It's because it's an awkward theme that gives it a powerful story. Think of how many movies are better when the hero starts out awkward and not able to do what they have to.
Uma execução primorosa dessa bela obra de Bach. O uso correto e criativo da registração, a execução magnífica, o respeito ao estilo, razem desse registro um primor. PARABÉNS
So daring to have a melodic tritone in the fugue subject. It's even more pronounced than the ascending tritone in the WTC. It really made me sit up and listen!
If by 'tritone' you mean the descending diminished fifth from Eb to A, it's not really all that daring imo. It leaps back in the opposite direction and is part of a sequence. Fairly standard stuff. Would have been a different story if it was a 'real' tritone (an augmented fourth).
From 1'33" I feel for the genius who had to write out the entire sequence of a multitude of bars whereas today's composers have shortcuts for such a thing as descending semitone modulation! Such an awesome sequence with its diminished 7th resolving to a dominat 7th harmony in each bar. But where it lands back at the tonic minor it is perfectly placed in the structure.
I noticed one thing. Bach ALWAYS modulates to Mediant Major and subdominant minor if he writes in minor key. (III, iv respectively) Example: Tonic g minor. Modulates to B flat major (III) and somewhere else, modulates to c minor (iv).
@@authenticmusic4815 I know this is Bach we're talking about, but other composers would go the other way, like maybe going to the parallel major and then the mediant.
God, the picardy third in this one, especially... it's like the first time the B natural comes in, 'eh, might be a happy ending, but that E-flat is REFUSING to budge' and the the E F# G at the end is like 'gtfo E-flat'
My Orchestra arrangement of this piece: Woodwinds: Oboe Oboe d’amore Taille Brass: 2 Natural Trumpets in C Percussion: 2 Timpani in G and D Strings: Violins 1 and 2 Violas Continuo (Cellos, Basses and Harpsichord)
Je comprend mieux pourquoi l' interprète n'est pas nommé : ce morceau est visiblement trafiqué au sampler pour accélérer artificiellement la vitesse de jeu . Mis à part le divertissant bricolage , ce n'est pas honnête de cacher ces donnés là !
@@kelvinchan2286 Rubato was non-existent during the baroque period yes, but phrasing and agogic accents are still important when playing baroque which this recording lacks.
Ouch! I've listened to the Siloti transcription many times and the version I passionately love is the one played by Nelson Freire. When I heard this my ears went into a paroxysm of pain. This performance is not for me. Look them up, Nelson Freire/ Siloti.
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The endings of both the Prelude and the Fugue have got to be some of the best endings Bach ever wrote! Fantastic!!
I also really like the end of the toccata in bwv 538
very good
I thought I was the only one who lived for a good Bach ending! 😊❤️
@@carryfreak5059 To quote a college friend of mine, "after all these years, I'm still a sucker for a Picardy third!"
One of the most well crafted fugues he ever wrote, nothing really compares. So much emotion, so much heart, and just so so clever.
What is more amazing is that Bach probably wrote this entire piece in like two days. He could write amazing fugues like water from a tap.
0:55 Fugue first motive foreshadowing in the bass
Omg
InstaBlaster...
Now this is something i didn't notice and can't find in any other composer , pure brilliance
holy sh*t I've never noticed that, how cool...
Pure genious
So beautiful. He was such a great organist.
Possibly the greatest of his time, with Handel a close second.
Great Organist, Phenomenal Composer
Such an awkward fugue theme, and Bach turns it into musical gold.
It's because it's an awkward theme that gives it a powerful story. Think of how many movies are better when the hero starts out awkward and not able to do what they have to.
@@somethingtojenga Nice point. Or counterpoint.
What's wrong with the fugue theme?
@@thechaseisbetterthanthecat68 it sounds awkward imo. There are many themes that bach could've come up with, yet he settled with this odd one
@@CougheePls I wouldn't call it awkward it's just more basic than what he usually writes
This Coda is the best that i has ever listen! Wonderful
One of the best and most creative organ works by Bach in my opinion. The fugue is really brilliant
I've never heard this one before. Very nice!
Perhaps there not many organists up to learning and recording this masterpiece?
@@777rogerfthe organ repertoire is hugely underrated
This is really the finest scrolling animation.
Uma execução primorosa dessa bela obra de Bach. O uso correto e criativo da registração, a execução magnífica, o respeito ao estilo, razem desse registro um primor. PARABÉNS
what a beautiful video thanks for the uploading and the magic moment thanks!
gerubach спасибо тебе. Это одна из моих любимых произведений И.С.Баха .
2:37 very good
Nice birthday present from Gerubach!
7:03 гармония просто шикарна
That V7 3rd Inv. chord preceding the final cadence is omnipotent!
So, basically the V2.
So daring to have a melodic tritone in the fugue subject. It's even more pronounced than the ascending tritone in the WTC. It really made me sit up and listen!
Man, Bach liked to experiment many odd things.
If by 'tritone' you mean the descending diminished fifth from Eb to A, it's not really all that daring imo. It leaps back in the opposite direction and is part of a sequence. Fairly standard stuff. Would have been a different story if it was a 'real' tritone (an augmented fourth).
No conocía este grandioso trabajo del inmortal Johann Sebastian Bach.
What an amazing piece of music...
WTF the final cadense of the fuga D:! XD
The 32nds of the 2nd measure from the end made me laugh really hard.
Bravo bravo bravo
Best of pieces
Happy new year!
From 1'33" I feel for the genius who had to write out the entire sequence of a multitude of bars whereas today's composers have shortcuts for such a thing as descending semitone modulation! Such an awesome sequence with its diminished 7th resolving to a dominat 7th harmony in each bar. But where it lands back at the tonic minor it is perfectly placed in the structure.
Wonderful!♥♥♥♥♥
I noticed one thing.
Bach ALWAYS modulates to Mediant Major and subdominant minor if he writes in minor key.
(III, iv respectively)
Example: Tonic g minor.
Modulates to B flat major (III) and somewhere else, modulates to c minor (iv).
Lmfaoooo that is fucking obvious, where else could he modulate?
@@authenticmusic4815 I know this is Bach we're talking about, but other composers would go the other way, like maybe going to the parallel major and then the mediant.
amazing
this is my favorite bach prelude
God, the picardy third in this one, especially... it's like the first time the B natural comes in, 'eh, might be a happy ending, but that E-flat is REFUSING to budge' and the the E F# G at the end is like 'gtfo E-flat'
Best
Beautiful reference to BWV 785 at 6:20
My Orchestra arrangement of this piece:
Woodwinds:
Oboe
Oboe d’amore
Taille
Brass:
2 Natural Trumpets in C
Percussion:
2 Timpani in G and D
Strings:
Violins 1 and 2
Violas
Continuo (Cellos, Basses and Harpsichord)
Maybe most or one of them beauty
Wow, I've never heard this before! What an extraordinary piece. But isn't BWV 535 one of the "Little Preludes & Fugues"?
bauerwilhelm No, "Little preludes and fugues" are BWV's "553-561"
1:30
fuga
3:07 3:07
3:07 3:07
3:07 3:07
3:06 Fugue
5:13 Upper voice
Critical insight into Bach
If it's by Bach it has to be the best!
Концовки крутые
3:38 Critical insight into Bach
5:21 Also
Unreal...
Ancient Sonata, you're absolutely right. I'm the happiest people because in world has got who listen to this wonderful music.
Bach is something else...
My brother is fucking RIPPING on this one.
Playing Chopin yes but this fast parts are incredible difficult
Intress
0:21
Who's the Organist??
Michel Chapuis
Where is the base? The pedal line is played in alto!!!
Make one of BWV 541
Check out Andre Isoir's 541 = best
ruclips.net/video/nHI8T0a319A/видео.html
Is dit een vroeg orgelwerk van Bach ?
Je comprend mieux pourquoi l' interprète n'est pas nommé : ce morceau est visiblement trafiqué au sampler pour accélérer artificiellement la vitesse de jeu . Mis à part le divertissant bricolage , ce n'est pas honnête de cacher ces donnés là !
not bad for a robot..
What do you mean ?
@@kal_bewe1837 He is expecting rubato in baroque period.
@@kelvinchan2286 Rubato was non-existent during the baroque period yes, but phrasing and agogic accents are still important when playing baroque which this recording lacks.
soy yo el único que no escucha el pedal? en el preludio el bajo es inaudible. una lástima :/ 🙁
Aumente o volume, ou use um fone de ouvido.
Yes I agree that the registration in general is not good and particularly for the pedal as it is very difficult to hear it
The pedal line lacks clarity.
Ouch! I've listened to the Siloti transcription many times and the version I passionately love is the one played by Nelson Freire. When I heard this my ears went into a paroxysm of pain. This performance is not for me. Look them up, Nelson Freire/ Siloti.
Amagine men show up such and not their clown trash fake and world had been a paradise instead of Voltaires awareness of this world's misery
Best