Las imagenes no son importante. qué es importante es que escuchamos una obra destacada por el Maestro Hindemith y es tocó hermosamente. muchas gracias y saludos desde Tokio.
I must confess that these first works of Hindemith are not his best for me. They are too close to tonality, with some jumps aside that do not constitute a language. Later on, he will find a convincing style. I must confess also that I am sensitive to that kind of peculiar lyrism which emerbes from the second piece.
I appreciate your comments, but I find that even now, Hindemith has a unique voice. If I came across this music without knowing it was his, I would not guess Hindemith, although there are hints in a passage here and there. However, I would not assume it was someone else. He doesn’t sound LIKE someone. Rather, I would assume it was a young early 20-century composer who was still developing
I made my comment during the second piece. Listening to the third I hear much more Hindemith. If I Heard THIS unaware of who wrote it, Hindemith would definitely come to mind.
Le style du jeune Hindemith, plein de verve et de surprises.
What great pieces!
why there aren't names of the performers? I absolutely love your playing!!!!! wonderful duo, what are your names? big congratulations
i know Im quite off topic but do anyone know of a good website to watch new movies online?
@Riley Abel Lately I have been using FlixZone. Just google for it :)
@Dax Jaden definitely, I have been watching on flixzone for months myself =)
@Dax Jaden thanks, I went there and it seems like they got a lot of movies there :D I really appreciate it!
@Riley Abel happy to help :)
II. 2:59
III. 12:59
Las imagenes no son importante. qué es importante es que escuchamos una obra destacada por el Maestro Hindemith y es tocó hermosamente. muchas gracias y saludos desde Tokio.
Nice and unknown pice
Such a pity one can’t hear cello as one should above the piano part. Such a pity.!
I must confess that these first works of Hindemith are not his best for me. They are too close to tonality, with some jumps aside that do not constitute a language. Later on, he will find a convincing style. I must confess also that I am sensitive to that kind of peculiar lyrism which emerbes from the second piece.
I appreciate your comments, but I find that even now, Hindemith has a unique voice. If I came across this music without knowing it was his, I would not guess Hindemith, although there are hints in a passage here and there. However, I would not assume it was someone else. He doesn’t sound LIKE someone. Rather, I would assume it was a young early 20-century composer who was still developing
I made my comment during the second piece. Listening to the third I hear much more Hindemith. If I Heard THIS unaware of who wrote it, Hindemith would definitely come to mind.