciate this energetic Argerich-Pires . In EF version the slow movement become absolutely heavenly, a balm for the soul !!
Without a doubt the two best female pianists alive today. Two very strong personalities like a tiger and a leopardess. However Mozart remains overrated. This is the best possible interpretation but it still sounds a lackluster composition with those operatic bursts that don't sound better voicing on 4 hands than 2. Much of Mozart music is so annoyingly predictable. And when i hear his jestering i always think of the movie which was so right about his frat immature boy personality. But the slow movement was delightful. I loved how they held hands when thanking the public it looked very natural.
@@pianogus Trust me i have and it's not "unending" but a small room with only one musical language. Mozart musical vocabulary is self contained and suprisingly limited. He uses the same mannerism and techniques in all his pieces, he never evolved his style. His slow movements for example will have the same ornamentations the same musical mannerism, that it feels forced once you know his whole portfolio. If he had not died young he would have been pressed to continue without making significant innovations and upgrade his skill. He was very commercial. Not to say what i didn't say, he had a certain skill in composing but he is much overrated for it. Probably because he was the pop of classical music for the masses.
I agree that Mozart was commercial. But that was how he made a living. He wrote what sold so he could eat. Is that wrong? Every composer of the day wrote to the people who paid them. Besides, he has some of the most beautiful melodies. Most of his music is happy, and people like to hear happy music. And the predictability can be a good thing, as a composer like Mozart can introduce the masses into classical music. So tell me that all those things are terrible. The classical world is big enough for Mozarts and Shöenbergs. You don't have to trash one if you like the other. Everyone has their favorites, but you don't have to hate on the ones you personally don't like.
@@catladyfromky4142 I wrote that a long ago, reading your reply i actually fully agree with every word in your first and 2nd paragraph, then thought you were harsh on me on the third, then i read my original post, and Hahaha, right, i pushed the accelerator to the floor. But actually, i've been at a moment or another in life fully sharing your view on Mozart (especially that he had earn to be able to eat food). I suggest you watch Glenn Gould critic of Mozart and he'll say what i said while beautifully playing mozart. We are both right actually. Spend ten more years with Mozart and you will start to see a lot more what i mean.
Repent and believe in the Gospel! Regret your sins and repent! Pray that the Good Lord God will help you. Only Jesus Christ is the Way, the Truth and the Life! Only Jesus Christ is Savior and Lord! The good Lord God loves you and wants you to achieve eternal life in unending love...
The answer means that this piece by Mozart is not his best one. Mozart had a lot of "childish" numbers filled with very simple motives decorated by trillas, supposedly he wrote these ones for housewives ladies and amateur pianists. A composer of his time had the partitions printed and the book merchants sold them. Let me add, that this number above was written for harpsichord. It is a question of how the intentions of the music change when the instrument changes. Sometimes piano-interpretations seem to me more aggressive but sometimes we can accept the change. Of course, I appreciate these two stars, I like them, they are perfect. Best regards.
@@peterszigeti7476lei è il classico "ascoltatore risentito", secondo la, terminologia e la classificazione di Adorno. A parte ciò, si sbaglia di grosso nel giudizio sul pezzo di Mozart. La confutazione più semplice di ciò che dice è data dal fatto che le due massime pianiste viventi abbiano scelto di eseguirlo, e molto bene oltretutto.
@@peterszigeti7476 This piece might be a little simplistic; but one can object to the idea that "written for housewives" or amateurs in general equates second rate. Among many examples of the opposite, the violin duets by Bartok, or many vocal pieces by Dowland printed so as to be sung by a quartet sitting at a table. I would suggest that it is one (out of many) of the symptoms, or consequences of a certain decadence of music after World War II (integral serialism and the rest) that not a single piece can be executed by amateurs of any level.
No question: Both Bartók and Kodály wrote a lot of pieces for children and amateurs, for example, there is the "Microcosmos" or choral works from Kodály, etc. Thanks for your detailed answer. By the way, hundreds of Bach pieces were intended for practice. :-) @@jean-francoisbrunet2031
Marta Argerich and Maria Joao Pires are such gift to the world!! 🌹🌹🌹🌹🌹
Indeed!
This was incredibly fun to watch
Maria Joao Pires + Martha Argerich + Mozart = Rolls-Royce of the musique ! :)
And Bentley.
Wow! These two ladies together. What a treat. The best.
Vraiment très très joli, avec ces deux légendes du piano, ici réunies. Magnifique
È straordinario come queste due grandi interpreti riescano a fondersi, come una persona sola
oui c'est bien ça
Это удивительно и волшебно!!!❤❤❤
Quel immense talent ! Deux pianistes incroyables ! Et quelle modestie ! Quelle simplicité ! Elles sont magnifiques ! ❤🥰🥰🥰
It is fun to see the heads, one has such long beautiful hair that make it ''big'' and the other has nice short hair, so the difference is so big
But i love them both....2 legends
And their hands. Martha’s is so big compared to Maria’s.
My 2 favorite pianists toogether!!!! ❤
You have excellent taste.
My two favorites as well!😊
И мои ❤
Awesome!!! Two of my favorite pianists. They certainly appeared to be having fun!
Quel cadeau, Un grand Merci M. Charles Couineau.. !! Quel bonheur d'entendre et voir ces deux grandes (immenses) Dames du piano, et sur le même clavier... et avec Mozart ! merveilleux, magiiiiique.
Incredible energy. Love them both. Merci beaucoup, Charles!
Grande apresentação ... que elegância a de Maria João Pires, posição de mão, deslizando por sobre as teclas, lindo de ver, lindo de ouvir ... Argerich, sempre impecável.
お二人並んで弾かれる映像は、もう見られない姿だと思う。
永久に取っておきたいです。
The happiest piano in the World 🎉
😊
Spiritul muzicii lui Mozart este splendid redat de cele doua mari maestre ,
Martha Argerich si Maria Joao Pires! Multumesc pentru postare! Silvia Baciu
Impressionnant à voir ces 4 mains si proches qui ne se heurtent jamais en jouant! Magnifique partage!
Grazie mille per la condivisione, bello! 💕
Marta i Maria siostrzane dusze stworzyły piękne dzieło. Sztuka jednoczy to przestrzeń w której harmonia, piękno połączenia między muzykami, przesłaniem kompozytora spotykają się z duchowością❤.Mozna sie tym karmić.
Internet wnosi również coś wartościowego do naszego życia
Obrigado por porem aqui esta gravação memorável (Martz Inura)
Brasil ficou com saudades de Maria João Pires! Excelente interpretação, com a valiosa divisão das 88 teclas, com Martha Argerich!!
Amazing unity of purpose by these two consummate musicians but remember, the real genius is Wolfgang Amadeus himself, without whom we would never hear this sublimely beautiful sonata. I salute all three of you!
Thank you ladies, thank you Charles!
Wonderful play, enjoy their energy!
Bella obra!!! Ellas, dos genias del piano!!! Gracias!!! Beatriz
Deux grandes dames mercì pour les doigts ❤❤
Delightful and fun to watch two musicians who are the embodiment of music!
M and M!! ;)
Wow . Beautiful video. Fantastic, two of my favorite.
Wonderful performance! Thank you Charles!!
Fantastyczny duet💓, piękny muzyczny prezent🌹, Mozart się uśmiecha ❤ a ja Dziękuję
Impecable!!👏👏Gracias!!❤❤
Mqrvelous music with magic hands!! Beautiful!!❤️❤️❤️❤️🌹🌹🌹🌹
Magnifica performance destas Senhoras!
Maria, Martha and Mozart - a match made in heaven!❤❤❤😊
Gracias por esta felicidad. Dos perfectas damas musicales. 😉💖
Muchas gracias por esta magia !!!
Marta, me sorprende siempre, es la primera vez que la escucho, tocando Mozart, y es Fantástica, lo mismo, la señora Pires.
Il genio di Mozart non poteva trovare due interpreti più straordinarie che lo potessero rappresentare
Exactly right.
The combination of two masters is too luxurious!
Oh goodness!! The difference in size of their hands!! Maria João has tiny hands and Martha's are enormous! How extraordinary! 😊Two geniuses ❤❤
0:31 1mvt
5:42 2mvt
12:02 3mvt
You're welcome.
I was unaware of this piece until I stumbled upon it being played on YT by two brothers aged 12 and 10. YT then sent me here. Both performances incredible for different reasons.
The whole of Mozart's output for 4 hands piano is extremely lovely ( plus the 2 piano sonata K 448 !! ) - Still ..... I retain so strongly in my mind the old Eschenbach-Frantz recorded version that I cannot completely appreciate this energetic Argerich-Pires . In EF version the slow movement become absolutely heavenly, a balm for the soul !!
You are an inspiration!
Любимые пианистки❤❤
2 GREAT TOGETHER!!! Gracias!!!
MARTA E MARIA JOÃO great performance !!
Increíblemente bella la sonata, y maravillosa la ejecución ! Se disfruta al máximo ! Grande Mozart, sobresalientes Martha A. y Maria Joao P. !
Sono enframbe grandissime, ma confesso di avere, in generale, una predilezione per Maria. In Mozart è la più profonda interprete.
Maravillosas¡¡ Gracias, qué regalo¡¡
Un duo fantastico !!!
Both are splendid but it is interesting to see Martha’s hands are significantly larger than those of Maria.
❤❤❤and so interesting to see the difference in finger technique
Absolument divin ❤💐👏❤💐👏❤💐👏
magic - thanks
Mozart è un genio e le pianiste sono fantastiche!
absolutely amazing
Such a joy to listen to
Complicité parfaite !
I l❤ve This Womans 🌹🌹
Это гениальные музыканты и при этом они красивые очень , Моцарт доволен ❤❤
une merveille
Simply: Wow!
Amazing 😍🤩
Two of my favorite pianists on the same piano, what a treat ! In Lugano ? I wonder if Pogorelich was there watching.
Duas grandes entre os maiores, que gosto vê-las e ouvi-las às duas juntas.
Wunderschöne Interpretation. Ich habe den 1.Satz allerdings etwas langsamer gespielt!
Que regalo para nosotros!❤❤❤y los nombres….Martha y Maria…..lol
Maria & Martha
🎉🎉🎉🎉🎉🎉
❤❤❤❤❤❤
Simplesmente maravilhosas...
5:42: I love soooo much this piece... ❤
Браво!
GENIAL!!!
Wow!!! How fun! 🌷🌷🌷🌷🌷
Wow
FABULOUS! 🌹🌺🌷
🙏🏼🌹
🌸🌸🌸💝
很好聽的四手聯彈。Argerich, 手更加放鬆。
❤❤❤❤❤
MOZART!!!! ❤
4 hands and one extra for page tuner
COME VISIT US BORGETTO SICILY THE MOST BEAUTIFUL TOWN IN THE WORLD BORGETTO SICILY ❤
Let's go Girls !
Martha’s big hands!
12:04
Without a doubt the two best female pianists alive today. Two very strong personalities like a tiger and a leopardess. However Mozart remains overrated. This is the best possible interpretation but it still sounds a lackluster composition with those operatic bursts that don't sound better voicing on 4 hands than 2. Much of Mozart music is so annoyingly predictable. And when i hear his jestering i always think of the movie which was so right about his frat immature boy personality. But the slow movement was delightful. I loved how they held hands when thanking the public it looked very natural.
IMHO, I really think you haven't yet fully apprehended the ethereal, magisterial world of Mozart's unending universe. 🙏🏼
@@pianogus Trust me i have and it's not "unending" but a small room with only one musical language. Mozart musical vocabulary is self contained and suprisingly limited. He uses the same mannerism and techniques in all his pieces, he never evolved his style. His slow movements for example will have the same ornamentations the same musical mannerism, that it feels forced once you know his whole portfolio. If he had not died young he would have been pressed to continue without making significant innovations and upgrade his skill. He was very commercial. Not to say what i didn't say, he had a certain skill in composing but he is much overrated for it. Probably because he was the pop of classical music for the masses.
I agree that Mozart was commercial. But that was how he made a living. He wrote what sold so he could eat. Is that wrong? Every composer of the day wrote to the people who paid them.
Besides, he has some of the most beautiful melodies. Most of his music is happy, and people like to hear happy music. And the predictability can be a good thing, as a composer like Mozart can introduce the masses into classical music. So tell me that all those things are terrible.
The classical world is big enough for Mozarts and Shöenbergs. You don't have to trash one if you like the other. Everyone has their favorites, but you don't have to hate on the ones you personally don't like.
@@catladyfromky4142 I wrote that a long ago, reading your reply i actually fully agree with every word in your first and 2nd paragraph, then thought you were harsh on me on the third, then i read my original post, and Hahaha, right, i pushed the accelerator to the floor. But actually, i've been at a moment or another in life fully sharing your view on Mozart (especially that he had earn to be able to eat food). I suggest you watch Glenn Gould critic of Mozart and he'll say what i said while beautifully playing mozart. We are both right actually. Spend ten more years with Mozart and you will start to see a lot more what i mean.
Sorry for any pianist having to be compared to divine Martha. Maria is taking piano lesson.
You should smoke less weed.
Luckely you're not stupid... You're just plain imbecil!
Pathetic comment! You definitely don't know a damn thing about music!...Clown!
Repent and believe in the Gospel! Regret your sins and repent! Pray that the Good Lord God will help you. Only Jesus Christ is the Way, the Truth and the Life! Only Jesus Christ is Savior and Lord! The good Lord God loves you and wants you to achieve eternal life in unending love...
Hmmm .... I can't get past the hair.
This is the childish Mozart, a musical joke for hauswives.
What is this supposed to mean? I have seen men pianists play it as well . Such a useless comment
The answer means that this piece by Mozart is not his best one. Mozart had a lot of "childish" numbers filled with very simple motives decorated by trillas, supposedly he wrote these ones for housewives ladies and amateur pianists. A composer of his time had the partitions printed and the book merchants sold them. Let me add, that this number above was written for harpsichord. It is a question of how the intentions of the music change when the instrument changes. Sometimes piano-interpretations seem to me more aggressive but sometimes we can accept the change. Of course, I appreciate these two stars, I like them, they are perfect. Best regards.
@@peterszigeti7476lei è il classico "ascoltatore risentito", secondo la, terminologia e la classificazione di Adorno. A parte ciò, si sbaglia di grosso nel giudizio sul pezzo di Mozart. La confutazione più semplice di ciò che dice è data dal fatto che le due massime pianiste viventi abbiano scelto di eseguirlo, e molto bene oltretutto.
@@peterszigeti7476 This piece might be a little simplistic; but one can object to the idea that "written for housewives" or amateurs in general equates second rate. Among many examples of the opposite, the violin duets by Bartok, or many vocal pieces by Dowland printed so as to be sung by a quartet sitting at a table. I would suggest that it is one (out of many) of the symptoms, or consequences of a certain decadence of music after World War II (integral serialism and the rest) that not a single piece can be executed by amateurs of any level.
No question: Both Bartók and Kodály wrote a lot of pieces for children and amateurs, for example, there is the "Microcosmos" or choral works from Kodály, etc. Thanks for your detailed answer. By the way, hundreds of Bach pieces were intended for practice. :-) @@jean-francoisbrunet2031