L'ho ascoltata dal Maestro dal vivo. Non si può spiegare: cristallo! E acqua! Un "canto" che tintinnava nell'anima. Che incredibile fortuna aver potuto ascoltare quel concerto!
I studied piano with Aldo Ciccolini for many years here in Italy. I therefore say quite clearly that he was a great man, a passionate teacher and one of the greatest pianists of all time.
The beauty of Satie. So open to interpretation. So little ink on the staves, it allows the performer to infuse their soul into the music. So little, yet so, so, so, SO much happening with every single note. Absolute beauty.
@John Leddy "The view from from the other side of the flowers" is the best comment I've ever ever ever seen. Thanks for that, I'll never forget it. Are you from Great Britain?
I interpret the piece as the flight of the soul. The bass is the earth, beckoning the soul to stay. The melody is the whimsy of the soul's departure, seeing the future, and making the transition to the "other side of the flowers".
Che emozione indescrivibile sentire Satie e vedere suonare il Maestro al massimo della sua maturità...emoziona la musica...il suo volto...le sue mani ❤
Very interesting interpretation. It is almost lively when compared to some other versions. This is such a beautifully realized composition that it can support different tempos and still speak beautifully. I think that Sig. Ciccolini's version is probably what one would have heard in a salon in Paris at the end of the 19th century. Slower tempos strike me as being 20th century appropriate, more resigned and sad.
Brilliant...played deeply from the heart...Ciccolini brings this piece to life. Not many can manage that...many times, this piece sounds "canned" ... the piece has hardly been in better hands!
@goodmanmusica La gente dice "joyeux anniversaire", che significa in francese "gioioso compleanno". Mi piaciono molto le interpretazione di Satie da Aldo Ciccolini. E un pianista meraviglioso. Grazie, signor Aldo.
Have never heard so much individuality ,soulfulness and subtlety in this very famous piece.His voicing and 2nd beats and absolutely even chordal placement is a testament to his wizardry and control . Here his Chopin nocturnes that came out in the 1980's for imagination and color unlike anyother .Fabulous pianist !!!
Puro sonho, inefável...(esse tipo de obra consola-nos ante o mundo em que estamos vivendo,digo, mais do que consola,move-nos!) Esta música abre o peito , penetra no coração desavisado e envolve-nos numa aura de quietude criativa.Tornamo-nos reativos na experiência estética ,mas sem agir diretamente sobre o outro.Somos impelidos a refletir, criar,a olhar o mundo com outros olhos...
Satie's score says 'lent et douloureux', which translates to 'slow and painful'. Reinbert de Leeuw's 1977 performance of the piece comes closest to this. It is certainly unlike any other version you've probably heard. Though some may prefer his 1992 re-recording.
I first heard Ciccolini when I was a teenager centuries ago, where he played Liszt's Hungarian Rhapsody #11. Happy to see he's still at it. I don't think this is played too fast--although I wouldn't blame him if he was in a bit of a rush. Anthony Burgess called Satie's stuff 'furniture music', and I can understand what he means. Ciccolini probably finds it boring compared to the classical masters.
@burkea123 No offence, I just disagree. I think it's much more beautiful if it is slower than this. I think when the first right hand part comes in people tend to speed up the left hand so that they can keep that rhythm, but when it can be done slowly and that rhythm can be kept its wonderful. I admit, it is not easy to do (for me). Even when I play with a metronome that right hand part sounds funny sometimes.
This may just be me, but it sounds a bit too slow in my opinion, it lacks motion, I feel like there needs to be a bit more push and pull in the repeating melody of the song.
+lisette wolters yes he starts waaay too fast and slows down as he goes here but there's a lovely recording by him that is much more consistent (also on youTube)
+lisette wolters We are here in Granada looking for a long long time for a good version of the G¡ymnopedie, thank you a lot! Finally we have found it :D
+docarii yes its beautiful isn't it? I saw Reinbert de Leeuw last month and he plays Satie so perfectly in sink with the person Satie was. An outsider, excentric and a avant garde person in his time. Ans he plays it so slow, you get drawn in. everybody in the audience is on a different planet!
Indeed! The score is marked: Lent et DOULOUREUX!... And his tempo is no steady... A Gymnopédie is an ancien greek dance done by naked young men... It is a kind of ceremonial...
The first times hearing this music, you might think 'this needs to be played as slow as humanly possible'. And some (melodramatic) pianists play it like this. You can find plenty of slow version of this song on RUclips. Later on I hope you come back to Aldo (especially his old renditions of this piece) and enjoy the pace. This strange, sad music, for slow, contemplative moods - played expertly at pace, like the world that doesn't stop turning.
I don't see the naked Greeks, I'm hearing a piece written by Parisian contemporary of Debussy. Context is everything. Exquisite mastery from Maestro Ciccolini. Such color and sensitivity. Breathtaking, unless you're a literal minded fool.
L'ho ascoltata dal Maestro dal vivo. Non si può spiegare: cristallo! E acqua! Un "canto" che tintinnava nell'anima. Che incredibile fortuna aver potuto ascoltare quel concerto!
Bravo, beautiful Bravo, beautiful music ❤️🎹❤️👋👋👋🎶
I studied piano with Aldo Ciccolini for many years here in Italy. I therefore say quite clearly that he was a great man, a passionate teacher and one of the greatest pianists of all time.
Oh... che meraviglia!!!
Come un poeta, che scava "dentro" la sua stessa poesia.
The beauty of Satie. So open to interpretation. So little ink on the staves, it allows the performer to infuse their soul into the music. So little, yet so, so, so, SO much happening with every single note. Absolute beauty.
You are right
melancholy and happiness all at the same time. The view from the other side of the flowers. thanx volodya.
@John Leddy "The view from from the other side of the flowers" is the best comment I've ever ever ever seen. Thanks for that, I'll never forget it. Are you from Great Britain?
John Leddy same
I interpret the piece as the flight of the soul. The bass is the earth, beckoning the soul to stay. The melody is the whimsy of the soul's departure, seeing the future, and making the transition to the "other side of the flowers".
Che emozione indescrivibile sentire Satie e vedere suonare il Maestro al massimo della sua maturità...emoziona la musica...il suo volto...le sue mani ❤
Un saggio che racconta la sua vita attraverso la musica e anche gli adulti diventano bambini nell’ascoltare..💪💪💪🎶🎶🎶
Fantastico Ciccolini.
Aldo Ciccollini a été le plus grand spécialiste de "Satie". C'était un magnifique pianiste qui a joué jusqu'à la fin de ses jours.
Very interesting interpretation. It is almost lively when compared to some other versions. This is such a beautifully realized composition that it can support different tempos and still speak beautifully. I think that Sig. Ciccolini's version is probably what one would have heard in a salon in Paris at the end of the 19th century. Slower tempos strike me as being 20th century appropriate, more resigned and sad.
La plus belle interprétation de cette pièce que j'aie jamais entendue.
Nein !
Addio Maestro. Un signore del pianoforte, un grande interprete, naturalmente amatissimo in Francia, un onore per l'Italia.
Maurizio Filipp
i
Aldo Ciccolini speaks playing Satie. He means, feels the message of his music and displays it with natural. Both say the same things. Merci Maître.
well said, Ciccolini plays Satie like no one else. His is the best.
Andai a sentirlo ad uno dei suoi ultimi concerti, è stato un pianista meraviglioso!!! ❤
Specialmente col suo Debussy "lunare" e desolato
Brilliant...played deeply from the heart...Ciccolini brings this piece to life. Not many can manage that...many times, this piece sounds "canned" ... the piece has hardly been in better hands!
Grandioso.. Fantastico!!!
Meravigliosa!!!!
Meraviglioso
He reminds me of my dad, and makes me wonder how my dad would look today if he were alive, if only he would have learned how to play piano
What a sweet comment
Sinceramente dopo aver ascoltato l'interpretazione del Maestro non riesco a farmi piacere altre versioni
Merveilleux, soit en Paix Maestro 😇😇😇
Esecuzione da vero maestro...
I love the restraint and hesitancy he used in interpreting this piece.
EL MEJOR INTÉRPRETE DE SATIE,LO ESCUCHÉ EN SU VISITA A MÉXICO EN EL PALACIO DE BELLAS ARTES,GRAN IMPRESIÓN CAUSÓ AL PÚBLICO MEXICANO.
la sutileza del pianista al rozar sus manos en las teclas e interpretar la musica con su alma
@goodmanmusica
La gente dice "joyeux anniversaire", che significa in francese "gioioso compleanno".
Mi piaciono molto le interpretazione di Satie da Aldo Ciccolini. E un pianista meraviglioso.
Grazie, signor Aldo.
das berührt mein Herz, diese Interpretation ist göttlich.
It only seems fast because that is what YOU'RE used to. It was played perfectly and flawlessly.
One of the best...
Have never heard so much individuality ,soulfulness and subtlety in this very famous piece.His voicing and 2nd beats and absolutely even chordal placement is a testament to his wizardry and control . Here his Chopin nocturnes that came out in the 1980's for imagination and color unlike anyother .Fabulous pianist !!!
Maravilloso pianista! Lamento profundamente su deceso.
Fabuleux Ciccolini
Fino ad oggi non ho sentito versione più toccante
Grandiose !!!
Beautiful performance, God bless you. Thank you.
Sometimes I have to come back here to listen to this masterwork.
Addio Maestro...
Simply Amazing!
grande prestation d'un maitre du piano ,un répertoire magnifique!!!! et quelle leçon de piano
Grande
poesia pura....
Thank you for posting.
Precious...Precious.
On est si bien ~~~•°🌬️☁️💙
RIP
Ciccolini c'était Eric Satie réincarné...
Puro sonho, inefável...(esse tipo de obra consola-nos ante o mundo em que estamos vivendo,digo, mais do que consola,move-nos!)
Esta música abre o peito , penetra no coração desavisado e envolve-nos numa aura de quietude criativa.Tornamo-nos reativos na experiência estética ,mas sem agir diretamente sobre o outro.Somos impelidos a refletir, criar,a olhar o mundo com outros olhos...
A new interpretation of an underated composer, its refresing.
Adiós estimado Señor, espero que halla un lugar en otro lado para las personas buenas y decentes....
Beautiful interpretation
Fabulous
💖
Master!!!!!!!!!!!!!!!!
Exquisite and overwhelmingly beautiful
buen viaje maestro.
My sentiments exactly!
Satie's score says 'lent et douloureux', which translates to 'slow and painful'.
Reinbert de Leeuw's 1977 performance of the piece comes closest to this. It is certainly unlike any other version you've probably heard. Though some may prefer his 1992 re-recording.
Mi piacerebbe conoscere quei quattro "scienziati" che hanno messo "non mi piace".
Carmine Maresca Official sono arrivati a 18 hahhahaaaa
@@paoloamici9016 mo so 30!
@@00tanake00 leggi bene so 24
@@paoloamici9016 boh... A me risultano 30
@@00tanake00 me ne dà 24 ... peccato
Masterful
Divino eccelso unico paradisiaco.mario olivotto
Inspirational
awesome !!!!!
gli augurano un buon compleanno =)
Una poesía sin versos.
.....gorgeous...lush.
que hermoso sonido como gotas de lluvia :)
最後の巨匠です！
R.I.P Aldo!
Emouvant RIP
Bon voyage!
I first heard Ciccolini when I was a teenager centuries ago, where he played Liszt's Hungarian Rhapsody #11. Happy to see he's still at it. I don't think this is played too fast--although I wouldn't blame him if he was in a bit of a rush. Anthony Burgess called Satie's stuff 'furniture music', and I can understand what he means. Ciccolini probably finds it boring compared to the classical masters.
HERE is 2019
My current favorite version on YT. By the way, just find out what Gymnopedie means….Anyone knows if Satie was gay? Not homofobia, just wanna know..
C'est si beau
a sound wave sculptor
Erik satie ,is luisteren naar wat je wilt horen.
Daar hoort de akoestiek van een volle zaal niet bij.😢
Cbe rubato! Un dio!
Bechstein sound very beautiful...
😍😍😘
you have to use the sostenuto. (middle pedal)
where can I get this DVD?
(AMAZING!!!!)
Ciao !
ma cosa dice il pubblico prima che inizia a suonare?
Is there a video with Ciccolini playing Gnossienne 3?
Mi ha fatto tanto ridere la frase di Maresca........
I feel sorry for the person who coughed at the end, he must have hold for the whole performance.
@leparditas Ciccolini big rock
#AldoCiccolini
HOW DOES THE PEDALLING WORK ON THIS SONG ????
szybkie wykonanie
@leparditas too furious
@burkea123 No offence, I just disagree. I think it's much more beautiful if it is slower than this. I think when the first right hand part comes in people tend to speed up the left hand so that they can keep that rhythm, but when it can be done slowly and that rhythm can be kept its wonderful. I admit, it is not easy to do (for me). Even when I play with a metronome that right hand part sounds funny sometimes.
yeah this is way too fast
This may just be me, but it sounds a bit too slow in my opinion, it lacks motion, I feel like there needs to be a bit more push and pull in the repeating melody of the song.
+Allison Hankins
It is supposed to be even slower! He palys it way too fast...
He plays it like an Italian: upbeat and impatient
way too fast!!! Listen to Reinbert de Leeuw, the true master of Satie performance!
+lisette wolters yes he starts waaay too fast and slows down as he goes here but there's a lovely recording by him that is much more consistent (also on youTube)
Can you sent the link? I'm very interested in how to play Satie, :-)
+lisette wolters We are here in Granada looking for a long long time for a good version of the G¡ymnopedie, thank you a lot! Finally we have found it :D
+lisette wolters Reinbert de Leeuw has just changed the way I listen to this song. Thanks for gifting me this discovery!
+docarii yes its beautiful isn't it? I saw Reinbert de Leeuw last month and he plays Satie so perfectly in sink with the person Satie was. An outsider, excentric and a avant garde person in his time. Ans he plays it so slow, you get drawn in. everybody in the audience is on a different planet!
too fast is my opinion
Yes !
you are wrong is my opinion
It’s a little to fast
@leparditas I'd like to say something ...... Bollox !!
too fast
Indeed! The score is marked: Lent et DOULOUREUX!...
And his tempo is no steady...
A Gymnopédie is an ancien greek dance done by naked young men...
It is a kind of ceremonial...
The first times hearing this music, you might think 'this needs to be played as slow as humanly possible'. And some (melodramatic) pianists play it like this. You can find plenty of slow version of this song on RUclips.
Later on I hope you come back to Aldo (especially his old renditions of this piece) and enjoy the pace. This strange, sad music, for slow, contemplative moods - played expertly at pace, like the world that doesn't stop turning.
I don't see the naked Greeks, I'm hearing a piece written by Parisian contemporary of Debussy. Context is everything. Exquisite mastery from Maestro Ciccolini. Such color and sensitivity. Breathtaking, unless you're a literal minded fool.
Obaysch : I don't see the naked Greeks . . .
Ask Santa Cecilia...
It's not >,
it's an > done by...
And I'm talking about the definition of > !
💙