a plagiarized symphony? (no, I got full permission to do this)
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- Опубликовано: 11 окт 2024
- Copycat Symphony I: Allegretto - Yoav Shati (2024)
This piece, which might become the first movement of a symphony, was composed for a competition where we had to create a mashup of two pieces by other composers. I chose piano etudes by JJones and @PianAle1742
Score: musescore.com/...
Everything else: linktr.ee/Yoav...
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Mockup made with MuseScore Studio, using Muse Sounds
instrument list:
2 flutes
2 oboes
2 clarinets in B♭
2 bassoons
4 horns in F
2 trumpets in B♭
timpani
snare drum
triangle
first+second violin sections
viola section
cello section
contrabass section
Wow, you did a great job with this! Very energetic writing throughout that really drove the piece forward, and I love how you varied the orchestration throughout. Fantastic work, Yoav!
Thank you! I hope the movement with your music will be as good as this (and hopefully better)
There it is! You did a fantastic job, curious for the other movements!
Thank you! You did a great job with both of the etudes I used for this
I haven't started looking for more pieces to orchestrate and mashup yet
This sounds very well, you should implement different sound "movements", not just a unique direction. It feels middle-eastern influences
Thank you! I'm not sure what parts sound middle-eastern, but most of the material comes from an Italian and someone from the US/Canada (I'm pretty sure), and I don't think the stuff I added is particularly middle-eastern despite me being from the middle-east
This symphony is one of the best I have heard in my entire life, thank you for making this content.
Thank you for listening!
You might also like the music of the composer I mentioned in the description, so check him out too
אהבתי מאוד.
That chord in m. 6 seems to resolve the phase early; I listened several times, and each time it felt to me like the phrase would end there, and it's therefore jarring when there are two more bars after it to end it "again." I realize that wasn't your intention, and I suppose there's nothing really "wrong" with it, but that's how it seems to me. I wonder if it would help to spell the chord like a "true" (i.e. "true" in 4-part writing) 6 chord where only the lowest instruments get a G and the rest get either an E or a B.
I think the reason why I'm hearing it this way is because the rest of the orchestra drowns out the bottom G with its complete E minor chord, which is why it seems to me like it resolves early. Removing the G from the upper instruments might help, but do let me know what you think.
It doesn't sound resolved to me at all, especially because it's a symmetrical phrase with two parts that are four measures each, so it wouldn't make sense to just stop
Ludwig von Brahms?