Guthrie Govan - Larry Carlton style backing track
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- Опубликовано: 9 сен 2024
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/ kaimisilva
his solo started playing in my head immediately hahah
Wochenend Kid If I have to really concentrate when I’m improvising to not copy the original.
Check the solo of Michele Cusato on this, it's fucking amazing
"Michele Cusato improvisation in Cm"
@@@ryanlyle9201 If only I could copy the original I'll be more than thrilled hahaha
@@ryanlyle9201 When I'm improvising ..... I have no problem NOT copying the original....in fact that's a problem I wouldn't mind having :D
I'm copying the patterns and phrases without any remorse.
One of the greatest solos in history has been played over this track. Respect and pure awesomeness
Chords:
Cm7 - Fm9 - Cm7 - Fm9 - Cm7 - Abmaj7 - G7(b10) - Abmaj7 - G7 - Cm7 - Fm7 - Cm7 - G7
Or you can just play simple chords without alterations (numbers) if you're not common with them
G7(b10)???? OMG hahahaha
b10 is actually more appropriate because in the Key of Cminor you would write that note as a Bb (not an A#) but also this is a really silly argument they sound and function the same way!! and also the first G chord after the Abmaj7 is just a Gmin7, and then the next time it is a G7b9, and the last chord isn't a G7, there is a little walk down diatonically then he hits an Fmin7/Bb
@@JulienBeeCee if its more appropriate or not, really is a theory pov from a book or the way one looks at it. Otherwise he would have write all the 11ths and 9ths in the minor chords as they show up in the voicings.... thing is, why complicate it? The fact he finds this b10 or, in your case, the b9, is simply because there's an "implied" Dm7b5 leading to G7 and then Cmin. Call it G7 and leave it at that... having a b10 is rather confusing.... My opinion of course...
@@thiagomassara7539 agreed, as i said before none of it really matters and it is a silly thing to argue about. The more important part of my comment was to post the correct chords, because everyone before had missed a few of them
@@JulienBeeCee and it's very much appreciated :)
This really cool. Guthrie's solo is a great modern tribute to Carlton. This style is just awesome. I love most of the shredders, Satch ect. But there's something about this jazzy virtuosity that just does it for me.
Love that bass line.
Thank you friend!!!
i guess Im asking randomly but does any of you know of a way to log back into an instagram account..?
I stupidly forgot the account password. I appreciate any assistance you can offer me!
@Kendrick Bode instablaster :)
@Karter Ignacio I really appreciate your reply. I got to the site thru google and I'm in the hacking process atm.
Seems to take a while so I will get back to you later when my account password hopefully is recovered.
Como se llama la cancion original?
THANK YOU! FINALLY! Been learning this solo for a while and I'm so glad I finally have the track for it.
Love Guthrie Govan's piece of music here. Thanks so much for sharing it. Wish I could listen to it all day because it's incredibly relaxing and inspiring:) 🎶
THIS IS SO AWESOME 👍👍 FOR PRACTICE ❤❤❤ SUPER ❤️❤️ BRAVO 👍👍.
This is in C minor
so in Eb major
@@goued7291 no
@@user-om9oy7eg8z yes
This is so awesome for practice!
Thank you!
This shit is ridiculously fun to play to.
Cm7 | Fm7 | Cm7 | Cm7
Fm7 | Fm7 | Cm7 | Cm7
AbMaj7 | Gm7 | AbMaj7 | G7(b9)
Cm7 | Fm7 | Cm7 | (Hits, what I hear: Ab, Gm, Fm, Ab/Bb)
Figured this could be useful. I'm not including any 9ths on those minor chords, just the basic harmony. The last bar is purely chords diatonic to Cm (aeolian), but in case anyone was curious.
1:31
Loved to jam on this, thank you!
Merci Thank s
great guitars
Truth, thank you friend!!!
Could i use this in one of my Backing track videos
Thank You
You are welcome friend!!!
Guthrie pretty much owns this lol
C-7 F-7 Ab G-7 Ab G7b9 It's all in the voicing's.
Bravo!
Thank you friend!!!!
Awesome! Do you have the chord progression?
where can we download it ?
Sweet
Do they not post the key so we can "Find our own musical voice" blah blah, or do they forget? I mean, I know what key it's in. I just wonder.
Cm
Thanks for the backing track !! do you also have one for the lost in rio ?
You are welcome friend! sorry, i haven't!!!
What chord is G7 (b10)?!? Probably is an error
b10 = #9 = minor third. That's a dominant 7 chord (with a major 3) plus a minor 3 added on top. Famously called "the Jimi Hendrix Chord"--prevalent in jazz blues.
Jeff thank you, now I’ve known . It’s simply a dominant 7 chord with 9#
thanks
What’s the turnaround
Very Good! I am picky! ...
I would fine tune the Mix ...Mix it a little cleaner, ajust a few things, round up the sound and expand the stereo. But this is good!
It's a very old version from JTC, not an original.
what scales should i use over this?
diminished scale when playing the G7 or harmonic minor when in Cm7 or Fm9,Abmaj7 major scale of Eb even or minor of Cm
you don't have to use the harmonic minor or the diminished scale when playing the G7 but they bring a different sound
gooddd
THANK YOU!
Chords?
this is off of Guitarist Mag CD at least 10 years ago...
thank you for comment!
yes man, I have it somewhere, it had another solo to play, and the magazine had the tabs. but it was another solo..
Pete Sklaroff has posted a lengthy lesson/analysis for this track: ruclips.net/video/dv5vAHi8J4E/видео.html
👈😁!
Clap, clap!!!
could someone post the chords?
Chords:
Cm7 - Fm9 - Cm7 - Fm9 - Cm7 - Abmaj7 - G7(b10) - Abmaj7 - G7 - Cm7 - Fm7 - Cm7 - G7
Or you can just play simple chords without alterations (numbers) if you're not common with them
@@Shapomark G7#9 plz
and its G7(b9)
@@JojoModrin "G7#9 plz" - you're uneducated and not afraid to show it, carry on my friend
@@Shapomark why do you feel offended bro ... I'm just helping you to get it right and it is. In music theory nobody use the term (b10),it is #9. Also in the backing track, it is not a G7#9. Thats a G7(b9) which makes more sense with the minor harmony. Btw sick channel.