RAVEL - CONSTANT Gaspard de la Nuit OSF - L.PETITGIRARD

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  • Опубликовано: 21 ноя 2024

Комментарии • 44

  • @BlueSteve
    @BlueSteve Год назад +9

    The chime instrument used for the B-flat note which repeated throughout Le gibet perfectly describes the sound of the bell chiming as said in the poem

    • @Petitgirard1
      @Petitgirard1  Год назад +3

      It was a classical tubular games instrument but the fact to record le Gibet in the Libanese Church in Paris was perfect for the cd. Compare the sound of the TV Studio and the sound of the CD (Play List Conductor's Discography) Best regards.
      Laurent Petitgirard

    • @BlueSteve
      @BlueSteve Год назад +1

      @@Petitgirard1 thanks!

  • @millennial8441
    @millennial8441 3 года назад +33

    Very good orchestration! It is hard to orchestrate a Ravel's piano piece, it is a hard and intimidating task.

  • @jandhak
    @jandhak 2 года назад +11

    WHY IS THIS MASTERPIECE SO UNDERRATED

    • @Petitgirard1
      @Petitgirard1  2 года назад +10

      Since I create it at the request of Marius Constant, I did conduct it almost 20 times all over the world. Eschenbach, Conlon and a few other conductors did it but not very often. Scarbo is extremly difficult for the orchestra and you need a few rehearsales. But unfortunatly I believe that the main reason is that as well Ondine, Le Gibet and Scarbo finish pianissimo and does not call for a major public excitation, it is a pity. I did a few concerts with my friend Jean-Philippe Collard with him playing Ondine at the piano, than the orchestra played the orchestral version etc... including Pictures at an Exhibition, and this was very exciting for the audience to compare both versions.

    • @jandhak
      @jandhak 2 года назад +1

      @@Petitgirard1 I'm glad for the answer sir. I'm excited to listen your other works. I wish I could experience one of your live concert but sadly I live in Turkey....

    • @NINOGIANLUCA
      @NINOGIANLUCA 2 года назад

      @@Petitgirard1 wow, can you do a concert in sudan form my people? It could be amazing

    • @Petitgirard1
      @Petitgirard1  2 года назад

      @@NINOGIANLUCA The problem is wich orchestra ?

    • @jackhogan1280
      @jackhogan1280 Год назад +1

      Why do you think it's underrated? It's one of Ravel's most famous and popular pieces.

  • @MsTapenade
    @MsTapenade Год назад +3

    oh wow, just now I realize this exists

    • @Petitgirard1
      @Petitgirard1  Год назад

      Scarbo requires an extremly reactive orchestra...

    • @MsTapenade
      @MsTapenade Год назад

      @@Petitgirard1 yea, i can imagine

  • @DustyOldCowTown
    @DustyOldCowTown Год назад +2

    Thank you so much for this performance. As beautiful as the “outer movements” are, there’s just something magical about Le Gibet. There is pain, there is beauty, there is contemplation. The orchestra captures this feeling perfectly. Bravo

    • @Petitgirard1
      @Petitgirard1  Год назад +3

      Thank you very much, we did the world premiere recording of this piece with my dear friend Marius Constant in the cabine.

  • @lorandviranyi1140
    @lorandviranyi1140 3 дня назад

    Wow, I am a big fan of Petitgirard, the Daphnis et Chloe recording is also the best Daphnis recording, it sounds like Ravel. I really like the Prévin and Boulez recordings, but Petitgirard is even better!

  • @lorrainemigliorini4298
    @lorrainemigliorini4298 3 года назад +4

    Beautiful in both orchestral and piano forms

  • @sebastianboeddinghaus3505
    @sebastianboeddinghaus3505 3 года назад +4

    Good orchestration but I wish Ravel had orchestrated it, it's one of my favourite suites and he is the King of Orchestration

  • @Dylonely_9274
    @Dylonely_9274 Год назад

    Fabulous. I love the orchestration and I’m sure that Ravel would have loved it too !

    • @Petitgirard1
      @Petitgirard1  Год назад +3

      Ondine is very in Ravel's style of orchestration. Le Gibet a little less and Scarbo quite different. But to create it with my firend Marius Constant was very exciting.

  • @evplayspiano
    @evplayspiano Год назад +2

    wow this is a great version of gaspard de la nuit! the orchestration sounds like something pulled straight from Ravel's Daphnis et Chloe

    • @Petitgirard1
      @Petitgirard1  Год назад +1

      I agree with you for Ondine which is indeed close to Ravel's orchestration, Le Gibet is already a little more special and Scarbo is quite different, this explain why Ravel did not orchestrate him self Gaspard de la Nuit, Scarbo seems to him too pianistic.

  • @maxwoefull3460
    @maxwoefull3460 3 года назад

    wow its amazing!

  • @이현준-l5m
    @이현준-l5m 3 года назад

    insane orchestration! lovely

  • @prokastinatore
    @prokastinatore 3 года назад +8

    Great to listen the version by an symphony orchestra! After great musicians like Ivo Pogorelich, Martha Argerich or Auto Benedetti Michelangeli I really miss the lyrics. The breathing. The warmth and tenderness in this performance. This could be carried out much better. But don't worry: I don't criticise to damage or to destroy this concert. But please try to listen more to Ravel himself!

  • @vicenteplazaurzua6190
    @vicenteplazaurzua6190 2 года назад +4

    17:41 what instrument makes that like air sound?

    • @Petitgirard1
      @Petitgirard1  2 года назад +3

      Eliophone, other name WindMachine, you may here it in Ravel's Daphnis and Chloé, many modern composers used it, I did use it in my Ballet SI YEOU KI.

    • @НуркенАкбергенов
      @НуркенАкбергенов Год назад

      Ravel used it also in his opera “L’enfant et les sortiléges”

  • @catchoupiote
    @catchoupiote Год назад

    Merci M. Petitgirard pour cette vidéo de grande qualité. Cela semble avoir été filmé pour la télévision. Je me demande ce que sont devenus tous ces jeunes musiciens de l'OSF...

    • @Petitgirard1
      @Petitgirard1  Год назад +1

      Pardon de vous répondre un peu tard. La plupart d'entre eux ont rejoint les grands orchestres français, National, Philharmonique, Opéra, Orchestre de Paris, ONDIF, Florent Héau et Jean Ferrandis font de magnifiques carrières de solistes et de professeurs.
      François-Xavier Roth est devenu un chef d'orchestre incontournable et je pense que son expérience avec l'OSF, où j'ai d'ailleurs été le premier à lui mettre une baguette dans les mains, l'a inspiré pour créer son bel orchestre Les Siècles.

    • @catchoupiote
      @catchoupiote Год назад

      @@Petitgirard1 merci pour toutes ces précisions. Je ne savais pas Roth avait fait partie de votre orchestre.

  • @johnransom1146
    @johnransom1146 3 года назад +1

    So good. Where was this when i was teaching?

  • @robertehle1316
    @robertehle1316 2 года назад +1

    Perhaps Gaspard is just Casper the friendly ghost.

  • @BeknurAlievvv
    @BeknurAlievvv 4 года назад

    👍👍

  • @MTabla
    @MTabla 4 года назад +4

    Eugene Gossen's "Le Gibet" orchestration brought me here.

  • @GabrielWilliamsOfficial
    @GabrielWilliamsOfficial 2 года назад +4

    b ased

  • @moqyy
    @moqyy 4 года назад +5

    Scarbo: 11:26

  • @fazliddinerkaboyev6568
    @fazliddinerkaboyev6568 Год назад +1

    "Gaspard de la nuit" was written for an orchestra first. It is NOT ORCHESTRATED, is FOR AN ORCHESTRA itself.

    • @Petitgirard1
      @Petitgirard1  Год назад +3

      Gaspard de la Nuit is a piano piece in 3 parts composed by Ravel who never orchestrated it. My very dear friend Marius Constant wrote the orchestration (with the publisher Durand authorization) in 1989 and I conducted the first recording and the world premiere in 1990. So you do a confusion, Gaspard was first a piano solo piece and was orchestrated 80 years later.

    • @fazliddinerkaboyev6568
      @fazliddinerkaboyev6568 Год назад +1

      @@Petitgirard1 Oh, I am sorry.

    • @amgx9670
      @amgx9670 4 месяца назад

      @@Petitgirard1 maybe what he's trying to say that this thing is composed in a way that treats the piano like an orchestra?

    • @ivories1990
      @ivories1990 2 месяца назад

      @@Petitgirard1