I think Cho's sonata 4 movement is one of the best performances in the world. His wild horse-like piano tone makes my heart race. I want to say thank you for the wonderful performance from start to finish.
That section at 3:31 to 4:00 the heaviness in the bass yet not even slightly neglecting the melody... just breathtaking. Most interpretations either accentuate the melody or the bass too much
Seong-Jin Cho reminds me of young Evgeny Kissin, how they both have a lot of rubato and passion. The only differences are the modern microphones, and Seong-Jin uses more pedal
HOW THE HELL IS THIS SO GOOD IM LITERALLY BREATHLESS 1:341:38 BRO IM LIKE INTERNALLY DROOLING WTF CHO SEONG JIN IS UNREAL WTF WHAT THE ACTUAL F OM MY LORD 2:04 - 2:24
Forget that, what about tempo? What kind of musician is he if he believes this is the tempo Chopin intended? A Chopin specialist, really? What kind of musicians were we if we do not denounce it? Maybe if we begin with that we would find the reason why this performance doesn’t sound agreeable.
as seong-jin cho was the winner of the Chopin piano competition in 2015, I'm sure all the judges who were legitimate piano giantweight masters themselves would not have let him progressed through the strict elimination process round after round and granted him first prize. mind you the notoriously strict judges panel of the prestigious competition would rather leave an empty spot in the winner column (and this had happened for years in a row before) when they deemed no worthy winner emerged in that year.
@@nkwong920 the problem is when we have unreachable or unmusical speeds as per metronome numbers in almost all the works by Chopin, and everyone, judges and performers alike, choose to ignore this problem and just choose the tempo they like, or one that is more athletic or outrageous, to garner popularity. We all have wondered about those weird MM numbers but do not question if the way that we have been taught to read them is actually wrong in respect to the meaning they had in Chopin’s era. If the Chopin Institute were making efforts to conserve or preserve Chopin’s art, they should definitely address this, pronto.
![Chopin - Sonata No. 2 in B-Flat Minor, Op. 35 (Cho) [Score]](http://i.ytimg.com/vi/VUk3_qTTVg4/mqdefault.jpg)
역대급 개사기 인트로;;;;
I think Cho's sonata 4 movement is one of the best performances in the world. His wild horse-like piano tone makes my heart race. I want to say thank you for the wonderful performance from start to finish.
주선율을 잘 살리려면 얼마나 많은 연구와 노력이 필요할까…
저 단조로운 음표들에서 저런 입체적인 음들이 나오다니
쇼팽 소나타중 내최애곡...♥
Chopin to najpiękniejsza spuścizna dla ludzkości ❤️
I absolutely love this very clear, yet very heavy and dramatic interpretation.
That section at 3:31 to 4:00 the heaviness in the bass yet not even slightly neglecting the melody... just breathtaking. Most interpretations either accentuate the melody or the bass too much
@@michaelgeorge4643 Yeah, the sheer power and heavy, matt tone in especially that section is otherworldly. Cho is a grandmaster.
감사합니다
Anyanghaseyo
@@ErkaaJ ok
one of the highlights of classical piano literature
This sonata is forever in the history books as the greatest
🥸🥸
I love this sonata, especially that 4th movement :)
Seong-Jin Cho reminds me of young Evgeny Kissin, how they both have a lot of rubato and passion. The only differences are the modern microphones, and Seong-Jin uses more pedal
The best play ever
도입부 진짜 사기임ㅋㅋ 쇼팽뿌셔 우주뿌셔 ㅠㅠㅠㅠ
사람들이 도입부 좋다고들 하던데 f# 옥타브 화음 부분 말하는 건가요 아님 그다음 p 부분을 말하는 건가요?
@@u5jtstus옥타브 화음이용
하 진짜 너무 좋다..
Amo muito esse movimento final.
Poucos conseguem tocar com a dignidade que essa peça de Chopin exige.
Stunning performanace!
HOW THE HELL IS THIS SO GOOD IM LITERALLY BREATHLESS
1:34 1:38
BRO IM LIKE INTERNALLY DROOLING WTF CHO SEONG JIN IS UNREAL WTF WHAT THE ACTUAL F OM MY LORD
2:04 - 2:24
🤣
대단히 잘친다,👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍💓💓💓💓💓💓💓💓💓💓💓💓💓💓💓💓💓💓💓💓💓💓💓💓💓💓💓💓💓💓💓💓💓💓💓💓
Perfect
진짜 멋있다
이곡 하나 완곡해두면 콩쿠르 대비 확실하게 되는듯ㅋㅋ 이곡 하나로 콩쿨만 4개 나갔는데 싹다 대상받음ㅋㅋㅋ
구라치네
@@user-dj6ce1fw2k 구라는 아니고 솔직히 초딩때 나간거라서 가산점 받은거일수도 있어요 시간이 꽤 지난 일이라
어휴 ㅋㅋㅌ입만살았네
나도 이걸로 대상 세개탐 ㅋㅋ
@@LisztFranz-kz4cb 쇼팽 소나타 3번이아니라 3번 4악장만 가지고 대회 나갈 수있나요??
3:45
이 악장의 도입부를 처음 들었을 때의 그 전율을 잊을 수가 없다
귀가 녹는다
Excellent music 🎹🎶👏
정말 시원하게 잘 치네 조친놈
존나 좋다..
So passionate and beautiful 🎶💗
좋아요 백 개 누르고 싶어요..
1:41 3:25
wow
3:30 Lh.....
Troppo chiasso!Rivoglio Pollini😢😢😢
이거 연습중인데 손작아서 힘들가
@@naekkumeunppulingkeul 혹시 어디서 들으신 내용인가요? 저도 잘은 모르는데 개인적으로는 큰편은 아니라고 들어서요 도에서 레까지 보통 닿는 손이었다고 알고있어서요
음악가 손크기는 그렇게 제대로 알려진게 없긴 하지만 평균적으로 서양인들이 손이 크니깐…😅
@@Seokjowjg10762 작곡가들중에는 막 큰간아니어도 확실히 컸어요
괜찮아요.. 우리 쇼팽님 존잘이자나여 ㅎ
애초에 그 당시 피아노 건반 폭이 작았던 걸로 알고 있습니당
Jeez such a violent, metallic sound :(
Very jumpy and with no sense of 'line' - sudden slows and accelerations made for uneasy listening.
Forget that, what about tempo? What kind of musician is he if he believes this is the tempo Chopin intended? A Chopin specialist, really? What kind of musicians were we if we do not denounce it? Maybe if we begin with that we would find the reason why this performance doesn’t sound agreeable.
Losers...
as seong-jin cho was the winner of the Chopin piano competition in 2015, I'm sure all the judges who were legitimate piano giantweight masters themselves would not have let him progressed through the strict elimination process round after round and granted him first prize. mind you the notoriously strict judges panel of the prestigious competition would rather leave an empty spot in the winner column (and this had happened for years in a row before) when they deemed no worthy winner emerged in that year.
It’s called rubato
@@nkwong920 the problem is when we have unreachable or unmusical speeds as per metronome numbers in almost all the works by Chopin, and everyone, judges and performers alike, choose to ignore this problem and just choose the tempo they like, or one that is more athletic or outrageous, to garner popularity. We all have wondered about those weird MM numbers but do not question if the way that we have been taught to read them is actually wrong in respect to the meaning they had in Chopin’s era. If the Chopin Institute were making efforts to conserve or preserve Chopin’s art, they should definitely address this, pronto.
全体的にクドいです。
テクニック面ではまあまあですが、耳障りなところ(押し付けなところ)が多い。
4:38
1:50
1:41