Las imagenes no son importante. qué es importante es que escuchamos una obra destacada por el Maestro Hindemith y es tocó hermosamente. muchas gracias y saludos desde Tokio.
I must confess that these first works of Hindemith are not his best for me. They are too close to tonality, with some jumps aside that do not constitute a language. Later on, he will find a convincing style. I must confess also that I am sensitive to that kind of peculiar lyrism which emerbes from the second piece.
I appreciate your comments, but I find that even now, Hindemith has a unique voice. If I came across this music without knowing it was his, I would not guess Hindemith, although there are hints in a passage here and there. However, I would not assume it was someone else. He doesn’t sound LIKE someone. Rather, I would assume it was a young early 20-century composer who was still developing
I made my comment during the second piece. Listening to the third I hear much more Hindemith. If I Heard THIS unaware of who wrote it, Hindemith would definitely come to mind.
![Paul Hindemith - String Quartet No. 4, Op. 22 [With score]](http://i.ytimg.com/vi/xHo8igW6qb8/mqdefault.jpg)
What great pieces!
why there aren't names of the performers? I absolutely love your playing!!!!! wonderful duo, what are your names? big congratulations
i know Im quite off topic but do anyone know of a good website to watch new movies online?
@Riley Abel Lately I have been using FlixZone. Just google for it :)
@Dax Jaden definitely, I have been watching on flixzone for months myself =)
@Dax Jaden thanks, I went there and it seems like they got a lot of movies there :D I really appreciate it!
@Riley Abel happy to help :)
Le style du jeune Hindemith, plein de verve et de surprises.
II. 2:59
III. 12:59
Las imagenes no son importante. qué es importante es que escuchamos una obra destacada por el Maestro Hindemith y es tocó hermosamente. muchas gracias y saludos desde Tokio.
Nice and unknown pice
Such a pity one can’t hear cello as one should above the piano part. Such a pity.!
I must confess that these first works of Hindemith are not his best for me. They are too close to tonality, with some jumps aside that do not constitute a language. Later on, he will find a convincing style. I must confess also that I am sensitive to that kind of peculiar lyrism which emerbes from the second piece.
I appreciate your comments, but I find that even now, Hindemith has a unique voice. If I came across this music without knowing it was his, I would not guess Hindemith, although there are hints in a passage here and there. However, I would not assume it was someone else. He doesn’t sound LIKE someone. Rather, I would assume it was a young early 20-century composer who was still developing
I made my comment during the second piece. Listening to the third I hear much more Hindemith. If I Heard THIS unaware of who wrote it, Hindemith would definitely come to mind.