Mozart - Piano Sonata No. 6. K.284 (1775) [Ingrid Haebler]
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- Опубликовано: 6 авг 2024
- Wolfgang Amadeus Mozart (27 January 1756 - 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the classical era. According to Bartje Bartmans one of the greatest and brightest stars on the firmament.
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Piano Sonata No. 6 in D major, K. 284 (205b) (1775)
1. Allegro (0:00)
2. Rondeau en polonaise, Andante (5:47)
3. Theme and Variations (Andante) (10:52)
Ingrid Haebler, piano
This piano sonata is the last of the sonatas that Mozart published in Munich. The piece is subtitled "Dürnitz" as it was written for Baron Thaddäus Wolfgang von Dürnitz (1756-1807), an amateur bassoonist and keyboard-player, who failed to pay for the work. The work was written down during the visit Mozart paid to Munich for the production of La finta giardiniera from late 1774 to the beginning of the following March. This is the first sonata for which Mozart scholars Wyzewa and Saint-Foix find no model. It is also Mozart's first use of variations within a sonata (only other is to open Sonata No. 11, K.331) and his first set of them to have depth as well as variety.
Allegro
A first version of the beginning of the first movement, written on one and a half pages, was cancelled by Mozart. On the same page, he started anew to write the final version underneath. The thematic material of this opening movement (and to a lesser degree also that of the following movements) is laid out on a more ample, nearly orchestral scale, a departure from the intimacy of the early sonatas. The tremolo effect in measures 13-16 and the unison announcements of the first subject read very much like a piano reduction of an orchestral tutti. The second subject, a supple melodic line, unaccompanied in its opening bar, incorporates a descending chain of first inversions, a favorite harmonic formula of the baroque and classical periods. (There are analogous passages in the subsidiary themes in Gluck’s overture Iphigénie en Tauride and the first movements of J. S. Bach’s Italian Concerto). This functions as a solo passage in contrast to the ensuing tutti entries in m.30. The development moves through a circle of minor keys before the recapitulation begins in measure 72.
Rondeau en polonaise (Rondo and Polonaise)
Mozart called the second movement a Rondeau en Polonaise, and it is hence a dance. The opening four measures from a kind of dialogue (like the theme of the first movement of the preceding G Major Sonata), and Mozart subjects them to felicitous counter-statement is heightened by Mozart's meticulous dynamic markings.
Tema con variazione (Theme with variations)
The last movement of the Sonata is a simple theme followed by twelve variations upon said theme, which, up to the tenth variation, has the character of a gavotte. The theme is marked 'Andante' in the first edition (published during Mozart's lifetime), but has no indication in the autograph. The theme and the first eleven variations are in cut time, with the first 10 in the tempo of the theme. The eleventh variation is marked Adagio cantabile in the first edition and the autograph. The twelfth and final variation is marked Allegro in the first edition only and is in 3/4 time. All variations except for the seventh are in D major; the seventh is in the parallel D minor.
This movement shows Mozart’s special gift for writing variations at its most brilliant. The superficial impression of a diffuse form does not stand up to a closer inspection: it would not be at all easy to omit one of the twelve variations, or to add an extra one. The eleventh variation is of special interest to Mozart scholars, for it gives us some insights into his concept of impromptu ornamentation. The autograph is only modestly ornamented, and Mozart presumably embellished it in performance as his fancy dictated. But a richly ornamented version survived in the first edition, and this embellished version is most likely Mozart’s own work. 
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I can't imagine how can someone write music so effortlessly. It seems he can make music like we talk.
No one can talk that fast.
Impresionante, pero yo soy Mejor
There's nothing like giving yourself compliments
Unless you're an introvert and can't talk very confidently
*music plays*
auto generated subtitle: applause
woah, even subtitle knows how to appreciate music
Hi chopin
Tu y yo que hacemos aquí si no es nuestra Musica
@@antoniovivaldi2028 hola vivaldi
I’m loving discovering Ingrid Haebler’s playing and with the autograph score this is such a treat. The clarity in his writing - it’s incredible. Thank you 🙏
i know Im randomly asking but does any of you know a trick to log back into an Instagram account??
I somehow forgot the account password. I love any tips you can offer me
@Connor Korbin instablaster =)
@Ashton Malakai Thanks for your reply. I found the site through google and Im trying it out now.
Takes a while so I will reply here later when my account password hopefully is recovered.
@@ashtonmalakai8674 bruh
15:07 THIS VARIATION GETS ME EVERYTIME. The „BLARP” on the low note 💀💀💀 Mozart probably thought this was funny BAHAH I imagine him laughing his genius ass off
🤣
this is such a treat to see and watch! took a family trip to germany 2 years ago and made my whole (non-classical music loving) family take a day trip to salzburg via train so i could visit mozart's childhood home. truly one of the greatest, most awe-inspiring days of my life. i got to see lots of his personal items and manuscripts, and this just adds to his mystique and my admiration for him. thank you!
Это великолепно не только слышать, но и читать написанное гениальной рукой Моцарта!
Слкшаб абсолютно все ,что вы постите ,Моцарт и Ингрид слились воедино. Чудесно. Thank you ,Bartje ❤I listen to everything you post....Wolfgang and Ingrid became one
Haebler's Mozart sonatas are masterpiece, but it's hard to get...
THANK YOU FOR UPLOADING.
What a feat of a composition for a 19 year old musician! It is a clear showcase of Mozart's creative abilities. It was dedicated to an aristocratic music lover, baron Durnitz. Most likely ,the young composers was trying to Impress the rich patron in order to get a job from him or some recommendations.
К ,сожалению,Моцарту мало платили ,даже царские особы.
16:20 found a rare Mozart mistake. Forgot to put a treble clef in the 2nd measure. Only noticed because it’s my favorite variation from finale 😊
De una profunda belleza. Exelente interpretación.
Thanks !
Bartje is putting up videos faster than I can keep up lol. What a nice way to start my day...🙂
Who cares
@@MiguelTicona -me? (Xd-
@@MiguelTicona needlessly rude.
@@vilebrequin6923 yah exactly
Waiting for this one!
Genial 👍🏼
Wolfgang Amadeus Mozart:6.D-dúr Zongoraszonáta KV 285
1. Allegro 00:05
2. Rondeau en Polonaise: Andante 05:47
3. Tema con variazioni: Andante 10:52
Ingrid Haebler-zongora
*WONDERFUL！*
ys
The last movement felt like I was watching Mozart improvise.
Wonderful, although such a slightly too fast tempo in the first and last movements does not give the melodic line the needed time to softly penetrate the listener's brain and be deeply internalized.
It is depressing to see how effortlessly Mozart could compose. Also, the urgency in his writing. Clearly, his mind was already at the next piece.
pawelpap9 it really is like he was a conduit for something perfect already formed!
Depressing for whom? Curious wording.
ruclips.net/video/649KlX21LUE/видео.html
Depressing? Thank God, or whatever it was, that allowed him to do it!
@@jimfowler5930 Depressing for the rest of us mere mortals. I believe that Mozart was on another level of genius that no one living today could even dream of achieving.
How to read notes like this?
私が思うにモーツァルトピアノソナタの最高傑作は16番とこの6番です。
👏👌
03:16 bravo!
mvt. 3 10:52 minor variation 18:24
18 24 is variaton VII 7
These early sonatas are totally in the style of J Christian Bach.
Partially. There were several influences in his keyboard works. Joseph Haydn, Michael Haydn (in some slow movements) J.C. Bach, Eckard, Schobert, Clementi and last but not least his father Leopold. But Mozart quickly found his own way which you can easily hear in this Sonata, like the Variations and the first movement of the 4th Sonata.
I don't hear any J.C. Bach in this particular sonata. His influence on Mozart is indisputable, but I don't see it here.
Can I ask if the pianist is using a period copy instrument or modern.?
The recordings vary considerably. Some have little reverb, almost living room quality, but No. 14 for instance sounds like a grand piano on a stage. I am quite sure she is using Steinway grand pianos, probably not the same one in all recordings. Some recordings are ADD some are AAD, you can tell by a slight hiss. No. 11 has that especially.
@@bartjebartmanswow I don't know
23:00
huh
indeed, sublime 11th variation
Is it just me? It feels like hand-written scores are easier and simpler to understand than the computerized ones.
Imagine Salieri reading the score waiting and yearning for a correction, any correction...
Salieri was first of all a teacher and as such he would be delighted to see no corrections at all.
Idiot
21:05 here you have one.
@@peev2 yay
@@bartjebartmans 懶惰的老師 teacher full of laziness
Much better than Glenn Gould's! LOL...
0:06 0:06 0:06 0:06
0:06 0:06 0:06 0:06
0:06 0:06 0:06 0:06
0:06 0:06 0:06 0:06
huh
@@HappymqSylvia You can save 6secs
@@myutoobchgjuelsh2253 wtf -well done- XD
18:25 he must be bored of what he wrote this far and say lets write an holy variation
yep
Кто придумал одновременно с музыкой показывать нотный текст, молодец! Жаль только, что он рукописный...
Жалко? Это почерк Моцарта!!!!
@@bartjebartmans ys
Понятно, что не многие могут это читать легко с листа.😅😅
Рукопись всегда несёт частицу автора.
?????????????????????????????????????????????????????WWWWWWWHHHHHHHHAAAAAAAATTTTT ARE THOSE COMMENTS????
huh
HHHHHHHHHHHHHHHHOOOOOOOOOOOOOOOOWWWWWWWWWW CAN I READ NOTES LIKE TTTHHIIISSS??????????????
By learning to read manuscript scores.
@@bartjebartmans I used to be very bad at it, but once I started to make editions of Liszt’s ms for fun, I got better at reading it, now it’s like second nature 😂